74:, London, and she performed in a concert the following year at the King's Theatre Concert Room. In 1829 a young Italian, Francesco Albertazzi (died 1857), also began to study with Costa, and the two married in London on 25 November 1829; the bride was 14 years old. Her husband signed additional contracts with Costa. Sources variously report Albertazzi's activities over the next year or so, but she performed in
43:. She began her opera career in Italy, France and Spain, making her British debut in 1837. Critics praised the beauty of her voice but found her acting too "ladylike" and lacking energy. She also sang prolifically on the concert stage. After giving birth to her fifth child, she returned briefly to singing, but died only months later at the age of 32.
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deficiencies are in power and in that animation which distinguishes the children of the south. Her transition to falsetto was without a break, and could she but throw her heart into her singing, we could have nothing against her. Her acting is miserably tame but ladylike and self-possessed. To see her
Cenerentola ... was a rich treat". According to
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During this time, her old singing teacher, Andrea Costa, sued her for 50% of her operatic earnings, based on the contracts that her parents and husband had signed. In Paris, in
November 1839, she gave birth to her second daughter, Marianna Emma Clotilde Lucrecia Albertazzi. She soon returned for a
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in London, where she appeared in other roles that season, also singing in concerts in
England. In January 1845, her fourth daughter, Emma Victorine Sarah Violet Albertazzi, was born. Albertazzi again earned warm reviews for her concert work during the 1845 season. After two seasons away from the
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called
Albertazzi "a superb contralto with great range of compass upwards and though rather deficient in the descending scale, great flexibility, lightness and volume, correct intonation and polished execution. Her upper notes are equally steady and as full as those of a soprano; her great
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and followed the season with touring in Europe, avoiding London where the Costa case continued in the courts and the press. In 1841–1842, along with her operatic roles, Albertazzi continued to sing in may concerts, including in the première of
223:, she sang the role of Giselle. She withdrew by January 1847 and gave birth to her fifth daughter, Sarah Henrietta Mary Albertazzi. She returned to the concert stage shortly thereafter, performing until March.
172:. She alternated busy seasons in London and Paris performing in opera and singing prolifically on the concert stage; among many other roles she performed as Ann Page in the world premiere of
100:; this was apparently her operatic debut. In December, while still in Milan, she gave birth to her first child, Maria Caroline Clelia Albertazzi. The following year she appeared at
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67:. As a child, Albertazzi studied with a music teacher, Andrea Costa. In 1827, she moved in with Costa, and her parents signed a contract with him.
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She then gave concert tours in Italy and France, and gave birth to a third daughter, Fanny. In May 1843 she appeared as Adina in
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Tanner (died 1839). She had three brothers and a sister, several of whom became performers and some of whom established the
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expressed the same view in his musical memoirs. However, his near contemporary, dramatic author,
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summer concert tour of Europe and
Britain. At the end of 1840, she rejoined the
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operatic stage, she returned in June 1846, singing several roles at the
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This article incorporates text from this source, which is in the
78:, Italy, in a concert at the Teatro Rè in September 1831.
39:; 1 May 1815 – 25 September 1847) was an English operatic
309:"Emma Albertazzi. The facts ... and not the fictions"
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Her first public performance was in 1828 at the New
137:where she began with the role of Jane Seymour in
226:Albertazzi became ill that spring and died from
160:In 1837, she made her British operatic debut in
112:. By July 1833, Albertazzi was singing Adina in
215:. From October 1846, for the world premiere of
375:Thirty Five Years of a Dramatic Author's Life
86:In July 1832, she appeared as the heroine in
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329:Baker's Biographical Dictionary of Musicians
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419:Tuberculosis deaths in the United Kingdom
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362:Thirty Years' Musical Recollections
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311:, Kurt of Gerolstein, 20 May 2019
360:Chorley, Henry Fothergill 1862,
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242:In 1837 the critic of London's
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234:, London, at the age of 32.
230:in September at her home in
16:English opera singer 1815–47
409:British operatic contraltos
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143:and then the title role in
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255:Henry Fothergill Chorley
373:Fitzball, Edward 1859,
98:Teatro della Canobbiana
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228:tuberculous meningitis
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