900:
eight tapestries never included one depicting Henry III and his wives. In Van der
Klooster's opinion, the error lies in the application of the inscription, for which he was unable to give an explanation. Therefore the fate of this design drawing is that it will continue to carry an internal contradiction, according to Van der Klooster. His view of the proposed depicted persons led Van der Klooster to the hypothesis that around 1530 the idea of making a tapestry of the commissioner was considered. The series then would not have ended with his parents, but with Henry III. This in itself Van der Klooster considered a reasonable possibility. The series would then have consisted of nine and not eight tapestries. But Van der Klooster admitted that the present series, however, always consisted of eight tapestries, as the inventory of 19 July 1539 already mentions them: "
914:, argued that there must be very conclusive reasons for opposing the inscription and the coat of arms shown on the drawing, precisely because it is so clear that much attention was paid to this aspect. The inscription is written in the same 16th century hand as on the other drawings, probably contemporary with the designs of the whole series. Moreover, all historical sources indicate that the last, eighth tapestry depicted John V and his wife Elisabeth and not the commissioner Henry III. Fock further argued that the face of the man indeed resembles portraits of Henry III. However, no portraits of John V are known and it is certainly possible that Henry had inherited the features of his father. A resemblance of the front woman to the portrait of MencĂa de Mendoza is demonstrable, especially in the
653:
795:
972:
strongly emphasise on the possessions brought in by the woman. In Fock's opinion, this also holds the key to the identification of the two unknown women, which is related to the inheritance of the County of
Katzenelnbogen, which was so important for Nassau at the time. The inscription on the drawing lists John's wife as Elisabeth, daughter of the Landgrave of Hesse. It is striking and indicative of the importance of her claim to the County of Katzenelnbogen that this very wording was changed during the execution on the eighth tapestry and she was referred to as the daughter of the Countess of Katzenelnbogen.
815:
835:. Further Van der Klooster stated that the collar of the Order of the Golden Fleece which the horseman wears and which also hangs around his coat of arms marks him as a member of the order. According to the statutes, a Knight of the Golden Fleece was obliged to wear the insignia. Abuses were punished severely. John V has never been a Knight of the Golden Fleece, but Henry III had been since 1505. Van Orley, who worked for the court, must have been well aware of this rule. He could not afford to make a mistake. Van der Klooster stated this being the most essential point in his analysis.
1011:
Fock's opinion would otherwise be inexplicable with all the attention paid to the coats of arms – that the two shields of the women in the background were left blank. Anne of Nassau had the same coat of arms as her brother John V and
Matilda of Hesse the same as her sister Elisabeth. The indicated coats of arms of John and Elisabeth were therefore enough of a clue. Moreover, the two blank shields are partly painted over with white (it shows through a bit now), which could even indicate that the coats of arms would be left out in second instance.
45:
373:. Matilda renounced her inheritance, so that her elder sister Elisabeth remained the sole heir to Katzenelnbogen. Indeed, Elisabeth laid claim to all her brother's possessions and John immediately assumed the title Count of Katzenelnbogen. But when the negotiations with William II the Middle of Hesse-Kassel began, he resigned that title. For both Hesse and Nassau, the County of Katzenelnbogen was a desirable inheritance, not only because of its wealth, but also because of its geographical location. The county was situated between the
959:
eighth tapestry must have depicted John V and
Elisabeth. The inscriptions on the tapestries, known not only from the drawings but also from various written sources, indicate mainly the intention to glorify the deceased ancestors. Apart from emphasising their good and heroic deeds, the succession within the family, which repeatedly did not go through the eldest son, is also explained several times. In this context, the texts also mention other family members who are not depicted, such as the eldest son
880:. According to Van der Klooster, in those days, especially in Spain, the mule was considered the most suitable riding animal for women. When in September 1517 Emperor Charles V made his first journey to Spain in the company of a large retinue, among them Dutch chroniclers and artists, the party came into contact with the mule for the transport of the ladies. As far as Van der Klooster could ascertain, a woman riding a mule appeared for the first time in Dutch art on a print by
1006:, in 1498, and the third wife, MencĂa de Mendoza, in 1508, which according to Fock is in no way consistent with the respective ages of the three women in the design drawing; the first two women both died at a young age. Moreover, Fock argued, one may seriously doubt whether, if it had been the three wives of Henry III, the two first wives would not have been treated in a more equal way instead of being treated in such a secondary manner. Through Claudia of Chalon, the
338:
831:
because the colour of the paint indicates this. The drawing therefore originally had an empty cartouche and empty shields. The collar of the Order of the Golden Fleece around the shield does, however, belong to the first instance of the drawing. Van der
Klooster also argued that there is an unmistakable portrait similarity between the horseman and his wife and some portraits of Henry III and MencĂa de Mendoza, namely those by
904:" ("eight pieces of tapestry of the genealogy of the late lord of the lineage of Nassau"). In Van der Klooster's view, the design drawing remains the only reminder of a probably unexecuted plan. The existence or non-existence of a ninth tapestry, according to Van der Klooster, is not relevant for the identification of the people, as this is only a design drawing.
987:, who was married to the last Count of Katzenelnbogen and, although she had no legal standing in the matter, through her marriage provided moral support for the claims of the Nassau dynasty. This solution, Fock argued, corresponds best to the intention of the tapestries to emphasise the dynastic importance and territorial claims of the family.
888:. However, this print is explicitly dated 1 April 1518. The artists who had accompanied the Emperor to Spain could have returned by now. The fact that, unlike the other countesses, the Spanish MencĂa de Mendoza is the only one riding on a mule is therefore a factor in the identification according to Van der Klooster.
509:. Tensions between Hesse and Nassau increased when William II the Middle took possession of Katzenelnbogen, disregarding the rights of Elisabeth. All of John's attempts to gain his wife's rights were in vain, despite several amicable negotiations. To settle the matter by force against the powerful
1014:
On the website of the
Netherlands Institute for Art History (the former employer of Van der Klooster) it is stated that the picture depicts Henry III with his wife MencĂa de Mendoza and two deceased wives. It is also stated there that he was previously identified as his father John V on the
763:, argued that the design drawing for the last tapestry contains a clear mistake. The text in the cartouche indicates that depicted are John V and Elisabeth of Hesse-Marburg, the parents of the commissioner of the tapestries, Henry III. However, the horseman depicted in the drawing wears the
755:
about inaccuracies, especially about the mirror-image representation of the male arms. It is known that Henry III paid special attention to this aspect and corresponded with his brother
William I about it. The design for the last tapestry in the series differs from the other designs in that
971:
in the seventh tapestry. In the last tapestry, the two sons of John V – Henry III and
William I – are mentioned in the same way, which is reason enough to assume that it was not the intention to depict them on a tapestry, let alone glorify them. In addition, the inscriptions
1652:
Schutte (1979), p. 42 and Dek (1970), p. 70 state
Dillenburg as place of death, and Vorsterman van Oyen (1882), p. 95 states Dillenburg Castle. Assman & Menk (1996), however, state Siegen Castle as place of death and Joachim (1881), p. 253 states Siegen. Brachthäuser (2016),
1010:
had just passed to Henry's son in 1530, such an honour for the family that it is almost inconceivable in Fock's view, that it would not have expressed in some form in the tapestry, if only in a prominent position also for
Claudia of Chalon. This identification also explains – something that in
954:
frequently used it. Van Orley, who was greatly impressed by DĂĽrer, whom he also met during his journey through the Netherlands in 1521, may therefore have used this then very fashionable motif as a progressive artist for entirely different reasons. Fock did point out that the fact that John V,
899:
does not allude to her rich heritage, including Breda, which was so important to Henry III. Van der Klooster admitted that against his view the fact speaks that the inscription in the cartouche explicitly states only as depicted: John V and his wife Elisabeth. Also, the original series of
746:
that stand out sharply against the sky. It is also clear from the designs for the first and last tapestry that the main scenes were surrounded by wide carpet borders. The drawings also show the great care taken with the inscriptions in the cartouches, which are written in the same hand on all seven
1698:
Given name in accordance with LĂĽck (1981), p. 41 and Dek (1970), p. 72. The given name Walburgis in Van Ditzhuyzen (2004), p. 249 and Schutte (1979), p. 43, Walpurgis in Becker (1983), p. 55, Walburgia in Dek (1968), p. 228, and Walburg in Vorsterman van Oyen (1882),
830:
Van der Klooster argued that in a work of art, one should always start from the most original form of the object. In this drawing he stated, it is clear that the inscription in the cartouche, as well as the filling in of the shields, were added early, but somewhat later in the sixteenth century,
958:
Fock continued to argue for the identification of the couple according to the inscription and the coats of arms as John V and Elisabeth, as it is known that the series of eight tapestries did not contain a tapestry depicting Henry III, accompanied by one or all three of his wives. The
315:, a first cousin of his daughter-in-law. The marriage of Philip the Elder and Anne of Nassau-Siegen remained childless, so that upon his death in 1479 the County of Katzenelnbogen was inherited by his daughter Anne and her husband Henry III the Rich of Hesse-Marburg, Elisabeth's parents.
771:
around his neck. The coat of arms in the corner of the drawing is also decorated with this collar. Now it is remarkable that John V was never a member of the Order of the Golden Fleece. So there is a contradiction between text and image. Since the discovery of the drawing in the
365:. John protested against this on behalf of his wife in 1488. At the time of the marriage John had renounced all claims to Elisabeth's inheritance, but with the exception of her mother's inheritance. William III the Younger died in 1500 without legitimate children. His
990:
More importantly, in Fock's opinion, the ages of the two women in the background, where there is clearly a generation gap between the woman on the left and the two others, are also correct; this is in contrast to the ages of Henry III's three wives. His first wife,
561:. This seemed to be very favourable for Elisabeth, because Alexander Schweis from Herborn, who was HenryĘĽs secretary, served as a judge in the latter court. It was probably also due to HenryĘĽs great influence on Charles V that the case was also discussed at the
782:
in 1904, it has been argued that the text in the inscription is incorrect and that the commissioner himself, Henry III of Nassau and his three wives are depicted in this drawing. The obvious collar of the Golden Fleece, the three female figures, being his wife
1015:
basis of a later added erroneous inscription and coat of arms. Finally it states that the identification as Henry III is on the basis of the portrait of MencĂa de Mendoza, her Spanish mule, the Order of the Golden Fleece and the 'three wives'.
1249:
for these celebrations and the wedding of their brother William in Koblenz in May 1506, as well as the unusually high total expenditure of 13,505 guilders in the accounts of 1505/1506, show that these weddings must have been splendid events.
1688:
is the fourth Sunday after Easter. In 1506, Easter fell on 19 April and 10 May was only the third Sunday after Easter. Dek (1968), p. 228 and Vorsterman van Oyen (1882), p. 98 state the wedding date 29 October
702:, is missing. The theme of the series was the descent of the House of Nassau, whereby the dynastic significance was paramount. This genealogy was given extra splendour by the fact that, in addition to the direct descent from Count
925:
of 1518 by Jacob Cornelisz van Oostsanen with the counts and countesses of Holland, several women ride mules instead of horses. Nor can the braided band pattern on the cloth be interpreted as a clear reference to Spain. This
599:
was given the task of re-examining the case, which had been handled by the most important legal scholars of the time. The verdict, to which both parties had unconditionally submitted in advance, was handed down in
541:. He had an advantage because Hesse had gained control of the entire disputed territory, which gave him a strong position over the small County of Nassau-Siegen; in addition, powerful imperial princes, such as
2594:
Van der Klooster, L.J. (1996). "Johan V of Hendrik III afgebeeld op een van de ontwerpen voor de Nassause tapijten". In Van der Klooster, L.J.; Tiethoff-Spliethoff, M.E. & Tamse, C.A. (eds.).
311:, but died already in 1453. The second son, Count Eberhard, died three years later. After becoming a widower in 1471, Philip the Elder remarried in 1474, at the age of 72, to the 32 years old Countess
918:; the facial features themselves are in fact not very individual. Apart from the hairstyle, the face of the second woman in the drawing hardly differs from that of the woman in the foreground.
2444:"Kloster, Krypta, Kontroversen. Zum 500. Todesjahr des Siegener Landesherrn Johann V. Graf zu Nassau, Katzenelnbogen, Vianden und Diez, Herr Breda, Grimbergen und Diest (1455–1516)"
2431:
Schloss und Stadt Dillenburg. Ein Gang durch ihre Geschichte in Mittelalter und Neuzeit. Zur Gedenkfeier aus AnlaĂź der Verleihung der Stadtrechte am 20. September 1344 herausgegeben
865:. The German Elisabeth of Hesse-Marburg – of whom no portraits are known – must have been dressed according to a completely different fashion in her day. The so-called German
224:
2703:
537:
as an educator, general and advisor gave the Nassaus powerful support in this protracted legal battle. On the other side stood their energetic opponent, the young Landgrave
756:
it depicts three women instead of one. As the inscription does not mention the identity of the two women in the background, this has given rise to much speculation.
652:
1328:
1717:
The year of birth 1485 is stated by Schutte (1979), p. 42, and Dek (1970), p. 71. However, his mother's date of death is stated as 12 March 1478 by
2506:(1996). "Teruggevonden ontwerpen voor de tapijtreeks De Nassause Genealogie". In Van der Klooster, L.J.; Tiethoff-Spliethoff, M.E. & Tamse, C.A. (eds.).
983:
in the background to the left of Elisabeth, who had left the inheritance to Elisabeth. The older woman on the left must be the older sister of John V,
1151:
487:
in 1499, provided for his further education and appointed him his heir. After the death of his uncle in 1504, Henry succeeded him in all his possessions.
180:
497:
forbade William II the Middle to violate the County of Katzenelnbogen or to take violent steps against the House of Nassau. John also received some
921:
Fock also pointed out that the view that the mule should be interpreted as a reference to MencĂa's Spanish origin cannot be sustained. Already on the
668:
308:
1629:
891:
According to Van der Klooster, the series of tapestries relates to the genealogy of the House of Nassau, not to its possessions. The tapestry of
293:
208:
1176:
2443:
1168:
185:
1565:
1409:
1355:
1306:
760:
1587:
935:
794:
1557:
803:
2672:"Bernard van Orley. Hendrik III van Nassau (1483-1538) with his wife Mencia de Mendoza (1508-1554) and two deceased wives, ca. 1528-1530"
2256:"Bernard van Orley. Hendrik III van Nassau (1483-1538) with his wife Mencia de Mendoza (1508-1554) and two deceased wives, ca. 1528-1530"
876:
Of the nine women in the tapestries, eight are on horseback. Only the woman, whom Van der Klooster regards as MencĂa de Mendoza, rides a
2836:
1621:
289:
198:
2831:
2826:
1594:
1530:
1516:
1494:
1291:
300:
519:. In 1507 the court ruled that half the county should be awarded to Elisabeth. But William II the Middle refused to accept this
2644:
2608:
2565:
2542:
2519:
2493:
2339:
1110:
979:
was a very important issue for the Nassaus. According to Fock the tapestry seems to allude to this, by depicting Elisabeth's sister
644:
As Philip of Hesse refused to hand over Katzenelnbogen to Elisabeth's son and heir William, the dispute was not settled until 1557.
527:
175:
683:
of the House of Nassau woven. These tapestries were lost in the 18th century. The design drawings for the tapestries were made by
2816:
964:
545:
494:
269:
955:
unlike his son, had no right to wear the collar of the Golden Fleece and to carry it with his coat of arms is a valid argument.
814:
2811:
2801:
984:
960:
354:
312:
2581:
1508:
1479:
688:
596:
370:
319:
143:
2806:
881:
851:
534:
2821:
573:
538:
304:
1382:
697:
1579:
581:
1438:
1043:
992:
631:
108:
2306:
768:
1708:
Van Ditzhuyzen (2004), p. 249, on the other hand, states that the wedding took place in Königstein (Taunus).
1028:
715:
707:
476:
164:
1048:
997:
687:. Seven of those drawings have been preserved, only the design drawing for the fifth tapestry, depicting Count
671:. Does this drawing depict John V and his wife Elisabeth? Or their son Henry III and his three wives?
585:
577:
252:
530:
continued Elisabeth's case with increasing vigour. Henry's high position and close personal relationship with
1155:
838:
Van der Klooster further stated that the portrait of MencĂa in the drawing has acquired a permanent place in
703:
44:
2357:
Ahnenreihen aus allen deutschen Gauen. Beilage zum Archiv fĂĽr Sippenforschung und allen verwandten Gebieten
1160:
787:
and his two predeceased wives, as well as the strong resemblance of both Henry himself and MencĂa to other
2756:
1314:
1036:
1007:
968:
951:
692:
472:
418:
390:
1093:
892:
569:
256:
1189:
1443:
2796:
2791:
1299:
1084:
1076:
927:
784:
1230:ĘĽ of the two sisters was celebrated in Dillenburg with the greatest of festivities. The purchase of
2636:
2557:
1184:
1139:
896:
636:
590:
515:
113:
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on 9 May 1523. It was favourable to Elisabeth and awarded her almost the entire inheritance.
2773:
1125:
858:
739:
615:"), which made the connection between their possessions in the Netherlands and their counties in
531:
491:
414:
502:
454:
342:
2640:
2604:
2561:
2538:
2515:
2489:
2335:
1114:
1061:
1003:
947:
943:
939:
911:
885:
873:, often with a broad collar, determined the fashion image in the Northern European countries.
819:
684:
657:
616:
406:
337:
1424:
1271:
980:
484:
394:
358:
1098:
1143:
823:
774:
752:
260:
228:
675:
Around 1531, the son of Elisabeth and John V, Henry III, had a series of eight
422:
2576:
2722:
2503:
2479:
907:
862:
764:
751:
details of the coats of arms. With the coats of arms, indications have been written in
660:
for the eighth tapestry in the series containing the genealogy of the House of Nassau,
542:
520:
510:
264:
236:
133:
565:
in 1521. But there was no final decision there either. A commission consisting of the
2785:
2763:
566:
562:
557:
506:
434:
366:
244:
31:
2378:(in German). Vol. I. Teil: Vom 9. Jahrhundert bis zu Philipp dem GrossmĂĽtigen.
2355:
von Ehrenkrook, Hans Friedrich; Förster, Karl & Marchtaler, Kurt Erhard (1928).
1215:
1154:(1488 – Dillenburg, 3 June 1559), married in Siegen in February 1506 to Count
1032:
902:
huyt pieces de tapisserie de la genealogie de feu monseigneur du lignaige de Nassaw
832:
799:
735:
38:
2376:
Das Haus Brabant. Genealogie der Herzoge von Brabant und der Landgrafen von Hessen
1718:
855:
624:
601:
480:
450:
446:
216:
2529:
Huberty, Michel; Giraud, Alain & Magdelaine, F. & B. (1981).
2326:
Huberty, Michel; Giraud, Alain & Magdelaine, F. & B. (1976).
2707:
2534:
2470:
2434:
2360:
2331:
1242:
1211:
1057:
910:, Professor of the History of Applied Arts at the Institute of Art History of
710:
was also included in the series. On each tapestry, a man and woman sitting on
398:
382:
327:
1739:
The date of death 5 June 1532 in Vorsterman van Oyen (1882), p. 97.
1175:, February 1491 – Siegen, 1547), married in Siegen in February 1506 to Count
459:
2693:
2600:
2511:
2379:
1199:
915:
807:
727:
711:
680:
627:
410:
286:
468:. The last seven possessions were jointly owned with the Counts of Nassau.
2671:
2255:
1023:
From the marriage of Elisabeth and John the following children were born:
526:
After the death of Elisabeth's husband John in 1516, their sons Henry and
1080:
934:, appeared almost simultaneously at the beginning of the 16th century in
847:
788:
748:
719:
676:
630:
in Siegen, which her husband had founded. In 1836, both were reburied in
611:
on 17 January 1523. In Cologne the Counts of Nassau owned a house ("
465:
430:
426:
402:
128:
303:, Elisabeth's maternal grandfather, had two sons. The eldest son, Count
2663:
2586:
2485:
2398:
2312:
1195:
1172:
1121:
922:
843:
743:
608:
442:
438:
282:
91:
78:
2603:: Barjesteh, Meeuwes & Co Historische Uitgeverij. pp. 57–66.
2514:: Barjesteh, Meeuwes & Co Historische Uitgeverij. pp. 39–56.
2659:
2623:
2421:
1671:
Schutte (1979), p. 42 states the date 7 or 17 January 1523.
1234:
1072:
779:
374:
362:
331:
119:
103:
2631:
Schutte, O. (1979). "Genealogische gegevens". In Tamse, C.A. (ed.).
334:, 30 July 1516), the youngest brother of her step-grandmother.
2552:
Jansen, H.P.H. (1979). "De Bredase Nassaus". In Tamse, C.A. (ed.).
759:
L.J. van der Klooster, curator of the topography department of the
381:
and was very rich due to the possession of a large number of Rhine
2697:
1662:
Joachim (1881), pp. 252–253 states the date 24 May 1500.
1246:
1207:
1203:
1065:
931:
870:
839:
813:
793:
723:
651:
620:
386:
336:
323:
255:, which after her brother's death was claimed both by her and the
240:
2309:. Stammtafeln zur Geschichte der Europäischen Staaten. Neue Folge
1730:
The year of death 1543 in Vorsterman van Oyen (1882), p. 97.
619:
easier for them. Elisabeth was buried next to her husband in the
259:. The legal dispute for the County of Katzenelnbogen between the
2533:(in French). Vol. Tome III: Brunswick-Nassau-Schwarzbourg.
2397:(in German) (Zweite verbesserte und ergänzte Auflage ed.).
1238:
1231:
877:
731:
513:
did not occur to him. Therefore John filed a complaint with the
498:
378:
248:
2656:
Het vorstenhuis Oranje-Nassau. Van de vroegste tijden tot heden
1117:, 6 October 1559), succeeded his father in 1516. Married:
318:
Elisabeth married in Marburg on 11 February 1482 to Count
2363:: Verlag fĂĽr Sippenforschung und Wappenkunde C.A. Starke.
1223:
1106:
Ernest (Dillenburg, 9 April 1486 – 12 October 1486).
866:
648:
Elisabeth and John V depicted on one of the Nassau tapestries?
475:
had no legitimate children, he brought Elisabeth's eldest son
353:
Elisabeth's father died in 1483; he was succeeded by his son
1083: (?), 1 December 1508 – 4 January 1554), 2nd
613:
das achte Haus von der Goltgassenecken nach St. Cunibert hin
607:
Shortly before the verdict from TĂĽbingen, Elisabeth died in
1219:
861:
is depicted in entirely similar attire in her portraits by
2704:
Wapenboek van de genealogie van Elisabeth van Hessen, 1490
1146:, 15 February 1506 – Dillenburg, 18 June 1580).
818:
MencĂa de Mendoza. Portrait by Jan Gossaerts, 1500–1550.
2698:
Landesgeschichtliches Informationssystem Hessen (LAGIS)
1138:
in Siegen Castle on 20 September 1531 to Countess
357:. The latter stipulated that his sisters Elisabeth and
267:
lasted until well after her death and is known as the
1183:
The double wedding of Elisabeth and Mary was held at
551:
In 1520 Charles V referred the dispute from the
842:
costume history. One could say that it followed the
2382:: Historischer Verein fĂĽr das GroĂźherzogtum Hessen.
1721:. Which of these two dates is incorrect is unclear.
1653:
p. 8 does not mention a place of death at all.
975:At the time of the creation of the tapestries, the
714:are depicted facing each other. The rather unusual
204:
194:
149:
139:
127:
97:
85:
71:
61:
51:
37:
23:
2395:Genealogie der in Europa regierenden Fürstenhäuser
1680:Becker (1983), p. 55 states the wedding date
798:Count Henry III of Nassau-Breda. Portrait by
2330:(in French). Vol. Tome I: Hesse-Reuss-Saxe.
742:with the inscription in between are connected by
1904:
1902:
1900:
1898:
2633:Nassau en Oranje in de Nederlandse geschiedenis
2554:Nassau en Oranje in de Nederlandse geschiedenis
2418:Auf den Spuren von Nassau und Oranien in Siegen
1103:, 3 November 1484 – 15 August 1504?).
1035:, 14 September 1538), succeeded his uncle
2019:
2017:
1226:for the feast. On 16 February 1506, the Ę»
1177:Jobst I of Holstein-Schauenburg-Pinneberg
730:in the background is sometimes interrupted by
2674:. RKD – Netherlands Institute for Art History
2666:: A.W. Sijthoff & J.L. Beijers.
2424:: Gesellschaft fĂĽr Stadtmarketing Siegen e.V.
2416:AĂźmann, Helmut & Menk, Friedhelm (1996).
2258:. RKD – Netherlands Institute for Art History
2181:
2179:
2160:
2158:
2104:
2102:
2100:
2090:
2088:
1888:
1886:
1884:
8:
1865:
1863:
1861:
1859:
1810:
1808:
1806:
1804:
1802:
1800:
1798:
1410:Eberhard III the Clement of WĂĽrttemberg
1329:Henry II the Mild of Brunswick-LĂĽneburg
2285:Vorsterman van Oyen (1882), pp. 95–97.
1920:
1918:
1916:
1914:
1558:Eberhard IV the Younger of WĂĽrttemberg
1214:was paid for by the brides' father and the
2768:11 February 1482 – 30 July 1516
2713:
2589:: Duncker & Humblot. pp. 252–254.
2481:Oranje-Nassau. Een biografisch woordenboek
2442:Brachthäuser, Christian (1 October 2016).
1959:
1957:
1509:Frederick I the Belligerent of Saxony
967:in the sixth tapestry, and the eldest son
371:William II the Middle of Hesse-Kassel
20:
2241:
2239:
2229:
2227:
2139:
2137:
2118:
2116:
2114:
2078:
2076:
2074:
1989:
1987:
1766:
1764:
1762:
1760:
1758:
1756:
1719:Stammtafel des mediatisierten Hauses Wied
1002:, was born before 1486, the second wife,
718:remains lively due to the alternation in
341:The city of Katzenelnbogen. Engraving by
102:St. John's Church, Franciscan monastery,
2173:Van der Klooster (1996), pp. 63–64.
1933:Van Ditzhuyzen (2004), pp. 95, 120.
1840:
1838:
1836:
1834:
1832:
1822:
1820:
1622:Henry III the Rich of Hesse-Marburg
1307:Frederick III the Strict of Meissen
1261:Ancestors of Elisabeth of Hesse-Marburg
1257:
747:of the surviving drawings, and with the
290:Henry III the Rich of Hesse-Marburg
199:Henry III the Rich of Hesse-Marburg
2694:Nassau-Dillenburg, Elisabeth Gräfin von
2068:Vorsterman van Oyen (1882), p. 98.
1869:Vorsterman van Oyen (1882), p. 95.
1752:
1645:
233:Elisabeth Landgräfin von Hessen-Marburg
66:Elisabeth Landgräfin von Hessen-Marburg
2639:: A.W. Sijthoff. pp. 40–44.
2560:: A.W. Sijthoff. pp. 11–40.
1210:were present. The feast with the city
963:in the fifth tapestry, the second son
669:Staatliche Graphische Sammlung MĂĽnchen
539:Philip I the Magnanimous of Hesse
285:in May 1466 as the eldest daughter of
56:Elisabeth Landgravine of Hesse-Marburg
2467:Genealogie van het Vorstenhuis Nassau
2437:: Der Magistrat der Stadt Dillenburg.
1788:
1786:
1784:
1782:
1780:
1778:
1776:
1370:Elisabeth of Nassau-Wiesbaden-Idstein
761:Netherlands Institute for Art History
546:Frederick III the Wise of Saxony
7:
2194:Van der Klooster (1996), p. 65.
2185:Van der Klooster (1996), p. 64.
2164:Van der Klooster (1996), p. 63.
2152:Van der Klooster (1996), p. 60.
2108:Van der Klooster (1996), p. 59.
2094:Van der Klooster (1996), p. 57.
1963:Huberty, et al. (1981), p. 219.
1580:Louis III the Peaceful of Hesse
1241:fabric for 396 guilders at the
2478:Van Ditzhuyzen, Reinildis (2004) .
2433:(in German) (Neuauflage ed.).
2041:Van Ditzhuyzen (2004), p. 250.
1480:Herman II the Scholar of Hesse
1356:Thierry VIII of Katzenelnbogen
471:Because Elisabeth's brother-in-law
222:(May 1466 – 17 January 1523),
144:John V, Count of Nassau-Siegen
2654:Vorsterman van Oyen, A.A. (1882).
2597:Jaarboek Oranje-Nassau Museum 1995
2508:Jaarboek Oranje-Nassau Museum 1995
1595:Philip the Elder of Katzenelnbogen
1113:(Dillenburg, 10 April 1487 –
1042:on 3 August 1503 to Countess
722:and poses and the position of the
361:should be compensated with 50,000
301:Philip the Elder of Katzenelnbogen
14:
2764:Countess Consort of Nassau-Siegen
2577:"Johann V. von Nassau-Dillenburg"
2304:Schwennicke, Detlev (1978–1995).
804:Museu Nacional d'Art de Catalunya
32:Countess Consort of Nassau-Siegen
2626:: Siegerländer Heimatverein e.V.
2585:(in German). Vol. Band 14.
2401:: Verlag von Bernhard Tauchnitz.
1124:on 29 May 1506 to Countess
1053:(1485 – 17 September 1511);
1031:(Siegen, 12 January 1483 –
977:Katzenelnbogische Erbfolgestreit
791:of that couple, indicated that.
270:Katzenelnbogische Erbfolgestreit
43:
1908:Brachthäuser (2016), p. 4.
1878:Brachthäuser (2016), p. 8.
1853:Brachthäuser (2016), p. 1.
1531:John III of Katzenelnbogen
1517:Catherine of Brunswick-LĂĽneburg
1259:
1140:Juliane of Stolberg-Wernigerode
2582:Allgemeine Deutsche Biographie
1044:Françoise Louise of Savoy-Vaud
993:Françoise Louise of Savoy-Vaud
548:, were on his side as allies.
18:German landgravine (1466–1523)
1:
1599:
1499:
1484:
1450:
1429:
1414:
1292:Frederick V of Nuremberg
1129:
882:Jacob Cornelisz van Oostsanen
661:
367:Landgraviate of Hesse-Marburg
235:, was a landgravine from the
2622:(in German) (2nd ed.).
2203:Fock (1996), pp. 42–44.
2131:Fock (1996), pp. 41–42.
1892:Joachim (1881), p. 253.
1814:Joachim (1881), p. 252.
1549:
1536:
1522:
1464:
1439:Henry II of Montbéliard
1401:
1388:
1374:
1361:
1347:
1334:
1320:
1277:
689:John I of Nassau-Siegen
623:of St. John's Church in the
355:William III the Younger
320:John V of Nassau-Siegen
2718:Elisabeth of Hesse-Marburg
2484:(in Dutch) (3rd ed.).
2276:Dek (1970), pp. 70–71.
1770:Schutte (1979), p. 42.
1077:MencĂa de Mendoza y Fonseca
738:in the top corners and the
501:of Katzenelnbogen from the
473:Engelbert II of Nassau
369:was inherited by Landgrave
2853:
2837:Mothers of German monarchs
2393:von Behr, Kamill (1870) .
2294:Becker (1983), p. 55.
1981:Jansen (1979), p. 37.
1951:Becker (1983), p. 54.
1942:Becker (1983), p. 13.
1383:Eberhard of Katzenelnbogen
1237:for 747 guilders and
1179:(1483 – 5 June 1531).
1165:(1485 – 18 May 1533).
769:Order of the Golden Fleece
393:. The county consisted of
307:, was married to Countess
220:Elisabeth of Hesse-Marburg
154:
25:Elisabeth of Hesse-Marburg
2832:16th-century German women
2827:15th-century German women
2770:
2761:
2748:
2743:
2716:
2023:Assman & Menk (1996).
1620:
1593:
1578:
1556:
1529:
1507:
1478:
1437:
1408:
1381:
1354:
1327:
1305:
1290:
1270:
1260:
1060:on 24 April 1515 to
326:, 9 November 1455 –
30:
2620:Siegerland und Nederland
2451:Universitätsstadt Siegen
2245:Fock (1996), p. 47.
2233:Fock (1996), p. 45.
2221:Fock (1996), p. 44.
2212:Fock (1996), p. 55.
2143:Fock (1996), p. 42.
2122:Fock (1996), p. 41.
2082:Fock (1996), p. 39.
2050:LĂĽck (1981), p. 48.
2032:LĂĽck (1981), p. 35.
2011:LĂĽck (1981), p. 24.
2002:LĂĽck (1981), p. 41.
1993:LĂĽck (1981), p. 34.
1972:LĂĽck (1981), p. 27.
1844:LĂĽck (1981), p. 33.
1826:LĂĽck (1981), p. 32.
1566:Henriette of Montbéliard
1267:Great-great-grandparents
1202:in Siegen at which both
1075:on 30 June 1524 to
946:, where artists such as
930:, originally Arabic and
309:Ottilie of Nassau-Siegen
253:County of Katzenelnbogen
2817:Landgravines of Germany
2708:Royal Dutch Collections
2575:Joachim, Ernst (1881).
2473:: Europese Bibliotheek.
2307:Europäische Stammtafeln
2059:Dek (1970), p. 72.
1792:Dek (1970), p. 70.
1111:William I the Rich
1087:since 3 June 1523.
734:in the foreground. The
176:William I the Rich
2812:House of Nassau-Siegen
2802:House of Hesse-Marburg
2757:Mary of Looz-Heinsberg
2723:House of Hesse-Marburg
2618:LĂĽck, Alfred (1981) .
2531:l'Allemagne Dynastique
2374:Knetsch, Carl (1917).
2328:l'Allemagne Dynastique
1630:Anne of Katzenelnbogen
1545:Anne of Katzenelnbogen
1315:Catherine of Henneberg
1272:Louis II of Hesse
1008:Principality of Orange
827:
811:
672:
563:Imperial Diet of Worms
350:
294:Anne of Katzenelnbogen
281:Elisabeth was born in
237:House of Hesse-Marburg
232:
209:Anne of Katzenelnbogen
134:House of Hesse-Marburg
1495:Margaret of Nuremberg
1286:Elisabeth of Sponheim
1198:was also held in the
1156:John III of Wied
1135:– 7 March 1529);
1085:Marchioness of Cenete
846:of the international
817:
797:
704:Otto I of Nassau
655:
490:On 24 May 1501,
340:
313:Anne of Nassau-Siegen
257:Landgraviate of Hesse
239:and through marriage
2807:Countesses of Nassau
2738:17 January 1523
2465:Dek, A.W.E. (1970).
2429:Becker, E. (1983) .
1924:Becker (1983), p. 57
1300:Elisabeth of Meissen
1068:, 31 May 1521);
693:Margaret of the Mark
89:17 January 1523
2822:People from Marburg
2637:Alphen aan den Rijn
2558:Alphen aan den Rijn
1609:Anne of WĂĽrttemberg
1343:Sophie of Pomerania
1094:Tringenstein Castle
726:. The mostly hilly
553:Reichskammergericht
516:Reichskammergericht
347:Topographia Hassiae
2774:Walburga of Egmont
2753:Title last held by
1475:Great-grandparents
1126:Walburga of Egmont
1039:in 1504. Married:
828:
812:
673:
656:Design drawing by
429:, the district of
389:and the border of
351:
305:Philip the Younger
2780:
2779:
2771:Succeeded by
2696:(in German). In:
2315:: J.A. Stargardt.
1637:
1636:
1460:Mary of Chatillon
1115:Dillenburg Castle
1062:Claudia of Chalon
1037:Engelbert II
1004:Claudia of Chalon
969:Engelbert II
912:Leiden University
897:Joanne of Polanen
886:Counts of Holland
785:MencĂa de Mendoza
685:Bernard van Orley
658:Bernard van Orley
632:St. Mary's Church
495:Maximilian I
214:
213:
109:St. Mary's Church
2844:
2739:
2732:
2714:
2706:(in Dutch). In:
2683:
2681:
2679:
2667:
2650:
2627:
2614:
2590:
2571:
2548:
2537:: Alain Giraud.
2525:
2499:
2474:
2461:
2459:
2457:
2448:
2438:
2425:
2403:
2402:
2390:
2384:
2383:
2371:
2365:
2364:
2352:
2346:
2345:
2334:: Alain Giraud.
2323:
2317:
2316:
2301:
2295:
2292:
2286:
2283:
2277:
2274:
2268:
2267:
2265:
2263:
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2231:
2222:
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2213:
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2109:
2106:
2095:
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2069:
2066:
2060:
2057:
2051:
2048:
2042:
2039:
2033:
2030:
2024:
2021:
2012:
2009:
2003:
2000:
1994:
1991:
1982:
1979:
1973:
1970:
1964:
1961:
1952:
1949:
1943:
1940:
1934:
1931:
1925:
1922:
1909:
1906:
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1793:
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1601:
1553:
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1526:
1524:
1504:
1501:
1489:
1486:
1468:
1466:
1455:
1452:
1447:
1434:
1431:
1425:Antonia Visconti
1419:
1416:
1405:
1403:
1392:
1390:
1378:
1376:
1365:
1363:
1351:
1349:
1338:
1336:
1324:
1322:
1281:
1279:
1258:
1218:donated 16
1193:
1164:
1134:
1131:
1102:
1058:La-Fère-sur-Oise
1052:
1001:
893:Engelbert I
701:
666:
665: 1528–1530
663:
640:
594:
586:William III
463:
227:
158:
123:
117:
81:
67:
47:
21:
2852:
2851:
2847:
2846:
2845:
2843:
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2841:
2782:
2781:
2776:
2767:
2754:
2733:
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2690:
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2502:
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2428:
2415:
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2202:
2198:
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2156:
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2107:
2098:
2093:
2086:
2081:
2072:
2067:
2063:
2058:
2054:
2049:
2045:
2040:
2036:
2031:
2027:
2022:
2015:
2010:
2006:
2001:
1997:
1992:
1985:
1980:
1976:
1971:
1967:
1962:
1955:
1950:
1946:
1941:
1937:
1932:
1928:
1923:
1912:
1907:
1896:
1891:
1882:
1877:
1873:
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1796:
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1774:
1769:
1754:
1749:
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1743:
1738:
1734:
1729:
1725:
1716:
1712:
1707:
1703:
1697:
1693:
1686:Sonntag Cantate
1682:Sonntag Cantate
1679:
1675:
1670:
1666:
1661:
1657:
1651:
1647:
1642:
1632:
1628:
1626:
1624:
1610:
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1606:
1602:
1597:
1590:
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1568:
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1562:
1560:
1548:
1546:
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1542:
1535:
1533:
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1515:
1513:
1511:
1502:
1497:
1493:
1491:
1487:
1482:
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1459:
1457:
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1448:
1441:
1432:
1427:
1423:
1421:
1417:
1412:
1400:
1398:
1396:
1394:
1387:
1385:
1373:
1371:
1369:
1367:
1360:
1358:
1346:
1344:
1342:
1340:
1333:
1331:
1319:
1317:
1313:
1311:
1309:
1302:
1298:
1296:
1294:
1287:
1285:
1283:
1276:
1274:
1256:
1187:
1158:
1132:
1096:
1046:
1021:
995:
850:around Emperor
824:Chantilly, Oise
775:Alte Pinakothek
695:
664:
650:
634:
588:
457:
391:the Netherlands
343:Matthäus Merian
279:
261:House of Nassau
223:
190:
152:
151:
111:
106:
101:
90:
77:
76:
65:
57:
26:
19:
12:
11:
5:
2850:
2848:
2840:
2839:
2834:
2829:
2824:
2819:
2814:
2809:
2804:
2799:
2794:
2784:
2783:
2778:
2777:
2772:
2769:
2760:
2752:
2746:
2745:
2744:Regnal titles
2741:
2740:
2720:
2717:
2712:
2711:
2701:
2689:
2688:External links
2686:
2685:
2684:
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2025:
2013:
2004:
1995:
1983:
1974:
1965:
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1910:
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1880:
1871:
1855:
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1691:
1684:(10.5.) 1506.
1673:
1664:
1655:
1644:
1643:
1641:
1638:
1635:
1634:
1619:
1613:
1612:
1592:
1588:Anne of Saxony
1577:
1571:
1570:
1555:
1528:
1506:
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1471:
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1147:
1136:
1107:
1104:
1090:
1089:
1088:
1069:
1054:
1029:Henry III
1020:
1017:
948:Albrecht DĂĽrer
884:in the series
863:Joos van Cleve
852:Charles V
649:
646:
567:Prince bishops
535:Charles V
511:House of Hesse
503:Duke of JĂĽlich
278:
275:
265:House of Hesse
212:
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2646:90-218-2447-7
2642:
2638:
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2612:
2610:90-73714-23-0
2606:
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2569:
2567:90-218-2447-7
2563:
2559:
2555:
2550:
2546:
2544:2-901138-03-9
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869:and the wide
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854:. His sister
853:
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802:, 1530–1532.
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706:, Roman King
705:
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691:and Countess
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507:Abbey of PrĂĽm
504:
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483:in Breda and
482:
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433:and parts of
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2700:(in German).
2676:. Retrieved
2658:(in Dutch).
2655:
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2596:
2580:
2556:(in Dutch).
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2327:
2321:
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2250:
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1633:(1443–1494)
1616:
1611:(1408–1471)
1591:(1420–1462)
1575:Grandparents
1574:
1569:(1387–1444)
1474:
1303:(1329–1375)
1266:
1227:
1222:and 19
1216:city council
1182:
1033:Breda Castle
1022:
1013:
989:
976:
974:
961:Adolf I
957:
952:Hans Holbein
920:
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890:
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833:Jan Gossaert
829:
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773:
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215:
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129:Noble family
39:Coat of arms
15:
2797:1523 deaths
2792:1466 births
1699:p. 98.
1625:(1440–1483)
1603: 1402
1583:(1402–1458)
1561:(1388–1419)
1552: 1439
1539: 1444
1525: 1442
1512:(1370–1428)
1503: 1363
1488: 1342
1467: 1394
1454: 1366
1442: [
1433: 1360
1418: 1364
1404: 1399
1391: 1403
1377: 1389
1364: 1402
1350: 1406
1337: 1416
1323: 1397
1310:(1332–1381)
1295:(1333–1398)
1280: 1345
1212:magistrates
1188: [
1159: [
1133: 1489
1097: [
1047: [
996: [
856:Archduchess
820:Musée Condé
716:composition
696: [
641:in Siegen.
635: [
589: [
458: [
419:RĂĽsselsheim
415:Zwingenberg
217:Landgravine
112: [
62:Native name
2786:Categories
2535:Le Perreux
2504:Fock, C.W.
2471:Zaltbommel
2435:Dillenburg
2332:Le Perreux
1747:References
1243:trade fair
677:tapestries
625:Franciscan
597:Strasbourg
532:Roman King
455:Altweilnau
407:Hohenstein
399:Sankt Goar
328:Dillenburg
247:. She was
107:Reburied:
2678:29 August
2601:Rotterdam
2512:Rotterdam
2488:: Becht.
2380:Darmstadt
2262:29 August
1563:âš 1397/98
1254:Ancestors
1200:city hall
1152:Elisabeth
938:, at the
916:hairstyle
908:C.W. Fock
848:courtiers
808:Barcelona
789:portraits
740:cartouche
728:landscape
712:horseback
681:genealogy
679:with the
628:monastery
570:Christoph
411:Darmstadt
395:Rheinfels
345:from the
287:Landgrave
277:Biography
225:‹See Tfd›
181:Elisabeth
140:Spouse(s)
52:Full name
2731:May 1466
1228:Beilager
1144:Stolberg
1081:Jadraque
1064:(1498 –
749:heraldic
744:garlands
720:clothing
602:TĂĽbingen
574:Augsburg
521:judgment
505:and the
485:Brussels
466:Wehrheim
447:Löhnberg
431:Driedorf
427:Eppstein
403:Braubach
385:between
377:and the
263:and the
241:Countess
75:May 1466
2664:Utrecht
2587:Leipzig
2486:Haarlem
2410:Sources
2399:Leipzig
2361:Görlitz
2313:Marburg
1617:Parents
1505:–1406)
1435:–1405)
1196:banquet
1173:Vianden
1122:Koblenz
981:Matilda
944:Germany
932:Moorish
923:woodcut
859:Eleanor
844:fashion
840:Spanish
767:of the
617:Germany
609:Cologne
582:Bamberg
555:to the
543:Elector
528:William
492:Emperor
479:to his
451:Camberg
439:Hadamar
423:Umstadt
363:florins
359:Matilda
349:, 1655.
283:Marburg
251:to the
249:heiress
92:Cologne
79:Marburg
2750:Vacant
2734:
2662:&
2660:Leiden
2643:
2624:Siegen
2607:
2564:
2541:
2518:
2492:
2456:8 July
2422:Siegen
2338:
1627:âš 1458
1607:âš 1422
1605:–1479)
1585:âš 1433
1543:âš 1383
1514:âš 1402
1492:âš 1383
1490:–1413)
1458:âš 1383
1456:–1396)
1422:âš 1380
1420:–1417)
1395:âš 1367
1368:âš 1361
1341:âš 1388
1312:âš 1344
1297:âš 1350
1288:(?–?)
1284:âš 1340
1235:fabric
1208:grooms
1204:brides
1109:Count
1092:John (
1073:Burgos
1027:Count
940:French
780:Munich
765:collar
753:French
724:horses
578:George
375:Taunus
332:Siegen
299:Count
229:German
205:Mother
195:Father
172:Ernest
155:Detail
120:Siegen
104:Siegen
98:Buried
2736:Died:
2729:Born:
2447:(PDF)
1689:1506.
1640:Notes
1446:]
1247:Mainz
1192:]
1163:]
1101:]
1066:Diest
1051:]
1019:Issue
1000:]
936:Italy
928:motif
871:cloak
732:trees
708:Adolf
700:]
639:]
621:crypt
593:]
499:fiefs
481:court
477:Henry
462:]
387:Mainz
383:tolls
324:Breda
150:Issue
116:]
2680:2022
2641:ISBN
2605:ISBN
2562:ISBN
2539:ISBN
2516:ISBN
2490:ISBN
2458:2022
2336:ISBN
2264:2022
1239:silk
1232:gold
1224:pigs
1220:oxen
1206:and
1194:. A
1169:Mary
985:Anne
950:and
895:and
878:mule
584:and
464:and
435:Diez
421:and
379:Lahn
186:Mary
169:John
122:1836
86:Died
72:Born
1245:in
1120:in
1071:in
1056:in
867:hat
778:in
595:of
580:of
572:of
443:Ems
330:or
243:of
2788::
2579:.
2449:.
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2178:^
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2087:^
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1600:c.
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322:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
