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bottle the evening's warmth and bubbling spirits, they would have no trouble raising money to keep their company going." She went on: "It is clear from his choreography that Mr. Morgan knows his way around ballet. The performers were swept gently along in lyrical, ground-hugging waves of dance punctuated by high lifts". Morgan's choreographic skill is praised: "Mr. Morgan knows how to make his dancers look good, giving them plenty of delicate flourishes for their lyrical arms and fleeting emotional details that highlight the performers' engaging way of relating to one another on the stage."
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In 2000, Morgan again impressed
Jennifer Dunning, this time in an open-air performance at Bryant Park, where it poured with rain and the sound failed, but "Then came the magic as Mr. Morgan jumped onto the stage in a solo that looked like an improvised prayer. His long lean body, arms reaching up
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critic
Jennifer Dunning at MorganScott's debut, where the quality of the dancing belied the company's financial situation: "The choreography was attractive and the dancers skillful and persuasive. But what stood out about the new venture was its sheer fun. If Edward Morgan and Daniel Scott could
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In 2007, Morgan and Scott's collaboration ended, and the company was renamed "The EdwardMorgan Ballet" under the direction of Joseph
Alexander. From 2010, the website included a poster (see illustration) showing the image that the company intended to project.
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noted Morgan's performance in 'Trinity' in 1990, with choreographer and dancer Edward
Stierle "teaming up with unforgettable gusto with the lanky, lightning-quick Edward Morgan." Morgan was a director of the Joffrey II from 1995-1997.
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In 1998, Morgan founded the
Joffrey Ballet School Jazz Program, offering children a professional training in dance. In 2000, Morgan and Daniel Scott set up a program to teach ballet to children in the Bronx district of New York.
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wrote that it "showed Morgan to be a dancer of great power and versatility", and that "Morgan's performance gave the borrowed dance-rhetoric superb immediacy". The
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and, pressing into the pelting rain, echoed the long lines of the skyscrapers behind him. The image was unforgettably theatrical yet also poignant."
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In 1997, Morgan and Daniel Scott founded The MorganScott Ballet company; Morgan worked as company director and choreographer. Morgan choreographed
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for ten years. In 1977, he notably performed "Touch Me", a male solo. The solo was revived in 1989, when the
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2010 date in copyright notice on web page headed "The EdwardMorgan Ballet NYC" (
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Edward Morgan And Daniel Scott Donate Time To Teach Bronx Kids Ballet
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New York Times 1998 Debut By Ballet Troupe With Roots In The
Joffrey
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New York Times 2002 Dance Firmly
Committed To Classical Form
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The EdwardMorgan Ballet NYC Formerly The MorganScott Ballet
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Mattingly, Kate (March 2000), "The
Finishing Touch",
338:"Joffrey Ballet's Brief Run Points Out Its Many Gems"
238:"Debut by Ballet Troupe With Roots in the Joffrey"
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34:company with Daniel Scott in 1997; it became The
383:. New York 1 News. May 13, 2005. Archived from
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291:. Joffrey Ballet. 6 January 1977
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479:Categories
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289:"Company"
38:in 2007.
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