Knowledge (XXG)

Edith Dimock

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160: 439: 172: 418: 397: 334: 355: 376: 141:. She was given the nickname of "Teed", and was the daughter of Ira Dimock, a silk merchant based in Connecticut, and older sister of Stanley, Harold Edwin and Florence Irene Dimock (1889–1962). Dimock developed an interest in art in her childhood and began her education in art in New York in her 20s against the wishes of her parents. On February 16, 1904, she married painter 159: 202:
North. Following the marriage, "she devoted her time and energies to her family." Their son Ira, born in 1907, was a writer who wrote two books about his father. In 1913 Dimock gave birth to their daughter, Lenna, an artist. Lenna and Edith were favored models for William Glackens. From 1911 to 1917,
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was a perfect inducer of eye-strain, and was called "The Antique." One was supposed to work from "The Antique" for two years. The advantage of "The Antique" was that all these gods and athletes were such excellent models: there never was the twitch of an iron-bound muscle. Venus never batted her
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Miss Dimock is not unorthodox at all. She comes to her world very unconventionally, free from pictorial prejudice, and with a purpose which is not complicated by unsettled notions. Her attitude to life is the precise antithesis of the attitude that prevails in this exhibition, where unattached
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painted portraits of the bride and groom. Edith's portrait was started in 1902. In it, she was described as "still a demure socialite from Hartford" by author Bennard Perlman. Until they could find a larger place, they first lived in a one-room apartment in the Sherman Building in
171: 333: 597: 146: 1044: 438: 354: 276:, including William Glackens and James Moore Preston, at Mouquin's and Cafe Francis. Following her marriage in 1904, Dimock continued to sign her works using her maiden name. 375: 417: 396: 245:
In a room innocent of ventilation, the job was to draw Venus (just the head) and her colleagues. We were not allowed to hitch bodies to the heads——yet. The dead white
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and another artist. The three women held weekly open houses and became known as the lively "Sherwood Sisters". The women gathered with male artists from the
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in San Francisco, and the Arts and Crafts Club in New Orleans. The Whitney Studio Club, led by women patrons, held a solo exhibition of Dimock's work.
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sentiment rules and the 'picture instinct' is so much too strong for original observation. Here is an artist with a definite aim, a keen fresh vision.
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Ira Dimock's house on Vanderbilt Hill, Hartford, Connecticut where Edith Dimock was raised and married (built in 1879, razed in 1920)
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in 1911 and 1915. In 1913 she marched in the large suffrage parade in New York, along with a group of other artists.
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on Long Island, where her husband, William Glackens, painted beach scenes. Artists and good friends
1484: 1472: 1400: 1287: 1226: 1166: 1070: 1065: 463: 234: 212: 121:(February 16, 1876 – October 28, 1955) was an American painter. Her work was exhibited at the 1913 96: 1435: 1146: 918: 770:
Seeing and Beyond: Essays on Eighteenth- to Twenty-first Century Art in Honor of Kermit S. Champa
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Seeing and Beyond: Essays on Eighteenth- to Twenty-first Century Art in Honor of Kermit S. Champa
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She made watercolor genre scenes "though charming, often displayed a caustic sense of humor."
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Painting Professionals: Women Artists & the Development of Modern American Art, 1870-1930
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Dictionary of Women Artists: An international dictionary of women artists born before 1900
204: 1211: 184:(1907–8; Chrysler Museum of Art, Norfolk, Virginia). The central figure is Edith Dimock. 1489: 1298: 1282: 1186: 1111: 1096: 311:
Her works were shown in 1908 with seven other painters at the Macbeth Galleries at the
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Ann Lee Morgan Former Visiting Assistant Professor University of Illinois at Chicago.
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She illustrated Grace Van Rensselaer Dwight's children's book of nine short stories,
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never wearied. They were also cheap models and did not have to be paid union rates.
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The Immortal Eight; American Painting from Eakins to the Armory Show (1870-1913).
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All in the Family Paintings and Works on Paper by Members of the Glackens Family.
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Her husband died in 1938. Dimock died October 28, 1955, at her home in Hartford.
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In 1904 her works were shown at the American Water Color Society exhibition:
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often spent the summers there and traveled with the Glackens to Europe.
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William Glackens and the Eight: The Artists Who Freed American Art
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American Women Modernists: The Legacy of Robert Henri, 1910-1945
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American Women Modernists: The Legacy of Robert Henri, 1910-1945
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In 1928 her watercolor Contemporary portraits were shown with
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The Women's Suffrage Movement: A Reference Guide, 1866-1928.
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Women's Culture: American Philanthropy and Art, 1830-1930
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Deborah J. Johnson; David Ogawa; Kermit Swiler Champa.
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Deborah J. Johnson; David Ogawa; Kermit Swiler Champa.
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which was published in 1905 and Kate Forrest Oswell's
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Sweat Shop Girls in the Country, Mother and Daughter
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Hall & Co, Boston, Ma, 1985. 497:List of women artists in the Armory Show 480:California Palace of the Legion of Honor 218:Dimock was an honorary secretary of the 125:in New York. She married fellow artist, 971:Henry Street Settlement, NY 1963 p. 188 547:William Merritt Chase: Portraits in oil 508: 329: 155: 1555:Art Students League of New York alumni 646:. Arcadia Publishing; 1 January 2004. 851:. University of Chicago Press; 1991. 7: 1550:20th-century American women painters 980:Lloyd Goodrich and John I. H. Baur, 803:. Metropolitan Museum of Art; 1992. 701:. Metropolitan Museum of Art; 2009. 545:Ronald G. Pisano; Marjorie Shelley. 319:of 1913, where she showed 8 works, 315:. Dimock exhibited at the New York 264:She then studied with Chase at the 1535:Artists from Hartford, Connecticut 1054:New Woman of the late 19th century 922:. Publishers' Weekly; 1906. p. 82. 874:. Rutgers University Press; 2005. 698:American Impressionism and Realism 678:. Rutgers University Press; 2005. 492:List of artists in the Armory Show 323:, and six paintings, all entitled 40:Portrait of Edith Dimock Glackens, 14: 800:American Drawings and Watercolors 42:ca. 1902–4, Sheldon Museum of Art 993:New York: Praeger, 1961. p. 302. 833:London: UCL Press, 1999. p. 442. 437: 416: 395: 374: 353: 340:Sweat Shop Girls in the Country, 332: 170: 158: 549:. Yale University Press; 2007. 1545:20th-century American painters 773:. Peter Lang; 1 January 2005. 750:. Peter Lang; 1 January 2005. 302:The yellow cat and her friends 149:mansion, originally built for 1: 1301:(Mary Chavelita Dunne Bright) 447: 426: 405: 384: 363: 342: 308:which was published in 1912. 250:hard-boiled egg eye, and the 1440:The Case of Rebellious Susan 983:American Art of Our Century. 476:Minneapolis Institute of Art 1406:The Story of a Modern Woman 919:The Annual American Catalog 237:between 1895 and 1899 with 137:Dimock was born in 1876 in 1571: 1263:Elizabeth Barrett Browning 1132:Jennie Augusta Brownscombe 1540:Painters from Connecticut 1107:Sophie Gengembre Anderson 1061: 900:. UNC Press Books; 2001. 695:Helene Barbara Weinberg. 306:Stories Grandmother Told, 28: 1478:Mrs. Warren's Profession 1177:Wilhelmina Weber Furlong 934:Stories Grandmother Told 1182:Elizabeth Shippen Green 1172:Susan Stuart Frackelton 1005:Making American Culture 198:. They then lived at 3 1358:The Portrait of a Lady 1157:Alice Brown Chittenden 1137:Julia Margaret Cameron 845:Kathleen D. McCarthy. 295: 266:New York School of Art 262: 189:As a wedding present, 1466:The Romance of a Shop 1217:Elizabeth Okie Paxton 1066:19th-century feminism 946:Abraham A. Davidson, 931:Kate Forrest Oswell. 239:William Merritt Chase 139:Hartford, Connecticut 101:William Merritt Chase 66:Hartford, Connecticut 23:Edith Dimock Glackens 1361:(serialized 1880–81) 1334:Alice Freeman Palmer 1232:Jessie Willcox Smith 820:Elizabeth Crawford, 618:Bennard B. Perlman, 445:Mother and Daughter, 151:Cornelius Vanderbilt 1485:George Bernard Shaw 1473:George Bernard Shaw 1401:Ella Hepworth Dixon 1288:Ella Hepworth Dixon 1227:Pamela Colman Smith 1167:Emma Lampert Cooper 1071:First-wave feminism 464:Art Students League 235:Art Students League 233:She studied at the 213:James Moore Preston 97:Art Students League 1436:Henry Arthur Jones 1147:Minerva J. Chapman 1056:(born before 1880) 1002:Patricia Bradley. 989:2021-07-04 at the 955:2009-11-14 at the 937:. Macmillan; 1912. 829:2021-07-04 at the 627:2020-03-14 at the 600:2015-09-23 at the 468:Fogg Museum of Art 1512: 1511: 1457:(serialized 1878) 1365:Elizabeth Barrett 1351:Isabel Archer in 1278:Annie Sophie Cory 1014:978-0-230-10047-3 906:978-0-8078-4971-2 880:978-0-8135-3684-2 857:978-0-226-55583-6 809:978-0-87099-639-9 779:978-0-8204-7084-9 756:978-0-8204-7084-9 733:978-0-19-802955-7 707:978-1-876509-99-6 684:978-0-8135-3684-2 652:978-0-7385-3486-2 640:Wilson H. Faude. 576:978-0-86316-076-9 555:978-0-300-11021-0 533:978-0-8161-8456-9 520:Petteys, Chris, 472:Denver Art Museum 200:Washington Square 116: 115: 62:February 16, 1876 1562: 1412:Gustave Flaubert 1343:Literature about 1302: 1237:Annie Swynnerton 1202:Elizabeth Nourse 1197:Anna Lea Merritt 1162:Elizabeth Coffin 1102:Nina E. 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Index


Robert Henri
Hartford, Connecticut
Art Students League
William Merritt Chase
William Glackens
Armory Show
William Glackens
Hartford, Connecticut
William Glackens
Vanderbilt Hill
Cornelius Vanderbilt
Ira Dimock's house on Vanderbilt Hill, Hartford, Connecticut where Edith Dimock was raised and married (built in 1879, razed in 1920)
William Glackens, The Shoppers (1907–8; Chrysler Museum of Art, Norfolk, Virginia). The central figure is Edith Dimock.
William Glackens
Robert Henri
New York City
Washington Square
Belport
May Preston
James Moore Preston
National Union of Women's Suffrage Societies
Art Students League
William Merritt Chase
plaster of Paris
Discus-thrower
New York School of Art
May Preston
Ashcan School
Ashcan School

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