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Eduarda
Mansilla was formally trained to be a musician. Growing up in Buenos Aires she had learned to play the piano. This particular aspect of her up bringing was a result of the prevalent social norms of the times, which dictated that people of high social standing be well versed in music. Mansilla
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Her musical training manifested in her writings as well. Music as a subject, its performance, and references to musical instruments are common in her literary works.
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54:. The French language had esteem in Argentina and she had spent time in Paris. She also wrote of her visits to the United States where she sympathized with the
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in 1869. As the title implies the novel was written in French. It concerned bringing order to the
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Between civilization & barbarism: women, nation, and literary culture in modern
Argentina
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Family portrait taken during
Eduarda Mansilla's U.S. visit, 1861.
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even composed music, and had published some of them.
28:Eduarda Damasia Mansilla Ortiz de Rozas de García
156:. University Press of Florida. pp. 55–.
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153:Women in Argentina: Early Travel Narratives
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46:Her first novel under her own name was
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56:Native Americans in the United States
30:(1834–1892) was an Argentine writer.
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253:19th-century Argentine women writers
150:Mónica Szurmuk (1 December 2000).
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248:19th-century Argentine novelists
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177:Garcia-Mansilla Manuel, Rafael.
258:Burials at La Recoleta Cemetery
48:Pablo ou la via dans les pampas
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179:"Eduarda Mansilla and Music"
233:Argentine writers in French
209:(public domain audiobooks)
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123:Francine Masiello (1992).
228:Argentine women novelists
203:Works by Eduarda Mansilla
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23:Eduarda Mansilla in 1875
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
