200:
22:
723:
711:
322:
which she first performed at the
Metropolitan Opera House in December 1905. That was the only soprano role she sang on the Met Stage However, after leaving the Met in 1906 to return to Europe, she added more soprano roles to her stage credits. Walker had already been performing periodically as a
86:
in 1884 and continued to be active as a soloist at her church. After teaching for several years, she entered and won a singing competition which provided her with a scholarship enabling her to study singing in Europe. She arrived in
Dresden, Germany, in 1891 where she became a pupil of
218:. Having broken her contract with the influential Vienna opera house, she found it impossible to gain a permanent position with another German or Austrian theatre under such circumstances. She therefore returned to the United States and signed a contract with the
327:(HSO) since 1903, and upon her return to Europe she signed a contract with that company. She remained with the HSO through 1912 performing both mezzo and soprano roles. Among the soprano parts she performed there were Isolde in
50:
parts to her repertoire as well. She performed in
Italian and French language operas, but had a clear affinity for works in the German language. She particularly excelled in the operas of
391:
was in attendance and, impressed with her performance, the emperor made a point of having Walker presented to him. From 1912 until 1917 she sang annually at the Munich
Festivals with the
352:. That same year she had a major triumph as Isolde at Covent Garden. She returned to the Royal Opera House in 1910 to portray the title role in the critically acclaimed UK premiere of
803:
147:
in London, singing the role of
Amneris on 16 May 1900. She sang several more roles at Covent Garden in 1900–1901, all of them from the Wagnerian repertoire, including Erda in
384:
793:
788:
380:
78:, Walker had her initial musical training at her church in her native town where she sang in the choir and began performing solos at the age of 14. Her family moved to
768:
433:
where she taught through 1936. She then moved back to New York City where she continued to teach until her death 14 years later. Among her notable pupils were
302:
758:
778:
798:
783:
430:
223:
143:
While under contract in Vienna, Walker made guest appearances with other
European theatres. She made her first appearance in the UK at the
120:
where she was a leading mezzo-soprano with the company for eight seasons. She notably sang the role of
Magdalena in the Vienna premiere of
763:
515:
753:
495:
773:
42:
singer who had an active international career from the 1890s through the 1910s. She began her career performing roles from the
525:
479:
630:
701:
687:
92:
318:
While on contract with the Met, Walker began adding soprano roles to her repertoire, beginning with BrĂĽnnhilde in
21:
658:"Edyth Walker, 79, Soprano, Is Dead: Voice Teacher Who Sang at Metropolitan, 1903–06, Also Appeared in Germany"
199:
585:
487:
311:
243:
178:
657:
608:
214:
At the close of the 1902–1903 season, Walker left her position in Vienna abruptly after a dispute with
173:
63:
748:
743:
683:
392:
372:
257:(as Prince Orlofsky). She portrayed mainly mezzo-soprano parts at the Met like Brangäne in Wagner's
324:
269:
264:
665:
639:
404:
329:
259:
219:
117:
103:
75:
521:
491:
349:
248:
238:
188:
167:
149:
144:
130:
in 1896. She was also much admired in Vienna for her interpretation of the role of
Amneris in
107:
83:
59:
715:
635:
Premiere: Many
Members of Royalty in London Audience at Strauss's Opera – A Popular Success"
126:
358:
353:
441:. She died at her home in New York City in 1950 at the age of 82 after a brief illness.
237:
She sang at the Met for three seasons, notably appearing in the Met's first stagings of
438:
409:
363:
341:
286:
281:
253:
227:
155:
131:
121:
112:
79:
51:
737:
426:
396:
306:
297:
291:
231:
215:
161:
102:
in
Leipzig in 1892. She made her professional opera debut on 11 November 1894 at the
88:
55:
43:
727:
511:
422:
183:
434:
429:
where she taught out of a private studio. In 1933 she joined the faculty at the
367:
275:
407:, among others. Her final performances were singing various roles in Wagner's
400:
388:
99:
548:
475:
335:
58:
in both France and the United States. Her voice is preserved on several
47:
722:
692:
425:, Holland until 1919 when she moved to Paris. She worked there as a
315:
for an out of town engagement in San Francisco on April 16, 1906.
198:
39:
20:
136:
98:
Walker made her professional debut as a concert singer at the
348:
In 1908 Walker sang the roles of Ortrud and Kundry at the
517:
Women in World History : A Biographical Encyclopedia
421:
After her retirement from the stage, Walker resided in
699:
305:
with the Metropolitan Opera was in the title role of
54:. After retiring from the stage, she was active as a
38:(March 27, 1867 – February 19, 1950) was an American
381:William Ernest, Grand Duke of Saxe-Weimar-Eisenach
395:. She made appearances as a guest artist at the
116:. The following year she became a member of the
46:repertory, but later successfully added several
226:on November 30, 1903 as Amneris to the Aida of
177:. In 1901 she portrayed the role of Elvira in
8:
222:of New York City. She made her debut at the
804:Academic staff of the American Conservatory
514:, ed. (2002). "Walker, Edyth (1867–1950)".
379:That same year she sang at the wedding of
794:20th-century American women opera singers
789:19th-century American women opera singers
195:Metropolitan Opera years and later career
580:
578:
576:
574:
572:
570:
706:
470:
468:
466:
464:
462:
460:
458:
456:
454:
450:
431:American Conservatory in Fontainebleau
652:
650:
603:
601:
599:
7:
769:People from Ontario County, New York
686:, recording from the archive of the
366:, and to sing the part of Thirza in
385:Princess Feodora of Saxe-Meiningen
14:
91:. She later studied singing with
16:American opera singer (1867–1950)
759:American operatic mezzo-sopranos
721:
709:
482:. In Laura Williams Macy (ed.).
779:20th-century American actresses
484:The Grove Book of Opera Singers
301:, and Waltraute. Her final and
799:American women music educators
784:People from Hopewell, New York
1:
204:
26:
619:. April 16, 1906. CID:37650.
263:, Erda, Fricka, La Cieca in
62:recordings, made mainly for
690:: ("Arie des Adriano" from
617:Metropolitan Opera Archives
82:, where she graduated from
820:
764:American operatic sopranos
590:www.isoldes-liebestod.info
203:Edyth Walker in New York (
66:, between 1902 and 1908.
754:American stage actresses
478:; Harold Barnes (2008).
339:, and the title role in
224:Metropolitan Opera House
25:Edyth Walker in Vienna,
774:American voice teachers
488:Oxford University Press
247:(as Maffio Orsini) and
179:Wolfgang Amadeus Mozart
555:. Capital Arts Complex
553:Rome Arts Hall of Fame
520:. Vol. 17. Gale.
413:at Elberfeld in 1918.
323:guest artist with the
211:
32:
202:
70:Early life and career
24:
669:. February 26, 1950.
643:. February 20, 1910.
611:Die Königin von Saba
393:Bavarian State Opera
312:Die Königin von Saba
285:, Ortrud, Siebel in
631:"King and Queen At
417:Post singing career
362:under the baton of
325:Hamburg State Opera
265:Amilcare Ponchielli
230:and the Radamès of
171:, and Waltraute in
688:Austrian Mediathek
666:The New York Times
640:The New York Times
405:Prague State Opera
364:Sir Thomas Beecham
330:Tristan und Isolde
260:Tristan und Isolde
220:Metropolitan Opera
212:
118:Vienna State Opera
104:Berlin State Opera
76:Hopewell, New York
64:His Master's Voice
33:
486:. New York City:
389:Kaiser Wilhelm II
350:Bayreuth Festival
303:108th performance
249:Johann Strauss II
239:Gaetano Donizetti
189:Salzburg Festival
153:, Fricka in both
145:Royal Opera House
108:Giacomo Meyerbeer
84:Rome Free Academy
811:
726:
725:
714:
713:
712:
705:
671:
670:
662:
654:
645:
644:
627:
621:
620:
605:
594:
593:
582:
565:
564:
562:
560:
549:"2015 Inductees"
545:
539:
538:
536:
534:
508:
502:
501:
472:
209:
206:
127:Der Evangelimann
31:
28:
819:
818:
814:
813:
812:
810:
809:
808:
734:
733:
732:
720:
710:
708:
700:
680:
675:
674:
660:
656:
655:
648:
629:
628:
624:
607:
606:
597:
584:
583:
568:
558:
556:
547:
546:
542:
532:
530:
528:
510:
509:
505:
498:
490:. p. 528.
474:
473:
452:
447:
419:
354:Richard Strauss
244:Lucrezia Borgia
207:
197:
174:Götterdämmerung
93:Marianne Brandt
72:
29:
17:
12:
11:
5:
817:
815:
807:
806:
801:
796:
791:
786:
781:
776:
771:
766:
761:
756:
751:
746:
736:
735:
731:
730:
718:
698:
697:
679:
678:External links
676:
673:
672:
646:
622:
595:
586:"Edyth Walker"
566:
540:
526:
503:
496:
480:"Edyth Walker"
449:
448:
446:
443:
439:Blanche Thebom
418:
415:
410:The Ring Cycle
287:Charles Gounod
254:Die Fledermaus
228:Johanna Gadski
196:
193:
132:Giuseppe Verdi
122:Wilhelm Kienzl
80:Rome, New York
71:
68:
52:Richard Wagner
15:
13:
10:
9:
6:
4:
3:
2:
816:
805:
802:
800:
797:
795:
792:
790:
787:
785:
782:
780:
777:
775:
772:
770:
767:
765:
762:
760:
757:
755:
752:
750:
747:
745:
742:
741:
739:
729:
724:
719:
717:
707:
703:
695:
694:
689:
685:
682:
681:
677:
668:
667:
659:
653:
651:
647:
642:
641:
636:
634:
626:
623:
618:
614:
612:
604:
602:
600:
596:
591:
587:
581:
579:
577:
575:
573:
571:
567:
554:
550:
544:
541:
529:
523:
519:
518:
513:
512:Commire, Anne
507:
504:
499:
497:9780195337655
493:
489:
485:
481:
477:
471:
469:
467:
465:
463:
461:
459:
457:
455:
451:
444:
442:
440:
436:
432:
428:
427:voice teacher
424:
416:
414:
412:
411:
406:
402:
398:
397:Cologne Opera
394:
390:
386:
382:
377:
375:
374:
369:
365:
361:
360:
355:
351:
346:
344:
343:
338:
337:
332:
331:
326:
321:
316:
314:
313:
308:
307:Karl Goldmark
304:
300:
299:
298:Les Huguenots
294:
293:
288:
284:
283:
278:
277:
273:, Leonora in
272:
271:
266:
262:
261:
256:
255:
250:
246:
245:
240:
235:
233:
232:Enrico Caruso
229:
225:
221:
217:
216:Gustav Mahler
201:
194:
192:
190:
186:
185:
180:
176:
175:
170:
169:
164:
163:
162:Das Rheingold
158:
157:
152:
151:
146:
141:
139:
138:
133:
129:
128:
123:
119:
115:
114:
109:
105:
101:
96:
94:
90:
89:Aglaia Orgeni
85:
81:
77:
69:
67:
65:
61:
57:
56:voice teacher
53:
49:
45:
44:mezzo-soprano
41:
37:
23:
19:
691:
684:Edyth Walker
664:
638:
632:
625:
616:
610:
589:
557:. Retrieved
552:
543:
531:. Retrieved
516:
506:
483:
423:Scheveningen
420:
408:
378:
373:The Wreckers
371:
357:
347:
340:
334:
333:, Kundry in
328:
319:
317:
310:
296:
295:, Urbain in
290:
280:
274:
268:
258:
252:
242:
236:
213:
184:Don Giovanni
182:
172:
166:
165:, Ortrud in
160:
154:
148:
142:
135:
125:
111:
106:as Fidès in
97:
73:
36:Edyth Walker
35:
34:
18:
749:1950 deaths
744:1867 births
435:Irene Dalis
368:Ethel Smyth
320:Die WalkĂĽre
279:, Nancy in
276:La favorita
270:La Gioconda
208: 1905
156:Die WalkĂĽre
113:Le prophète
95:in Vienna.
30: 1895
738:Categories
527:078764076X
445:References
401:La Monnaie
100:Gewandhaus
60:gramophone
716:Biography
476:Eric Blom
168:Lohengrin
150:Siegfried
559:June 21,
533:June 21,
403:and the
336:Parsifal
74:Born in
702:Portals
633:Elektra
359:Elektra
187:at the
48:soprano
693:Rienzi
524:
494:
342:Salome
282:Martha
728:Opera
661:(PDF)
292:Faust
40:opera
561:2018
535:2018
522:ISBN
492:ISBN
437:and
383:and
159:and
137:Aida
370:'s
309:'s
289:'s
267:'s
251:'s
241:'s
181:'s
134:'s
124:'s
110:'s
740::
663:.
649:^
637:.
615:.
598:^
588:.
569:^
551:.
453:^
399:,
387:.
376:.
356:'
345:.
234:.
205:c.
191:.
140:.
27:c.
704::
696:)
613:"
609:"
592:.
563:.
537:.
500:.
210:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.