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The painting is characterized by being from the group that
Lepiani dedicated to the events of both the war and post-war periods. The work is described as Peruvian "
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224:"Nicolás de Piérola y sus montoneros ingresando a Lima la mañana del 17 de marzo de 1895, pintura de Juan Lepiani"
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Entrada de Piérola a Lima por la Puerta de
Cocharcas, durante la Guerra Civil de 1894-1895
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Entrada de Piérola a Lima por la Puerta de
Cocharcas, durante la Guerra Civil de 1894-1895
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118:, painted from around 1890 to 1900. It forms part of the collection of the
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National Museum of
Archaeology, Anthropology and History of Peru
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has an official photograph of the painting in its archives.
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National Museum of
Archaeology, Anthropology and History
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130:Lepiani's work portrays the entry of the rebel
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106:through the Gate of Cocharcas during the
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253:"Juan Lepiani, el pintor patriota"
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201:Peruvian Civil War of 1894–1895
154:Peruvian Civil War of 1894–1895
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164:that pitted the republics of
229:Biblioteca Nacional Digital
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279:Paintings by Juan Lepiani
189:National Library of Chile
185:University of the Pacific
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258:Universidad del Pacífico
16:Painting by Juan Lepiani
150:Andrés Avelino Cáceres
108:civil war of 1894-1895
181:historical realism
162:War of the Pacific
148:of then president
138:Nicolás de Piérola
68:Nicolás de Piérola
294:History paintings
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232:. Archived from
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284:1890 paintings
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236:on 2022-06-16.
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234:the original
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116:Juan Lepiani
112:oil painting
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49:1890 to 1900
40:Juan Lepiani
158:postwar era
273:Categories
207:References
133:montoneras
100:De Piérola
183:" by the
110:") is an
195:See also
172:against
74:Location
170:Bolivia
156:of the
152:in the
136:led by
126:Context
96:Spanish
64:Subject
187:. The
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36:Artist
174:Chile
98:for "
168:and
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142:Lima
104:Lima
82:Lima
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140:in
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