271:
134:
234:
153:
858:
206:
Another solution to this dissonance is altering the third or eleventh factor of the chord to turn the problematic minor ninth interval within the chord into a major ninth. A dominant eleventh chord can be altered by lowering the third by a semitone for a minor eleventh chord, or by raising the
282:
141:
298:
to the eleventh. The dominant eleventh chord could be alternatively notated as the very unorthodox ninth added fourth chord (C), from where omitting the 3rd produces the more common ninth suspended fourth chord (C, also known as the
241:
24:
160:
256:, the root, 7th, 9th, and 11th are the most common factors present in the V chord, with the 3rd and 5th typically omitted. The eleventh is usually retained as a common tone when the chord resolves to I or i.
179:
of major and dominant chords. To reduce this dissonance the third is often omitted (such as for example in the dominant eleventh chord that can be heard 52
1096:
458:
438:
374:
350:
214:
As its upper extensions (7th, 9th, 11th) constitute a triad, a dominant eleventh chord with the third and fifth omitted can be notated as a
17:
662:
395:
579:
489:
594:
1005:
604:
589:
762:
833:
619:
599:
1132:
584:
270:
609:
1127:
979:
876:
624:
574:
275:
253:
409:
777:
706:
614:
133:
1000:
984:
818:
482:
569:
564:
1055:
1020:
974:
453:
Benward & Saker (2009). Music in Theory and
Practice: Volume II, p.183-84. Eighth Edition.
233:
946:
867:
802:
454:
434:
391:
370:
346:
1015:
951:
904:
689:
536:
137:
Dominant eleventh chord, with the third omitted – "as it appears in actual music" (C or C).
966:
838:
782:
742:
732:
716:
657:
541:
531:
475:
300:
265:
208:
194:
184:
152:
63:
1106:
1101:
941:
936:
843:
634:
215:
51:
1121:
1010:
956:
928:
884:
857:
797:
792:
752:
551:
513:
498:
312:
176:
71:
44:
1060:
914:
787:
772:
757:
737:
711:
678:
559:
322:
36:
1075:
1070:
1045:
1040:
899:
767:
747:
701:
642:
526:
521:
1065:
909:
889:
652:
317:
230:/C, emphasizing the ambiguous dominant/subdominant character of this voicing.
189:
1050:
673:
16:
237:
Voice leading for dominant eleventh chords in the common practice period.
1091:
918:
823:
207:
eleventh by a semitone for a dominant sharp eleventh chord, implying the
55:
894:
828:
48:
295:
156:
Dominant eleventh chord, C, with the third included. V in F major.
269:
232:
172:
151:
132:
67:
15:
59:
471:
104:(Cmaj, C–E–G–B–D–F). Using an augmented eleventh produces the
467:
1084:
1033:
993:
965:
927:
875:
865:
811:
725:
687:
633:
550:
512:
505:
343:Mel Bay's Complete Johnny Smith Approach to Guitar
431:Complete Idiot's Guide to Solos and Improvisation
449:
447:
367:What to Listen for in Rock: A Stylistic Analysis
171:A perfect eleventh creates a highly dissonant
62:, an eleventh chord also usually includes the
483:
8:
361:
359:
872:
509:
490:
476:
468:
203:–D–F), which can be also notated as Gm/C.
334:
7:
408:McCormick, Scott (18 January 2019).
410:"The Lush World of Eleventh Chords"
274:Fourth factor (F), in red, of a C
260:Relation to suspended fourth chord
14:
193:album), turning the chord into a
856:
74:structure. Variants include the
1:
70:, and elements of the basic
20:Major eleventh chord, Cmaj.
386:Kostka & Payne (1995).
1149:
580:Dominant seventh flat five
263:
854:
429:Miller, Michael (2004).
390:, p.431. Third Edition.
365:Stephenson, Ken (2002).
218:with a bass note. So C–B
1097:Chord names and symbols
183:seconds into the song "
106:dominant sharp eleventh
980:Secondary leading-tone
341:Smith, Johnny (1980).
291:
276:suspended fourth chord
254:common practice period
249:
168:
149:
32:
294:The fourth degree is
273:
236:
195:suspended ninth chord
155:
136:
58:. Typically found in
19:
985:Secondary supertonic
224:–D–F is written as B
122:major sharp eleventh
102:major eleventh chord
1056:Chord-scale system
975:Secondary dominant
292:
250:
187:" on The Beatles'
175:interval with the
169:
150:
124:(Cmaj, C–E–G–B–D–F
47:that contains the
33:
1115:
1114:
1029:
1028:
947:Chromatic mediant
852:
851:
803:Viennese trichord
459:978-0-07-310188-0
439:978-1-59257-210-6
375:978-0-300-09239-4
351:978-1-56222-239-0
296:octave equivalent
76:dominant eleventh
1140:
873:
860:
668:
667:
625:Harmonic seventh
595:Diminished major
510:
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339:
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248:
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229:
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182:
167:
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148:
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129:
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113:
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99:
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83:
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31:
30:
29:
27:
1148:
1147:
1143:
1142:
1141:
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1138:
1137:
1133:Eleventh chords
1118:
1117:
1116:
1111:
1080:
1025:
989:
961:
923:
861:
848:
839:Synthetic chord
807:
778:Northern lights
743:Complexe sonore
721:
707:Augmented sixth
695:
693:
683:
665:
664:
658:Upper structure
629:
615:Altered seventh
610:Augmented minor
605:Augmented major
590:Half-diminished
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385:
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309:
283:
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268:
266:Suspended chord
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226:
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220:
219:
209:lydian dominant
199:
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126:
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116:
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96:
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25:
23:
22:
21:
12:
11:
5:
1146:
1144:
1136:
1135:
1130:
1120:
1119:
1113:
1112:
1110:
1109:
1104:
1102:List of chords
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1073:
1068:
1063:
1058:
1053:
1048:
1043:
1037:
1035:
1031:
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1027:
1026:
1024:
1023:
1018:
1013:
1008:
1003:
997:
995:
991:
990:
988:
987:
982:
977:
971:
969:
963:
962:
960:
959:
954:
949:
944:
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933:
931:
925:
924:
922:
921:
912:
907:
902:
897:
892:
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879:
870:
863:
862:
855:
853:
850:
849:
847:
846:
841:
836:
831:
826:
821:
819:Mixed interval
815:
813:
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805:
800:
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745:
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729:
727:
723:
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719:
714:
709:
704:
698:
696:
688:
685:
684:
682:
681:
676:
671:
660:
655:
650:
645:
639:
637:
631:
630:
628:
627:
622:
617:
612:
607:
602:
597:
592:
587:
582:
577:
572:
567:
562:
556:
554:
548:
547:
545:
544:
539:
534:
529:
524:
518:
516:
507:
503:
502:
497:
495:
494:
487:
480:
472:
464:
463:
443:
422:
400:
379:
355:
333:
332:
330:
327:
326:
325:
320:
315:
308:
305:
301:jazz sus chord
264:Main article:
261:
258:
216:compound chord
197:(e.g. C, C–G–B
86:minor eleventh
41:eleventh chord
13:
10:
9:
6:
4:
3:
2:
1145:
1134:
1131:
1129:
1128:Chord factors
1126:
1125:
1123:
1108:
1105:
1103:
1100:
1098:
1095:
1093:
1090:
1089:
1087:
1083:
1077:
1074:
1072:
1069:
1067:
1064:
1062:
1059:
1057:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1038:
1036:
1032:
1022:
1019:
1017:
1014:
1012:
1011:Primary triad
1009:
1007:
1004:
1002:
999:
998:
996:
992:
986:
983:
981:
978:
976:
973:
972:
970:
968:
964:
958:
955:
953:
950:
948:
945:
943:
940:
938:
935:
934:
932:
930:
926:
920:
916:
913:
911:
908:
906:
903:
901:
898:
896:
893:
891:
888:
886:
883:
882:
880:
878:
874:
871:
869:
864:
859:
845:
842:
840:
837:
835:
832:
830:
827:
825:
822:
820:
817:
816:
814:
810:
804:
801:
799:
796:
794:
791:
789:
786:
784:
781:
779:
776:
774:
771:
769:
766:
764:
761:
759:
756:
754:
751:
749:
746:
744:
741:
739:
736:
734:
731:
730:
728:
724:
718:
715:
713:
710:
708:
705:
703:
700:
699:
697:
691:
686:
680:
677:
675:
672:
670:
661:
659:
656:
654:
651:
649:
646:
644:
641:
640:
638:
636:
632:
626:
623:
621:
618:
616:
613:
611:
608:
606:
603:
601:
598:
596:
593:
591:
588:
586:
583:
581:
578:
576:
573:
571:
568:
566:
563:
561:
558:
557:
555:
553:
549:
543:
540:
538:
535:
533:
530:
528:
525:
523:
520:
519:
517:
515:
511:
508:
504:
500:
493:
488:
486:
481:
479:
474:
473:
470:
460:
456:
450:
448:
444:
440:
436:
432:
426:
423:
411:
404:
401:
397:
396:0-07-300056-6
393:
389:
388:Tonal Harmony
383:
380:
376:
372:
368:
362:
360:
356:
352:
348:
344:
338:
335:
328:
324:
321:
319:
316:
314:
313:Elektra chord
311:
310:
306:
304:
302:
297:
286:
277:
272:
267:
259:
257:
255:
245:
235:
231:
217:
212:
210:
204:
196:
192:
191:
186:
178:
174:
164:
154:
145:
135:
131:
123:
107:
103:
87:
77:
73:
69:
65:
61:
57:
53:
50:
46:
42:
38:
28:
18:
915:Leading-tone
692: /
679:Tone cluster
647:
560:Leading-tone
430:
425:
413:. Retrieved
403:
387:
382:
366:
342:
337:
323:Bridge chord
293:
251:
213:
205:
188:
170:
121:
105:
101:
85:
75:
40:
37:music theory
34:
900:Subdominant
763:Grandmother
620:Nondominant
600:Minor-major
177:major third
173:minor ninth
108:(C, C–E–G–B
100:–D–F), and
78:(C, C–E–G–B
1122:Categories
1034:Techniques
1021:Substitute
1016:Subsidiary
952:Neapolitan
910:Submediant
890:Supertonic
663:Dominant 7
653:Thirteenth
585:Diminished
537:Diminished
329:References
318:Jazz chord
190:Abbey Road
130:) chords.
1051:Chordioid
967:Secondary
783:Petrushka
717:Seven six
674:Polychord
542:Suspended
532:Augmented
345:, p.231.
52:extension
1092:Arpeggio
1006:Contrast
942:Borrowed
937:Approach
919:Subtonic
905:Dominant
877:Diatonic
868:function
824:Secundal
726:Specific
666:♯
648:Eleventh
635:Extended
575:Dominant
433:, p.52.
415:31 March
369:, p.87.
307:See also
227:♭
221:♭
200:♭
185:Sun King
127:♯
117:♯
111:♭
97:♭
91:♭
88:(Cm, C–E
81:♭
56:eleventh
957:Passing
929:Altered
895:Mediant
834:Quartal
829:Tertian
812:General
798:Tristan
793:So What
753:Elektra
694:omitted
552:Seventh
506:By form
252:In the
84:–D–F),
64:seventh
54:of the
49:tertian
1107:Factor
1061:Guitar
1001:Common
844:Tetrad
788:Psalms
773:Mystic
758:Farben
738:Bridge
712:Lydian
499:Chords
457:
437:
394:
373:
349:
211:mode.
181:
120:) and
1085:Other
1076:Slash
1071:Power
1046:Block
1041:Barre
994:Other
885:Tonic
768:Magic
748:Dream
733:Alpha
702:Sixth
690:Added
643:Ninth
570:Minor
565:Major
527:Minor
522:Major
514:Triad
278:, C (
72:triad
68:ninth
45:chord
43:is a
39:, an
1066:Open
455:ISBN
435:ISBN
417:2019
392:ISBN
371:ISBN
347:ISBN
284:play
243:Play
162:Play
143:Play
114:–D–F
94:–G–B
66:and
60:jazz
26:Play
866:By
303:).
35:In
1124::
917:/
446:^
358:^
290:).
669:9
491:e
484:t
477:v
461:.
441:.
419:.
398:.
377:.
353:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
