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up. He ranked the order of importance of the play to be: Chorus, Events, Diction, Character, Spectacle. And that all plays should be able to be performed from memory, long and easy to understand. He was against character-centric plots stating “The Unity of a Plot does not consist, as some suppose, in its having one man as its subject.” He was against episodic plots. He held that discovery should be the high point of the play and that the action should teach a moral that is reenforced by pity, fear and suffering. The spectacle, not the characters themselves would give rise to the emotions. The stage should also be split into “Prologue, Episode, Exode, and a choral portion, distinguished into Parode and
Stasimon...“
493:
556:. Freytag extends the five parts with three moments or crises: the exciting force, the tragic force, and the force of the final suspense. The exciting force leads to the rising action, the tragic force leads to the falling action, and the force of the final suspense leads to the catastrophe. Freytag considers the exciting force to be necessary but the tragic force and the force of the final suspense are optional. Together, they make the eight component parts of the drama.
282:
38:
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156:, when Rose climbs on the railing at the front of the ship and spreads her hands as if she's flying, this scene is memorable but does not directly influence other events, so it may not be considered as part of the plot. Another example of a memorable scene that is not part of the plot occurs in the 1980 film
573:
Overall, Freytag argued the center of a play is emotionality and the best way to get that emotionality is to put contrasting emotions back to back. He laid some of the foundations for centering the hero, unlike
Aristotle. He is popularly attributed to have stated conflict at the center of his plays,
466:
philosopher
Aristotle put forth the idea the play should imitate a single whole action. "A whole is what has a beginning and middle and end" (1450b27). He split the play into two acts: complication and denouement. He mainly used Sophocles to make his argument about the proper dramatic structure of a
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is the turning point, which changes the protagonist's fate. If things were going well for the protagonist, the plot will turn against them, often revealing the protagonist's hidden weaknesses. If the story is a comedy, the opposite state of affairs will ensue, with things going from bad to good for
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are of special interest: the reversal, which throws the action in a new direction, and the recognition, meaning the protagonist has an important revelation. Reversals should happen as a necessary and probable cause of what happened before, which implies that turning points need to be properly set
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is a prose telling of a story which can be turned into a screenplay. Sometimes it is called a "one page" because of its length. In comics, the roughs refer to a stage in the development where the story has been broken down very loosely in a style similar to storyboarding in film development. This
792:
is a means of advancing the plot in a story. It is often used to motivate characters, create urgency, or resolve a difficulty. This can be contrasted with moving a story forward with dramatic technique; that is, by making things happen because characters take action for well-developed reasons. An
622:
During the Return, the hostility of the counter-party beats upon the soul of the hero. Freytag lays out two rules for this stage: the number of characters be limited as much as possible, and the number of scenes through which the hero falls should be fewer than in the rising movement. The falling
272:
as an example of a fabula that has been defamiliarized. Sterne uses temporal displacements, digressions, and causal disruptions (for example, placing the effects before their causes) to slow down the reader's ability to reassemble the (familiar) story. As a result, the syuzhet "makes strange" the
384:
Dramatic structure is the philosophy by which the story is split and how the story is thought of. This can vary by ethnicity, region and time period. This can be applied to books, plays, and films. Philosophers/critics who have discussed story structure include
Aristotle, Horace, Aelius Donatus,
852:
In fiction writing, a plot outline gives a list of scenes. Scenes include events, character(s) and setting. Plot, therefore, shows the cause and effect of these things put together. The plot outline is a rough sketch of this cause and effect made by the scenes to lay out a "solid backbone and
594:
An exciting force begins immediately after the exposition (introduction), building the rising action in one or several stages toward the point of greatest interest. These events are generally the most important parts of the story since the entire plot depends on them to set up the climax and
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Plot is built of significant events in a given story – significant because they have important consequences. Taking a shower isn't necessarily plot... Let's call them incidents ... Plot is the things characters do, feel, think or say, that make a difference to what comes
793:
example of a plot device would be when the cavalry shows up at the last moment and saves the day in a battle. In contrast, an adversarial character who has been struggling with himself and saves the day due to a change of heart would be considered dramatic technique.
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is a brief description of a piece of literature that explains what happens. In a plot summary, the author and title of the book should be referred to and it is usually no more than a paragraph long while summarizing the main points of the story.
430:
Furthermore, in order to sell a book within the United States, United
Kingdom, Canada, New Zealand, and Australia, often the plot structure is split into a synopsis. Again the plot structure may vary by genre or drama structure used.
645:
in the original) is where the hero meets his logical destruction. Freytag warns the writer not to spare the life of the hero. More generally, the final result of a work's main plot has been known in
English since 1705 as the
267:
or "making strange," a term
Shklovsky coined and popularized, upends familiar ways of presenting a story, slows down the reader's perception, and makes the story appear unfamiliar. Shklovsky cites Lawrence Sterne's
422:
or turning points, with the first turning point connecting Act I to Act II, and the second connecting Act II to Act III. The conception of the three-act structure has been attributed to
American screenwriter
208:(plot) means a unique sequence of discourse that was sorted out by the (implied) author. That is, the syuzhet can consist of picking up the fabula events in non-chronological order; for example, fabula is
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serve as a basis for the next stage of development, the "pencil" stage, where detailed drawings are produced in a more polished layout which will, in turn, serve as the basis for the inked drawings.
512:, a definitive study of the five-act dramatic structure, in which he laid out what has come to be known as Freytag's pyramid. Under Freytag's pyramid, the plot of a story consists of five parts:
738:;). It comprises events from the end of the falling action to the actual ending scene of the drama or narrative. Conflicts are resolved, creating normality for the characters and a sense of
1850:
Freytag's
Technique of the Drama, An Exposition of Dramatic Composition and Art by Dr. Gustav Freytag: An Authorized Translation From the Sixth German Edition by Elias J. MacEwan, M.A.
108:
can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story.
478:
Unlike later, he held that the morality was the center of the play and what made it great. Unlike popular belief, he did not come up with the three act structure popularly known.
540:
or "rising and sinking". Freytag is indifferent as to which of the contending parties justice favors; in both groups, good and evil, power and weakness, are mingled.
315:
The first event is causally related to the third event, while the second event, though descriptive, does not directly impact the outcome. As a result, according to
886:
term referring to the plotline that drives the story. This does not necessarily mean it is the most important, but rather the one that forces most of the action.
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81:. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional
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1045:
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within a story that do not relate directly to other events but only "major events that move the action in a narrative." For example, in the 1997 film
385:
Gustav
Freytag, Kenneth Thorpe Rowe, Lajos Egri, Syd Field, and others. Some story structures are so old that the originator cannot be found, such as
100:. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer
3006:
1554:
1234:
835:, pronounced like the English word "name"). The roughs are quick sketches arranged within a suggested page layout. The main goals of roughs are to:
1306:
1145:
1991:
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can be conveyed through dialogues, flashbacks, characters' asides, background details, in-universe media, or the narrator telling a back-story.
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of those events. Formalist followers eventually translated the fabula/syuzhet to the concept of story/plot. This definition is usually used in
1825:
1798:
1108:
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1001:
2018:
319:, the plot can be described as the first event "and so" the last event, while the story can be described by all three events in order.
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570:. He argued that character comes first in plays. He also set up the groundwork for what would later be called the inciting incident.
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1963:
1911:
1881:
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The setting is fixed in a particular place and time, the mood is set, and characters are introduced. A backstory may be alluded to.
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the protagonist, often requiring the protagonist to draw on hidden inner strengths. A plot with an exciting climax is said to be
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1983:, Information on the most common divisions of the basic plots, from the Internet Public Library organization.
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2011:
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1173:, 2nd ed., trans. Lee T. Lemon and Marion J. Reis (Lincoln, NE: University of Nebraska Press, 2012), 3-24.
585:
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31:
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described plot as the cause-and-effect relationship between events in a story. According to Forster, "
119:, rather than a specific cause-and-effect sequence. It can even refer to the whole narrative broadly.
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1992:
The Minimal Plot, on cyclic structures of the basic plots by Yevgeny Slavutin and Vladimir Pimonov.
1774:
Merriam-Webster. (n.d.) Denoument. In Merriam-Webster.com dictionary. Retrieved May 29, 2023 from
1486:
1461:
1429:
1397:
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1333:
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926:
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stage is also referred to as storyboarding or layouts. In Japanese manga, this stage is called the
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much of the Greeks and Shakespeare by making opinions of what they meant, but didn't actually say.
553:
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631:, there could be for the doomed hero a prospect of relief, where the final outcome is in doubt.
115:, however, in common usage (for example, a "movie plot") can mean a narrative summary or story
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is the sequence of events in which each event affects the next one through the principle of
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He argued for tension created through contrasting emotions, but didn't actively argue for
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966:'s categorization of every dramatic situation that might occur in a story or performance.
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Steven Espinoza; Kathleen Fernandez-Vander Kaay; Chris Vander Kaay (20 August 2019).
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85:—to forming complex interwoven structures, with each part sometimes referred to as a
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Mack, Maynard; Knox, Bernard M. W.; McGaillard, John C.; et al., eds. (1985),
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101:
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1233:. Vol. 23. Translated by W.H. Fyfe. Cambridge, MA: Harvard University Press.
773:, Latin for "knot." It is the unraveling or untying of the complexities of a plot.
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action may contain a moment of final suspense: Although the catastrophe must be
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work out points of view, camera angles, and character positions within panels
402:. This can vary based on locality, but for Europe and European Diaspora, the
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1540:. Translated by Elias J. MacEwan (Third ed.). Chicago: Scott, Foresman.
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In "Cinderella", one of the key plot elements is the glass shoe fitting her.
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A drama is then divided into five parts, or acts, which some refer to as a
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A tornado picks up a house and drops it on a witch in a fantastical land
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Cinderella's sisters try the shoe on themselves but it does not fit them
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who described plot structure in this tripartite way for film analysis.
86:
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2422:
2181:
1537:
Technique of the Drama: an Exposition of Dramatic Composition and Art
180:
in the early 20th century divided a narrative into two elements: the
82:
996:. Elements of Fiction Writing. Writer's Digest Books. pp. 5 f.
1902:
Fiction First Aid: Instant Remedies for Novels, Stories and Scripts
3211:
2778:
2729:
2707:
2460:
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491:
328:
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204:(story) is what happened in chronological order. In contrast, the
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1790:
A Guide to Screenwriting Success: Writing for Film and Television
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2105:
879:
294:
A story orders events from beginning to end in a time sequence.
189:
66:
2000:
1182:
Shklovsky, "Sterne's Tristram Shandy: Stylistic Commentary" in
445:
Many scholars have analyzed dramatic structure, beginning with
1861:
1078:(Revised ed.). University of Nebraska Press. p. 73.
358:
A girl and her dog meet three interesting traveling companions
192:
of the fictional world, whereas a syuzhet is a perspective or
721:
674:
1996:
1103:. Longman Linguistics (3 ed.). Routledge. p. 320.
853:
structure" to show why and how things happened as they did.
715:
665:
595:
ultimately the satisfactory resolution of the story itself.
1123:
Forster, E.M. Aspects of the Novel. Mariner Books. (1956)
689:
552:: exposition, rising action, climax, falling action, and
297:
Consider the following events in the European folk tale "
406:
is often used. The components of this structure are the
311:
The shoe fits Cinderella's foot so the prince finds her
1817:
We All Know How This Ends: The Big Book of Movie Plots
1569:
University of Illinois: Department of English (2006).
305:
The prince searches for Cinderella with the glass shoe
1776:
https://www.merriam-webster.com/dictionary/denouement
742:, or release of tension and anxiety, for the reader.
718:
709:
671:
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but he argues actively against continuing conflict.
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263:, viewed the syuzhet as the fabula defamiliarized.
1947:
1899:
345:says that the main plot elements of the 1939 film
27:Cause-and-effect sequence of events in a narrative
1711:"Climactic: Definition, Meaning, & Synonyms"
146:, agrees that a plot does not include memorable
137:The king died, and then the queen died of grief,
1466:. Translated by Ingram Bywater. Archived from
364:They melt another witch with a bucket of water
2012:
842:ensure the story successfully builds suspense
200:, in parallel with Forster's definition. The
53:while red plot events are a subset connected
8:
1198:"Know the Difference Between Plot and Story"
762:
747:
796:Familiar types of plot devices include the
768:
2019:
2005:
1997:
1870:The Norton Anthology of World Masterpieces
1793:. Rowman & Littlefield. pp. 33–.
1169:Victor Shklovsky, "Art as Technique," in
1906:. Cincinnati, OH: Writer's Digest Books.
1872:, vol. 1 (5th ed.), New York:
1288:
1286:
1171:Russian Formalist Criticism: Four Essays
987:
985:
983:
981:
839:lay out the flow of panels across a page
613:A disappointing scene is instead called
162:, when Han Solo is frozen in carbonite.
36:
1744:
1723:
1697:
1685:
1673:
1616:
1518:
1253:
1251:
1146:California State University, Long Beach
977:
559:In making his argument, he attempts to
133:The king died, and then the queen died,
96:Plot is similar in meaning to the term
2690:Types of fiction with multiple endings
1987:Plot Definition, meaning and examples
1550:University of South Carolina (2006).
1483:"12 (Aristotle on the Art of Poetry)"
1426:"11 (Aristotle on the Art of Poetry)"
1394:"10 (Aristotle on the Art of Poetry)"
1260:"18 (Aristotle on the Art of Poetry)"
756:
392:Often in order to sell a script, the
7:
1374:from the original on 27 January 2021
1362:"8 (Aristotle on the Art of Poetry)"
1330:"7 (Aristotle on the Art of Poetry)"
1309:from the original on 30 October 2021
127:Early 20th-century English novelist
1628:Freytag. p. 25, 41, 75, 98, 188–189
1227:"Aristotle, Poetics, section 1450b"
1342:from the original on 16 April 2021
1244:– via www.perseus.tufts.edu.
1237:from the original on 22 April 2008
992:Ansen Dibell, Ph.D. (1999-07-15).
959:The Thirty-Six Dramatic Situations
25:
3093:Third-person omniscient narrative
1495:from the original on 24 July 2021
1438:from the original on 24 July 2021
1406:from the original on 24 July 2021
1272:from the original on 24 July 2021
1491:. Translated by Ingram Bywater.
1434:. Translated by Ingram Bywater.
1402:. Translated by Ingram Bywater.
1370:. Translated by Ingram Bywater.
1338:. Translated by Ingram Bywater.
1268:. Translated by Ingram Bywater.
705:
658:
519:(originally called introduction)
462:, a theory about tragedies, the
361:A wizard sends them on a mission
1981:The "Basic" Plots In Literature
1305:. Translated by S. H. Butcher.
530:Falling action (return or fall)
351:are easy to find, and include:
142:Teri Shaffer Yamada, Ph.D., of
2481:Conflict between good and evil
1445:– via www.authorama.com.
1413:– via www.authorama.com.
1381:– via www.authorama.com.
1349:– via www.authorama.com.
1317:– via Project Gutenberg.
1279:– via www.authorama.com.
577:Freytag defines the parts as:
396:is made into what is called a
337:, Dorothy makes three friends.
1:
1925:The Basic Formulas of Fiction
1074:Prince, Gerald (2003-12-01).
536:, denouement, resolution, or
45:sequence of main events in a
1929:University of Oklahoma Press
1820:. Laurence King Publishing.
1052:. 2014-08-09. Archived from
418:. Acts are connected by two
49:. Story events are numbered
1854:Scott, Foresman and Company
1595:(in German). Archived from
1184:Russian Formalist Criticism
1140:Teri Shaffer Yamada, Ph.D.
1099:Wales, Katie (2011-05-19).
1076:A Dictionary of Narratology
761:) is derived from the word
3335:
1898:Obstfeld, Raymond (2002).
1874:W. W. Norton & Company
1787:Stephen V. Duncan (2006).
1101:A Dictionary of Stylistics
781:
485:
438:
377:
188:(сюже́т). A fabula is the
169:
29:
3120:Stream of unconsciousness
2651:Falling action/Catastasis
1852:(3rd ed.), Chicago:
1557:October 23, 2007, at the
1046:"Definition of storyline"
627:so as not to appear as a
2488:Self-fulfilling prophecy
1589:Freytag, Gustav (1863).
504:playwright and novelist
3115:Stream of consciousness
2578:Suspension of disbelief
1231:Aristotle in 23 Volumes
1200:. Tejix. Archived from
374:Structure and treatment
176:The literary theory of
159:The Empire Strikes Back
2656:Denouement/Catastrophe
2637:Rising action/Epitasis
1923:Foster-Harris (1960).
1592:Die Technik des Dramas
1576:July 16, 2006, at the
769:
763:
748:
510:Die Technik des Dramas
497:
341:Fiction-writing coach
338:
286:
58:
3002:Utopian and dystopian
1142:"ELEMENTS OF FICTION"
948:The Seven Basic Plots
495:
332:
284:
40:
32:Plot (disambiguation)
3319:Narrative techniques
2556:Narrative techniques
2336:Story within a story
2148:Supporting character
1762:Cambridge Dictionary
1293:Aristotle (2008) . "
1022:"Definition of plot"
522:Rising action (rise)
30:For other uses, see
3261:Political narrative
3103:Unreliable narrator
2960:Speculative fiction
2668:Nonlinear narrative
2616:Three-act structure
2476:Deal with the Devil
1946:Polking, K (1990).
1747:, pp. 137–140)
1726:, pp. 133–135)
1700:, pp. 128–130)
1688:, pp. 125–128)
1676:, pp. 115–121)
1619:, pp. 104–105)
1302:Aristotle's Poetics
1050:Oxford Dictionaries
927:Premise (narrative)
907:Narrative structure
767:, "to untie", from
404:three-act structure
3239:Narrative paradigm
3234:Narrative identity
3164:Dominant narrative
3110:Multiple narrators
2394:Fictional location
2237:Dramatic structure
1954:. Cincinnati, OH:
1571:Freytag's Triangle
953:Christopher Booker
902:Mythos (Aristotle)
746:, the French word
498:
488:Dramatic structure
441:Dramatic structure
380:Dramatic structure
339:
287:
184:(фа́була) and the
172:Fabula and syuzhet
166:Fabula and syuzhet
135:is a story, while
59:
3301:
3300:
3244:Narrative therapy
2678:television series
2623:Freytag's Pyramid
2466:Moral development
2369:Alternate history
2079:False protagonist
1827:978-1-78627-527-1
1800:978-0-7425-5301-9
1655:Freytag. p. 94–95
1637:Freytag. p. 80–81
1110:978-1-4082-3115-9
1085:978-0-8032-8776-1
1003:978-0-89879-946-0
942:Theme (narrative)
758:[denumɑ̃]
496:Freytag's pyramid
265:Defamiliarization
257:Russian formalist
178:Russian Formalism
16:(Redirected from
3326:
3314:Plot (narrative)
3224:Literary science
2767:Narrative poetry
2663:Linear narrative
2573:Stylistic device
2568:Show, don't tell
2531:Figure of speech
2321:Shaggy dog story
2064:Characterization
2021:
2014:
2007:
1998:
1970:
1969:
1953:
1941:
1940:
1918:
1917:
1905:
1886:
1864:
1832:
1831:
1811:
1805:
1804:
1784:
1778:
1772:
1766:
1754:
1748:
1742:
1736:
1733:
1727:
1721:
1715:
1714:
1713:. June 23, 2018.
1707:
1701:
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1689:
1683:
1677:
1671:
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1647:
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1561:
1548:
1542:
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1528:
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1516:
1505:
1504:
1502:
1500:
1478:
1472:
1471:
1453:
1447:
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1444:
1443:
1421:
1415:
1414:
1412:
1411:
1389:
1383:
1382:
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1379:
1357:
1351:
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1325:
1319:
1318:
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1298:
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1290:
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1255:
1246:
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1243:
1242:
1219:
1213:
1212:
1210:
1209:
1193:
1187:
1180:
1174:
1167:
1161:
1160:
1158:
1157:
1148:. Archived from
1137:
1131:
1121:
1115:
1114:
1096:
1090:
1089:
1071:
1065:
1064:
1062:
1061:
1042:
1036:
1035:
1033:
1032:
1018:
1012:
1011:
989:
937:Scene and sequel
912:Narrative thread
772:
766:
760:
755:
751:
737:
736:
733:
732:
729:
726:
723:
720:
717:
714:
711:
704:
696:
695:
692:
691:
688:
683:
682:
679:
676:
673:
670:
667:
664:
657:
550:
549:
348:The Wizard of Oz
335:The Wizard of Oz
324:The Wizard of Oz
261:Viktor Shklovsky
251:
235:
79:cause-and-effect
43:cause‐and‐effect
21:
18:Elements of plot
3334:
3333:
3329:
3328:
3327:
3325:
3324:
3323:
3304:
3303:
3302:
3297:
3229:Literary theory
3169:Fiction writing
3152:
3124:
3059:
2811:
2803:
2694:
2592:
2497:
2432:
2355:
2226:Deus ex machina
2167:
2153:Title character
2138:Stock character
2084:Focal character
2030:
2025:
1977:
1966:
1956:Writer's Digest
1945:
1944:
1922:
1921:
1914:
1897:
1896:
1893:
1891:Further reading
1884:
1867:
1846:Freytag, Gustav
1844:
1841:
1836:
1835:
1828:
1813:
1812:
1808:
1801:
1786:
1785:
1781:
1773:
1769:
1755:
1751:
1743:
1739:
1734:
1730:
1722:
1718:
1709:
1708:
1704:
1696:
1692:
1684:
1680:
1672:
1668:
1663:
1659:
1654:
1650:
1645:
1641:
1636:
1632:
1627:
1623:
1615:
1611:
1602:
1600:
1588:
1587:
1583:
1578:Wayback Machine
1568:
1564:
1559:Wayback Machine
1552:The Big Picture
1549:
1545:
1532:Freytag, Gustav
1530:
1529:
1525:
1517:
1508:
1498:
1496:
1480:
1479:
1475:
1470:on 18 May 2021.
1455:
1454:
1450:
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1423:
1422:
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1409:
1407:
1391:
1390:
1386:
1377:
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1327:
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1322:
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1310:
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1292:
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1273:
1257:
1256:
1249:
1240:
1238:
1221:
1220:
1216:
1207:
1205:
1195:
1194:
1190:
1181:
1177:
1168:
1164:
1155:
1153:
1139:
1138:
1134:
1122:
1118:
1111:
1098:
1097:
1093:
1086:
1073:
1072:
1068:
1059:
1057:
1044:
1043:
1039:
1030:
1028:
1020:
1019:
1015:
1004:
991:
990:
979:
974:
969:
892:
872:
859:
820:
799:deus ex machina
786:
780:
753:
708:
699:
698:
685:
661:
652:
651:
547:
546:
490:
484:
443:
437:
382:
376:
371:
327:
292:
279:
270:Tristram Shandy
249:
245:
241:
237:
233:
229:
225:
221:
217:
213:
209:
174:
168:
125:
51:chronologically
35:
28:
23:
22:
15:
12:
11:
5:
3332:
3330:
3322:
3321:
3316:
3306:
3305:
3299:
3298:
3296:
3295:
3293:Verisimilitude
3290:
3285:
3280:
3275:
3274:
3273:
3263:
3258:
3257:
3256:
3246:
3241:
3236:
3231:
3226:
3221:
3220:
3219:
3209:
3208:
3207:
3198:
3196:Parallel novel
3193:
3192:
3191:
3186:
3181:
3166:
3160:
3158:
3154:
3153:
3151:
3150:
3145:
3140:
3134:
3132:
3126:
3125:
3123:
3122:
3117:
3112:
3107:
3106:
3105:
3100:
3095:
3085:
3080:
3075:
3069:
3067:
3061:
3060:
3058:
3057:
3056:
3055:
3050:
3040:
3039:
3038:
3033:
3028:
3023:
3018:
3017:
3016:
3011:
3010:
3009:
3004:
2999:
2989:
2984:
2979:
2978:
2977:
2967:
2957:
2952:
2947:
2946:
2945:
2940:
2930:
2925:
2920:
2915:
2910:
2905:
2900:
2895:
2890:
2885:
2880:
2875:
2870:
2865:
2860:
2855:
2850:
2845:
2840:
2838:Action fiction
2830:
2825:
2819:
2817:
2805:
2804:
2802:
2801:
2796:
2791:
2786:
2781:
2776:
2775:
2774:
2764:
2759:
2754:
2753:
2752:
2747:
2742:
2737:
2732:
2722:
2717:
2710:
2704:
2702:
2696:
2695:
2693:
2692:
2687:
2682:
2681:
2680:
2675:
2665:
2660:
2659:
2658:
2653:
2648:
2639:
2634:
2620:
2619:
2618:
2613:
2602:
2600:
2594:
2593:
2591:
2590:
2585:
2580:
2575:
2570:
2565:
2564:
2563:
2553:
2548:
2543:
2538:
2533:
2528:
2523:
2518:
2513:
2507:
2505:
2499:
2498:
2496:
2495:
2490:
2485:
2484:
2483:
2478:
2468:
2463:
2458:
2453:
2448:
2442:
2440:
2434:
2433:
2431:
2430:
2425:
2420:
2419:
2418:
2417:
2416:
2406:
2401:
2391:
2386:
2381:
2376:
2371:
2365:
2363:
2357:
2356:
2354:
2353:
2348:
2343:
2338:
2333:
2328:
2323:
2318:
2316:Self-insertion
2313:
2308:
2303:
2301:Poetic justice
2298:
2293:
2288:
2283:
2278:
2271:
2264:
2259:
2254:
2249:
2244:
2239:
2234:
2229:
2222:
2217:
2212:
2207:
2202:
2201:
2200:
2190:
2185:
2177:
2175:
2169:
2168:
2166:
2165:
2160:
2155:
2150:
2145:
2140:
2135:
2130:
2125:
2124:
2123:
2118:
2113:
2103:
2096:
2091:
2086:
2081:
2076:
2071:
2066:
2061:
2059:Character flaw
2056:
2051:
2046:
2040:
2038:
2032:
2031:
2026:
2024:
2023:
2016:
2009:
2001:
1995:
1994:
1989:
1984:
1976:
1975:External links
1973:
1972:
1971:
1964:
1950:Writing A to Z
1942:
1927:. Norman, OK:
1919:
1912:
1892:
1889:
1888:
1887:
1882:
1865:
1840:
1837:
1834:
1833:
1826:
1806:
1799:
1779:
1767:
1749:
1737:
1735:Freytag. p 137
1728:
1716:
1702:
1690:
1678:
1666:
1657:
1648:
1646:Freytag. p. 90
1639:
1630:
1621:
1609:
1581:
1562:
1543:
1523:
1521:, p. 115)
1506:
1473:
1448:
1416:
1384:
1352:
1320:
1282:
1247:
1214:
1196:Steve Alcorn.
1188:
1175:
1162:
1132:
1129:978-0156091800
1116:
1109:
1091:
1084:
1066:
1037:
1026:Dictionary.com
1013:
1002:
976:
975:
973:
970:
968:
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955:
944:
939:
934:
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893:
891:
888:
871:
868:
858:
855:
850:
849:
846:
843:
840:
819:
816:
782:Main article:
779:
776:
775:
774:
744:Etymologically
635:
632:
620:
619:Return or Fall
617:
615:anticlimactic.
599:
596:
592:
589:
582:
542:
541:
531:
528:
523:
520:
506:Gustav Freytag
486:Main article:
483:
482:Gustav Freytag
480:
439:Main article:
436:
433:
394:plot structure
375:
372:
370:
367:
366:
365:
362:
359:
356:
326:
321:
313:
312:
309:
306:
291:
288:
278:
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247:
243:
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227:
223:
219:
215:
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170:Main article:
167:
164:
124:
121:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3331:
3320:
3317:
3315:
3312:
3311:
3309:
3294:
3291:
3289:
3286:
3284:
3281:
3279:
3278:Screenwriting
3276:
3272:
3269:
3268:
3267:
3264:
3262:
3259:
3255:
3252:
3251:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
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3230:
3227:
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3215:
3214:
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3210:
3206:
3202:
3199:
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3185:
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3170:
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3159:
3155:
3149:
3146:
3144:
3141:
3139:
3136:
3135:
3133:
3131:
3127:
3121:
3118:
3116:
3113:
3111:
3108:
3104:
3101:
3099:
3096:
3094:
3091:
3090:
3089:
3086:
3084:
3083:Second-person
3081:
3079:
3076:
3074:
3071:
3070:
3068:
3066:
3062:
3054:
3051:
3049:
3046:
3045:
3044:
3041:
3037:
3034:
3032:
3029:
3027:
3024:
3022:
3019:
3015:
3012:
3008:
3005:
3003:
3000:
2998:
2995:
2994:
2993:
2990:
2988:
2987:Magic realism
2985:
2983:
2980:
2976:
2973:
2972:
2971:
2968:
2966:
2963:
2962:
2961:
2958:
2956:
2953:
2951:
2948:
2944:
2941:
2939:
2936:
2935:
2934:
2931:
2929:
2926:
2924:
2921:
2919:
2918:Psychological
2916:
2914:
2911:
2909:
2906:
2904:
2901:
2899:
2898:Philosophical
2896:
2894:
2891:
2889:
2886:
2884:
2881:
2879:
2876:
2874:
2871:
2869:
2866:
2864:
2861:
2859:
2856:
2854:
2851:
2849:
2846:
2844:
2841:
2839:
2836:
2835:
2834:
2831:
2829:
2826:
2824:
2823:Autobiography
2821:
2820:
2818:
2815:
2810:
2806:
2800:
2797:
2795:
2792:
2790:
2787:
2785:
2782:
2780:
2777:
2773:
2770:
2769:
2768:
2765:
2763:
2762:Narrative art
2760:
2758:
2755:
2751:
2748:
2746:
2743:
2741:
2738:
2736:
2733:
2731:
2728:
2727:
2726:
2723:
2721:
2720:Flash fiction
2718:
2716:
2715:
2711:
2709:
2706:
2705:
2703:
2701:
2697:
2691:
2688:
2686:
2683:
2679:
2676:
2674:
2671:
2670:
2669:
2666:
2664:
2661:
2657:
2654:
2652:
2649:
2647:
2643:
2640:
2638:
2635:
2633:
2629:
2626:
2625:
2624:
2621:
2617:
2614:
2612:
2611:Act structure
2609:
2608:
2607:
2604:
2603:
2601:
2599:
2595:
2589:
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2562:
2559:
2558:
2557:
2554:
2552:
2549:
2547:
2544:
2542:
2539:
2537:
2534:
2532:
2529:
2527:
2524:
2522:
2519:
2517:
2514:
2512:
2509:
2508:
2506:
2504:
2500:
2494:
2491:
2489:
2486:
2482:
2479:
2477:
2474:
2473:
2472:
2469:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2443:
2441:
2439:
2435:
2429:
2428:Worldbuilding
2426:
2424:
2421:
2415:
2412:
2411:
2410:
2407:
2405:
2402:
2400:
2397:
2396:
2395:
2392:
2390:
2387:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
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2358:
2352:
2349:
2347:
2344:
2342:
2339:
2337:
2334:
2332:
2329:
2327:
2324:
2322:
2319:
2317:
2314:
2312:
2309:
2307:
2304:
2302:
2299:
2297:
2294:
2292:
2289:
2287:
2284:
2282:
2279:
2277:
2276:
2275:Kishōtenketsu
2272:
2270:
2269:
2268:In medias res
2265:
2263:
2260:
2258:
2255:
2253:
2250:
2248:
2247:Foreshadowing
2245:
2243:
2242:Eucatastrophe
2240:
2238:
2235:
2233:
2230:
2228:
2227:
2223:
2221:
2218:
2216:
2213:
2211:
2208:
2206:
2205:Chekhov's gun
2203:
2199:
2196:
2195:
2194:
2191:
2189:
2186:
2184:
2183:
2179:
2178:
2176:
2174:
2170:
2164:
2161:
2159:
2156:
2154:
2151:
2149:
2146:
2144:
2141:
2139:
2136:
2134:
2131:
2129:
2126:
2122:
2119:
2117:
2114:
2112:
2109:
2108:
2107:
2104:
2102:
2101:
2097:
2095:
2094:Gothic double
2092:
2090:
2087:
2085:
2082:
2080:
2077:
2075:
2074:Deuteragonist
2072:
2070:
2067:
2065:
2062:
2060:
2057:
2055:
2054:Character arc
2052:
2050:
2047:
2045:
2042:
2041:
2039:
2037:
2033:
2029:
2022:
2017:
2015:
2010:
2008:
2003:
2002:
1999:
1993:
1990:
1988:
1985:
1982:
1979:
1978:
1974:
1967:
1965:0-89879-435-8
1961:
1957:
1952:
1951:
1943:
1938:
1934:
1930:
1926:
1920:
1915:
1913:1-58297-117-X
1909:
1904:
1903:
1895:
1894:
1890:
1885:
1883:0-393-95432-3
1879:
1875:
1871:
1866:
1863:
1859:
1855:
1851:
1847:
1843:
1842:
1838:
1829:
1823:
1819:
1818:
1810:
1807:
1802:
1796:
1792:
1791:
1783:
1780:
1777:
1771:
1768:
1764:
1763:
1758:
1753:
1750:
1746:
1745:Freytag (1900
1741:
1738:
1732:
1729:
1725:
1724:Freytag (1900
1720:
1717:
1712:
1706:
1703:
1699:
1698:Freytag (1900
1694:
1691:
1687:
1686:Freytag (1900
1682:
1679:
1675:
1674:Freytag (1900
1670:
1667:
1664:Freytag p. 29
1661:
1658:
1652:
1649:
1643:
1640:
1634:
1631:
1625:
1622:
1618:
1617:Freytag (1900
1613:
1610:
1599:on 2009-01-16
1598:
1594:
1593:
1585:
1582:
1579:
1575:
1572:
1566:
1563:
1560:
1556:
1553:
1547:
1544:
1539:
1538:
1533:
1527:
1524:
1520:
1519:Freytag (1900
1515:
1513:
1511:
1507:
1494:
1490:
1489:
1484:
1477:
1474:
1469:
1465:
1464:
1459:
1452:
1449:
1437:
1433:
1432:
1427:
1420:
1417:
1405:
1401:
1400:
1395:
1388:
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1204:on 2014-08-23
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812:Chekhov's gun
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63:literary work
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3283:Storytelling
3098:Subjectivity
3088:Third-person
3078:First-person
2712:
2521:Comic relief
2273:
2266:
2257:Flashforward
2224:
2198:Origin story
2180:
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2143:Straight man
2098:
1949:
1924:
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1816:
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1757:"dénouement"
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1597:the original
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1054:the original
1049:
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1025:
1016:
1007:
993:
957:
951:, a book by
946:
932:Robert McKee
875:
873:
863:plot summary
862:
860:
857:Plot summary
851:
828:
824:plot outline
823:
821:
818:Plot outline
797:
795:
789:
787:
778:Plot devices
647:
642:
629:non sequitur
625:foreshadowed
614:
607:
581:Introduction
576:
572:
565:
558:
548:dramatic arc
545:
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469:
459:
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398:
393:
391:
383:
346:
343:Steve Alcorn
340:
334:
323:
317:Ansen Dibell
314:
296:
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254:
205:
201:
185:
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175:
157:
151:
141:
139:is a plot."
136:
132:
126:
112:
110:
105:
104:. The term
102:Ansen Dibell
97:
95:
90:
74:
60:
41:Plot is the
3288:Tellability
3254:Metafiction
3249:Narratology
3021:Theological
2913:Pop culture
2794:Short story
2772:Epic poetry
2493:Time travel
2306:Red herring
2291:Plot device
2262:Frame story
2215:Cliffhanger
2158:Tritagonist
2133:Protagonist
1488:The Poetics
1481:Aristotle.
1463:The Poetics
1456:Aristotle.
1431:The Poetics
1424:Aristotle.
1399:The Poetics
1392:Aristotle.
1367:The Poetics
1360:Aristotle.
1335:The Poetics
1328:Aristotle.
1265:The Poetics
1258:Aristotle.
962:, which is
808:red herring
790:plot device
784:Plot device
643:Katastrophe
639:catastrophe
634:Catastrophe
554:catastrophe
534:Catastrophe
420:plot points
198:narratology
194:plot thread
69:, or other
3308:Categories
3174:Continuity
3043:Nonfiction
3007:Underwater
2903:Picaresque
2878:Historical
2863:Epistolary
2735:Fairy tale
2646:Peripeteia
2628:Exposition
2384:Dreamworld
2326:Stereotype
2296:Plot twist
2044:Antagonist
1937:B0007ITQBY
1839:References
1603:2009-01-20
1442:2023-01-25
1410:2023-01-25
1378:2023-01-25
1346:2023-01-25
1313:30 October
1276:2023-01-25
1241:2023-01-25
1208:2014-08-24
1156:2014-12-20
1060:2023-01-25
1031:2023-01-25
1009:afterward.
917:Plot drift
884:television
749:dénouement
648:denouement
586:Exposition
538:revelation
517:Exposition
416:resolution
378:See also:
299:Cinderella
290:Cinderella
190:chronology
123:Definition
3065:Narration
3014:Superhero
2938:Chivalric
2923:Religious
2908:Political
2843:Adventure
2828:Biography
2750:Tall tale
2598:Structure
2583:Symbolism
2551:Narration
2451:Leitmotif
2379:Crossover
2374:Backstory
2331:Story arc
2281:MacGuffin
2252:Flashback
2193:Backstory
2069:Confidant
2049:Archenemy
2036:Character
2028:Narrative
1848:(1900) ,
1225:(1932) .
1223:Aristotle
922:Plot hole
804:MacGuffin
740:catharsis
609:climactic
447:Aristotle
435:Aristotle
425:Syd Field
399:treatment
238:⟨a
210:⟨a
111:The term
98:storyline
91:imbroglio
71:narrative
55:logically
3271:Glossary
3266:Rhetoric
3073:Diegesis
3053:Creative
3026:Thriller
2975:Southern
2893:Paranoid
2888:Nautical
2799:Vignette
2757:Gamebook
2725:Folklore
2632:Protasis
2511:Allegory
2456:Metaphor
2414:parallel
2409:universe
2389:Dystopia
2346:Suspense
2232:Dialogue
2220:Conflict
2128:Narrator
2100:Hamartia
1574:Archived
1555:Archived
1534:(1900).
1493:Archived
1436:Archived
1404:Archived
1372:Archived
1340:Archived
1307:Archived
1270:Archived
1235:Archived
1186:, 25-57.
897:Monomyth
890:See also
568:conflict
414:and the
369:Concepts
277:Examples
273:fabula.
250:⟩
234:⟩
230:, ..., a
117:synopsis
57:by "so".
3201:Prequel
3157:Related
3143:Present
3036:Western
2992:Science
2965:Fantasy
2933:Romance
2883:Mystery
2868:Ergodic
2833:Fiction
2789:Parable
2784:Novella
2714:Fabliau
2685:Premise
2536:Imagery
2526:Diction
2404:country
2361:Setting
2341:Subplot
2163:Villain
2116:Byronic
1958:Books.
1499:24 July
764:dénouer
754:French:
460:Poetics
458:In his
452:Poetics
449:in his
387:Ta'zieh
206:syuzhet
186:syuzhet
153:Titanic
87:subplot
3205:Sequel
3189:Retcon
3184:Reboot
3148:Future
2982:Horror
2970:Gothic
2955:Satire
2873:Erotic
2740:Legend
2642:Climax
2516:Bathos
2423:Utopia
2311:Reveal
2210:Cliché
2188:Action
2182:Ab ovo
2121:Tragic
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1880:
1862:13-283
1860:
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1797:
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1107:
1082:
1000:
880:cinema
876:A-Plot
870:A-Plot
810:, and
806:, the
802:, the
603:climax
598:Climax
561:retcon
526:Climax
508:wrote
502:German
472:scenes
467:play.
410:, the
408:set-up
202:fabula
182:fabula
148:scenes
83:ballad
73:, the
3212:Genre
3179:Canon
3130:Tense
3048:Novel
3031:Urban
2943:Prose
2928:Rogue
2853:Crime
2848:Comic
2809:Genre
2779:Novel
2730:Fable
2708:Drama
2673:films
2503:Style
2471:Motif
2461:Moral
2446:Irony
2438:Theme
2351:Trope
972:Notes
878:is a
770:nodus
464:Greek
144:CSULB
61:In a
47:story
3217:List
3138:Past
2997:Hard
2950:Saga
2858:Docu
2814:List
2745:Myth
2700:Form
2588:Tone
2561:Hook
2546:Mood
2541:Mode
2399:city
2286:Pace
2173:Plot
2111:Anti
2106:Hero
2089:Foil
1960:ISBN
1933:ASIN
1908:ISBN
1878:ISBN
1858:LCCN
1822:ISBN
1795:ISBN
1501:2021
1458:"14"
1315:2021
1125:ISBN
1105:ISBN
1080:ISBN
998:ISBN
994:Plot
882:and
829:nēmu
637:The
601:The
591:Rise
500:The
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2606:Act
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