327:“The final work I want to show you is also by a woman – though this one, interestingly, does the reverse, imploring us NOT to travel. Elaine Shemilt is a contemporary artist, whose practice in recent years has turned more and more to environment activism. This print is an outline of the Island of South Georgia. Situated on the edge of the Antarctic South Georgia is a place loaded with significance. It was once a base for seven whaling stations, home to a grisly orgy of blood and blubber, synonymous with the destruction of the natural world. But in recent years the island has become a bellwether for environmentalists. A barometer for the effects of climate change. Shemilt invites us to look at this simple beautiful object – an embossed line on card and engage with a terrifying idea… that unless things change, unless we change, there will be fewer places for us to travel to at all. It demonstrates one of the most profound ways in which our world has changed. All that exploration, and the exploitation of the world’s resources, has created a world in which we need to travel less. Even after a lockdown, where the skies were empty of planes for weeks, we cannot afford to become complacent."
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458:"The godmother of SHE DEVIL 8 is Elaine Shemilt with the video performance Doppelgänger. The work is part of a series of video experiments by women artists in the 1970s and 1980s, rediscovered and digitally remastered by the research project REWIND,.... Doppelgänger is one of two still existing videos of a series begun by Shemilt in 1974, salvaged in 2011. The term doppelgänger is used in German culture to indicate the evil twin (doppel / double, and gänger / goer). The doppelgänger of Elaine Shemilt is utterly feminine. The artist puts on makeup in front of the mirror in a ritual divided between the face and its reflected image that generates the double, the absolute protagonist of the finale."
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397:. The cladding panels (1.5m wide x 3.6m high) are made from a high quality anodised aluminium and are arranged vertically into groups of four panels. The panels address the essence of the four main scales of life and the intangibility of their size and dimensions. The visual abstractions reflect both an interpretive aesthetic approach, and the need to retain scientific recognition and accuracy. The main objective of the work is that the series of images reflect in a meaningful way the scientific research being undertaken within the CTIR building. The CTIR was officially opened by
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315:, and according to the Imperial War Museum Keeper Angela Weight, Shemilt "was gripped by the aura of a place where the writ of war did not run and young men were tended irrespective of whether they were friend or foe." In 2011 she produced a series of Screenprints and laser cut embossed prints and a suite of these were acquired by the National Museum of Northern Ireland for their permanent collection in 2020. These were featured in a BBC4 programme
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170:"Her work initially focused on installation, the various printmaking media were used in an attempt to continue and develop the installations by other means. If the event is inevitably lost, a new artwork is launched from it, and as themes and subjects occur and re-occur, their re-generation might usefully be imagined as located within an extended family of images."
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at Casa di Carlo
Goldoni, Venice. The exhibition, curated by Laura Leuzzi and Iliyana Nedkova with Adam Lockhart, was planned to tour to Scotland in 2020, but cancelled due to Covid. Articles, Exhibitions and Journal Papers reflect the renewed interest in Shemilt's works.
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In 2002 she was made a
Shackleton Scholar and was awarded a Carnegie Scholarship. She is a trustee and vice chair (2002–2020) of the South Georgia Heritage Trust established to promote the environmental protection and habitat restoration of
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on several installations, including "Rush", first exhibited at London's
Fieldgate Gallery, and "Quattro Minuti di Mezzogiorno", a HiDefinition video installation, exhibited in Italy in December 2010 – January 2011.
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by the then commander, Brigadier David
Nicholls. The experiences of the staff and student team she put together led inevitably, to independent artworks by all. Four years later in 2002 this led to the exhibition,
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and the architect Jo White. On three facades of the CTIR building, 16 columns of large metal cladding panels incorporate her artistic abstractions which represent the four key scales of life:
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in 2016 and 2nd
Edition in 2022. In 2018. several of her works from the 1970s were acquired by the SAMMLUNG VERBUND art collection in Vienna, and her work is in a touring exhibition,
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Arts Centre. She has exhibited internationally including in
Switzerland, Denmark, the Netherlands, Canada, USA, Australia, Italy and Germany. In Britain she has exhibited at the
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Interest in
Shemilt's early video and performance work has grown during the early 21st century. For example, the exhibition, SHE DEVIL 8, in Rome in 2016 was described:
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Caledonian
European Research Fellowship to study and research in Italy, and was chair of the international printmaking conference IMPACT 8 held in Dundee in August.
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Her work does not take a conventional approach to the medium and ranges across a wide variety of media. According to the art historian and theorist Alan Woods:
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Approaches, Strategies and
Theoretical and Practice-Based Research Methods to investigate and archive video art. Some reflections from the REWIND projects
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Interview by ABC Australia on her
Exhibition "Antarctic Journeys: The dry valleys and South Georgia", La Trobe Visual Arts Centre, 2011
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A series of embossed prints about South Georgia, were acquired in 2020 by the National Museums of Northern Ireland, Belfast
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where her experiences motivated her to develop the themes of conflict, censorship and psychological constraint in her work.
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1137:. RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. Electronic Workshops in Computing.
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Starting in March 2018 she started work as principal investigator on another AHRC-funded research project (ÂŁ215,602),
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Limited Edition – Unlimited Image: Can a Science/Art Fusion Move the Boundaries of Visual and Audio Interpretation?,
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524:"A Blueprint for Bacterial Life; Can A Science-art Fusion Move the Boundaries of Visual and Audio Interpretation?"
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Several works from the 1970s, acquired 2018 by SAMMLUNG VERBUND: The VERBUND art collection in Vienna.
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College of Life Science's new Centre for Translational & Interdisciplinary Research building:
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An important strand of her work involves collaboration between art and science. Her work with the
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which embodies science and the visualisation process. She collaborated with the Regius Professor
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resulted in a portfolio of work including installations, digital animation, prints and music.
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Leuzzi.L,Shemilt.E, Partridge.S (Eds). John Libbey Publishing, John Libbey Publishing, 2022.
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and was its president from March 2007 until 2010. Shemilt was elected a Fellow of the
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1068:"FEDERICA MARANGONI AND ELAINE SHEMILT. Parallel Dialogues Through Video and Time"
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video and multi-media installation work alongside her fellow artist and friend
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of fine art printmaking and a professional member and former President of the
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Shemilt established the printmaking department of the School of Fine Art,
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Leuzzi, Laura; Partridge, Stephen; Lockhart, Adam (1 August 2019).
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Laura Leuzzi, Elaine Shemilt and Stephen Partridge (eds), (2019),
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Diagram developed by Dr Ian Toth and Dr Leighton Pritchard at the
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The Scales of Life: A case study on an Art-Science Visualisation
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Les Rencontres de la Photographie d’Arles Photographic Festival
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was selected by Helen Chadwick for the Hayward Biennale of 1979
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at Palazzo GIL, Campobasso, Molise Culture Foundation, Italy.
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In 2013 Shemilt completed a major SciArt commission for the
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installation shot of the panels on the CTIR Building, 2013.
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In 2019 she and artist Federica Marangoni collaborated on
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to act as principal investigator on the research project
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UKRI gateway to publicly funded research and innovation
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UKRI gateway to publicly funded research and innovation
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Works installed at Feminist Avant-Garde, Arles, France
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Traces of Conflict, The Falklands Revisited 1982–2002
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Traces of Conflict, The Falklands Revisited 1982–2002
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European Women's video art in the 70s and 80s (EWVA)
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in 2009. She has collaborated with the video artist
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262:Duncan of Jordanstone College of Art and Design
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37:Shemilt on the Island of South Georgia in 2009
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551:European Women's Video Art in the 70s and 80s
480:The Feminist Avant Garde, Art from the 1970s
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1179:Sammlung Verbund Art Collection Information
528:Digital Visual Culture: Theory and Practice
788:Administrator, S. S. A. (19 August 2013).
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179:Between 1960 and 1972, Shemilt grew up in
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547:Charlie Gere (Ed), Routledge , 2010. 14pp
464:Parallel Dialogues Through Video and Time
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664:Quattro minuti di mezzorgiorno, 2011
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1280:Alumni of the Royal College of Art
1249:INCITE: DIGITAL ART & ACTIVISM
545:Art Practice in a Digital Culture,
187:in Northern Ireland. She attended
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1109:"GLI ORI – Editori Contemporanei"
814:Analogue & Digital Exhibition
600:, 1999, FINEART.AC.UK Collection
543:AHRC ICT Methods Network Volume
353:Scottish Crop Research Institute
488:of the 1970s (+ various titles)
606:South Georgia Whaling Stations
341:A Blueprint for Bacterial Life
241:. She was a pioneer of early
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125:Quattro Minuti di Mezzogiorno
643:Bullets & Lipstick, 1981
192:Bloomfield Collegiate School
1202:"Fondazione Molise Cultura"
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640:Ancient Death Rituals, 1979
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1144:10.14236/ewic/RESOUND19.41
615:, 1979, REWIND Collection
411:Royal Society of Edinburgh
409:In 2013 she was awarded a
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863:"Shackleton Scholarships"
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1335:Artists from County Down
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729:Hayward Annual Catalogue
219:Winchester School of Art
209:Shemilt’s installation,
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837:"Catalogue Information"
646:Doppelganger, 1979–1981
498:(Czech Republic 2019),
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637:Art into protest, 1975
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526:, pp. 23–32. In
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237:in London and at the
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661:The Dry Valley, 2010
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571:2015), London, 2015.
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296:South Georgia Island
223:Royal College of Art
211:Ancient Death Ritual
85:Royal College of Art
1295:Women video artists
843:on 15 February 2008
590:Image in a Bell Jar
486:Feminist avantgarde
401:on 1 October 2014.
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276:in 2000 and of the
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649:Momento Mori, 1996
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512:About The Future,
282:Stephen Partridge
266:Professor Emerita
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