344:, just off Third Avenue.... he only comic books being started were all reprinting daily newspaper comic strips, adventure strips, and it suddenly hit me, out of the blue, that they would run out of a supply of these strips very soon, and then there'll be an opportunity to sell original material, drawn especially for these comic books. So we had lunch at this little beanery, and I told Jerry Iger about this idea and said I'd like to form a company with him and we'd produce the original art for these comic books. He was 13 years older than me, and I figured he was mature, and so he could handle the sales.... Iger said, 'Frankly, it's going to take money, and I don't have any money.... I had $ 15 that I'd just gotten for a commercial job. And I knew about a little building on 41st Street just off Madison Avenue ... that rented rooms, offices, for something like $ 5 or $ 10 a month. No lease. They usually rented them to bookies, little one-room things. So I told Jerry, 'I'll put up the dough. And I'll do all the art, and all you have to do is go out and sell it.' We made a deal, shook hands. We agreed to form a corporation – Eisner and Iger, my name first because I was the big money man. (laughs)
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do about that'. And Iger said he'd go with that. So we hired two salesmen, two hotshot salesmen – Rilley and Begg. I don't remember their first names, but they were fast-talking hotshots. The idea was that they would go into these small-town newspapers and sell them a page of our comic strips. The last panel of each strip was blank," to leave space for advertising.
387:
mid-1938 only to buy him out in 1940 when Will was drafted into the Army to do military posters. (Will had become so accomplished – and so expensive! – as a free-lance artist, that the only way I could afford his services was to make him a partner.) After 'Eisner & Iger, Ltd.' was dissolved, I returned to publishing as 'Phoenix
Features'.
386:
and Will Eisner.... Will was working for me doing 'Hawk of the Seas' and 'ZX-5'. He also did sports drawings that I syndicated with my other materials throughout the U.S. ... Universal
Phoenix Features had gone into a "holding pattern" because I had gone into a brief partnership with Will Eisner in
330:
prompted him to suggest that he and the out-of-work Iger form a partnership to produce new comics, anticipating that the well of available reprints would soon run dry. He said that in late 1936, the two formed Eisner & Iger, one of the first comics packagers. Iger was 32; Eisner claimed to be 25
1302:
Per Eisner's recollection, Universal
Phoenix Syndicate "started as a way of selling comic strips to small local newspapers along the East Coast. A lot of small papers had no way of getting comic strips if they were in the same territory as a big metropolitan paper.... I said, 'Let's see what we can
498:, and others. By 1939, the firm had 15 writers, artists and letterers on staff, according to Eisner: "They were working for me full-time, on salary. I tried to avoid dealing with freelancers on a per-page basis", (although future industry veteran
457:
newspapers with comics strips, cooking features and other material in exchange for ad space that he would in turn sell to U.S. companies. After expanding to other countries, Editors Press
Service had a British client, the magazine
381:
Back in 1937, I had been producing a lot of material under my own banner, 'Universal
Phoenix Features'. In my shop were some wonderful artists, many of whom worked free-lance on an 'as needed' basis. Included were such names as
356:
the comics. Through Eisner's use of pseudonyms, including "Willis Rensie" ("Eisner" spelled backward) and "Erwin" (his middle name), the company gave the impression of being larger than it was.
2028:
2018:
1445:
Amash, Jim (May 2005). "I Always Felt
Storytelling was as Important as the Artwork: Will Eisner Talks About Quality Comics, Eisner & Iger, The Spirit—and Other Stuff".
1568:
1988:
2023:
277:, adding color to black-and-white daily comics. By 1935, sporadic new material was beginning to be created for them. One such seminal comic book, Henle Publications'
2013:
2008:
348:
Renting a one-room office on East 41st Street in
Manhattan for $ 5 a month (the first three months' rent fronted by Eisner, who'd just been paid for a one-time
352:
job for a product called Gre-Solvent), Eisner & Iger began, with the former as the sole writing and art staff and the latter handling sales and also
1993:
1433:
folded in 1937, Eisner put up his talent and $ 35 to form a partnership with Jerry Iger. They opened an office on
Madison Avenue and 53rd Street....
453:. Joshua B. Powers, reportedly a former U.S. government agent whose beat was South America, had founded the company when he retired, and provided
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that produced comics on demand for publishers entering the new medium during the late-1930s and 1940s, a period fans and historians call the
1935:
865:. From 1947 to 1954, the Iger Studio packaged comics for the Canadian publisher Superior, and from 1954 to 1958, it packaged material for
2003:
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The origin of the Eisner and Iger Studio has been recounted by its in highly different ways, each given below, in alphabetical order.
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as an editor in 1940. Ruthe was elevated to partner in 1945, with some sources claiming the studio then became known as the
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Notable creators associated with Eisner & Iger and the S. M. Iger Studio (and the years they worked for the company):
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called his early work in the Eisner & Iger office freelance). Other future luminaries who worked there included
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Turning a profit of $ 1.50 a page, Eisner claimed, "I got very rich before I was 22", later detailing that in
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A fictionalized account of Eisner's time with the company is depicted in Eisner's largely autobiographical
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1939, for example, he and Iger "had split $ 25,000 between us", a considerable amount for the time.
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However, it was structured, the firm grew to be one of the most successful and influential
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After Eisner left in late 1939/early 1940, Iger would continue to package comics as the
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in 1940, but rather in 1942. Eisner, however, did leave the firm in 1940 to produce
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also worked for the studio, presumably getting a foot in the door thanks to Roche.
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A number of notable creators stayed on at the company after Eisner left, including
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1827:. Vol. 3, no. 9. Raleigh, North Carolina: TwoMorrows Publishing.
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The Ten-Cent Plague: The Great Comic-Book Scare and How It
Changed America
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We met on 43rd Street opposite the printing plant of the New York
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Men of
Tomorrow: Geeks, Gangsters and the Birth of the Comic Book
1283:
Men of Tomorrow: Geeks, Gangsters and the Birth of the Comic Book
798:. Other creators who packaged comics for the Iger Studio include
1936:
Collectors Society forum: "Short-Lived Titles of the Golden Age"
861:
From 1946 to 1950, the studio packaged "Pre-Trend" material for
265:
Eisner & Iger was formed to service the emerging market for
303:– who wrote and drew the adventure feature "Scott Dalton", the
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Mercer, Marilyn. "The Only Real Middle-Class Crimefighter."
211:, many of comic books' most significant creators, including
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1956, and co-owner of Ajax-Farrell from 1946 to 1958.)
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gives an Eisner-like account with different details.
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Its first client, made through Iger's connections at
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1957:
1666:"Must Read: Women Who Conquered the Comics World"
1331:. Who's Who of American Comic Books, 1928–1999.
490:Eisner & Iger created material as well for
379:
336:
257:. The S. M. Iger Studio operated through 1961.
299:and some of the earliest and most influential
1715:Who's Who of American Comics Books, 1928–1999
1531:. No. 249. December 2002. Archived from
873:, Iger was co-owner of Superior from 1945 to
269:, which had originated in the early 1930s as
8:
1740:Who's Who of American Comic Books, 1928–1999
1641:Who's Who of American Comic Books, 1928–1999
549:
21:
2029:Mass media companies disestablished in 1939
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2019:1939 disestablishments in New York (state)
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281:was published by John Henle and edited by
273:-sized magazines that reprinted newspaper
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1989:Publishing companies established in 1936
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253:, eventually bringing on a new partner,
2024:Design companies disestablished in 1939
1944:, The Holloway Pages (fan site), 2000.
1863:from the original on December 23, 2010.
1340:
1338:
1316:
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1931:from the original on October 30, 2009.
1909:Wildwood Cemetery: The Spirit Database
1831:from the original on November 29, 2010
7:
2014:1936 establishments in New York City
2009:Design companies established in 1936
1853:"Excerpts from Chic Stone interview"
1885:from the original on March 8, 2016.
1769:(Farrar, Straus and Giroux, 2008),
1619:#3 (Kitchen Sink Press, Sept. 1992)
326:According to Eisner, the demise of
1327:Bails, Jerry; Ware, Hames (eds.).
14:
1925:"Rare Eisner: Making of a Genius"
1602:), January 9, 1966; reprinted in
871:Who's Who of American Comic Books
218:The company, formally titled the
1994:Companies based in New York City
1523:"The Shop System I: Will Eisner"
1425:The Steranko History of Comics 2
1291:The Steranko History of Comics 2
880:The studio operated until 1961.
420:(which supplied the contents of
1851:Cassar, James (February 1997).
224:Syndicated Features Corporation
34:Syndicated Features Corporation
1427:. Supergraphics. p. 112.
377:In a 1985 account, Iger said:
234:, the company also sold color
1:
1942:"Sheena, Queen of the Jungle"
1819:"I Didn't Stay In One Place!"
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469:. That much-imitated "female
408:Company history and influence
331:so as not to scare Iger off.
307:feature "The Flame", and the
1960:Will Eisner: A Spirited Life
1617:The Spirit: The Origin Years
834:. Female artists Toni Blum,
564:Phoenix Features Corporation
1817:Tuska, George (July 2001).
1554:"Interview with Jerry Iger"
1285:favors the Eisner account.
283:Samuel Maxwell "Jerry" Iger
2045:
2004:Golden Age comics creators
1606:No. 48 (May 2005), pp. 4–6
1476:, New York, 2008), p. 49.
311:feature "Harry Karry" for
240:Adventures of the Red Mask
1927:. Comicartville Library.
1915:February 7, 2011, at the
1499:W.W. Norton & Company
1474:W.W. Norton & Company
1451:. No. 48. p. 7.
1354:. No. 16. June 1997.
438:) and the quirkily named
201:Golden Age of Comic Books
1736:"Eisner and Iger Studio"
1559:October 1, 2012, at the
1329:"Eisner and Iger Studio"
1250:Everett M. "Busy" Arnold
552:a.k.a. Roche-Iger Studio
293:– the future creator of
1684:"Superior: 1945 - 1956"
1599:New York Herald Tribune
1403:; 2005 trade paperback
640:Comics for "Pre-Trend"
285:, a former cartoonist.
228:Art Syndication Company
1956:Andelman, Bob (2005).
1664:(September 19, 2014).
869:titles. (According to
580:Eisner and Iger Studio
389:
346:
220:Eisner and Iger Studio
22:Eisner and Iger Studio
1948:June 5, 2011, at the
1923:Quattro, Ken (2003).
1881:. December 14, 2007.
1689:Grand Comics Database
1565:Cubic Zirconia Reader
1493:Eisner, Will (2008).
1374:Grand Comics Database
1369:Wow, What a Magazine!
451:Editors Press Service
426:No. 1, including the
334:As Eisner recounted,
279:Wow, What a Magazine!
123:Editors Press Service
1904:Lambiek Comiclopedia
1879:Lambiek Comiclopedia
1857:Jack Kirby Collector
1793:Lambiek Comiclopedia
1596:(Sunday supplement,
1468:," in Eisner, Will,
1351:Jack Kirby Collector
267:American comic books
222:, was also known as
79:late 1939/early 1940
50:late 1936/early 1937
1940:Holloway, Clark J.
1569:WebCitation archive
644:, Superior Comics,
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322:Will Eisner account
197:comic book packager
23:
16:Comic book packager
1528:The Comics Journal
1464:. "Annotations to
1346:"Eisner interview"
373:Jerry Iger account
230:". In addition to
1775:978-0-374-18767-5
1508:978-0-393-32808-0
1482:978-0-393-32808-0
1255:Harry "A" Chesler
1136:(1942, 1946–1952)
1021:S. M. Iger Studio
892:Eisner & Iger
761:Roche-Iger Studio
753:S. M. Iger Studio
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550:S. M. Iger Studio
545:S. M. Iger Studio
440:Harry "A" Chesler
394:: Eisner was not
251:S. M. Iger Studio
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1421:Steranko, Jim
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1409:0-465-03657-0
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1401:0-465-03656-2
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905:Bernard Baily
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837:
836:Nina Albright
833:
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423:Marvel Comics
419:
418:Funnies, Inc.
415:
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41:
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1869:
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1833:. Retrieved
1822:
1797:. Retrieved
1791:
1782:
1766:
1763:Hajdu, David
1743:. Retrieved
1739:
1730:
1718:. Retrieved
1714:
1711:"S. M. Iger"
1705:
1693:. Retrieved
1687:
1678:
1669:
1656:
1644:. Retrieved
1640:
1616:
1611:
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1597:
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1564:
1549:
1537:. Retrieved
1533:the original
1526:
1517:
1497:. New York:
1494:
1488:
1469:
1465:
1457:
1446:
1440:
1430:
1428:
1424:
1415:
1395:; hardcover
1390:
1381:
1368:
1349:
1298:
1290:
1287:Jim Steranko
1282:
1279:Gerard Jones
1274:
1260:Funnies Inc.
1236:George Tuska
1224:Jerry Siegel
1100:Al Feldstein
1074:John Celardo
1052:Ann Brewster
1007:George Tuska
923:Dick Briefer
887:
879:
870:
867:Ajax-Farrell
860:
844:Ann Brewster
832:Jerry Siegel
804:Al Feldstein
796:George Tuska
765:
760:
752:
746:
744:
738:George Tuska
734:Jerry Siegel
698:Al Feldstein
686:Ann Brewster
646:Ajax-Farrell
611:Headquarters
569:Company type
536:
516:Dick Briefer
489:
484:Jumbo Comics
482:
459:
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364:
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294:
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278:
275:comic strips
264:
250:
248:
243:
239:
236:comic strips
227:
223:
219:
217:
192:
191:
177:Dick Briefer
128:Jumbo Comics
126:
92:Headquarters
39:Company type
18:
1539:October 26,
1495:The Dreamer
1470:The Dreamer
1466:The Dreamer
1238:(1940–1941)
1232:(1950–1953)
1230:Sal Trapani
1220:(1941–1942)
1208:(1940–1943)
1202:(1940–1941)
1200:Al Plastino
1196:(1949–1950)
1190:(1940–1941)
1184:(1940–1942)
1178:(1942–1943)
1172:(1940–1942)
1166:(1941–1943)
1124:(1951–1952)
1106:Al Gabriele
1102:(1941–1948)
1076:(1940–1941)
1070:(1940–1941)
1064:(1940–1942)
1048:(1940–1942)
1042:(1940-1942)
1036:(1944–1948)
1030:(1943–1944)
997:(1938–1939)
985:(1938–1939)
983:Mort Meskin
979:(1937–1938)
973:(1937–1938)
961:(1938–1939)
949:(1937–1939)
947:Will Eisner
925:(1937–1939)
919:(1938–1939)
913:(1938–1939)
907:(1937–1939)
901:(1938–1939)
848:Fran Hopper
830:co-creator
820:Al Plastino
722:Al Plastino
577:Predecessor
475:Mort Meskin
442:'s studio.
432:Sub-Mariner
428:Human Torch
384:Mort Meskin
366:The Dreamer
291:Will Eisner
232:comic books
205:Will Eisner
121:Comics for
62:Will Eisner
1983:Categories
1900:Jerry Iger
1835:January 5,
1311:References
1206:Bob Powell
1194:Don Perlin
1170:Jim Mooney
1154:Joe Kubert
1134:Jack Kamen
1112:1941–1942)
1090:Myron Fass
1062:Nick Cardy
1058:1944–1948)
1034:Matt Baker
1013:Chic Stone
995:Bob Powell
977:Jack Kirby
929:Nick Cardy
852:Lily Renée
816:Joe Kubert
812:Jack Kamen
800:Matt Baker
792:Bob Powell
776:Nick Cardy
757:Ruth Roche
748:The Spirit
726:Bob Powell
714:Joe Kubert
710:Jack Kamen
690:Nick Cardy
674:Matt Baker
631:Ruch Roche
626:Key people
597:Jerry Iger
559:Trade name
520:Bob Powell
500:Jack Kirby
492:Fox Comics
416:— joining
401:The Spirit
341:Daily News
296:The Spirit
255:Ruth Roche
238:, such as
213:Jack Kirby
209:Jerry Iger
181:Bob Powell
161:Jack Kirby
137:Fox Comics
112:Ruth Roche
107:Key people
67:Jerry Iger
29:Trade name
1849:Stone in
1824:Alter Ego
1799:March 17,
1745:March 25,
1720:March 26,
1695:March 26,
1646:March 23,
1604:Alter Ego
1581:Alter Ego
1448:Alter Ego
1164:Mort Leav
1080:Al Fagaly
1046:Toni Blum
1040:Alex Blum
917:Toni Blum
911:Alex Blum
863:EC Comics
772:Toni Blum
768:Alex Blum
755:, hiring
682:Toni Blum
678:Alex Blum
642:EC Comics
532:Blackhawk
524:Toni Blum
354:lettering
185:Toni Blum
84:Successor
1946:Archived
1929:Archived
1913:Archived
1883:Archived
1861:Archived
1829:Archived
1777:, p. 26.
1670:The Beat
1594:New York
1567:, 1985.
1557:Archived
1423:(1972).
1389:(2004).
1244:See also
1218:Art Saaf
1212:Don Rico
971:Bob Kane
959:Lou Fine
884:Creators
828:Superman
824:Don Rico
730:Don Rico
652:Services
637:Products
593:Founders
528:Doll Man
508:Lou Fine
504:Bob Kane
434:and the
169:Lou Fine
165:Bob Kane
147:Services
118:Products
55:Founders
1902:at the
1372:at the
662:Members
603:Defunct
585:Founded
487:No. 1.
396:drafted
271:tabloid
157:Members
76:Defunct
47:Founded
1968:
1773:
1583:, p. 9
1505:
1480:
1407:
1399:
1130:(1940)
1118:(1941)
1092:(1949–
1009:(1939)
1003:(1939)
991:(1939)
967:(1939)
955:(1939)
943:(1939)
937:(1939)
931:(1939)
854:, and
826:, and
794:, and
522:, and
471:Tarzan
467:Sheena
430:, the
305:pirate
261:Origin
195:was a
1429:When
1266:Notes
1160:1942)
1150:1953)
1146:1940–
1096:1953)
1086:1941)
436:Angel
1966:ISBN
1837:2011
1801:2023
1771:ISBN
1747:2023
1722:2023
1697:2023
1648:2023
1541:2005
1503:ISBN
1478:ISBN
1405:ISBN
1397:ISBN
606:1961
588:1940
530:and
460:Wags
449:was
447:Wow!
392:Note
242:and
207:and
131:#1 (
1431:Wow
1289:'s
481:'s
328:Wow
313:Wow
287:Wow
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