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Encaustic painting

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224: 250:, together with Dr. Hans Schmid, rediscovered the so-called Punic wax technique of encaustic painting. Faiss held two German patents related to the preparation of waxes for encaustic painting. One covered a method for treating beeswax so that its melting point was raised from 60 to 100 °C (140 to 212 °F). This occurred after boiling the wax in a solution of sea water and soda three successive times. The resulting harder wax is the same as the Punic wax referred to in ancient Greek writings on encaustic painting. Other 20th-century North American artists, including 125: 31: 80:
Metal tools and special brushes can be used to shape the medium as it cools. Also, heated metal tools, including spatulas, knives and scrapers, can be used to manipulate the medium after it has cooled onto the surface. Additionally, heat lamps, torches, heat guns, and other methods of applying heat
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Encaustic art has seen a resurgence in popularity since the 1990s, with artists using electric irons, hotplates and heated styli on different surfaces, including card, paper, and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple
77:, potentially with other ingredients. For pigmentation, dried powdered pigments can be used, though some artists use pigmented wax, inks, oil paints or other forms of pigmentation. 160:, "to burn", and this element of heat is necessary for a painting to be called encaustic. Encaustice or Encaustike (ἐγκαυστική) was the art of painting by burning in the colours. 674: 81:
are used by encaustic artists to fuse and bind the medium. Because encaustic medium is thermally malleable, the medium can be also sculpted, and materials can be encased,
708:]. Congreso Internacional de Muralismo: San Ildefonso cuna del muralismo mexicano, Reflexiones historiográficas y artísticas (in Spanish). Mexico City. Archived from 490: 699: 278:. Although technically difficult to master, attractions of this medium for contemporary artists are its dimensional quality and luminous color. 884: 863: 840: 804: 738: 752: 557: 774: 594: 181:, around 100–300 AD, but it was a very common technique in ancient Greek and Roman painting. It continued to be used in early 35: 932: 937: 275: 223: 101: 942: 766: 532: 88:
A completely unrelated type of "encaustic painting", not involving wax at all, is found in British ceramics, after
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and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to
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Reams, Maxine (October 19, 1952). "Unique Wax Paintings by Immigrant Artist Should Endure 10,000 Years".
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from the 1st Century AD. The oldest surviving encaustic panel paintings are the Romano-Egyptian
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The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax
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have been added. The molten mix is applied to a surface—usually prepared wood, though
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designs; it can also be used to create complex paintings, just as in other media such as
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Reams, Maxine. "Unique Wax Paintings by Immigrant Artist should Endure 10,000 Years."
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are not painted at all, but effectively inlaid with contrasting colours of clay for a
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Wanderlust. Gedichte und Malerei in Enkaustik - poems and encaustic paintings
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The wax encaustic painting technique was described by the Roman scholar
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and encaustic techniques. It was practiced by the indigenous tribe of
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devised and patented the technique in 1769. This was a mixture of
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Artists specializing in encaustic painting include the following:
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Encaustic Art: The Complete Guide to Creating Fine Art with Wax
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El Primer Fresco de Jean Charlot: La Masacre en el Templo Mayor
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Jean Charlot's First Fresco:The Massacre in the Main Temple
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The Mysterious Fayum Portraits: Faces from Ancient Egypt
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sometimes used encaustic painting. The Belgian artist
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but was effectively abandoned in the Western Church.
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Victoria and Albert Museum: Explore the Collections
57:that involves a heated wax medium to which colored 851: 854:The Artist's Handbook of Materials and Techniques 507: 227:The Mummy of Demetrios, 95-100 C.E.,11.600a-b, 595:"Le feu d'artifice (Fireworks) - James Ensor" 533:"Pinoy artist promotes native art in Chicago" 8: 913:Early Icons from St. Catherine's, The Sinai 835:. Watson-Guptill Publications. p. 22. 200:island around 1600 to 1800. Artists in the 69:, though recipes most commonly consist of 797:Painter's Handbook: Revised and Expanded 519: 29: 581: 414: 850:Mayer, Ralph; Sheehan, Steven (1991). 698:Charlot, John (February 16–20, 1998). 7: 633:"Fritz Faiss Encaustic Work Shown". 134:The word encaustic originates from 650:"Encaustic Painting - Ralph Mayer" 266:, have used encaustic techniques. 220:also experimented with encaustic. 34:A 6th-century encaustic icon from 25: 810:Hildebrandt, Hans. "Fritz Faiss" 142:, which means "burning in", from 824:. San Francisko, USA: Blurb Inc. 100:"enamel" paints used to imitate 879:. Watson-Guptill Publications. 818:Hüttemann-Holz, Birgit (2013). 637:. February 3, 1952. p. D6. 795:Gottsegen, Mark David (2006). 765:(exhibition catalogue), 1995, 1: 234:In the 20th century, painter 85:or layered into the medium. 789:La Peinture à l'Encaustique 188:Kut-kut, a lost art of the 102:ancient Greek vase painting 36:Saint Catherine's Monastery 959: 767:Victoria and Albert Museum 238:(1905–1981), a student of 153: 144: 139: 599:Google Arts & Culture 829:Mattera, Joanne (2001). 427:Encaustic Art Institute 873:Rankin, Lissa (2010). 763:The Genius of Wedgwood 231: 210:Fernando Leal (artist) 131: 43: 761:Young, Hilary (ed.), 558:"Painting: Encaustic" 495:www.perseus.tufts.edu 291:Fernando Leal Audirac 264:Fernando Leal Audirac 226: 175:Fayum mummy portraits 127: 33: 908:All Things Encaustic 725:Doxiadis, Euphrosyne 654:www.abstract-art.com 508:Pliny the Elder 1855 441:"Bulb Pot and Cover" 423:"What Is Encaustic?" 129:Fayum mummy portrait 933:Painting techniques 918:Encaustic Art Today 754:The Natural History 469:merriam-webster.com 316:Christel Dillbohner 106:red-figure painting 938:Painting materials 356:Bridgette Meinhold 282:Encaustic painters 232: 204:movement, such as 132: 47:Encaustic painting 44: 27:Painting technique 943:Visual arts media 895:Los Angeles Times 886:978-0-8230-9928-3 865:978-0-670-83701-4 842:978-0-8230-0283-2 805:978-0-8230-3496-3 786:Déneux, Gabriel. 740:978-0-500-28217-5 635:Los Angeles Times 620:Los Angeles Times 510:, Book 35, ch 41. 244:Wassily Kandinsky 18:Encaustic painter 16:(Redirected from 950: 890: 869: 857: 846: 825: 812:Kunst der Nation 758: 744: 733:. 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Lawson 348: 343: 338: 333: 328: 323: 318: 313: 308: 303: 298: 296:Benjamin Calau 293: 283: 280: 121: 118: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 955: 944: 941: 939: 936: 934: 931: 930: 928: 919: 916: 914: 911: 909: 906: 905: 901: 896: 892: 888: 882: 878: 877: 871: 867: 861: 856: 855: 848: 844: 838: 834: 833: 827: 823: 822: 816: 813: 809: 806: 802: 798: 794: 791: 790: 785: 784: 780: 776: 775:1-85177-159-X 772: 768: 764: 760: 756: 755: 750: 746: 742: 736: 732: 731: 726: 722: 712:on 2016-06-12 711: 707: 703: 702: 696: 695: 691: 676: 670: 667: 655: 651: 644: 641: 636: 629: 626: 621: 614: 611: 600: 596: 590: 587: 583: 578: 575: 563: 559: 553: 550: 538: 534: 528: 525: 521: 520:Doxiadis 1995 516: 513: 509: 504: 501: 496: 492: 486: 483: 470: 466: 460: 457: 446: 442: 436: 433: 428: 424: 418: 415: 408: 404: 401: 400: 396: 392: 389: 387: 384: 382: 381:Janise Yntema 379: 377: 376:Tony Scherman 374: 372: 369: 367: 364: 362: 359: 357: 354: 352: 349: 347: 344: 342: 339: 337: 336:Esther Geller 334: 332: 329: 327: 324: 322: 319: 317: 314: 312: 311:Michael David 309: 307: 304: 302: 299: 297: 294: 292: 289: 288: 287: 281: 279: 277: 273: 267: 265: 261: 257: 256:Tony Scherman 253: 249: 245: 241: 237: 230: 225: 221: 219: 215: 211: 207: 203: 199: 195: 191: 186: 184: 180: 176: 172: 171: 166: 161: 159: 150: 137: 136:Ancient Greek 130: 126: 119: 117: 115: 111: 107: 103: 99: 95: 91: 86: 84: 78: 76: 72: 68: 64: 60: 56: 52: 48: 41: 37: 32: 19: 894: 875: 853: 831: 820: 811: 796: 788: 762: 753: 729: 714:. 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Viking. 716:2016-06-09 692:References 680:2022-11-30 659:21 October 604:2022-11-30 568:2011-05-13 543:2016-06-09 450:2022-11-30 386:Karl Zerbe 341:Heraclides 192:, employs 114:polychrome 751:(1855) . 326:Betsy Eby 260:John Shaw 240:Paul Klee 194:sgraffito 116:pattern. 98:overglaze 727:(1995). 397:See also 83:collaged 59:pigments 55:painting 361:Pausias 276:acrylic 248:Bauhaus 246:at the 167:in his 120:History 71:beeswax 883:  862:  839:  814:, 1933 803:  773:  737:  471:. 2013 158:kaiein 154:καίειν 63:canvas 704:[ 409:Notes 198:Samar 179:Egypt 177:from 40:Egypt 881:ISBN 860:ISBN 837:ISBN 801:ISBN 771:ISBN 735:ISBN 661:2016 477:2013 274:and 262:and 242:and 212:and 96:and 73:and 272:oil 67:wax 929:: 769:, 652:. 597:. 535:. 493:. 467:. 443:. 425:. 254:, 208:, 149:en 145:ἐν 138:: 38:, 889:. 868:. 845:. 807:. 743:. 719:. 683:. 663:. 607:. 584:. 571:. 546:. 497:. 479:. 453:. 429:. 42:. 20:)

Index

Encaustic painter

Saint Catherine's Monastery
Egypt
painting
pigments
canvas
wax
beeswax
damar resin
collaged
Josiah Wedgwood
ceramic slip
overglaze
ancient Greek vase painting
red-figure painting
Encaustic tiles
polychrome

Fayum mummy portrait
Ancient Greek
Pliny the Elder
Natural History
Fayum mummy portraits
Egypt
Byzantine icons
Philippines
sgraffito
Samar
Mexican muralism

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