Knowledge (XXG)

Emilio Cruz (artist)

Source đź“ť

33: 321:
and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit,
316:
Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of
394: 729: 724: 309:, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of 714: 235: 677: 398: 343: 274: 719: 571: 246:. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in 734: 390: 290: 201: 149: 497: 406: 530: 620: 363: 346:
in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en
227:. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. 165: 238:
during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays,
258:. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the 561: 544: 386: 371: 339: 335: 177: 196:
to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the
306: 298: 185: 181: 169: 168:, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying 418: 334:
in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the
709: 704: 378: 355: 223:. He served as director for the visual arts program, which also included painters Oliver Jackson and 32: 263: 224: 220: 208: 414: 294: 673: 669: 567: 493: 410: 331: 270: 641: 489: 482: 402: 359: 382: 347: 259: 216: 193: 117: 318: 302: 173: 153: 698: 662: 247: 197: 157: 129: 121: 351: 189: 212: 161: 145: 53: 624: 484:"Point from which creation begins": The Black Artists' Group of St. Louis 286: 231: 125: 37:
Emilio Cruz in his studio on the Lower East Side, New York City, 1965.
141: 604: 310: 255: 251: 642:"Emilio Cruz, Artist Known for Dreamlike Imagery, Dies at 66" 513: 511: 509: 293:, described Emilio Cruz as one of the important pioneers of 313:. They reflect the turbulent world within which we live." 188:. He combined human and animal figures with imagery from 102: 395:
National Museum of African American History and Culture
322:
Cruz's style is masterful, classical, even beautiful."
377:
Cruz's work is held in many collections including the
350:. Other American artists exhibiting at this show were 660:
Lovell, Whitfield; Lippard, Lucy R. (March 1, 2003).
463: 461: 459: 457: 664:
The Art of Whitfield Lovell: Whispers from the Walls
305:. Geno Rodriquez, Curator and Executive Director of 560:Smith, Jessie Carney; Palmisano, Joseph M. (2000). 97: 89: 81: 61: 42: 23: 661: 481: 444: 442: 440: 438: 621:"EMILIO CRUZ: I Am Food I Eat The Eater Of Food" 517: 488:. Missouri Historical Society Press. pp.  289:of 20th Century Painting and Sculpture at the 140:Emilio Antonio Cruz was an American Artist of 586: 8: 338:in 1986 and 1991, museum exhibitions at the 330:Cruz held his first solo exhibition at the 116:(March 15, 1938 – December 10, 2004) was a 605:"EMILIO CRUZ 1938 – 2004 (emiliocruz.com)" 31: 20: 467: 434: 164:School of Painting and Graphic Arts in 236:School of the Art Institute of Chicago 730:21st-century African-American artists 725:20th-century African-American artists 399:Hirshhorn Museum and Sculpture Garden 344:Pennsylvania Academy of the Fine Arts 244:The Absence Held Fast to Its Presence 148:on March 15, 1938. He studied at the 120:artist who lived most of his life in 7: 448: 124:. His work is held in several major 240:Homeostasis: Once More the Scorpion 640:Johnson, Ken (December 13, 2004). 563:Reference library of Black America 207:In the late 1968, Emilio and wife 14: 368:I Am Food I Eat the Eater of Food 16:Cuban-American artist (1938–2004) 715:American people of Cuban descent 603:Cruz, Estate of Emilio (2012). 391:Smithsonian American Art Museum 297:of the 1960s for his fusion of 291:Smithsonian American Art Museum 202:National Endowment for the Arts 269:Emilio Antonio Cruz died from 1: 144:descent. He was born in the 751: 720:African-American painters 587:Lovell & Lippard 2003 480:Looker, Benjamin (2004). 407:Albright–Knox Art Gallery 273:on December 10, 2004, at 56:, a New York City borough 30: 619:Alitash Gallery (2004). 374:in Los Angeles in 2004. 198:Joan Mitchell Foundation 668:. Pomegranate. p.  387:Studio Museum in Harlem 340:Studio Museum in Harlem 336:Anita Shapolsky Gallery 735:Artists from the Bronx 372:Alitash Kebede Gallery 307:The Alternative Museum 299:Abstract Expressionism 275:St. Vincent's Hospital 170:abstract expressionism 419:Hartford, Connecticut 366:. His last show was 160:, and finally at the 76:New York City, NY USA 533:. November 24, 1986. 518:Alitash Gallery 2004 379:Museum of Modern Art 356:Philemona Williamson 627:on February 7, 2012 531:"New York Magazine" 264:New York University 221:Black Artists Group 150:Art Students League 114:Emilio Antonio Cruz 47:Emilio Antonio Cruz 415:Wadsworth Atheneum 295:American Modernism 281:Work and reception 234:and taught at the 679:978-0-7649-2447-7 411:Buffalo, New York 332:Zabriskie Gallery 271:pancreatic cancer 254:, France, and in 111: 110: 742: 690: 688: 686: 667: 656: 654: 652: 636: 634: 632: 623:. Archived from 615: 613: 611: 590: 584: 578: 577: 557: 551: 550: 541: 535: 534: 527: 521: 515: 504: 503: 487: 477: 471: 465: 452: 446: 403:Washington, D.C. 364:Freddy RodrĂ­guez 360:Whitfield Lovell 107: 104: 72: 70: 65:10 December 2004 35: 21: 750: 749: 745: 744: 743: 741: 740: 739: 695: 694: 693: 684: 682: 680: 659: 650: 648: 639: 630: 628: 618: 609: 607: 602: 593: 585: 581: 574: 559: 558: 554: 543: 542: 538: 529: 528: 524: 516: 507: 500: 479: 478: 474: 466: 455: 447: 436: 427: 383:Brooklyn Museum 348:Cuenca, Ecuador 328: 283: 260:Pratt Institute 217:Julius Hemphill 194:natural history 138: 101: 77: 74: 68: 66: 57: 51: 49: 48: 38: 26: 17: 12: 11: 5: 748: 746: 738: 737: 732: 727: 722: 717: 712: 707: 697: 696: 692: 691: 678: 657: 646:New York Times 637: 616: 599: 592: 591: 589:, p. 119. 579: 572: 552: 546:Art Now/U.S.A. 536: 522: 505: 498: 472: 453: 433: 426: 423: 327: 324: 282: 279: 230:Cruz moved to 178:Lester Johnson 154:The New School 137: 134: 118:Cuban American 109: 108: 99: 95: 94: 91: 87: 86: 83: 79: 78: 75: 73:(aged 66) 63: 59: 58: 52: 50:March 15, 1938 46: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 747: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 708: 706: 703: 702: 700: 681: 675: 671: 666: 665: 658: 647: 643: 638: 626: 622: 617: 606: 601: 600: 598: 597: 588: 583: 580: 575: 573:9780787643683 569: 565: 564: 556: 553: 548: 547: 540: 537: 532: 526: 523: 519: 514: 512: 510: 506: 501: 495: 491: 486: 485: 476: 473: 469: 464: 462: 460: 458: 454: 450: 445: 443: 441: 439: 435: 432: 431: 424: 422: 420: 416: 412: 408: 404: 400: 396: 392: 388: 384: 380: 375: 373: 369: 365: 361: 357: 353: 349: 345: 342:in 1987, the 341: 337: 333: 325: 323: 320: 319:Art historian 314: 312: 308: 304: 300: 296: 292: 288: 280: 278: 276: 272: 267: 265: 261: 257: 253: 249: 245: 241: 237: 233: 228: 226: 225:Manuel Hughes 222: 218: 215:to work with 214: 210: 209:Patricia Cruz 205: 203: 200:and from the 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 159: 158:New York City 155: 151: 147: 143: 135: 133: 131: 130:United States 127: 123: 122:New York City 119: 115: 106: 100: 96: 92: 88: 84: 80: 64: 60: 55: 45: 41: 34: 29: 22: 19: 683:. Retrieved 663: 649:. Retrieved 645: 629:. Retrieved 625:the original 608:. Retrieved 595: 594: 582: 562: 555: 545: 539: 525: 483: 475: 468:Johnson 2004 429: 428: 376: 367: 352:Donald Locke 329: 317:existence." 315: 285:Harry Rand, 284: 268: 243: 239: 229: 206: 182:Bob Thompson 176:art such as 172:concepts to 166:Provincetown 139: 113: 112: 18: 710:2004 deaths 705:1938 births 326:Exhibitions 277:, aged 66. 190:archaeology 82:Nationality 25:Emilio Cruz 699:Categories 499:1883982510 490:58, 120–22 425:References 413:; and the 303:figuration 186:Jan MĂĽller 174:figurative 103:emiliocruz 90:Occupation 69:2004-12-11 685:August 5, 651:August 9, 631:August 9, 610:August 9, 449:Cruz 2012 430:Citations 213:St. Louis 211:moved to 162:Seong Moy 136:Biography 54:The Bronx 219:and the 85:American 596:Sources 370:at the 287:Curator 262:and at 232:Chicago 128:in the 126:museums 98:Website 67: ( 676:  570:  496:  405:; the 397:, the 389:; the 385:, the 381:, the 93:Artist 549:1986. 311:irony 301:with 256:Italy 252:Paris 248:Nancy 146:Bronx 142:Cuban 687:2012 674:ISBN 653:2012 633:2012 612:2012 568:ISBN 494:ISBN 393:and 362:and 250:and 242:and 192:and 184:and 152:and 105:.com 62:Died 43:Born 670:119 156:in 701:: 672:. 644:. 566:. 508:^ 492:. 456:^ 437:^ 421:. 417:, 409:, 401:, 358:, 354:, 266:. 204:. 180:, 132:. 689:. 655:. 635:. 614:. 576:. 520:. 502:. 470:. 451:. 71:)

Index

""
The Bronx
emiliocruz.com
Cuban American
New York City
museums
United States
Cuban
Bronx
Art Students League
The New School
New York City
Seong Moy
Provincetown
abstract expressionism
figurative
Lester Johnson
Bob Thompson
Jan MĂĽller
archaeology
natural history
Joan Mitchell Foundation
National Endowment for the Arts
Patricia Cruz
St. Louis
Julius Hemphill
Black Artists Group
Manuel Hughes
Chicago
School of the Art Institute of Chicago

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑