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118:, published in 1857, shows individuality with its delicate use of grace notes to suggest the rippling water. Dolores also tends to rely on various permutations of broken-chord patterns for her accompaniments. In her case, they are often unpredictable in shape and rhythm. Her song
46:. She had been physically disabled since a young age, and her chosen Latin pseudonym, Dolores, which means sorrows and bodily pains, reflects that aspect of her personal life. Ellen inherited her father’s talents for mathematics and his analytical intellect.
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poems in 1854. From then, Dickson published, partly under the name
Dolores, a tremendous plethora of songs in renowned London music publishing companies. Approximately 65 songs have survived. These works include settings for poems by
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Dickson composed mainly parlor music, which, in historical context, was the main type of music socially acceptable for women composers. Her other works include:
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When the words call for loudness, the pitch of the accompaniment ensures balance in the composition. The morally uplifting words of the song, taken from
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Dickson began making her reputation in the late 1850s, composing drawing-room ballads in a style similar to that of
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Dickson's songs are often characterized by unusual permutations of broken chord patterns and delicate use of
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She provides an example of the union of the beautiful melody and ornamental accompaniment in
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Scott, Derek B. (1994). "The Sexual
Politics of Victorian Musical Aesthetics".
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Dolores released a songbook called "Dream" that contained her arrangements of
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Composers on record: an index to biographical information
148:' works. The book was published in Philadelphia in 1867.
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Women making music: the
Western art tradition, 1150-1950
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From the Erotic to the
Demonic: On Critical Musicology
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42:. Ellen was the third daughter of General Sir
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395:This article about a British composer is a
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315:Journal of the Royal Musical Association
273:"The Rise of the Woman Ballad Composer"
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49:She lived most of her life and died in
141:are addressed to a mother and child.
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22:(1819 – 4 July 1878), also known as
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399:. You can help Knowledge (XXG) by
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170:(Text: Henry Wadsworth Longfellow)
164:(Text: Henry Wadsworth Longfellow)
158:(Text: Henry Wadsworth Longfellow)
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461:British women classical composers
456:19th-century classical composers
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362:. University of Illinois Press.
90:, which was first published by
476:19th-century British composers
471:19th-century English musicians
298:. Oxford University. pp.
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341:"Hathi Trust Digital Library"
481:19th-century women composers
218:Musik Und Gender im Internet
194:(Text: Lord Alfred Tennyson)
188:(Text: Lord Alfred Tennyson)
176:(Text: Lord Alfred Tennyson)
466:English classical composers
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72:Henry Wadsworth Longfellow
30:composer. She was born in
20:Ellen (Elizabeth) Dickson
290:Scott, Derek B. (2003).
271:Scott, Derek B. (2012).
162:Old clock on the stairs
122:offers a good example.
65:. She began by setting
16:English ballad composer
486:British composer stubs
253:Greene, Frank (1985).
120:"The Land of Long Ago"
327:10.1093/jrma/119.1.91
242:: 465. 20 July 1878.
232:"Death of "Dolores""
186:Turn, fortune, turn
156:Good night, beloved
80:Percy Bysshe Shelly
76:Adelaide A. Procter
329:– via JSTOR.
98:Known Compositions
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236:The Musical World
127:"Clear and Cool."
106:. Her setting of
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440:Categories
321:: 91–114.
199:References
168:The bridge
88:Longfellow
67:Longfellow
174:The brook
114:The Brook
94:in 1857.
51:Lyndhurst
108:Tennyson
32:Woolwich
36:England
24:Dolores
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40:London
28:ballad
397:stub
364:ISBN
323:doi
319:119
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