Knowledge (XXG)

Edward Matthew Ward

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Towards the end of the 1870s, he began to suffer painful illness and depression. On 10 January 1879, he was found raving on the floor of his dressing room, his throat cut with a razor, shouting "I was mad when I did it; the devil prompted me". Medical help arrived, but he died on 15 January at his
127:, considering their styles distinctly national. Many of his early paintings were set in the eighteenth century and were on Hogarthian subjects. He also painted episodes from seventeenth-century history, influenced by the thinking of his friend the historian 287:(her maiden and married names were the same, but she was no relation); they married secretly in May 1848, shortly before her 16th birthday, after an elopement aided by Ward's friend 477: 522: 542: 357: 128: 532: 362: 547: 512: 502: 298:
She became a notable art teacher after her husband's death and wrote two autobiographical memoirs about their life together. His son,
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home, 3 Queens Villas, in Windsor. The inquest in Windsor on 17 January found that he committed suicide while temporarily insane.
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sides in the Civil War. Ward's paintings depict the opposed figures as if confronting one another across the corridor.
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Ward continued to paint Hogarthian versions of episodes from British history throughout the 1860s, including
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His historical paintings led to Ward's commission to paint eight scenes in the corridor leading into the
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One or more of the preceding sentences incorporates text from a publication now in the
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Self-portrait by Ward, in which he is depicted working on a portrait of one of his daughters
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on the Ward engagement. Henrietta also became a successful painter.
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Antechamber at Whitehall during the Dying Moments of Charles II
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for a prize at Liverpool, leading to much debate at the time.
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The complex history of the decoration is best summarized by
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Portrait of Edward Matthew Ward, c. 1863, by Ernest Edwards
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The Decorations of the New Palace of Westminster 1841-1863
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While a student at the Schools, Ward became a member of
274:. Coloured engraving by E. M. Ward and C. W. Sharpe. 108:, which in 1839 was exhibited at the Royal Academy. 131:. He also painted subjects from the history of the 432: 142:cartoon competition and failed to win a prize. 42:depicting episodes in British history from the 193:In the 1850s Ward came into conflict with the 84:In 1830, he won the "silver palette" from the 8: 523:19th-century painters of historical subjects 478:Profile on Royal Academy of Arts Collections 468:48 artworks by or after Edward Matthew Ward 408: 173:Leicester and Amy Robsart at Cumnor Hall 543:Suicides by sharp instrument in England 375: 373: 327: 335: 333: 331: 268:in the ante-room of Lord Chesterfield 7: 161:(1846), a Hogarthian subject in the 77:. He also illustrated the papers of 533:Alumni of the Royal Academy Schools 283:In 1843, Ward met the 11-year-old 14: 548:19th-century English male artists 340: 16:English muralist and illustrator 272:Chesterfield House, Westminster 189:Opposition to Pre-Raphaelitism 115:, a group of painters, led by 1: 513:19th-century English painters 251:Walker Art Gallery, Liverpool 96:, he became a student at the 318:, under the nickname "Spy". 503:Artists who died by suicide 433:Wellcombe Library Catalogue 564: 129:Thomas Babington Macaulay 423:, 18 January 1879, p. 11 312:, and later the journal 239:Hogarth's Studio in 1739 138:In 1843, he entered the 94:Francis Leggatt Chantrey 73:, written by his uncles 438:14 January 2016 at the 363:Encyclopædia Britannica 275: 206:being led to execution 185: 165: 150: 75:James and Horace Smith 26: 518:English male painters 399:17:1954, pp. 319–358. 263: 171: 156: 148: 140:Palace of Westminster 98:Royal Academy Schools 40:Palace of Westminster 24: 358:Ward, Edward Matthew 233:Later work and death 159:The South Sea Bubble 88:. With support from 302:, became a popular 48:Glorious Revolution 30:Edward Matthew Ward 528:Royal Academicians 452:The Woman in White 276: 186: 166: 151: 106:Cimabue and Giotto 102:Academy of St Luke 70:Rejected Addresses 27: 508:English muralists 306:for the magazine 133:French Revolution 79:Washington Irving 63:Ward was born in 44:English Civil War 555: 455: 450:Wilkie Collins, 448: 442: 430: 424: 418: 412: 406: 400: 377: 368: 367: 346: 344: 343: 337: 243:York Art Gallery 219:House of Commons 204:Charlotte Corday 37: 563: 562: 558: 557: 556: 554: 553: 552: 483: 482: 464: 459: 458: 449: 445: 440:Wayback Machine 431: 427: 419: 415: 407: 403: 389:Journal of the 378: 371: 356:, ed. (1911). " 352: 341: 339: 338: 329: 324: 281: 235: 208:beat Millais's 195:Pre-Raphaelites 191: 86:Society of Arts 61: 56: 33: 17: 12: 11: 5: 561: 559: 551: 550: 545: 540: 538:1870s suicides 535: 530: 525: 520: 515: 510: 505: 500: 495: 485: 484: 481: 480: 475: 463: 462:External links 460: 457: 456: 443: 425: 413: 401: 381:T. S. R. Boase 369: 354:Chisholm, Hugh 326: 325: 323: 320: 289:Wilkie Collins 285:Henrietta Ward 280: 277: 234: 231: 190: 187: 175:(1866), after 60: 57: 55: 52: 15: 13: 10: 9: 6: 4: 3: 2: 560: 549: 546: 544: 541: 539: 536: 534: 531: 529: 526: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 490: 488: 479: 476: 473: 469: 466: 465: 461: 453: 447: 444: 441: 437: 434: 429: 426: 422: 417: 414: 410: 409:Chisholm 1911 405: 402: 398: 396: 392: 386: 382: 376: 374: 370: 365: 364: 359: 355: 350: 349:public domain 336: 334: 332: 328: 321: 319: 317: 316: 311: 310: 305: 301: 296: 294: 290: 286: 278: 273: 269: 267: 262: 258: 254: 252: 248: 244: 240: 232: 230: 228: 227:Parliamentary 224: 220: 215: 213: 212: 207: 205: 200: 197:, especially 196: 188: 184: 183: 178: 174: 170: 164: 160: 155: 147: 143: 141: 136: 134: 130: 126: 122: 118: 114: 109: 107: 103: 99: 95: 91: 87: 82: 80: 76: 72: 71: 66: 58: 53: 51: 49: 45: 41: 36: 31: 23: 19: 470: at the 451: 446: 428: 420: 416: 404: 388: 384: 361: 313: 307: 304:caricaturist 297: 292: 282: 264: 255: 246: 238: 236: 216: 209: 202: 192: 180: 177:Walter Scott 172: 163:Tate Gallery 158: 157:E. M. Ward, 137: 117:Richard Dadd 110: 105: 90:David Wilkie 83: 68: 62: 59:Early career 29: 28: 18: 498:1879 deaths 493:1816 births 309:Vanity Fair 266:Dr. Johnson 487:Categories 397:Institutes 322:References 245:) and the 182:Kenilworth 113:The Clique 421:The Times 395:Courtauld 315:The World 179:'s novel 436:Archived 223:Royalist 104:for his 391:Warburg 351::  249:(1865; 241:(1863; 211:Ophelia 199:Millais 121:Hogarth 65:Pimlico 46:to the 472:Art UK 345:  300:Leslie 279:Family 125:Wilkie 387:, in 293:Basil 270:, in 474:site 393:and 225:and 123:and 92:and 54:Life 360:". 81:. 489:: 383:, 372:^ 330:^ 135:. 50:. 35:RA 32:, 411:.

Index


RA
Palace of Westminster
English Civil War
Glorious Revolution
Pimlico
Rejected Addresses
James and Horace Smith
Washington Irving
Society of Arts
David Wilkie
Francis Leggatt Chantrey
Royal Academy Schools
Academy of St Luke
The Clique
Richard Dadd
Hogarth
Wilkie
Thomas Babington Macaulay
French Revolution
Palace of Westminster


Tate Gallery

Walter Scott
Kenilworth
Pre-Raphaelites
Millais
Charlotte Corday

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