613:, though Hassinger was not as involved in the band's activities, which allowed much more creative freedom to the group to write their own material. For the album, the band wrote seven of the twelve tracks, and expanded upon the experimentation of the first album, with inventive guitar reverb and oscillation, in a unified effort. However, in the middle of the recording sessions the line-up went through changes when Ritter departed for musical differences, and was replaced by original drummer Weakley, who appeared on five tracks. Spagnola left near the conclusion of recording to address medical concerns, and Mike Gannon was recruited to finish the album. Gannon was included on just two songs as well as the non-album track, "Everybody Knows You're Not In Love". In August 1967,
709:. The Electric Prunes performed with the new songs in concert just once, at the Santa Monica Civic Auditorium, which Tulin described: "From the outset the performance was a disaster. We missed the intro on the first song and it never got any better. Amp speakers blew, charts fell off music stands and everyone was, in general, in a complete state of confusion. Ended up each song turned into one long jam. I think we were, at times, all in the same key. I made my way over to the four celli and four French horns and told them to 'jam in E.' Somehow we would hit a break and James would manage a vocal". As a result of financial and musical issues, Weakley and Lowe left the group in early 1968. Tulin and Williams finished a tour with a line-up that also included
814:, although "So Many People to Tell" and "Silver Passion Mine" also exhibit a late-psychedelic sound. As Whetstone explains, "We were fairly naive in terms of guidance; we had none, so we were experimenting with a lot of musical styles. If you listen to the album, you'll hear a lot of diversity, feel and tempo changes...That was our learning curve." In early 1970, Whetstone and Wade departed the band and moved to Canada where they formed Stallion Thumbrock. Morgan and Kincaid constructed another line-up of The Electric Prunes that included Michael Kearns, Clay Groomer, Huey Plumeigh, and Galen Pugh; however, by mid-1970 the band dissolved.
44:
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728:), which was managed by Poncher, and produced an album with Axelrod. The new Electric Prunes line-up included Climax members Richard Whetstone (vocals, guitar), John Herron (organ), and Mark Kincaid (guitar) with Brett Wade (bass guitar), who was recommended by The Collectors. With the group restructured, Axelrod, again, composed all the material for their next album, in the same vein as the previous effort, and centered it around the Jewish prayer,
492:, expressed a desire to produce a record. He suggested to the group that they change their name, and they considered a list of alternatives. According to Lowe, the name Electric Prunes started off as a joke, but he eventually convinced other band members, saying, "It's the one thing everyone will remember. It's not attractive, and there's nothing sexy about it, but people won't forget it." As a result of the recordings, a
575:
beat, was released in May 1967. The song managed to chart at number 27 in the US and number 42 in the UK, and was the most electronically experimental composition by the group thus far. When it came time for The
Electric Prunes to record songs for their first album, they were limited musically due to
532:
with some fuzztone and tremolo at the end of the tape. Forward it was cool. Backward it was amazing. I ran into the control room and said, 'What was that?' They didn't have the monitors on so they hadn't heard it. I made Dave cut it off and save it for later." The fluttering buzz sound was utilized
528:'s Skyhill Studios studio. These mainly comprised cover songs and Tucker-Mantz compositions. According to Lowe, while at Russell's recording studio, "Dave cued up a tape and didn't hit 'record,' and the playback in the studio was way up: ear-shattering vibrating jet guitar. Ken had been shaking his
590:
tune, "Onie" and "Toonerville
Trolley" suggest inconsistency in an attempt to produce a commercially viable sound. Reflecting on the album, Tulin said, "Consequently there are definitely songs that I believe do not belong on the album and were, in fact, a waste of our time and energy. There were
884:. Deemed the "one we never got to make", the album was a cohesive take on the band's psychedelic sound. In August 2002, the group toured Europe for the first time since 1968, with concerts in the UK and Greece and, in 2003, a DVD looking into the UK portion of their European tour, called
474:, which was commended for its good sound quality, considering the circumstances in which it was recorded. Back to a quartet, the band, while rehearsing in a garage, met a real estate agent named Barbara Harris. Harris had connections in the music industry, and introduced the group to
780:, was released in June 1969 with the cover describing the group as The "New Improved" Electric Prunes. Herron left the group before they completed recording of the album, although he was still credited as the keyboardist. He was replaced by Ron Morgan, who had been the guitarist of
750:, and saw Whetstone as the only band member to contribute to the recordings. Although the album was considered more cohesive and progressive than its predecessor, it failed to chart upon its release in November 1968. Afterwards, Axelrod returned to his past position at
913:, which featured new material inspired by the group's tour in Tokyo, Japan. The album includes the last recordings with Tulin, and the two live tracks, "Smokestack Lightning" and "Bullet Thru the Backseat". Preston Ritter died in 2015, aged 65.
397:, but were largely performed by other musicians. Several of the original band members reconvened in 1999 and began recording again. The band still performs occasionally, although the only remaining original member is lead singer James Lowe.
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679:. Although the band did record the songs "Kyrie Eleison", "Gloria", and "Credo", the intricate orchestration proved to be too difficult and time-consuming for the group. As a consequence, Hassinger enlisted the Canadian group
594:
In July 1967, the band released their fourth single, one of the more unusual compositions to come from the pen of the Tucker-Mantz songwriting duo, "Dr. Do-Good". The song, which featured
Williams playing a prototype
43:
863:, the original line-up of Tulin, Lowe, Williams, and Weakley (now known as Fortune) reconvened, in 1999, to record new material for the first time in 31 years. After the success of the 2001 compilation album,
512:
was encouraged by the group's effort, and signed the band to a recording contract that left them under
Hassinger's authority. Weakley departed the band after the single, and was replaced by
720:, which prompted him to assemble a new line-up. He was steered toward the Colorado group, Climax, by Rich Fifield. Fifield had worked in fellow Colorado band, Hardwater (previously the
621:, where it peaked at number 172. After a U.S. tour in the latter half of 1967, the new line-up embarked on a European tour and this led to appearances at high-profile venues such as
374:, the band was more free to create their own material. However, the original group disbanded by 1968 when they proved unable to record the innovative and complex arrangements by
1328:(includes "I Had Too Much To Dream (Last Night)"), 1972 Elektra, reissued 1976 Sire, reissued 1998 as a four-CD box set by Rhino, also includes "Get Me to the World on Time").
454:
on March 27, 1965, in a home studio owned by Russ
Bottomley. For their next set of recordings on September 29, 1965, the group, then known as Jim and the Lords, was joined by
576:
the predominant presence of Tucker and Mantz's (also Jill Jones) songwriting partnership, which composed the majority of the album's material. The group's debut album,
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520:
James "Weasel" Spagnola was recruited to make The
Electric Prunes a quintet. Although the band was composing their own material, Hassinger called upon songwriters
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848:. This was the first album to include their first single, "Ain't It Hard", the non-LP track "You Never Had It Better", and the first to be released on the
339:'s concept of "free-form garage music" provided the band with a richer sonic palette and exploratory lyrical structure than many of their contemporaries.
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was released in
January 1968 and reached number 135 on the Billboard 200. An eerie version of the opening track, "Kyrie Eleison", became somewhat of an
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2600:
785:
2507:
2355:
1043:
609:
370:
2547:
1091:
909:
Catalina
Hyperbaric Chamber. After Tulin's death, the band went on hiatus, but returned to touring in 2013. On May 22, 2014, the band released
894:
832:
in 1972, a slow return of interest in the band's music began. In Europe, the band's albums were re-released, with 1986 seeing the reissue of
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534:
361:
2010:
1928:
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1940:
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several other ideas we were working on, but realized there was no use pursuing them because they too would have been 'too weird.'"
552:. The success of the single prompted immediate touring, and earned the group a promotional contract with musical equipment makers
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and Nancie Mantz to write the majority of the group's songs. The new line-up recorded six demos at
American Recording Studio and
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680:
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possessed exotically combined effects, and violin-like guitar riffs, mixed with a diverse, and somewhat uneven, selection of
541:. The song was chosen to be released as The Electric Prunes' second single in November 1966. It peaked at number 11 on the
316:
described it, possessed of "an eerie and sometimes anguished ambiance." Their most successful material was by songwriters
2595:
2409:
1238:"I Had Too Much To Dream (Last Night)" / "Luvin'" / "Little Olive" / "Ain't It Hard" (Reprise RVEP 60098), 1967, France
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578:
568:
365:
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1244:"Long Day's Flight" / "Dr. Do-Good" / "The Great Banana Hoax" / "Captain Glory" (Reprise RVEP 60110), 1968, France
855:
By 1997, all of the group's albums were available via compact disc. Following the release of the 1997 live album,
716:
Nonetheless, Hassinger still owned the rights to The
Electric Prunes's name, and was encouraged by the success of
500:
tune, "Ain't It Hard", and the Lowe-penned song, "Little Olive", was released in early 1966, but failed to chart.
2389:
1736:
1068:
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666:
529:
375:
1316:
1229:"Get Me to the World on Time" / "Are You Lovin Me More (But Enjoying It Less)" (Reprise RS 20564), 1967, UK
1173:"I Had Too Much to Dream (Last Night)" / "Get Me to the World on Time" (Reprise 0704 – Double A-side), 1968
2620:
1253:"I Had Too Much To Dream (Last Night)" / ("Lies" by the Knickerbockers) (Elektra K 12102), 1973 (from the
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881:
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at number 128. The Electric Prunes reconvened at American Recording Studios to record their second album,
603:
as "sounding more like a horror movie theme run amok than a radio-ready hit", and consequently the single
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419:
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146:
57:
669:, a formally classically trained musician, to compose all of the material for the project. The result,
826:. Following the inclusion of "I Had Too Much to Dream (Last Night)" as the first track on the seminal
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2207:
822:
Although the band broke up in 1970, their material continued to be circulated through reissues and
763:
630:
73:
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1262:"I Had Too Much To Dream (Last Night)" / "Luvin" (Radar ADA 16 – picture sleeve reissue), 1979, UK
633:. On the final leg of the tour, The Electric Prunes' performance was recorded in Stockholm by the
2523:
1247:"Everybody Knows You're Not In Love" / "You Never Had It Better" (Reprise RV 20149), 1968, France
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755:
734:
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At the suggestion of manager Lenny Poncher and Hassinger, The Electric Prunes agreed to record a
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329:
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songs, with only "Train For Tomorrow" and "Luvin'" being penned by the band. Tracks such as the
1936:
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1332:
860:
823:
692:
542:
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1241:"Everybody Knows You're Not In Love" / "You Never Had It Better" (Reprise RS 20652), 1968, UK
1206:
2539:
2396:"How musicians in a Colorado band named Climax morphs into The Electric Prunes..it was 1967"
872:
687:, in completing the album, although Lowe, Tulin, and Weakley did contribute to every track.
684:
549:
517:
301:
298:
95:
390:. Both albums were released under the band's name, the rights to which were owned by their
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1158:" / "Are You Lovin' Me More (But Enjoying it Less)" (Reprise 0564), 1966, (US #27, UK #42)
1141:
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781:
751:
675:, was a complex arrangement of religious-based rock, which was sung entirely in Greek and
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394:
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151:
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110:
2308:
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1336:, 1979 (includes "Vox Wah-Wah Radio Ad"), BFD Records, reissued 1992 on CD by AIP Records
980:
James "Weasel" Spagnola (1966–1967; died c.2000) - rhythm guitar, backing and lead vocals
2374:
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2359:
2343:
974:
905:
On February 26, 2011, Tulin died aged 62 from a heart attack while volunteering at the
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49:
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898:, in 2004, and their most experimental album since The Electric Prunes's reformation,
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1170:"Everybody Knows You're Not in Love" / "You Never Had it Better" (Reprise 0652), 1968
1001:
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841:
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were composed solely by the band. In addition, Wade composed "Flowing Smoothly", the
789:
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654:
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557:
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538:
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to record demos at Sky Hill Studios. Hassinger, who had been working as the resident
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141:
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849:
788:. With the exception of "Finders Keepers, Losers Weepers", which was co-written by
596:
525:
459:
451:
1624:
1235:"Long Days Flight" / "The King In His Counting House" (Reprise RS 23212), 1967, UK
665:, with the belief it would launch them into commercial success. Poncher recruited
1205:"Get Me to the World on Time" (Live) (Birdman Records BMR037), 2002 (recorded at
2319:
1404:
759:
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455:
447:
439:
435:
415:
321:
305:
100:
77:
1985:"How musicians in a Colorado band named Climax morphs into The Electric Prunes"
1902:
335:
and oscillating sound effects. In addition, guitarist Ken Williams' and singer
320:
and Nancie Mantz, though the group also penned their own songs. Incorporating
17:
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1343:
1199:
965:
Michael "Quint" Weakley (1965–1966, 1967, 2001; died 2024) - drums, percussion
956:
888:, was released. Additional albums were released over the years, including the
877:
743:
705:
696:
638:
572:
431:
309:
205:
81:
53:
2329:
2233:
1447:
1342:, 1981 (4 songs from a 1967 concert in Stockholm plus the Vox ad, split with
1226:"I Had Too Much to Dream (Last Night)" / "Luvin" (Reprise RS 20532), 1966, UK
811:
729:
721:
587:
583:
497:
411:
105:
2339:
1405:"LINER NOTES FOR THE ELECTRIC PRUNES' I HAD TOO MUCH TO DREAM (LAST NIGHT)"
784:, and an essential session musician for the first three albums released by
617:
was released, but, without a hit-ready single, did not fare as well on the
1560:
1182:"Help Us (Our Father, Our King)" / "The Adoration" (Reprise PRO 305), 1968
2384:
2234:"Psychedelic Music Legends The Electric Prunes Release New Live CD 'WaS'"
2167:
2114:
2041:
1876:
1802:
1745:
1521:
931:
2349:
2300:
1250:"Hey Mr President" / "Flowing Smoothly" (Reprise RV 20198), 1969, France
2365:
2304:
1476:
1,001 Songs You Must Hear Before You Die...And 10,001 You Must Download
1191:"Love Grows" / "Finders, Keepers, Losers, Weepers" (Reprise 0858), 1969
754:, and The Electric Prunes toured as a supporting act for bands such as
332:
2401:
599:, and childlike to maddening vocals, was described by music historian
328:, the band's sound was marked by innovative recording techniques with
2395:
1984:
1325:
Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968
1232:"The Great Banana Hoax" / "Wind-Up Toys" (Reprise RS 20607), 1967, UK
829:
Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968
797:
427:
423:
2093:
Release Of An Oath (The Kol Nidre) & Just Good Old Rock And Roll
2284:
1293:(Heartbeat Productions), 2000, UK (pre-Electric Prunes recordings)
676:
467:
443:
351:
281:
2279:
1291:
The Sanctions / Jim and the Lords - Then Came the Electric Prunes
458:
Dick Hargrave, who left shortly afterwards to pursue a career in
2136:
2066:
1956:
1824:
1681:
1480:(4th ed.). New York, NY: Universe Publishing. p. 928.
1376:
1297:
Too Much To Dream - Original Group Recordings: Reprise 1966-1967
807:
713:
and Jeremy Stuart, but by mid-1968 they too departed the group.
2405:
1711:"LINER NOTES FOR THE ELECTRIC PRUNES' COMPLETE REPRISE SINGLES"
867:, the band began to perform live again along with new members.
350:, "Ain't It Hard", in the latter part of the year. Their first
1185:"Hey! Mr. President" / "Flowing Smoothly" (Reprise 0756), 1969
992:
Mark Kincaid (1968–1970; died c.1994) - guitar, backing vocals
876:, which included several guest musicians, most notably former
560:
in early 1967, and the band was featured in magazines such as
556:. Williams recorded an advert, demonstrating the use of Vox's
1167:"The Great Banana Hoax" / "Wind-up Toys" (Reprise 0607), 1967
571:", which put distorted sound effects to a psychedelic-tinged
537:", which also included a heavily textured psychedelic guitar
418:
group, the Sanctions, in 1965. The Sanctions, which included
806:
is much more straightforward than past works, consisting of
312:, in 1965. Much of the band's music was, as music historian
1164:"Dr. Do-Good" / "Hideaway" (Reprise 0594), 1967 (US #128)
1299:(Rhino Records / Reprise Records), 2007, UK & Europe
930:– lead vocals, harmonica, percussion, theremin, guitar,
1194:"Hollywood Halloween" (Birdman Records BMR1313), 2001,
998:
Dick Whetstone (1968–1970) - drums, lead vocals, guitar
962:
Ken Williams (1965–1968, 1999–2003, 2006) - lead guitar
940:
Jay Dean – rhythm guitar, backing vocals (2004–present)
937:
Steve Kara – lead guitar, backing vocals (2003–present)
1903:"LINER NOTES FOR THE ELECTRIC PRUNES' MASS IN F MINOR"
482:
at RCA Studios and recently completed development for
360:, included the band's two nationally charting songs, "
2260:"Preston Ritter, Electric Prunes Drummer, Dies at 65"
995:
Brett Wade (1968–1970) - bass, backing vocals, flute
2558:
2491:
1176:"Shadows" (Reprise PRO 287), 1968, one-sided single
959:(1965–1968, 1999–2011; died 2011) - bass, keyboards
508:Despite the commercial failure of "Ain't It Hard",
276:
272:
196:
192:
164:
160:
129:
119:
88:
69:
64:
34:
2336:, discussing effects used on the early recordings.
1772:"LINER NOTES FOR THE ELECTRIC PRUNES' UNDERGROUND"
986:Mike Gannon (1967–1968; died 1972) - rhythm guitar
946:Rocco Guarino– bass, backing vocals (2013–present)
870:On October 31, 2001, the band released the album,
48:The Electric Prunes in 1966. Clockwise from left:
1931:Too Much to Dream: A Psychedelic American Boyhood
2390:Interview with James Lowe of The Electric Prunes
1151:" / "Luvin" (Reprise 0532) 1966 (US #11, UK #49)
1287:(Birdman Records / Heartbeat Records), 2000, US
840:, and, essentially The Electric Prunes's first
800:to the non-album single, "Hey, Mr. President".
738:, utilized several session musicians including
2375:Live and early recordings on Heartbeat Records
1765:
1763:
989:John Herron (1968–1970; died 2003) - keyboards
368:". With the appearance of their second album,
2417:
1657:. Miller Freeman Publishing. pp. 52–67.
1436:, Heartbeat Records cat. # CA91806, p. 2
8:
1676:
1674:
1188:"Sell" / "Violent Rose" (Reprise 0833), 1969
637:. The recordings were issued in 1997 on the
1179:"Sanctus" / "Credo" (Reprise PRO 277), 1968
1161:"Vox Wah-Wah Ad" (Thomas 08-000132-0), 1967
533:for the opening to the Tucker-Mantz song, "
2424:
2410:
2402:
2307:
1704:
1702:
1546:, Dazed and Confused, 1999, pp. 45–53
1010:Ron Morgan (1969–1970; died 1989) - guitar
977:(1966–1967; died 2015) - drums, percussion
31:
1979:
1977:
1601:
1599:
1555:
1553:
1275:(Edsel Records / Demon Records), 1986, UK
983:Joe Dooley (1967–1968, 2001–2005) - drums
2061:
2059:
2011:"The Electric Prunes Release of an Oath"
1896:
1894:
1510:
1508:
1128:Return to Stockholm Live at Debaser 2004
786:The West Coast Pop Art Experimental Band
496:, featuring a cover of the Gypsy Trips'
2606:American electronic rock musical groups
1368:
2366:Exclusive track on Psychedelica Vol. 1
2285:Official website on current activities
2110:"Just Good Old Rock and Roll - Review"
2097:, Delirium Records cat. # CCM730, 1997
1653:Urban Spacemen and Wayfaring Strangers
2631:Musical groups disestablished in 1970
1865:
1863:
1856:, Heartbeat Productions cat. # CDHB67
1592:, Heartbeat Productions cat. # CDHB65
1398:
1396:
1394:
1016:Mark Moulin (2001–2003) - lead guitar
7:
2636:Musical groups reestablished in 1999
2567:I Had Too Much to Dream (Last Night)
2346:, another perspective on the Prunes.
2324:I Had Too Much to Dream (Last Night)
1739:I Had Too Much To Dream (Last Night)
1149:I Had Too Much to Dream (Last Night)
1013:Cameron Lowe (2001–2003) - keyboards
943:Walter Garces – drums (2006–present)
535:I Had Too Much to Dream (Last Night)
362:I Had Too Much to Dream (Last Night)
2385:Interview with Annette Tucker, 2002
2196:, Prunetwang Records cat. # 8696981
56:, James Spagnola, Ken Williams and
2626:Musical groups established in 1965
2616:Garage rock groups from California
2137:"The Electric Prunes - Part eight"
2067:"The Electric Prunes - Part seven"
1140:"Ain't It Hard" / "Little Olive" (
770:The "New Improved" Electric Prunes
462:. The songs went unreleased until
25:
1825:"The Electric Prunes - Part Four"
1517:"The Electric Prunes - Biography"
1320:, 1969 (includes "Kyrie Eleison")
971:Dick Hargraves (1965) - keyboards
907:University of Southern California
695:favorite when it appeared in the
346:in 1966 and released their first
2362:, on his history with the group.
1957:"The Electric Prunes - Part six"
1935:. Soft Skull Press. p. 76.
1561:"The Electric Prunes - Part One"
1202:) backed by The Electric Prunes)
635:Swedish Broadcasting Corporation
442:), and Michael "Quint" Weakley (
42:
2641:Musical groups from Los Angeles
2601:American acid rock music groups
2380:Interview with James Lowe, 1997
2315:Lost Dreams CD Track Annotation
2009:Nishimoto, Dan (11 July 2007).
2258:Dave Lifton (March 31, 2015).
1682:"The Electric Prunes - Part 3"
567:The band's follow-up single, "
27:American psychedelic rock band
1:
2037:"Release of an Oath - Review"
1588:Then Came The Electric Prunes
1305:, 5-CD box set, released 2012
1130:(PruneTwang 8-69691-13), 2012
548:and reached number 49 on the
472:Then Came The Electric Prunes
2352:with songwriter Nancie Mantz
1649:Unterberger, Richie (2000).
1544:Interview with David Axelrod
1346:), Great Live Concerts label
1212:"Left in Blue" (original by
2574:Get Me to the World on Time
2532:Just Good Old Rock and Roll
1156:Get Me to the World on Time
1076:Just Good Old Rock and Roll
804:Just Good Old Rock and Roll
794:Just Good Old Rock and Roll
777:Just Good Old Rock and Roll
569:Get Me to the World on Time
410:The band originated from a
366:Get Me to the World on Time
2667:
1872:"Mass in F Minor - Review"
1303:The Original Albums Series
324:and elements of embryonic
2439:
2296:Comprehensive discography
1359:(Snapper Music), 2002, UK
1281:(Gone Beat), 1995, Israel
934:(1965–1968, 1999–present)
605:bubbled under the Hot 100
41:
1927:Bebergal, Peter (2011).
1472:Viscounti, Tony (2014).
774:The band's final album,
2651:Reprise Records artists
2611:Birdman Records artists
2290:Independent discography
2264:Ultimateclassicrock.com
1849:Edwards, Simon (1997),
1585:Edwards, Simon (2000),
818:Revival and reformation
764:New Buffalo Springfield
342:The band was signed to
125:1965–1970, 1999–present
1798:"Underground - Review"
1448:"James Lowe Interview"
1377:"Meet Electric Prunes"
65:Background information
2646:Radar Records artists
2370:Northern Star Records
2208:"Mark Tulin obituary"
1907:Richieunterberger.com
1901:Unterberger, Richie.
1776:Richieunterberger.com
1770:Unterberger, Richie.
1715:Richieunterberger.com
1709:Unterberger, Richie.
1625:"The Electric Prunes"
1515:Unterberger, Richie.
1452:Richieunterberger.com
1409:Richieunterberger.com
1403:Unterberger, Richie.
1379:. Teen Handbook. 1967
466:distributed the 2000
464:Heartbeat Productions
2189:Lowe, James (2006),
1606:Hogg, Brian (1989),
1429:Weller, Don (2001),
1007:Jeromy Stuart (1968)
732:. The album, titled
2596:The Electric Prunes
2500:The Electric Prunes
2433:The Electric Prunes
2301:The Electric Prunes
2163:"Artifact - Review"
1565:Eelectricprunes.com
1036:The Electric Prunes
792:, all the songs on
579:The Electric Prunes
530:Bigsby wiggle stick
357:The Electric Prunes
295:The Electric Prunes
74:San Fernando Valley
36:The Electric Prunes
2524:Release of an Oath
2141:Electricprunes.com
2071:Electricprunes.com
1961:Electricprunes.com
1829:Electricprunes.com
1686:Electricprunes.com
1267:Compilation albums
1064:Release of an Oath
1019:Glen Bostic (2007)
968:Steve Acoff (1965)
838:Release of an Oath
824:compilation albums
735:Release of an Oath
649:The Axelrod period
627:The Speakeasy Club
601:Richie Unterberger
484:The Rolling Stones
387:Release of an Oath
314:Richie Unterberger
2583:
2582:
2161:Greenwald, Mark.
1609:Long Day's Flight
1333:Pebbles, Volume 2
1273:Long Day's Flight
1209:III in June 2001)
861:Heartbeat Records
685:session musicians
438:), Ken Williams (
292:
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284:.electricprunes67
16:(Redirected from
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1490:. Archived from
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1373:
1259:compilation), UK
1221:European singles
852:format in 1989.
846:Long Days Flight
657:that integrated
550:UK Singles Chart
518:rhythm guitarist
299:psychedelic rock
297:are an American
288:
285:
283:
199:
122:
96:Psychedelic rock
46:
32:
21:
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2516:Mass in F Minor
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2303:discography at
2280:Archive website
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2214:. 17 March 2011
2212:Theguardian.com
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2108:Vigilone, Joe.
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1052:Mass in F Minor
1031:
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953:
924:
922:Current members
919:
820:
782:Three Dog Night
772:
752:Capitol Records
718:Mass in F Minor
689:Mass in F Minor
672:Mass in F Minor
663:psychedelic pop
659:Gregorian music
651:
510:Reprise Records
506:
446:), recorded 12
408:
403:
395:David Hassinger
392:record producer
381:Mass in F Minor
344:Reprise Records
326:electronic rock
280:
268:
213:Michael Weakley
197:
188:
156:
120:
115:
111:electronic rock
84:, United States
60:
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28:
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18:Electric Prunes
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2015:Popmatters.com
2001:
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1948:
1941:
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1870:Campbell, Al.
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1796:Deming, Mark.
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951:Former members
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923:
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918:
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819:
816:
771:
768:
740:Howard Roberts
726:The Astronauts
701:counterculture
683:, among other
681:The Collectors
650:
647:
623:The Roundhouse
522:Annette Tucker
514:Preston Ritter
505:
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480:sound engineer
476:Dave Hassinger
407:
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378:on the albums
318:Annette Tucker
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2492:Studio albums
2490:
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2478:Kenny Loggins
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2398:—Damprock.com
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2016:
2012:
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1942:9781593763824
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1852:Stockholm '67
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1494:on 2012-10-31
1493:
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1487:9780789320896
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1124:BMRO39), 1997
1123:
1119:
1118:Stockholm '67
1116:
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1100:
1097:
1094:
1093:
1089:
1086:
1085:
1081:
1078:
1077:
1073:
1070:
1069:David Axelrod
1067:(Composed by
1066:
1065:
1061:
1058:
1057:David Axelrod
1055:(Composed by
1054:
1053:
1049:
1046:
1045:
1041:
1038:
1037:
1033:
1032:
1029:Studio albums
1028:
1023:
1018:
1015:
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1009:
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1003:
1002:Kenny Loggins
1000:
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912:
908:
903:
901:
897:
896:
891:
890:concept album
887:
883:
879:
875:
874:
868:
866:
862:
858:
857:Stockholm '67
853:
851:
847:
843:
842:greatest hits
839:
835:
831:
830:
825:
817:
815:
813:
809:
805:
801:
799:
795:
791:
790:Jimmy Holiday
787:
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753:
749:
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711:Kenny Loggins
708:
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698:
694:
690:
686:
682:
678:
674:
673:
668:
667:David Axelrod
664:
660:
656:
655:concept album
648:
646:
644:
643:Stockholm '67
640:
636:
632:
628:
624:
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619:Billboard 200
616:
612:
611:
606:
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598:
592:
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585:
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574:
570:
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563:
562:Vox Teen Beat
559:
558:wah-wah pedal
555:
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531:
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504:Early success
503:
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2323:
2292:with images.
2263:
2253:
2241:. Retrieved
2237:
2228:
2216:. Retrieved
2211:
2202:
2194:(CD booklet)
2193:
2190:
2184:
2172:. Retrieved
2166:
2156:
2144:. Retrieved
2140:
2131:
2119:. Retrieved
2113:
2103:
2095:(CD booklet)
2094:
2091:
2086:
2074:. Retrieved
2070:
2046:. Retrieved
2040:
2030:
2018:. Retrieved
2014:
2004:
1992:. Retrieved
1989:Damprock.com
1988:
1964:. Retrieved
1960:
1951:
1932:
1929:
1922:
1910:. Retrieved
1906:
1881:. Retrieved
1875:
1854:(CD booklet)
1853:
1850:
1844:
1832:. Retrieved
1828:
1819:
1807:. Retrieved
1801:
1791:
1779:. Retrieved
1775:
1750:. Retrieved
1744:
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1718:. Retrieved
1714:
1689:. Retrieved
1685:
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1651:
1644:
1632:. Retrieved
1628:
1619:
1611:(CD Booklet)
1610:
1607:
1590:(CD Booklet)
1589:
1586:
1580:
1568:. Retrieved
1564:
1543:
1538:
1526:. Retrieved
1520:
1496:. Retrieved
1492:the original
1477:
1474:
1467:
1455:. Retrieved
1451:
1442:
1434:(CD booklet)
1433:
1430:
1424:
1412:. Retrieved
1408:
1381:. Retrieved
1371:
1356:
1339:
1331:
1323:
1315:
1302:
1296:
1290:
1284:
1278:
1272:
1254:
1135:U.S. singles
1127:
1117:
1104:
1098:
1090:
1082:
1074:
1062:
1050:
1042:
1034:
917:Band members
910:
904:
899:
893:
885:
871:
869:
864:
856:
854:
850:compact disc
845:
837:
833:
827:
821:
810:-influenced
803:
802:
793:
775:
773:
733:
717:
715:
704:
688:
670:
652:
642:
631:Middle Earth
614:
608:
597:steel guitar
593:
577:
566:
561:
543:
526:Leon Russell
507:
487:
471:
460:graphic arts
452:acetate disc
414:-influenced
409:
385:
379:
369:
355:
341:
304:, formed in
294:
293:
259:Cameron Lowe
239:Mark Kincaid
210:Ken Williams
198:Past members
121:Years active
29:
2508:Underground
2451:Steve Kara
2320:Liner notes
1432:Lost Dreams
1285:Lost Dreams
1279:The Singles
1196:Peter Lewis
1144:0473), 1966
1112:Live albums
1044:Underground
1024:Discography
902:, in 2006.
882:Peter Lewis
880:guitarist,
865:Lost Dreams
834:Underground
760:Canned Heat
756:Steppenwolf
748:Earl Palmer
693:underground
615:Underground
610:Underground
456:keyboardist
448:cover songs
440:lead guitar
436:bass guitar
416:garage rock
371:Underground
322:psychedelia
306:Los Angeles
265:Glen Bostic
262:Mark Moulin
236:John Herron
233:Mike Gannon
216:Steve Acoff
101:garage rock
78:Los Angeles
2590:Categories
2548:California
2483:Mark Tulin
2445:James Lowe
2334:James Lowe
1664:0879306165
1498:2015-06-30
1364:References
1344:Count Five
1317:Easy Rider
1214:Azure Halo
1200:Moby Grape
1092:California
957:Mark Tulin
928:James Lowe
895:California
878:Moby Grape
744:Carol Kaye
706:Easy Rider
697:soundtrack
639:live album
573:Bo Diddley
432:Mark Tulin
420:James Lowe
337:James Lowe
330:fuzz-toned
310:California
256:Ron Morgan
242:Brett Wade
230:Joe Dooley
206:Mark Tulin
176:Steve Kara
172:James Lowe
82:California
58:James Lowe
54:Mark Tulin
2456:Jay Dean
2356:Interview
2350:Interview
2340:Interview
2330:Interview
1122:Heartbeat
812:hard rock
730:Kol Nidre
722:surf rock
588:soft rock
544:Billboard
498:folk rock
489:Aftermath
486:' album,
412:surf rock
147:Heartbeat
106:acid rock
2540:Artifact
2243:June 23,
2238:Mi2n.com
2218:June 23,
2192:Feedback
2174:June 23,
2168:AllMusic
2146:June 23,
2121:June 23,
2115:AllMusic
2076:June 22,
2048:June 22,
2042:AllMusic
2020:June 22,
1994:June 22,
1966:June 19,
1912:June 19,
1883:June 19,
1877:AllMusic
1834:June 17,
1809:June 17,
1803:AllMusic
1781:June 17,
1752:June 17,
1746:AllMusic
1720:June 17,
1691:June 16,
1634:June 16,
1570:June 16,
1528:June 16,
1522:AllMusic
1457:June 15,
1414:June 15,
1383:June 15,
1340:Rarities
1099:Feedback
1084:Artifact
1071:) (1968)
1059:) (1968)
932:autoharp
900:Feedback
873:Artifact
699:for the
179:Jay Dean
2305:Discogs
1357:Rewired
1310:Various
1256:Nuggets
1207:Voxfest
1142:Reprise
886:Rewired
844:album,
546:Hot 100
401:History
364:" and "
333:guitars
277:Website
165:Members
152:Birdman
137:Reprise
2551:(2004)
2543:(2002)
2535:(1969)
2527:(1968)
2519:(1968)
2511:(1967)
2503:(1967)
2466:Rocco
2392:, 2015
1939:
1661:
1484:
1107:(2014)
1101:(2006)
1095:(2004)
1087:(2001)
1079:(1969)
1047:(1967)
1039:(1967)
1004:(1968)
798:B-side
762:, and
746:, and
703:film,
516:, and
494:single
450:on an
428:guitar
424:vocals
406:Origin
348:single
130:Labels
89:Genres
70:Origin
2559:Songs
2358:with
2342:with
2332:with
2322:from
859:, on
724:band
677:Latin
661:into
539:motif
468:album
444:drums
352:album
142:Radar
2245:2015
2220:2015
2176:2015
2148:2015
2123:2015
2078:2015
2050:2015
2022:2015
1996:2015
1968:2015
1937:ISBN
1914:2015
1885:2015
1836:2015
1811:2015
1783:2015
1754:2015
1722:2015
1693:2015
1659:ISBN
1636:2015
1572:2015
1530:2015
1482:ISBN
1459:2015
1416:2015
1385:2015
1351:DVDs
808:funk
629:and
384:and
302:band
286:.com
2368:on
1105:WaS
911:WaS
584:pop
554:Vox
430:),
282:www
2592::
2262:.
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1976:^
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