Knowledge (XXG)

El Transparente

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edges of the skylight they arranged an array of Biblical figures who seem to tumble into the cathedral. At the outer edge of the opening sits Christ on a bank of clouds and surrounded by angels. The back side of the altarpiece was converted to a tower of marble which reaches from the floor to the ceiling. Intricate groups of figures were assembled so that the opening to the tabernacle could be hidden yet permit light to pass through.
49:. Its name refers to the unique illumination provided by a large skylight cut very high up into the thick wall across the ambulatory, and another hole cut into the back of the altarpiece itself to allow shafts of sunlight to strike the tabernacle. This lower hole also allows persons in the ambulatory to see through the altarpiece to the tabernacle, as if were transparent, so to speak. It was created in 1729-1732 by 115:
After the two holes were cut, Tomé and his sons designed a way to visually connect the two by sculpting a fantastic company of angels, saints, prophets and cardinals. Abstract designs suggesting flowing robes and foliage hang over corners to mask the details of the architectural piercings. Along the
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Not only was a skylight cut into the top of the thick back wall of the cathedral across the ambulatory behind the high altar, but another hole was cut into the high altar itself to allow the shafts of sunlight to illuminate the tabernacle like a spotlight.
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was installed to allow light to pass from the ambulatory behind the high altar (or 'reredos' as he calls it), onto the tabernacle (container for the Blessed Sacrament) which stayed in constant shadow because of the tall reredos.
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and his four sons (two architects, one painter and one sculptor). The use of light and of mixed materials (marble, bronze, paint, stucco) may reflect the influence of Bernini's
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and aroused great enthusiasm, even a celebratory poem wherein the monument was acclaimed 'the Eighth Wonder of the World'. Cardinal Astorga y CĂ©spedes is buried at the feet of
166: 77: 161: 84:. The Bishop wished to mark the presence of the Holy Sacrament with a glorious monument. The monument cost 200,000 19: 68: 58: 81: 171: 147: 46: 54: 132: 50: 96: 155: 42: 38: 35: 85: 67: 18: 62: 16:
Baroque altarpiece in the ambulatory of Cathedral of Toledo
8: 167:Buildings and structures in Toledo, Spain 148:El Transparente de la catedral de Toledo 125: 7: 14: 1: 133:Narciso Tome's 'Transparente' 95:According to American writer 76:Its execution was ordered by 78:Diego de Astorga y Céspedes 188: 135:in the Web Gallery of Art. 73: 26: 71: 22: 82:Archbishop of Toledo 59:St Peter's Basilica 47:Cathedral of Toledo 162:Baroque sculptures 74: 27: 179: 136: 130: 187: 186: 182: 181: 180: 178: 177: 176: 152: 151: 145: 140: 139: 131: 127: 122: 90:El Transparente 31:El Transparente 24:El Transparente 17: 12: 11: 5: 185: 183: 175: 174: 169: 164: 154: 153: 144: 143:External links 141: 138: 137: 124: 123: 121: 118: 97:James Michener 72:1842 engraving 55:Cathedra Petri 15: 13: 10: 9: 6: 4: 3: 2: 184: 173: 170: 168: 165: 163: 160: 159: 157: 150: 149: 142: 134: 129: 126: 119: 117: 113: 109: 106: 102: 98: 93: 91: 87: 83: 79: 70: 66: 64: 60: 56: 52: 48: 44: 40: 37: 33: 32: 25: 21: 146: 128: 114: 110: 105:Transparente 104: 103:(1968), the 100: 94: 89: 75: 51:Narciso Tomé 30: 29: 28: 23: 172:1732 works 156:Categories 120:References 43:ambulatory 39:altarpiece 99:'s book 45:of the 41:in the 36:Baroque 101:Iberia 86:ducats 34:is a 63:Rome 57:in 158:: 92:. 80:, 65:. 61:,

Index


Baroque
altarpiece
ambulatory
Cathedral of Toledo
Narciso Tomé
Cathedra Petri
St Peter's Basilica
Rome

Diego de Astorga y CĂ©spedes
Archbishop of Toledo
ducats
James Michener
Narciso Tome's 'Transparente'
El Transparente de la catedral de Toledo
Categories
Baroque sculptures
Buildings and structures in Toledo, Spain
1732 works

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