66:
142:
25:
312:
From 2002 to 2006, while living in
Virginia, Tejada-Herrera focused each time more on pieces that incorporated the participation of the public, like the series Paper Animals, Holding the House Together, One Day Around The Neighborhood Choreographing My Dance. For this piece Tejada-Herrera asked
313:
strangers on stores, and in her neighborhood, to teach her how to dance and to choreograph her. Simultaneously she carried on landscape interventions on highways that addressed the drivers as her audience. Other pieces were performances interventions in malls and different public spaces
305:
Bomba and the
Bataclana in the Belly Dance in which the artist appeared as a cabaret dancer along with street sellers that she hired to perform with her. This piece dealt with the body,
548:
452:
563:
423:
309:
constructions, and incorporated the participation of the public. The artist was awarded the first prize in the art contest
Passport for an Artist for this artwork.
588:
573:
523:
401:
Franquicias imaginarias. Las opciones estéticas en las artes plásticas en el Perú de fin de siglo: artes, ciencias y humanidades: cuestiones y perspectivas
568:
170:
150:
75:
373:"Terremoto | New Bourgeois Latin American Immigrant who Learned Shopping and has Good Taste: Identity Subversions in the work of Elena Tejada-Herrera"
301:
Elena Tejada-Herrera became known as a painter but got great attention because of her performance artwork. In 1999 Tejada-Herrera presented her video
583:
578:
553:
508:
399:
513:
488:
38:
498:
483:
101:
593:
533:
503:
261:
243:
123:
52:
224:
196:
558:
518:
203:
174:
166:
543:
538:
528:
210:
155:
86:
80:
278:
159:
293:
at the Arts
Department at Pontificia Universidad del Peru, but attained public attention in a controversial way.
192:
44:
105:
493:
277:
is a trans-disciplinary artist who was born in Peru and became known for her work in performance and
217:
417:
181:
97:
404:(1st ed.). Lima: Fondo Editorial Pontificia Universidad Católica del Perú. p. 178
437:
Buil, B. (2008). "Elena Tejada-Herrera:Sharing
Territories to communicate understanding".
322:
342:
306:
289:
Elena Tejada-Herrera began her artistic education in the mid-1990s, initially studying
477:
372:
302:
92:
Contentious material about living persons that is unsourced or poorly sourced
290:
180:
from the article and its talk page, especially if potentially
135:
59:
18:
281:
arts. Her work promotes the participation of the public.
398:Hernandez Calvo, Villacorta, Max, Jorge (2002).
549:Hispanic and Latino American women in the arts
8:
422:: CS1 maint: multiple names: authors list (
53:Learn how and when to remove these messages
321:Her work is part of the collection of the
173:about living persons that is unsourced or
262:Learn how and when to remove this message
244:Learn how and when to remove this message
124:Learn how and when to remove this message
564:Peruvian emigrants to the United States
334:
415:
7:
589:21st-century American women painters
574:20th-century American women painters
367:
365:
363:
524:American women performance artists
453:"MALI en línea. Colección virtual"
85:it lacks sufficient corresponding
14:
569:20th-century American printmakers
34:This article has multiple issues.
140:
64:
23:
42:or discuss these issues on the
584:21st-century American painters
579:20th-century American painters
554:21st-century Peruvian painters
509:American contemporary painters
1:
514:American installation artists
489:American performance artists
151:biography of a living person
96:, especially if potentially
76:biography of a living person
499:American conceptual artists
484:American multimedia artists
178:must be removed immediately
100:or harmful. Please help to
94:must be removed immediately
79:includes a list of general
610:
594:American women printmakers
534:Women installation artists
504:Women conceptual artists
16:Peruvian-American artist
108:more precise citations.
559:Peruvian women artists
519:American video artists
343:"Elena Tejada-Herrera"
193:"Elena Tejada-Herrera"
165:Please help by adding
323:Museo de Arte de Lima
275:Elena Tejada-Herrera
171:Contentious material
544:Interactive artists
539:Women video artists
529:Audiovisual artists
279:multidisciplinary
272:
271:
264:
254:
253:
246:
228:
154:needs additional
134:
133:
126:
57:
601:
468:
467:
465:
463:
449:
443:
442:
434:
428:
427:
421:
413:
411:
409:
395:
389:
388:
386:
384:
369:
358:
357:
355:
353:
339:
267:
260:
249:
242:
238:
235:
229:
227:
186:
167:reliable sources
144:
143:
136:
129:
122:
118:
115:
109:
104:this article by
87:inline citations
68:
67:
60:
49:
27:
26:
19:
609:
608:
604:
603:
602:
600:
599:
598:
474:
473:
472:
471:
461:
459:
451:
450:
446:
436:
435:
431:
414:
407:
405:
397:
396:
392:
382:
380:
379:. 20 March 2017
371:
370:
361:
351:
349:
341:
340:
336:
331:
319:
299:
287:
268:
257:
256:
255:
250:
239:
233:
230:
187:
185:
164:
145:
141:
130:
119:
113:
110:
91:
69:
65:
28:
24:
17:
12:
11:
5:
607:
605:
597:
596:
591:
586:
581:
576:
571:
566:
561:
556:
551:
546:
541:
536:
531:
526:
521:
516:
511:
506:
501:
496:
491:
486:
476:
475:
470:
469:
444:
429:
390:
359:
333:
332:
330:
327:
318:
315:
298:
295:
286:
283:
270:
269:
252:
251:
175:poorly sourced
148:
146:
139:
132:
131:
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
606:
595:
592:
590:
587:
585:
582:
580:
577:
575:
572:
570:
567:
565:
562:
560:
557:
555:
552:
550:
547:
545:
542:
540:
537:
535:
532:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
495:
494:Living people
492:
490:
487:
485:
482:
481:
479:
458:
457:190.12.86.155
454:
448:
445:
440:
433:
430:
425:
419:
403:
402:
394:
391:
378:
374:
368:
366:
364:
360:
348:
344:
338:
335:
328:
326:
324:
316:
314:
310:
308:
304:
296:
294:
292:
284:
282:
280:
276:
266:
263:
248:
245:
237:
226:
223:
219:
216:
212:
209:
205:
202:
198:
195: –
194:
190:
189:Find sources:
183:
179:
176:
172:
168:
162:
161:
157:
152:
147:
138:
137:
128:
125:
117:
107:
103:
99:
95:
89:
88:
82:
78:
77:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
460:. Retrieved
456:
447:
438:
432:
406:. Retrieved
400:
393:
381:. Retrieved
376:
350:. Retrieved
346:
337:
320:
311:
300:
288:
274:
273:
258:
240:
231:
221:
214:
207:
200:
188:
177:
160:verification
153:
120:
111:
93:
84:
74:
50:
43:
37:
36:Please help
33:
317:Collections
303:performance
285:Performance
106:introducing
478:Categories
439:Art Voices
347:frieze.com
329:References
204:newspapers
81:references
39:improve it
441:(10): 63.
418:cite book
377:Terremoto
325:in Peru.
156:citations
45:talk page
462:27 March
408:10 April
291:painting
234:May 2015
182:libelous
114:May 2015
98:libelous
383:6 April
352:6 April
218:scholar
102:improve
307:gender
220:
213:
206:
199:
191:
83:, but
225:JSTOR
211:books
149:This
73:This
464:2020
424:link
410:2015
385:2020
354:2020
297:Work
197:news
158:for
480::
455:.
420:}}
416:{{
375:.
362:^
345:.
169:.
48:.
466:.
426:)
412:.
387:.
356:.
265:)
259:(
247:)
241:(
236:)
232:(
222:·
215:·
208:·
201:·
184:.
163:.
127:)
121:(
116:)
112:(
90:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.