289:, published in 1925. Blampied wrote: "I generally chose from amongst my various drawings one which would tend to produce a successful plate. I do not trace on to the copper, but copy a few important lines on to the bare metal with litho-chalk. I then sketch over this with an ordinary sewing needle and rub in a little black oil-colour. . . From the first my efforts are to improve on the sketch until I consider the plate finished. . . In very few cases do I touch a plate after the first proof, so the majority have but one state. If I am dissatisfied with either the composition or details, I prefer to start afresh upon another plate rather than make radical alterations."
33:
185:, the capital of the island. Some of his pen and ink sketches of an agricultural show in 1901 were noticed by Mlle Marie Josephine Klintz, a woman who ran a local private art school. She gave the young Blampied his first formal lessons in art and introduced him to watercolours. His caricatures of politicians such as the Constable of St. Helier, Philippe Baudains, during a
634:, a private school. For the next three years after his return to London in April 1927, Blampied designed many prints, mostly using drypoint, dabbled in abstract art during an illness to produce what he called his "Colour symphonies", and produced watercolours and oils for a major exhibition held in May 1929 at the galleries of Alex. Reid and Lefevre.
811:
Blampied held three major exhibitions of his work in Jersey, in 1946, 1951, and 1960 and continued to sell his watercolours and oil paintings in the UK and US, mostly at the annual exhibitions of the Royal
Society of British Artists and through the dealers Annans in Glasgow and Guy Mayer in New York.
774:
in denominations of 6 pence, 1 shilling, 2 shillings, 10 shillings and 1 pound, which were issued in April 1942. The 6d note was designed by
Blampied in such a way that the word six on the reverse incorporated an outsized "X" so that when the note was folded, the result was the resistance symbol
297:
At the end of 1911, while he was developing his skills as an etcher, Blampied decided to try his luck as an independent artist with his own studio. The rapid developments in colour printing and the advertisers of the time were creating a great deal of work for commercial artists for book and magazine
827:
Blampied was a prolific illustrator and over 600 issues of magazines and newspapers have been recorded containing his work between 1905 and 1939. His illustrations appear in around 50 books, and he designed the dust jacket for some 150 other books, mostly novels. He also designed menu cards, loyal
799:
Blampied did not return to London after the war but remained in Jersey, mostly working in oils and watercolours, except for a series of 12 silhouettes he published in 1950 and a few etchings in 1957 and 1958, one for the Print
Collector's Club of the Royal Society of Painter-Etchers and Engravers
459:
Blampied had started to experiment with lithography in 1920, as two lithographs were shown at his first solo exhibition, but they had been transferred to a lithographers' stone from paper, and he wanted to learn how to draw directly onto the stone. Blampied turned to
Archibald Hartrick, a founder
266:
are dated
December 1909, suggesting that he did not begin to learn this technique until the academic year 1909–1910; his teacher at Bolt Court was Walter Seymour. Blampied’s prints were first shown at an exhibition of students' work in March 1914, where his etching of an ox cart was noted by the
650:
When the market for etchings collapsed during the great depression in the early 1930s, Blampied reinvented himself as a cartoonist and caricaturist at an exhibition in 1931 called "Blampied’s
Nonsense Show". This brought out his love of the absurd and led to his only book, obscurely entitled
404:. They had no children. Marianne had acted as his agent for several years before they married, and continued to do so until Edmund's brother John began working as an artist's agent in the 1920s. She was a great support to Blampied in his work and prompted him to travel and see the world.
384:
in London through an introduction from H. Granville Fell, an artist and art editor. The
Leicester Galleries offered Blampied a contract and three prints were shown to the general public in February 1915 in the first of a series of exhibitions of prints called
625:
At the end of 1926 Blampied gave up his work for books and magazines, sold his house and studio in south London, and travelled in southern France and north Africa for about 5 months. Some of his drawings from this period were bought by Martin Hardie for the
522:(edition unknown). Blampied held another major exhibition of his work, also at the Leicester Galleries, in March 1925 where he showed eight etchings, 25 paintings and 18 drawings, but his bronzes do not seem to have been shown at an exhibition until 1929.
416:
was introduced in
Britain in 1916, Blampied returned to Jersey in the autumn of that year to be prepared to be called up for military service. In June 1917 he was classified as not fully fit for active service and was put on guard duties in the
393:, which had been designed in 1913 and transferred to a zinc plate in 1914, was not shown at the Leicester Galleries until November 1916 where, according to a Jersey newspaper of that time, it received a great deal of attention and admiration.
835:
During his career Edmund
Blampied produced some 200 etchings and drypoints, and more than 80 lithographs and lithographic prints, many of which depicted rural life in his beloved island of Jersey. His scenes of collecting seaweed, called
643:
775:"V" for victory. A year later he was asked to design six new postage stamps for the island of ½ d to 3 d, and as a sign of resistance he cleverly incorporated the initials GR in the three penny stamp to display loyalty to King
172:
in the
Channel Islands on 30 March 1886, five days after the death of his father, John Blampied. He was the last of four boys and was brought up by his mother, Elizabeth, a dressmaker and shopkeeper mostly in the Parish of
491:
762:
until its liberation on 9 May 1945. During this period he was unable to remain in contact with publishers and art dealers, and had great trouble obtaining artists' materials. But there were two notable commissions.
753:
was published Blampied had moved from London to Jersey with the intention of settling there. Even though by June 1940 it was clear that the Channel Islands would not be defended from the Germans, Blampied and his
679:. Blampied’s few published portraits are known from this time, although he did not particularly enjoy doing them. From photographs he drew small pencil portraits of authors and actors for a magazine called
542:
While developing his skills as an etcher and lithographer in the early 1920s Blampied continued to work extensively for magazines and contributed hundreds of political cartoons and decorative drawings to
604:
Blampied held his first exhibition of paintings and drawings, rather than prints, at the Leicester Galleries in February 1923 while continuing regularly to exhibit his prints at the annual shows of the
220:(LCC) Scholarship for two years to continue his studies at any LCC art school. Later that year he was selected by the head of the Art School to work part-time on the staff of a national newspaper,
851:, a French language newspaper, considered publishing a booklet of Blampied poems illustrated by the artist himself, but the plans came to nothing. In 1938 two of his poems were set pieces at the
451:
was shown but the copy had been lent, suggesting that all proofs had been sold. His first exhibition of drawings and etchings in the US was held at Kennedy and Company in New York in early 1922.
1696:
1706:
1686:
812:
A large exhibition of his work was held at the John Nelson Bergstrom Art Center and Museum, Neenah, Wisconsin in July 1954. His last exhibition was held at the Barreau Art Gallery of
421:. Although there was a gap in commissions for illustrations while he settled into military life, by early 1918 he had re-established his connections with the Scottish book publishers
340:
in January 1916. He used this diminutive for much of his commercial work for books and magazines, including three children's books for the Edinburgh publisher Thomas Nelson and Sons,
783:
from February 1941 which showed 187 works mostly from the collection of Harold J Baily, an American lawyer who had been a notable patron of Blampied since 1927. The etching
277:(illustration removed) which was reproduced in the Annual Report of Bolt Court in 1914. Blampied later recorded his method of working on zinc for etching and copper for
791:, which Blampied had just managed to have printed and signed before the island was invaded, was issued by the Print Club of Cleveland to coincide with the exhibition.
695:; and he did an etching of the Jersey-born politician, Lord Portsea (Bertram Falle), which was shown at the Royal Academy in 1934. After finishing his work for the
1681:
1711:
478:
1701:
1671:
1190:
664:
903:
1641:
254:
and then perhaps at other newspapers while studying in the evenings at Bolt Court, though very little is known about this period in his life.
1431:
418:
655:. In this period Blampied also published more than 30 humorous lithographs, many of dogs, that are not recorded in either of the catalogues
606:
429:
428:
Blampied quickly re-established himself in London in September 1919 after his return from Jersey and his etchings were acknowledged by the
202:
758:
wife had decided to remain on the island. Jersey was occupied on 1 July 1940 and Blampied was trapped there for almost five years by the
1691:
1661:
805:
983:
943:
759:
486:
465:
526:
672:, Blampied returned to work for magazines in 1933 with a weekly series of illustrations of British life in ink and sepia wash for
1656:
951:
714:
1394:
1382:
1367:
468:, and started evening classes there. His early efforts, as with etching, proved to be very successful, especially a print named
776:
235:
90:
86:
843:
Besides his work in the visual arts, he also amused himself and his friends by writing poetry in Jèrriais, signing himself as
1676:
1646:
995:
692:
189:
brought Blampied to the attention of a businessman named Saumerez James Nicolle who offered to sponsor him at art school in
1636:
915:
804:. In 1948 he designed a postage stamp to celebrate the third anniversary of the liberation of Jersey, and he designed the
1182:
726:
617:, the inventor of the method. Blampied was a member of the Council of both societies for periods between 1924 and 1938.
991:
987:
975:
250:. It is believed that, after finishing full-time studies at Bolt Court in the summer of 1906, he continued to work at
380:
Blampied’s etchings were brought to the attention of the art dealers and publishers Ernest Brown and Phillips of the
436:. He was elevated to the full fellowship a year later. Blampied was elected at the end of what has been called the "
971:
959:
907:
891:
627:
1093:
939:
422:
302:, published in 1911 by Ascherberg, Hopwood and Crew. Blampied quickly gained commissions to provide drawings for
1651:
1567:
238:
at Bolt Court for the final year of his scholarship. There he became friends with the artists and illustrators
819:
Blampied died in Jersey on 26 August 1966, aged 80 years. His ashes were scattered in St Aubin's Bay, Jersey.
1010:, Jerusalem; and in the collections of several other British and American museums and American universities.
1666:
1582:
1490:
1377:
1355:
947:
927:
780:
675:
576:
568:
473:
1203:
1195:
979:
669:
360:
316:
282:
247:
243:
201:
In January 1903, aged 16 years old and barely able to speak English, Blampied left Jersey to study at the
1423:
1218:
999:
923:
911:
688:
564:
217:
181:. He finished parochial school at the age of 14 and went to work in the office of the town architect in
82:
38:
1313:
734:
556:
400:(b Amsterdam 27 August 1887, d Jersey 11 May 1986) who was the sister of Dutch-born artists Joseph and
397:
354:
304:
109:
1631:
1626:
931:
213:
169:
52:
1607:
1601:
1324:
1284:
1262:
1240:
935:
444:
381:
186:
124:, yet he received no formal training in art until he was 15 years old. He was noted mostly for his
70:
1577:
425:, for whom he illustrated many children’s books and annuals during and immediately after the war.
1328:
1288:
1266:
1244:
1038:
955:
895:
883:
786:
1487:
Hall, A. (1999). Edmund Blampied's illustrations for books published by Thomas Nelson and Sons.
571:. The books for T. Fisher Unwin included dust jackets for new impressions in 1923 of eleven of
440:", but there was still a strong market for prints, mainly as an inexpensive investment in art.
1427:
1229:
963:
887:
879:
852:
510:
In 1924, having been inspired by an exhibition at the Leicester Galleries of models in wax by
503:
for its works on paper and Blampied was one of 12 students who were awarded a Gold Medal as a
298:
publishers in London. The first recorded illustration was for a piece of sheet music entitled
209:
1014:
Illustrations and photograph reproduced by kind permission of the Estate of Edmund Blampied.
867:
771:
614:
443:
In October 1920 Blampied held his first solo exhibition of 28 etchings and drypoints at the
401:
239:
227:, which enabled him to earn some extra money. His first published illustrations appeared in
1592:
840:, from the beaches of the island using a horse and cart were, he said, his signature tune.
699:
in 1935 he continue to work for magazines until 1939, mainly doing occasional cartoons for
476:
Salaman included it in 1923 in the first of a long-running series of annual volumes called
120:(30 March 1886 – 26 August 1966) was one of the most eminent artists to come from the
1304:
1214:
1199:
1178:
1158:
1147:
1034:
967:
919:
871:
863:
813:
717:. Later that year he was asked to prepare some new illustrations for a lavish edition of
610:
598:
560:
461:
437:
223:
174:
133:
121:
687:) for the Christmas issue in 1934; he collaborated with his great friend and benefactor
1173:
1064:
1049:
875:
593:
206:
1620:
1075:
1007:
899:
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367:
336:
767:
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684:
631:
433:
413:
216:. After taking a test and submitting some drawings, in May 1904 Blampied won a ÂŁ20
182:
1505:
The History of the Royal Society of Painter-Etchers and Engravers 1880–1930
432:
who elected him an Associate in March 1920 at the same time as the wood engraver
1309:
1132:
1053:
1003:
588:
548:
330:
178:
165:
149:
137:
1413:
A Catalogue Raisonné of Etchings, Drypoints and Lithographs of Edmund Blampied.
489:
submitted two of Blampied’s lithographs with the work of other students to the
525:
482:, which included examples of Blampied’s work each year between 1923 and 1937.
373:
310:
153:
141:
32:
828:
addresses, sheet music, Christmas cards, commercial advertising material and
234:
In September 1905 Blampied transferred from the Lambeth School of Art to the
829:
738:
718:
642:
572:
269:
273:. The first print believed to have been published was an etching entitled
1136:
496:
278:
129:
779:. The only exhibition of his work during the war years was held at the
447:, many of which were prints that had been held back because of the war.
1572:
741:
in the US, and is one of the finest illustrated editions of this book.
263:
145:
125:
1586:
1350:
A Complete Catalogue of the Etchings and Drypoints of Edmund Blampied
859:
and provided illustrations for two poems written by Winter Le Brocq.
755:
492:
Exposition Internationale des Arts DĂ©coratifs et Industriels Modernes
190:
1612:
12 (1929), june, pp. 52-64, in Spanish, with numerous reproductions)
862:
Blampied’s prints, drawings and pictures are in the collections of:
855:. In 1944 he wrote words for an insulting anti-Hitler song entitled
334:, many of which were signed "Blam", a diminutive first recorded in
1597:
641:
524:
511:
132:
published at the height of the print boom in the 1920s during the
691:, a noted portrait artist and fellow-Jerseyman, on a picture of
555:, and continued to design book jackets for publishers including
547:
magazine between 1922 and 1926; he illustrated short stories by
236:
London County Council School of Photo-engraving and Lithography
87:
London County Council School of Photoengraving and Lithography
1610:"La Pluma : Revista Mensual de ciencias, artes y letras
1521:
Edmund Blampied. An Illustrated Life. Companion bibliography
1562:
1392:
Harold J. Baily (1937). Blampied: artist and philosopher.
703:, often featuring two tramps called Horace and George.
1365:
E.L. Allhusen (1926) The etchings of Edmund Blampied.
352:, all published in 1921, and for much of his work for
495:
in Paris, the exhibition that gave rise to the term “
168:
Edmond Bliampid) was born on a farm in the Parish of
1532:
Hall, A. (2011). The bookplates of Edmund Blampied.
529:"An officer and a gentleman", an illustration from
105:
97:
77:
59:
45:
23:
1697:Alumni of the City and Guilds of London Art School
1608:Modernes artistas ingléses: Edmund Blampied (from
1563:The Fine Arts Museums of San Francisco, Imagebase
1549:Vol. I, Nos 32, 33, 34. Jersey: Le Don Balleine.
1360:Modern Masters of Etching No. 10 Edmund Blampied
1707:Members of the Royal Society of British Artists
1024:All published in the UK unless otherwise noted.
583:. Blampied also illustrated a film edition of
1687:Alumni of the Central School of Art and Design
770:led to a request to design bank notes for the
607:Royal Society of Painter Etchers and Engravers
430:Royal Society of Painter-Etchers and Engravers
721:, the rights to which had been bequeathed by
8:
1380:(1932). The lithographs of Edmund Blampied.
1019:Notable books illustrated by Edmund Blampied
1568:The Central St Martins School of Art Museum
1545:Blampied, Edmund (1997). Lé Niolîn Biampi.
966:Art Gallery, Bethlehem, Pennsylvania, USA;
806:first Jersey regional stamp, issued in 1964
464:of lithographers, who was teaching at the
396:On 5 August 1914, Edmund Blampied married
193:, provided he tried to get a scholarship.
31:
20:
1547:Les Nouvelles Chroniques du Don Balleine
1103:by Evelyn Hardy: Thomas Nelson and Sons.
713:In May 1938 Blampied was elected to the
37:A portrait of the artist by his friend,
1583:21 artworks by or after Edmund Blampied
1451:The Jersey Weekly Press and Independent
1443:
1411:Jean Arnold & John Appleby (1996).
1338:by Horace Wyatt. Jersey: Ernest Huelin.
1085:by Amy Whipple: Thomas Nelson and Sons.
904:Scottish National Gallery of Modern Art
472:which caught the eye of the art critic
389:. Blampied's most famous print, called
148:, book illustrator and artist in oils,
1604:, with 6 library catalogue records
1515:
1513:
1155:Trapping Wild Animals in Malay Jungles
613:of British lithographers, named after
514:, Blampied produced his only bronzes:
1507:. London: The Print Collectors' Club.
1191:Travels with a Donkey in the CĂ©vennes
902:and Art Gallery, Greenock, Scotland;
665:Travels with a Donkey in the CĂ©vennes
538:Illustrations for books and magazines
7:
1420:Edmund Blampied. An Illustrated Life
1352:. London: Halton and Truscott Smith.
662:After illustrating a new edition of
1682:Alumni of the Lambeth School of Art
731:Blampied Edition of Peter and Wendy
455:Gold medal at 1925 Paris exposition
423:Thomas Nelson and Sons of Edinburgh
984:Saint Joseph College (Connecticut)
14:
1712:20th-century British male artists
1296:Cours de Francais III. En France
944:Fine Arts Museum of San Francisco
487:Central School of Arts and Crafts
466:Central School of Arts and Crafts
1702:20th-century British printmakers
1672:People from Saint Martin, Jersey
1117:by Blam: Thomas Nelson and Sons.
1110:by Blam: Thomas Nelson and Sons.
952:Herbert F. Johnson Museum of Art
715:Royal Society of British Artists
575:'s famous children’s novels and
1578:Bibliography of Edmund Blampied
1144:Untamed. The Horses of the Wild
1002:, Wellington, New Zealand; the
994:, New Haven, Connecticut, USA;
970:, Amherst, Massachusetts, USA;
760:German Occupation of the island
81:Trinity Parish School, Jersey;
1274:Cours de Francais II. En march
996:Art Gallery of South Australia
978:, Kansas City, Missouri, USA;
1:
1642:20th-century British painters
1252:Cours de Francais I. En route
1072:Two little scamps and a puppy
1037:: Frank and Cecil Palmer and
938:, Wilmington, Delaware, USA;
916:Bowdoin College Museum of Art
1494:vol 27, no 3, 410–425.
727:Great Ormond Street Hospital
579:'s rare second novel called
91:Saint Martin's School of Art
1453:, 21 November 1901, page 7.
1395:Print Collector’s Quarterly
1383:Print Collector’s Quarterly
1368:Print Collector’s Quarterly
1298:by E. Saxelby: Ginn and Co.
1276:by E. Saxelby: Ginn and Co.
1254:by E. Saxelby: Ginn and Co.
998:, Adelaide, Australia; the
992:Yale Center for British Art
988:Santa Barbara Museum of Art
976:Nelson-Atkins Museum of Art
866:, Jersey, Channel Islands;
745:German occupation of Jersey
518:, in an edition of 15, and
1728:
1692:20th-century British poets
1662:British currency designers
1523:. Jersey: Jersey Heritage.
1404:Marguerite Syvret (1986).
1006:, Amsterdam, Netherlands;
972:Metropolitan Museum of Art
960:Indianapolis Museum of Art
908:Boston Museum of Fine Arts
892:Victoria and Albert Museum
683:and an oil of Queen Mary (
628:Victoria and Albert Museum
1478:. London: Seeley Service.
1348:Campbell Dodgson (1926).
1168:: Thomas Nelson and Sons.
1124:: Thomas Nelson and Sons.
1096:: Thomas Nelson and Sons.
1078:: Thomas Nelson and Sons.
1061:The Chronicles of the Imp
940:Detroit Institute of Arts
918:, Brunswick, Maine, USA;
733:was published in 1939 by
387:Modern Masters of Etching
205:, where he was taught by
177:. His first language was
30:
1465:, 17 March 1914, page 5.
1336:Jersey in Jail 1940 - 45
1303:The Blampied edition of
1259:More Hand-picked Howlers
1090:John’s visit to the Farm
1067:: Sampson Low, Marston.
449:Driving home in the rain
391:Driving home in the rain
1657:British stamp designers
1489:Annual Bulletin of the
1415:Jersey: JAB Publishing.
1408:. London: Robin Garton.
948:Heckscher Museum of Art
928:Cleveland Museum of Art
906:, Edinburgh, Scotland;
800:which was shown at the
781:Cleveland Museum of Art
697:Illustrated London News
676:Illustrated London News
479:Fine Prints of the Year
377:between 1916 and 1939.
1593:Jersey in Jail - Video
1474:Lumsden, E.S. (1925).
1314:Hodder & Stoughton
1226:Bottled Trout and Polo
1204:Dodd, Mead and Company
1196:Robert Louis Stevenson
980:Saint Louis Art Museum
914:, Massachusetts, USA;
910:, Massachusetts, USA;
849:La Chronique de Jersey
735:Hodder & Stoughton
670:Robert Louis Stevenson
653:Bottled Trout and Polo
647:
557:Hodder & Stoughton
534:
283:Ernest Stephen Lumsden
1677:Norman-language poets
1647:British male painters
1573:Jersey Heritage Trust
1536:vol. 9, no. 2, 59-61.
1534:The Bookplate Journal
1424:Jersey Heritage Trust
1362:. London: The Studio.
1343:Selected bibliography
1000:Museum of New Zealand
924:Cincinnati Art Museum
912:Boston Public Library
689:John St Helier Lander
645:
591:and a new edition of
553:Hutchinson’s Magazine
551:and other authors in
528:
218:London County Council
203:Lambeth School of Art
83:Lambeth School of Art
39:John St Helier Lander
1637:British illustrators
1503:Newbolt, F. (1930).
1418:Andrew Hall (2010).
1321:Hand-Picked Proverbs
1157:, by Charles Mayer:
932:Dallas Museum of Art
659:(see Bibliography).
638:Blampied as humorist
499:”. The School won a
419:Royal Jersey Militia
262:Blampied’s earliest
248:Robert Charles Peter
231:on 13 January 1905.
170:Saint Martin, Jersey
164:Edmund Blampied (in
53:Saint Martin, Jersey
1602:Library of Congress
1237:Hand-picked Howlers
1211:Albert goes through
1115:The Breezy Farm ABC
1083:Terry and Starshine
990:, California, USA;
946:, California, USA;
936:Delaware Art Museum
559:, Herbert Jenkins,
445:Leicester Galleries
382:Leicester Galleries
350:The Breezy Farm ABC
252:The Daily Chronicle
229:The Daily Chronicle
71:Saint Aubin, Jersey
1476:The Art of Etching
1122:Blam’s Book of Fun
1039:Mitchell Kennerley
986:Art Gallery, USA;
956:Cornell University
896:Walker Art Gallery
884:Fitzwilliam Museum
857:La chanson Hitleur
768:currency in Jersey
729:for Children. The
648:
646:The artist in 1938
535:
355:Pearson's Magazine
342:Blam's Book of Fun
305:Pearson's Magazine
293:Independent artist
287:The Art of Etching
1491:Société Jersiaise
1432:978-0-9562079-2-0
1219:William Heinemann
982:, Missouri, USA;
974:, New York, USA;
964:Lehigh University
958:, New York, USA;
950:, New York, USA;
922:, New York, USA;
898:, Liverpool, UK;
888:Leeds Art Gallery
886:, Cambridge, UK;
880:Courtauld Gallery
853:Jersey Eisteddfod
845:Un Tout-à -travèrs
816:in October 1964.
737:in the UK and by
621:Travel in Tunisia
563:, Eveleigh Nash,
520:Homewards evening
398:Marianne van Abbe
267:correspondent of
136:, but was also a
115:
114:
110:Marianne van Abbé
101:Artist and etcher
1719:
1550:
1543:
1537:
1530:
1524:
1519:Hall, A.(2010).
1517:
1508:
1501:
1495:
1485:
1479:
1472:
1466:
1460:
1454:
1448:
1183:Duckworth and Co
1179:Michael Fairless
868:Ashmolean Museum
772:States of Jersey
751:Peter and Wendy
615:Alois Senefelder
599:Michael Fairless
474:Malcolm Salaman.
408:Military service
402:Salomon van Abbe
322:The Ladies Field
240:Salomon van Abbe
66:
35:
21:
1727:
1726:
1722:
1721:
1720:
1718:
1717:
1716:
1652:British etchers
1617:
1616:
1598:Edmund Blampied
1559:
1554:
1553:
1544:
1540:
1531:
1527:
1518:
1511:
1502:
1498:
1486:
1482:
1473:
1469:
1461:
1457:
1449:
1445:
1440:
1406:Edmund Blampied
1401:(4): 363 - 393.
1378:Malcolm Salaman
1356:Malcolm Salaman
1345:
1305:Peter and Wendy
1228:, by Blampied:
1215:J. B. Priestley
1200:The Bodley Head
1159:T. Fisher Unwin
1148:T. Fisher Unwin
1146:by David Grew:
1035:W. R. Titterton
1021:
968:Mead Art Museum
962:, Indiana, US;
920:Brooklyn Museum
872:British Council
864:Jersey Heritage
825:
797:
747:
711:
708:Peter and Wendy
640:
623:
611:Senefelder Club
565:William Collins
561:T. Fisher Unwin
540:
462:Senefelder Club
457:
438:etching revival
410:
295:
260:
224:Daily Chronicle
214:Thomas McKeggie
199:
175:Trinity, Jersey
162:
134:etching revival
122:Channel Islands
118:Edmund Blampied
73:
68:
64:
55:
50:
41:
26:
25:Edmund Blampied
17:
16:British painter
12:
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1667:Jersey artists
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1557:External links
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1198:: John Lane,
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1057:
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1046:The Money Moon
1042:
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934:, Texas, USA;
876:British Museum
824:
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795:Post-war years
793:
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470:Splash, splash
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1076:Angela Brazil
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925:
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900:McLean Museum
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581:Storm Passage
578:
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558:
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546:
545:The Bystander
537:
532:
531:The Bystander
527:
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516:Kicking horse
513:
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505:collaborateur
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368:The Bystander
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346:The Jolly ABC
343:
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300:Glamour Valse
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244:John Nicolson
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98:Occupation(s)
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49:30 March 1886
48:
44:
40:
34:
29:
22:
19:
1609:
1585: at the
1546:
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1281:Ripe Howlers
1280:
1273:
1258:
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1210:
1189:
1172:
1166:The Zoo Book
1165:
1154:
1143:
1129:Black Beauty
1128:
1121:
1114:
1107:
1100:
1094:Evelyn Sharp
1089:
1082:
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1045:
1030:
1023:
1022:
1013:
1012:
861:
856:
848:
844:
842:
837:
834:
826:
823:Body of work
818:
810:
798:
784:
766:The lack of
765:
750:
749:By the time
748:
730:
723:J. M. Barrie
712:
707:
700:
696:
685:Mary of Teck
680:
673:
663:
661:
656:
652:
649:
632:Eton College
624:
603:
592:
585:Black Beauty
584:
580:
577:James Hilton
552:
544:
541:
530:
519:
515:
509:
504:
500:
490:
485:In 1925 the
484:
477:
469:
458:
448:
442:
434:Gwen Raverat
427:
414:conscription
411:
395:
390:
386:
379:
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366:
359:
353:
349:
345:
341:
335:
329:
325:
321:
315:
309:
303:
299:
296:
286:
285:'s treatise
275:At the wings
274:
268:
261:
251:
233:
228:
221:
200:
183:Saint Helier
163:
156:and bronze.
150:watercolours
142:caricaturist
138:lithographer
117:
116:
65:(1966-08-26)
18:
1632:1966 deaths
1627:1886 births
1310:J.M. Barrie
1133:Anna Sewell
1101:At the Farm
1054:Sampson Low
1004:Rijksmuseum
847:. In 1933,
589:Anna Sewell
549:E.F. Benson
363:'s Magazine
331:The Graphic
160:Early years
154:silhouettes
1621:Categories
1438:References
1422:. Jersey:
1325:Cecil Hunt
1285:Cecil Hunt
1263:Cecil Hunt
1241:Cecil Hunt
1161:(4th imp).
1150:(3rd imp).
1056:, Marston.
894:, London;
882:, London;
878:, London;
874:, London;
870:, Oxford;
830:bookplates
701:The Sketch
501:Grand Prix
374:The Sketch
361:Hutchinson
337:The Tatler
326:The Queen
317:The Sphere
311:The Sketch
197:Art school
146:cartoonist
85:, London;
1463:The Times
1202:, UK and
785:A Jersey
777:George VI
739:Scribners
719:Peter Pan
681:The Queen
573:E. Nesbit
569:Constable
270:The Times
130:drypoints
93:, London.
78:Education
1358:(1926).
1137:Jarrolds
657:raisonné
630:and for
609:and the
497:Art Deco
279:drypoint
264:etchings
179:Jèrriais
166:Jèrriais
126:etchings
1329:Methuen
1289:Methuen
1267:Methuen
1245:Methuen
942:, USA;
533:in 1926
258:Etching
1587:Art UK
1430:
890:, UK;
756:Jewish
371:, and
348:, and
191:London
106:Spouse
1334:1945
1319:1940
1301:1939
1294:1939
1279:1939
1272:1938
1257:1938
1250:1937
1235:1937
1224:1936
1209:1934
1206:, US.
1188:1931
1171:1924
1164:1924
1153:1923
1142:1923
1127:1922
1120:1921
1113:1921
1106:1921
1099:1920
1088:1920
1081:1919
1070:1919
1059:1915
1044:1914
1029:1912
838:vraic
787:vraic
512:Degas
412:When
1589:site
1428:ISBN
1041:, US
789:cart
674:The
567:and
328:and
246:and
222:The
212:and
210:R.A.
128:and
60:Died
46:Born
1600:at
1387:19
1323:by
1308:by
1283:by
1261:by
1239:by
1213:by
1194:by
1177:by
1131:by
1092:by
1074:by
1063:by
1048:by
1033:by
954:at
808:.
725:to
668:by
597:by
587:by
281:in
1623::
1512:^
1426:.
1399:24
1372:13
1327::
1312::
1287::
1265::
1243::
1217::
1181::
1135::
1052::
832:.
601:.
507:.
365:,
358:,
344:,
324:,
320:,
314:,
308:,
242:,
152:,
144:,
140:,
89:;
1331:.
1316:.
1291:.
1269:.
1247:.
1232:.
1221:.
1185:.
1139:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
