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in 1898 by
Gilbert Imray, a friend of the group. Both state that the group called themselves by this name at the time and that they formed a sketching club. Imray describes the aspirations of some members and explains that at their meetings they would all produce drawings on the same subject and ask
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They have been described as “the first group of
British artists to combine for greater strength and to announce that the great backward-looking tradition of the Academy was not relevant to the requirements of contemporary art”.
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They met together at the end of the 1830s and early 1840s. The group broke up in 1843 when Dadd was incarcerated after murdering his father. The others all became successful members of the
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98:(though O'Neil only became an associate member, not a full member). Their work was supported by the newly founded periodical
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Information about the activities of The Clique derives mainly from the reminiscences of Frith and a short essay published in
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137:. Frith and O'Neil wrote many attacks on Pre-Raphaelite principles. However Egg became a friend and supporter of
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Greysmith, David, ‘’Richard Dadd: The Rock and Castle of
Seclusion’’, London, Studio Vistas, 1973, p.76
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Art in the Age of Queen
Victoria: Treasures from the Royal Academy of Arts Permanent Collection.
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New Haven and London, Yale
University Press/Royal Academy of Arts, London, 1999.
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In the 1860s another group of artists with similar ideas became known as the
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In the 1850s most members of the Clique became inveterate enemies of the
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non-artists such as Imray to judge the merits of the works.
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Portraits of members of the Clique were commissioned by
133:, believing their art to be willfully eccentric and
110:The Clique was characterised by their rejection of
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16:Group of English artists formed in the 1830s
213:London, Andreas Papadakis Publisher, 2001.
44:was a group of English artists formed by
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48:in the late 1830s. Other members were
234:English artist groups and collectives
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190:A Reminiscence of Sixty Years Ago
211:Victorian Figurative Painting.
118:, following the precedents of
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131:Pre-Raphaelite Brotherhood
244:19th century in England
239:19th-century art groups
216:Valentine, Helen, ed.
161:St. John's Wood Clique
114:high art in favour of
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96:Royal Academy of Arts
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146:Patrick Allan-Fraser
58:William Powell Frith
150:Hospitalfield House
139:William Holman Hunt
70:Edward Matthew Ward
62:Henry Nelson O'Neil
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29:, a satire on the
27:The Pre-Raphaelite
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209:Cowling, Mary.
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120:William Hogarth
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100:The Art Journal
87:The Art Journal
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31:Pre-Raphaelites
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116:genre painting
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25:Henry O'Neil,
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124:David Wilkie
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66:John Phillip
50:Augustus Egg
46:Richard Dadd
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194:Art Journal
188:Imray, J.,
135:primitivist
33:painted by
228:Categories
204:Literature
167:References
80:Foundation
42:The Clique
154:Arbroath
112:academic
37:in 1857
35:O'Neil
106:Ideas
148:for
122:and
68:and
152:in
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