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Electric Eel Shock

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band. Aki later said that one of the main reasons for this band's demise was that they acted on everything that they were told, and as a result soon became directionless. This helped form the attitude of Electric Eel Shock – that musicians should listen to the views of others, but should learn from
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Electric Eel Shock has strong support from their fans and became one of the first bands without previous significant record label success to fully embrace crowdfunding. In 2004 they raised £10,000 from 100 fans (the Samurai 100) by offering them guestlist for life. Two years later they became the
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for a new album. The aim was to catch all the energy and character of an Electric Eel Shock performance with a production that would sit alongside the early Black Sabbath albums that had inspired their creation. Assisting Attie in the studio was the band's live engineer, Tim Bray, who had become a
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The first incarnation of Electric Eel Shock was different from their current attributes. The band's first public performances were as an 11-piece group with keyboards, female vocals, and French horns. It was not until the logistics of getting all of its members together on the same day to practice
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bassist. Maekawa's low-slung bass and unkempt appearance was at odds with The Apollos' suited and polished image, and meant that his time in this role was short-lived. However, Maekawa introduced their drummer, Tomoharu Ito (known as Gian, due to his similar appearance to a well-known Japanese
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Shortly after returning to Japan, EES sold their property and left their homes. They returned to the US and toured almost constantly for the next two years. All the while, the band survived on the sale of CDs, t-shirts, and help from friends. They then recorded the EP
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as an album full of classic rock hand-crafted in Japan. Attie Bauw, who produced the last two EES albums, was at the controls again, only this time he engineered the basic tracks and Electric Eel Shock took the production reins on the album themselves.
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sessions. Although these were still produced on a relatively low budget, and paid for by the band, this was the first time that they had used a studio and sound engineer as opposed to a practice room, kitchen or cupboard. The results,
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became consultants on first SellaBand and later PledgeMusic. Having played an important role in establishing the viability and model for Crowd Funding in music they have now launched their own crowd funding site
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Electric Eel Shock decided against making demos and sending them to record companies. Instead, they quickly set up the Micro Music record label with their friends, and released their first full-length album,
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After the demise of the pop rock band, Aki and Maekawa stayed in Tokyo. Aki followed his passion of fishing and became a competitive angler (he still writes for Japan's largest fishing magazine,
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fastest band to raise the 50,000 budget through SellaBand. The album Sugoi Indeed, has been licensed to Universal Records in Japan and various independent labels around the world.
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to perform in London. On January 16, 2003, Electric Eel Shock landed in London for five hastily-arranged gigs. The five shows become twelve gigs in ten days. The band used the
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From 2007 to 2011 Gian was unable to make all tours, when he was not available to tour EES used a number of stand in drummers: Gian is now back in the band permanently.
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who had relocated there some time earlier. Due to the success of these few gigs, the handful of dates that were planned turned into an East Coast tour.
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comedian of that name) to Aki. Gian, who had a day job making artificial teeth, Maekawa, and Aki started practicing together shortly afterwards.
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on 2 May 2008 to raise the funds to record their next album. On 25 June 2008 after 55 days the band successfully raised $ 50,000.
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Gian took up playing with four drumsticks, and also gained a reputation for playing almost naked. Gian has been arrested once, in
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at the end of December 2004, and returned to Japan for the first time in a long time, to do a few gigs.
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The band spent the rest of 2003 between the US and Europe. Highlights included playing at both the
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The album was licensed to several labels around the world and was released in October 2009.
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The band's European base camp for much of their touring in 2004 was the Suicide Motel in
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Throughout 2005 EES shows have become larger; touring in the US and Europe with the
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Aki and Maekawa moved to Tokyo and played as guitarist and bassist in a five-piece
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At the start of 2004, Electric Eel Shock went into the studio for the last of the
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https://web.archive.org/web/20081201062656/http://drownedinsound.com/news/13046
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tour. The album was released by P-Vine records on November 16, 2007 in Japan.
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as their only form of transport. After this, they returned to the US with
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on October 1, 2007. The album was the first release on their own label
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In early 2003, the band received an email invitation from journalist
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became unworkable that the band stripped down to a three-piece.
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James "Bronski Beat" Thomas (ex Sludgefeast and A&E Line)
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Roland Ritchie (ex Wasted) - the Netherlands and HMV
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Hiroto "The Ginger Drummer" - Presidents of USA tour
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Unsourced material may be challenged and removed. 1154:"Rockit music Festival, Hong Kong 2004 and 2003" 1297: 1295: 1293: 1291: 905:Damon Richardson (ex Danko Jones) - Europe 2007 641:was released in Japan on legendary metal label 663:The Presidents of the United States of America 1093: 1091: 997: 995: 993: 991: 989: 987: 985: 446:) and Maekawa joined The Apollos (a Japanese 8: 1643:"Hiroto serving drinks to the PUSA on stage" 1440:"The editor" "rock-metal-music-reviews.com" 1416:"Electric Eel Shock's 2006 Concert History" 1109: 1107: 1105: 1029: 1027: 1025: 1023: 471:, and fined HK$ 100, for playing this way. 175:promotes the subject in a subjective manner 50:Learn how and when to remove these messages 1359: 1357: 237: 226: 966: 964: 215:Learn how and when to remove this message 197:Learn how and when to remove this message 147:Learn how and when to remove this message 1558:"Track listing for Live performance DVD" 962: 960: 958: 956: 954: 952: 950: 948: 946: 944: 1142:"TCB: SXSW News" "The Austin Chronicle" 1137: 1135: 926: 1343: 1332: 971:"Emery, P" "i97bar.com online fanzine" 489:In 1999, Electric Eel Shock recorded 7: 826:Rock & Roll Can Rescue the World 85:adding citations to reliable sources 1692:Japanese heavy metal musical groups 1198:""Grunebaum, D" "metropolis.co.jp"" 563:, and supporting the Canadian band 172:This article contains wording that 1530:"itsallhappening, June 24th, 2008" 1115:""Tanzer, J" "Returning Japanese"" 607:,Attie Bauw, (who had worked with 415:Akihito Morimoto, known as 'Aki' ( 177:without imparting real information 14: 1687:Japanese hard rock musical groups 1366:"Interview with Akihito Morimoto" 555:festivals in America, playing at 31:This article has multiple issues. 1264:Weston, Colin (3 October 2003). 1156:. Hkoutdoors.com. 2 October 2004 163: 61: 20: 1597:from the original on 2021-12-21 1253:Rockit Hong Kong Music Festival 704:EES and their UK based manager 667:These Are the Good Times People 620:fixture on tour with the band. 561:Rockit Hong Kong Music Festival 383:in 1994. They first toured the 72:needs additional citations for 39:or discuss these issues on the 1486:"Sellaband Tribune Edition 88" 1391:"Scarborough Beached Festival" 1071:""A different Basser Article"" 1034:"Westin, C" "Proper Magazine" 427:) first met in high school in 1: 728:Maybe... I Think We Can Beat 477:Maybe... I Think We Can Beat 1046:""Green Ridge Fish Farming"" 684:The press release describes 653:Electric Eel Shock released 623:The band finished recording 567:on a 40-date European tour. 1682:Japanese garage rock groups 1468:"EES Sellaband Artist page" 874:Welcome To Gearhead Country 559:in Denmark, headlining the 1723: 677:Electric Eel Shock joined 482:. They followed this with 1697:Musical groups from Tokyo 1098:"Despres, S" "Gig Review" 404:Akihito Morimoto 2016 at 236: 1707:Gearhead Records artists 375:(EES) are a three-piece 1491:27 January 2009 at the 892:Sex, Drugs, & Email 863:(2003) Live Concert DVD 1702:Japanese musical trios 1547:Amazon Link for Video 1266:"EES: Danko Very Much" 830:The Riverboat Gamblers 800:Heavy Metal Black Belt 544:as their new manager. 423:) and Kazuto Maekawa ( 412: 246:Background information 776:Transworld Ultra Rock 655:Transworld Ultra Rock 649:Transworld Ultra Rock 507:, with their friends 403: 1305:release of Beat Me" 1301:"CD Liner notes for 1224:"Electric Eel Shock" 1003:"Electric Eel Shock" 911:Kosho - Wacken 2007 659:Double Peace Records 497:eight-track recorder 439:their own mistakes. 96:"Electric Eel Shock" 81:improve this article 1370:From Out of Nowhere 346:Tomoharu "Gian" Ito 309:Rodeostar (Germany) 1666:Electric Eel Shock 1620:2009-01-07 at the 1563:2011-10-02 at the 1473:6 May 2008 at the 1445:2008-07-26 at the 1303:Roadrunner (Japan) 1222:Wiederhorn, John. 976:2008-05-15 at the 855:Slayer's Bay Blues 643:Roadrunner Records 538:London Underground 413: 373:Electric Eel Shock 231:Electric Eel Shock 1342:Missing or empty 876:(Gearhead) (2006) 842:Attack America II 744:Slayers Bay Blues 557:Roskilde Festival 492:Slayers Bay Blues 370: 369: 362:.electriceelshock 313:Universal (Japan) 225: 224: 217: 207: 206: 199: 157: 156: 149: 131: 54: 1714: 1662: 1661: 1659:Official website 1645: 1640: 1634: 1630: 1624: 1613: 1607: 1606: 1604: 1602: 1583: 1577: 1573: 1567: 1555: 1549: 1544: 1538: 1537: 1532:. 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Tokyo, Japan
Garage rock
hard rock
rock and roll
heavy metal
Double Peace
Rodeostar (Germany)
Universal (Japan)
Roadrunner Japan
Gearhead
Spooky
Bitzcore

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