Knowledge (XXG)

Edmundo Rivero

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influences, Salgán was too "far out" for the general tango audience) but earned Rivero the respect of avant-garde and jazz musicians. To make ends meet, Rivero also worked in a duo with fellow singer Carlos Bermúdez that recorded tangos in a more commercial vein for the Colombian market.
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in his youth, but Rivero's 1950s recordings, during a period of total dominance by big orchestras, was a bold statement, which forever cemented his identification with the silent masculinity of the countryside, as opposed to the emphasis that "urban" tango put on stories of lost love.
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Having found fame and fortune, Rivero left Troilo in 1950 and started a solo career. For accompaniment, he would alternate between guitar quartets and a full orchestral format for the remainder of his career. The most famous musician to follow Rivero was guitarist
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neighborhood, in the days where tango developed as a dancing phenomenon, but also as an ever more complex music form under the "ABC" of composers/directors Arolas, Bardi, and Cobián. At the same time, the themes of tango lyrics evolved from light-hearted
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from his early days. His maternal great-grandfather, named Lionel, was a British immigrant, and fought against the Pampas tribes in the mid-19th century, being wounded by a spear. From him, Rivero inherited his blond hair and his first name.
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In the sixties, Salgán and Rivero had their revenge, and recorded several tunes together. Rivero also collaborated with other artists, who noted his generosity and his devotion to music. In 1966 he appeared in the film
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By the late 1960s, tango had become mostly "for export", since musicians and audiences were aging and making little progress from the orchestral format of the 1940s and 1950s. many tango fans rejected the music of
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After working as a cover singer in small venues, Rivero got his first radio appearance singing a duet with his sister Eva in Radio Cultura. He spent the early 1930s alternating radio work with dance hall gigs.
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district. His hospitality was enjoyed by many visitors to Buenos Aires, who went to Rivero's club to savor the tango music and dance in its full intensity. Among the recurring visitors were
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Even though Rivero was featured in many Argentine films in the 1930s and 1940s, the early forties were a time of uncertainty for him. Even bandleaders who did hire him (such as
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Rivero learned classic guitar and also trained as a singer; he had a deep bass-baritone voice that was one of his trademarks, together with his huge hands (due to his
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and his followers, but Rivero himself admired Piazzolla, and recorded his creations on more than one occasion. Even major artists had trouble finding venues to play.
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for which Rivero later composed the music, and took to calling Rivero by his forgotten first name, Leonel, a gesture that many friends would imitate.
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Rivero was an icon in Japanese tango circles. He toured Japan in 1968, and got to know many Japanese musicians and dancers. Rivero composed "
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Valdes-Socin H, De Herder WW, Beckers A. The acromegalic voice of Tango: Don Edmundo Rivero. J Endocrinol Invest. 2015 Jul 11.
369:'s 75th birthday concert. In his later years, he delegated the day-to-day operation of the club to his son Edmundo ("Muni"). 325:
Rivero's place was a venue for tango, where musicians knew they would be respected and paid on time. Famed tango lyricist
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In February 2011 it was reported that many artifacts germane to Rivero's legacy were stolen from a warehouse in
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After singing for bandleader José De Caro in 1935, Rivero's qualities attracted José's more famous brother
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Rivero was hospitalized in late 1985, and died from heart failure on January 18, 1986, in Buenos Aires.
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Rivero hosted a TV show in the early seventies, which featured artists from the club (such as
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into more complex stories delving on love and manly honor.
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Fearing for tango's viability, in 1969 Rivero opened
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Index


Tango
Argentine
tango
impresario
Buenos Aires
Valentín Alsina
gauchos
Buenos Aires Province
Belgrano
ribaldry
acromegaly

Julio De Caro
Flores
Humberto Canaro
Horacio Salgán
Bartók
Aníbal Troilo
Homero Manzi
Sur
Roberto Grela
milonga
Carlos Gardel
Buenos Aires, verano 1912
Ástor Piazzolla
San Telmo
Joan Manuel Serrat
Camilo José Cela
Horacio Ferrer

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