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administration became clear, the Bayer family applied for emigration visas, which were eventually granted after more than four years of fighting the bureaucracy. These four years of a de facto ban to exhibit and publish any of her works caused an irredeemable break in Bayer's specialty – applied
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During 1973–1975 Bayer designed work in
Bulgaria including 250m² stone reliefs for the new building of the Theatre Sofia in Sofia. The subject was the development of acting in the history of mankind. This work of art is thought to be an exceptionally well turned out synthesis of architecture and
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theatre, (1982–1984). Of the originally planned 12 reliefs only six were realised, but at last only four came true. Afterwards due to the dissident actions of her husband she could not get other commissions; even contracts already given were foreclosed. She could no longer show her works at
45:. She studied sculpture and ceramics at the Akademy of Arts in Sofia. Since finishing her studies at the Akademy in 1964 she has worked as a freelance sculptor. She has also taken commissions for works in applied graphics, book design and calligraphic design.
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Her works are on display in New York, Boston, Seattle, Paris, Hanover, Berlin, Leipzig, Wiesbaden, Munich, Moscow, Warsaw, Sofia; and in museums and collections in Berlin, Sopot (Poland), Faenza (Italy), and Sofia
61:. In the following decade she took commissions for more than ten larger-than-life sculptures in public parks and buildings. Her main work in Berlin was the commission to design reliefs for the new building of the
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Nikolova-Bayer, Emilia: I Maestri Della
Ceramica Moderna 1984/The Masters Of Modern Ceramics 1984; edition Faenza Editrice S.p.A. 1984
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sculpture on buildings. Today she concentrates on the realms of figurative porcelain, oil-pastels and oil paintings.
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Reliefs on the
Friedrichstadt-Palace done in reinforced concrete unique in Europe in regard to depth and detail
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Distinction for an excellent piece of art at the
International Biennale of Modern Ceramics in
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Decoration "Cyril and Method" (bronze medal) of the
Bulgarian state for her life's work 1984.
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Kunst am Bau in der DDR (Symposium 2020); Deutscher
Kunstverlag 2020 ISBN 978-3-422-98606-0
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Torstrasse 111; Lukas Verlag für Kunst- und
Geistesgeschichte 2020 ISBN 978-3-86732-366-6
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Two fire-baked reliefs terra cotta (ca. 87m² and 20m²) at a public building in Vraza
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https://www.museum-der-1000-orte.de/kuenstler/kuenstler/bayer-emilia-nicolova
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Distinction for the best work of art at the
International Art Exhibition in
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70 Jahre Kunst am Bau; Deutscher
Kunstverlag 2020 ISBN 978-3-422-98617-6
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http://www.bildhauerei-in-Berlin.de/_html/_katalog/kuenstler-984.html
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250m² stone reliefs at the Sofia theatre in Sofia, Bulgaria
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245:http://derarchitektbda.de/die-wandbild-entmuedung/
189:"Geschichte « FriedrichstadtPalast Berlin"
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98:Several larger-than life sculptures in
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89:Two stone reliefs at the theatre in
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290:21st-century Bulgarian artists
280:20th-century Bulgarian artists
275:Bulgarian emigrants to Germany
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69:When the new politics of the
300:20th-century women sculptors
16:Bulgarian sculptor, painter
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168:Emilia Nikolova Bayer in:
37:was born May 5, 1934, in
57:In 1975 Bayer moved to
305:21st-century sculptors
295:20th-century sculptors
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63:Friedrichstadt-Palast
35:Emilia Nicolova Bayer
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236:website Emilia Bayer
270:Bulgarian sculptors
193:www.show-palace.eu
175:2012-03-03 at the
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24:Woman with snake
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254:Categories
156:References
139:Literature
71:communist
173:Archived
43:Bulgaria
28:Maiolica
100:Hanover
129:Faenza
122:Vienna
59:Berlin
49:Career
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39:Sofia
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