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345:)a self-respectful, independent-minded young lady of today in her late twenties. Her consciousness of life, morality and her own entity are intermingled with theater. The undaunted spirit places her above the nitty-gritty of daily life. She seeks emancipation through her medium of self-expression - the theater.
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Jhumur falls prey to the crime of the rapists. But who are the culprits? Is it the ruffians who committed the crime or the patriarchal society, who is the abater? The film seeks the question. There remains only one woman's fight against conventional society. A fight - Jhumur's own. Her armour - her
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Incidentally, Rajat has to take the responsibility of directing a drama to be played in the annual function of the local club. Jhumur is in the role of a female lead. The local ruffians are also involved in collecting donations for the annual function, which Jhumur and Rajat detest. Everyone thinks
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Jhumur's family included her mother, younger brother
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The patriarchal society seems not to be tolerant with her sense of emancipation. It tries to delimit her within the conventional notion of womanhood. The inhabitants of the locality detest Jhumur's affinity with Rajat. The elders in the vicinity like
Bhattacherjee or Mallickbabu are jealous about
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her. The youngers including local ruffians - Jaga, Patla and Buro use to tease her and even try to demean her publicly. Everyone is eager to snatch her freedom, she enjoys by engaging herself with theatre. They want to shatter her relationship with Rajat and teach a lesson.
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