Entre a Mi Mundo - Knowledge (XXG)

739:, where Selena would enter the studio and "add so much personality and liveliness to the song", which he believed facilitated listeners' connection to the recording. Vela also praised Selena's capacity to promptly comprehend the phrasing, the significance, and the essence of what the song aimed to convey, likening it to a cinematic performance. Pérez revealed that during production, Vela would be present from the onset of each recording day until its conclusion to address any issues that emerged as he was the individual to rectify them. Vela noted that during post-production, the band would frequently desire to modify a particular verse or lyric at the last minute; Selena would then arrive, incorporating her distinct musical flair to those adjustments and elevating the piece beyond its original intent. 31: 6405:

Prohibido lo grabamos en dos semanas". "La primera noche hicimos las secuencias de las partes de teclados hasta las 4 am." Despues grabamos a los musicos y por ultimo, Selena grabo su parte en tiempo record: era maravillosa. El martes de la segunda semana me llama Abraham y me disc "Estare en San Antonio este fin de semana Puedes traerme una mezcla que pueda oir?" Entonces, terminamos todo, le llevamos la mezcla y el nos hacia sugerencias. Pero le encanto inmediatamente y yo me puse muy feliz." En plena entrevista entra Abraham al estudio. Al ver a Red, sonrie. "Red!", grita Abraham, abrazandolo. "El Rojo, El Colorado...A este tenemos que vestirlo de vikin go. Es un heroe.

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adversity, a theme with which A. B. "knew well". Selena frequently recorded songs depicting experiences she had not personally encountered, as with "La Carcacha", which delves into themes of "barrio teen romance". Tejano music often suffered from simplistic and generic lyrical content; however, A. B. and Astudillo overcame this stereotype by crafting songs such as "La Carcacha" that rendered vibrant depictions of life in the barrio. Ramiro Burr asserted that Selena imbued her music with more emotion and soul in "La Carcacha". Burr, acknowledging A. B.'s significantly enhanced songwriting, noted that the band drew inspiration from sax-cumbia singer

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threatened to dissolve the group if the relationship persisted. Selena and Pérez acquiesced; Abraham dismissed Pérez from the band and barred Selena from departing with him. However, the pair secretly continued their relationship. Within hours, the media divulged their elopement, prompting Selena's family to search for her. Abraham initially reacted poorly to the news and distanced himself. He later approached Pérez, offered an apology, accepted the marriage, and reinstated Pérez in the band. In February 1992, EMI Latin enlisted Al Rendon to capture photographs for

30: 1430:. Oscar Flores, the band's Mexican tour manager, advised Selena and Pérez to conceal their marriage to preserve Selena's image. Despite their reluctance, they complied, believing Flores and Abraham were acting in their best interest. However, Selena eventually resolved to be truthful about her marriage in October 1993. In one instance, as she introduced Pérez as her husband, the crowd jeered, to which she responded that if she were married to one of them, they wouldn't boo. The crowd subsequently erupted in laughter and applause. 5259: 5447: 6046: 901: 1378:, Elizabeth Campbell lauded Selena's performance who consistently danced across the stage, acknowledging her fans, and believed the standout moment during the show was when Selena and A. B., performed a duet to "Ven Conmigo" (1990). Campbell wrote how Selena received thunderous applause when she performed "Como la Flor", while contributor Thomas Korosec, noted that people lined up that day, had stretched nearly a city block shortly before Selena went on stage. 1356:, a celebrity magazine targeting the Hispanic market, featured a cover story on Selena. Photographer John Dyer recounted Selena's active involvement in the entire photoshoot, highlighting her amicable demeanor. However, he noted that Selena insisted on a specific style for her eyebrows, fearing her father's disapproval if changed, and found that she "wasn't cynical, standoffish, or haughty; not what'd expect from someone of her stature." At the 1993 8245: 619: 1453:. Cabrera regarded the event as a remarkable accomplishment, observing that Selena unseated La Mafia, one of the preeminent Tejano groups. He remarked on the distinctiveness of Selena within the Tejano music landscape, asserting that she is the foremost female artist in the genre. The album maintained the number one position for eight consecutive months, effectively preventing international artists 748: 778:, supervising the process as A. B. assumed the roles of producer and arranger, directing the operation. The writing process commenced in early 1991. During the selection of tracks, Vela presented A. B. with multiple songs he had penned, including an incomplete piece titled "Si La Quieres". Though the song consisted merely of fragments, A. B. appreciated its existing 1638: 1633: 1628: 1623: 1618: 474:, leading to several concert bookings in Mexico. Amid a concert in Monterrey, a sudden influx of attendees precipitated an exigent evacuation of the ensemble to sequester in the tour bus. Selena ultimately re-emerged on stage, asking for calm to enable the band to resume their performance. This occurrence was later portrayed in the 1997 2834: 5631: 470:, attracting a multitude of Mexican entertainment journalists. Despite initial concerns about her limited Spanish proficiency and the perception of Tejanos in Mexico, Selena's approachable demeanor won over the press, who labeled her "an artist of the people". EMI Latin capitalized on the growing popularity of "¿Qué Creías?" and 1029:(small band) style. Pérez was nevertheless delighted to record the song, as the conjunto nature evoked childhood nostalgia. He also believed that Selena's vocals would complement the song—a conjunto track about an exuberant protagonist regaining control of her life after feeling confined in a relationship. Incorporating the 1174:

after a previous photographer's images were met with disapproval. Rendon secured a studio and engaged John MacBurney for makeup, despite Abraham's frequent disagreements with MacBurney. MacBurney privately expressed to EMI Latin that Abraham was challenging to work with, yet both Rendon and MacBurney

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The lyrics in "Como la Flor" describe a woman witnessing her former lover with another and accepting the need to move forward, wishing them well and comparing her past relationship to a withered flower. Selena portrays a hopeless romantic who finds solace in being able to say that she had loved, even

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Lo mejor de Selena paso por las manos de Red. "Fue una sorpresa", recuerda Red. "Muchos pensaban que la que iba a pegar fuerte era "La Carcacha". Pero la cancion que toco el corazon de todos fue "Como la Flor". Esa cancion convirtio a Selena en la numero uno". Pero vendrian mas. "Todo el disco Amor

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A great leap forward compared to Ven Conmigo, Entre a Mi Mundo revealed Selena could tackle a wide variety of styles in a single project. While still composed of Latin pop tracks, the album delivers a diverse track list that won acclaim from critics. Traditionally flavored Mexican ballads like "Que

1562:, and peaked at number 97 on May 6, 1995. In June, the album was certified Gold by the RIAA, for shipping 500,000 units in the country. It ended 1995 as the seventh best-selling US Latin album, while it was the fourth best-selling US Regional Mexican album, behind other releases by Selena. By 1997, 1386:

actors. As a result, she secured bookings for numerous concerts throughout Mexico, including a critically acclaimed performance at Festival Acapulco in May 1993, where Patoski dubbed her "the only and absolute queen of the festival." Selena's concert at La Feria de Nuevo León on September 17, 1993,

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create a remixed rendition of the track. A. B. and Selena convened with the duo at Full Force's Brooklyn recording studio, whereupon the group consented to contribute backing vocals, which they recorded within two days. Pérez and Selena began dating after confessing their mutual affection, despite

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preceded Pérez's encounters with law enforcement, his separate involvement in a vandalized hotel room, and his elopement with Selena on April 2, 1992. Upon witnessing Selena and Pérez's intimate interaction on the tour bus, Abraham stopped the vehicle and engaged in a heated dispute with them. He

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During a performance in Monterrey, a sudden surge of attendees prompted Abraham to order everyone to hide in the tour bus, as he tried unsuccessfully to pacify the unruly crowd. Selena eventually returned to the stage, appealing for calm so the band could continue performing. Pérez described the

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kiss-off anthem", chronicles an unrepentant woman who declines to reconcile with an unfaithful partner. Patoski perceived "¿Qué Creias?" as an anomaly in Selena's cumbia repertoire, noting its characteristics of traditional mariachi and bordering on "an outright theft." He further emphasized the

857:. Astudillo aspired to craft lyrics centered around a woman devoid of materialistic inclinations, whose acquaintances may deride her and engage in mockery, yet she remains unperturbed by her partner's possession of a battered car, showing that the paramount sentiment is the significance of love. 853:, he grew irritated by a worker's incessant questions about the car and eavesdropped on a woman expressing her desire to date the car's owner. Astudillo became aware of A. B.'s concept for "La Carcacha" after a friend of Selena mocked a couple for arriving at a dance in their battered vehicle in 1279:

helped Selena connect with the Mexican press and audiences. As a result, "Como la Flor" climbed the Mexican Grupera chart, becoming one of the most-played songs on Mexican radio stations in 1992 and early 1993. "Como la Flor" became one of the most popular songs recorded by an artist of Mexican

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found it to be avant-garde for its era. Lyrically, "Missing My Baby" delves into a poignant exploration of longing and reminiscence. The song's narrative centers around a protagonist who mourns the absence of her lover, as she nostalgically recalls the idyllic and rapturous moments once shared

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hesitated to let A. B. maintain his role as the group's producer. However, given the uncertainty of the genre's future, the company acquiesced, allowing A. B. to stay on as producer but cautioning that failure would result in his replacement by a company-approved candidate. After Selena's 1989

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chants, exuberant shouts, whistles, and Pérez's guitar fills. The song showcases Selena's "mesmerizing snake-charmer vocals"; oscillating between exhilarating and impassioned growls, as she awaits her lover's arrival in his ramshackle vehicle. The narrative encapsulates a story of love amidst

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brought in pop fans unfamiliar with Tejano music. According to Tarradell, Selena successfully fulfilled her potential in the album, which was designed to present her to a global audience. Tarradell concurred that the album marked Selena's foray into the Latin pop music market and served as a

1153:, expresses Selena's yearning for a former lover to return. In a recitative preamble accompanied by the auditory backdrop of a thunderstorm, Selena remarks that the precipitation evokes memories of the day her lover departed, drawing a parallel between the raindrops and her own tears. 735:. The group would convene at A. B.'s residence during pre-production to refine their musical elements, while Selena familiarized herself with the songs chosen by A. B. Pérez marveled at Selena's ability to learn songs autonomously. He observed this consistency during the production of 1690:

helped dispel skepticism, from those who cast aspersions on Tejano music who deemed it excessively antiquated, blue-collar, or catering excessively to non-Latino audiences, by contemporizing the genre's conventions while upholding its loyalty to the working-class. Frida Garza of

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chart. Consequently, EMI Latin, bolstered by this and other albums from Tejano artists, became the second most successful regional label in the nation. The company's mission for Selena's next album was to expand the singer's popularity within the Latin music market in the US.

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Hot Latin Songs chart on the week ending November 28, 1992. It peaked at number 14 on the issue dated February 6, 1993. The song was certified gold (Latin) by the RIAA, signifying 30,000 units consisted of sales and on-demand streaming. "Ámame" debuted at number 40 on the

1762:, has enhanced in scope and profundity. Guerra expressed how he was instantly captivated by "Selena's brand" of Tejano music and deemed the album a "diverse collection", attributing the singer's "transformation into a Latin music icon" to the record. Guerra felt that 1175:

found Selena amenable. Selena selected her outfit and pose for the cover image, choices that visibly perturbed Abraham. Selena had designed the outfit she wore for the artwork. In 1998, the attire she donned for the album cover was displayed at the Selena museum in

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The preponderance of contemporary reviews lauded the album, bestowing widespread critical acclaim. Music critics identified the record as Selena's "breakthrough album", that catapulted her popularity to unprecedented heights across the United States and Mexico.

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Hot Latin Songs chart on the week ending April 24, 1993. "Ámame" peaked at number 27 on the Hot Latin Songs chart in the week ending May 22, 1993. The recording was the third-highest charting Tejano single on the Hot Latin Songs chart for the week, following

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Subsequent to her July 1992 Mexico press conference, Selena "played her cards right" earning accolades from Mexican newspapers as "an artist of the people". Her refreshing presence diverged from the typical fair-skinned, blond-haired, and green-eyed Mexican

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the music—Pérez was taken aback by the emphasis placed on this aspect—while A. B. would collaborate with Vela to resolve any technical issues they encountered and select the compositions for Selena's recording. EMI Latin hired Argentine producer

660:. In 1990, Pérez temporarily departed the group, leading to Joe Ortega's recruitment. However, upon his wife's insistence, Ortega relinquished his position after their marriage, resulting in Pérez's return to the ensemble in the summer of 1991. 5766:

Creias" appear alongside reggae influenced fare such as "La Carcacha". "Missing My Baby" was noticeably ahead of its time. Entre a Mi Mundo reflects its dramatic origins with emotionally charged music and a newfound love of experimentation.

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contributed to the surpassing sales of the genre's "classic days" of the 1970s. The album became the first recording by a female Tejano singer to reach sales of 100,000, 200,000 units (December 1992), and 300,000 units by December 1993.

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magazine, Betty Cortina asserted that Pérez contradicted Abraham's "clean cut good kids" image. A. B. convinced Abraham that Pérez was proficient in performing Tejano music, maintaining that Pérez's rocker image was innocuous. In 1989,

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contained more pop influences as Selena demonstrated growth as a singer and adeptness in interpreting songs on the album, while it became a milestone for the singer, that has retained its innovative sound well into the 21st century.

7412:(1) Entro fuerte y con el pie derecho cantando su "Carcacha", cancion que le dio el exito definintivo entre el publico Mexicano. (2) Selena, Bronco, La Mafia, y Liberacion, fueron los grupos que mas sonaron en la radio durante 1992. 8281: 1275:, attracting a significant number of Mexican entertainment journalists. Despite initial challenges due to Selena's limited Spanish proficiency and the perception of Tejanos in Mexico, the growing popularity of "¿Qué Creías?" and 864:", was composed and recorded to highlight Selena's multifaceted musical abilities and enrich the album's assortment of musical genres. Selena aspired to include an English-language song on the album, believing it would persuade 1071:" (1994) was so passionate and devoted that it left listeners feeling either nostalgic or transported to a fantasy world. Pérez describes the lyrics as "aching", while Wallace finds them plaintive, bringing even "the toughest 372:, composed tracks for the album. The ensuing recording encompassed an eclectic array of songs, attributable to the members' diverse backgrounds, which facilitated the modernization of the many genres they explored. 559:. The album shattered the record for the longest stay at number one by a female Tejano artist, and it became the inaugural album by a Tejano woman to exceed sales milestones of 100,000, 200,000, and 300,000 units. 1736:, wrote how he devoted months to repeatedly listening to the album and was captivated by the agile keyboard foundations of the songs on the album. Cabrera called it a "barn-burner" recording. Bruce Tomaso of 1226:

Tejano Singles chart on the week ending May 30, 1992. The song played a pivotal role in propelling Selena to prominence within the Tejano music industry, while it increased Selena's fanbase in Mexico. The

964:, Ojeda integrated "traditional street music", Astudillo introduced sophisticated lyrics and melodies with numerous chords, A. B. further refined his production skills, and Selena imbued her music with 7570: 7479: 2872: 2867: 8267: 7654: 8595: 8290: 6629: 1856: 531: 1533:

as well as her back catalogue. Record stores were unable to meet demand, and as a result, EMI Latin increased the production of the singer's albums at their Los Angeles, California, and

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stated that the song was Selena's first commercially successful single in the US and that it had made a statement in her musical career. The success of "Como la Flor" boosted sales of

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The RIAA has certified "Como la Flor" 9× Platinum (Latin), denoting 540,000 units consisting of sales and on-demand streaming in the US. "¿Qué Creías?" entered at number 38 on the

7617: 1864: 1235:, denoting 180,000 units consisting of sales and on-demand streaming in the US. "Como la Flor" was released as the second single in June 1992. It peaked at number six on the US 439:". Two of the most popular singles, "La Carcacha" received critical acclaim for its quintessential representation of Selena's style, while "Como la Flor" burgeoned as Selena's 1475:

charts and in record sales, Selena expressed her astonishment, noting that the sustained presence on the charts likely indicated a continued interest in purchasing her album.

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spent at number one on the Regional Mexican Albums chart for 36 consecutive weeks by May 1993, breaking the record for most weeks at number one by a female Tejano artist.

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showcased the band's most inventive auditory landscape. The group's diverse backgrounds contributed to the album's eclectic influences; Vela devised songs with intricate

7785: 4977: 1288:, as well as her most popular recording. This was a surprise, according to Red, because the group believed "La Carcacha" would have been the most successful song off of 380:

album that encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia

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unveiled Selena's ability to adeptly encompass an extensive array of styles within a single endeavor, though retaining its foundation in Latin pop. Baker asserted that

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En este disco se incluiria su cancion mas importante: "Como la Flor", asi como "La Carcacha", temas que marcaron su carrera y la consolidaron en el guesto del publico.

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was released in the United States on May 6, 1992. To commemorate Selena's 20th year in the music industry, the album was reissued and made accessible for physical and

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Selena's biographer, Joe Nick Patoski, described "La Carcacha" as an exemplary piece of contemporary music, characterized by its dynamic cumbia rhythm accentuated by

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but was dropped during preliminaries, which was considered a surprise according to Cabrera, who expected Selena to win the category. "La Carcacha" was nominated for

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track "¿Qué Creias?" portrays a woman indignantly confronting her lover, reminding female listeners of the tendency for men to take them for granted. The "spirited

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and rendering it one of the most renowned songs recorded by an artist of Mexican descent in the United States. The preponderance of contemporary reviews lauded

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encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia

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and adaptability. The album featured a multifaceted musical style, a formula that evidently succeeded, according to Patoski. According to Joey Guerra of the

889:", enlisting Astudillo's help with the lyrics. Abraham described Selena's commitment to recording the song as her investing "every ounce of energy" into it. 407:

The assemblage of tracks featured on the album encompassed lyrics inspired by a myriad of personal experiences and tribulations, delving into themes such as

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concert as attended by "tens of thousands", and noted "the craziest, the most zealous fans" the band had were in Mexico. This incident was dramatized by

1059:'s gritty passion, characterizing it as brimming with sass and fire. Selena, in describing the song, avers that it embodies women on a collective scale. 790:

theme for the song garnered approval. In 1982, within the band's first year as a group, A. B. noticed a family selling illuminated plastic flowers at a

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drew 70,000 attendees, and her return on October 5 solidified her status as the preeminent Tejano act in Mexico. In that same month, she appeared on

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outperformed any prior female Tejano singer in terms of sales. and became the second all-time best-selling regional Mexican album in the US since

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and Regional Mexican Albums chart at the fourth position, superseded solely by other Selena releases. It eventually peaked at number 91 on the US

7993: 1313:"¿Qué Será?" at number 17. Songs on the album became the first recording by a Tejano singer to achieve massive radio airplay. Selena, alongside 8585: 2777: 919: 7627: 7160: 7134: 7094: 6945: 6424: 5882: 5859: 7171: 7979: 5830: 7193: 6974: 6682: 5037: 1149:

as a beneficial addition. Guerra discerned impassioned club rhythms within the music of "Ámame". In "Vuelve a Mí", characterized as a

7622: 1777:, characterized the album as a "tentative potpourri of both modern and traditional styles". According to Jeremy Simmonds in his book 1411: 8219: 7468: 7427: 7115: 7033: 6993: 6807: 6788: 6753: 6654: 6079: 5809: 5747: 918: 6693: 1719:

mirrors its dramatic roots through emotionally evocative compositions and an emergent penchant for experimentation. Fiona Ortiz in

1471:, Pifas Silva identified Selena as one of the genre's most commercially successful artists in the US. Regarding her success on the 1079:

characterizes the lyrics as self-abnegating after an unsuccessful relationship, in stark contrast to the themes of typical cumbia,

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debut as having ascended the chart with "soaring" momentum. On September 5, 1992, it peaked at number one, supplanting La Mafia's

1264:. The song finished 1992 as the 31st-best-performing song on the Hot Latin Songs chart while topping indie music charts in Texas. 7986: 7775: 7745: 6728: 6565: 4961: 1555:

re-entered the Top Latin Albums chart, peaking at number four, all behind other Selena releases. It debuted at number 179 on the

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perceives it as an enchanting ballad that blends an R&B-infused tune with Selena's distinctive pop vocal style. Tim Baker of

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surpassed the performance of other female Tejano artists' releases, A. B. secured his position. The group's second studio album,

5073: 1851:, but was too, dropped. Selena's duet with Astudillo on "Siempre Estoy Pensando En Ti" was nominated for Vocal Duo of the Year. 7671: 5509: 5323: 5304: 5229: 7830: 6098: 5783: 1445:

Regional Mexican Albums chart for the week ending June 13, 1992. Tejano music columnist, Rene Cabrera, described the album's

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had amassed 385,000 units in Mexico, marking the highest sales figure by a female Tejano artist within the country. In 2017,

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felt that the album's release provided audiences invitation to enter the singer's world, as the title implies. Tim Baker in

6863: 5053: 1415:, Esteban Villaseñor felt that Selena displayed "charisma, genuineness and talent" during her appearance on Castro's show. 825:", a track conceived in the back seat of a car during a challenge from A. B. to create a song before the band's arrival in 8074: 7951: 7880: 7345: 6528:

Galván, Joe (April 2021). "In Selena, Queer Tejanos See Themselves as Brilliantly Transfigured and Free to Love Grandly".

5097: 2474: 1134: 849:". A. B. spent six months developing the song, inspired by an incident where, after collecting food in his newly acquired 935:" (1994) was so passionate and devoted that it left listeners feeling either nostalgic or transported to a fantasy world. 8197: 8021: 8007: 7887: 5430: 1364:

in 1992, and received critical acclaim for her performance. Selena performed at the annual Cinco de Mayo celebration in

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on the song. Assembling the music required 20 minutes, while Astudillo spent an additional hour penning the lyrics for "

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attributed Selena's appeal to a "sizable audience" to her distinct Tejano pop and vocal prowess. Ramiro Burr from the

5733: 6488: 5980: 5197: 2217: 1250:. "Como la Flor" was the most-played song on Tejano radio stations in Texas, according to a survey conducted by the 1204: 8536: 8428: 7770: 6416: 5793: 5607: 5400: 1534: 910: 821:

to compete with Astudillo when composing "Yo Te Sigo Queriendo". Astudillo's collaborative efforts persisted with "

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had sold 385,000 units in Mexico, the most sold by a female Tejano artist in the country. As of November 2017,

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celebration in the US, according to biographer Himilce Novas. In June, Selena made her debut appearance on the

718:, which was the inaugural album on which he collaborated with the ensemble. During pre-production, keyboardist 535: 455:, conferring widespread critical acclaim. Music critics discerned the album as Selena's "breakthrough album". 1095:, "Como la Flor" exerts a "tensive pull" on the listener. Selena's "teardrop vocals" capture and convey what 8329: 7553: 7367: 6937: 6434: 5712: 2587: 1035: 873: 707: 548: 8377: 7043:

Oliva, John (August 25, 2022). "Selena: 11 deep cuts from the Queen of Tejano you should be listening to".

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album. A. B. spent a week crafting "Missing My Baby", which was recorded three weeks later in late 1991 in

8590: 8341: 5264: 1820: 1352:, drawing a crowd of 21,000, with proceeds directed toward aiding those affected in Florida. In December, 1337: 1211:

containing commentary and recollections of each track provided by the singer's family, friends, and band.

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her father's disapproval. In response to her feelings for Pérez and their covert liaison, Selena created "

791: 509: 8389: 6481:"Selena's First U.S. Hit 'Como La Flor' Compares a Withering Flower With Losing Love: See English Lyrics" 782:. Vela drafted a verse that failed to captivate A. B., compelling him to spend hours crafting verses and 447:. The song's ubiquity has enshrined it among her most esteemed works, solidifying its stature within the 428: 8456: 7972: 7704: 7372: 7086: 7067: 7048: 6552: 6533: 5693: 5680: 5675: 1571: 1325:

By 1992, Selena's appearances in Corpus Christi, Texas, have been sell-outs. Within the initial week of

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restaurant. When A. B. inquired about the Spanish term for a broken-down car, Ojeda supplied the word "

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fortified the "Selena juggernaut", and felt her vocal technique, which he believed to be a fusion of

1647: 1317:, La Mafia, and Liberación, became one of the most-played artists on Mexican radio stations in 1992. 927: 702: 8440: 8365: 1292:. "Como la Flor" and "La Carcacha" marked Selena's career and cemented her in the public conscious. 794:

concert and resolved to compose a song about a flower someday. A decade later, while showering at a

8322: 8310: 8192: 8098: 7848: 7809: 7285: 7264: 7255: 7241: 7222: 6608: 6586: 6512: 5962: 5590: 2847: 2369: 2257: 2249:"Spoken Liner Notes" (commentary recollections provided by Selena's family, friends, and her band.) 1976: 1682: 1538: 1360:, Selena performed to a crowd of 57,894 attendees, breaking the matinee record set by La Mafia and 1125: 999: 957: 822: 697: 668: 664: 656:'s musical production. Pérez elected to join Selena y Los Dinos, and abandoned his recently formed 623: 526: 385: 302: 227: 181: 8317: 5120: 1187:

purchase on September 22, 2002. The limited edition featured Selena's duet with Salvadoran singer

1091:; its lyrics more closely resemble those of pop music. During Selena's emotional proclamations of 8433: 8406: 8212: 8139: 8127: 7855: 7780: 7649: 6545:

Garza, Frida (April 2021). "Selena Embraced Her Heritage and Championed Its Evolution in Style".

5851: 2839: 2804: 1389: 1232: 643: 595: 505: 500: 361: 8186: 7965: 6966: 6956: 5820: 1333: 1222: 1068: 974:, the band demonstrated profound reverence for the various genres they modernized on the album. 932: 1025:

A. B. initially requested Pérez to perform "Las Cadenas" in a rock style but later opted for a

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when they recorded "La Carcacha", praising the song as a "marvelous "danceable cumbia" track.

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A New America: How and Music Reshaped the Culture and Future of a Nation and Redefined My Life

6941: 6842: 6803: 6784: 6749: 6701: 6678: 6420: 6094: 6075: 5878: 5855: 5805: 5779: 5743: 5520: 5490: 5334: 5296: 5240: 1931: 1507: 1454: 1365: 1357: 1272: 1200: 1014: 970: 869: 854: 752: 681: 653: 564: 467: 412: 357: 150: 6763:

Jimenez, Abel (March 16, 2010). "15 Anos Sin Selena Consequimos Su Portafolios Nunca Visto".

6438: 1879:, while all songs featured on the album were produced by A. B. Quintanilla unless specified. 8180: 8167: 8104: 8014: 7894: 7281: 7260: 7237: 5654: 2569: 2351: 2339: 2200: 2194: 1526: 1487: 1349: 1188: 648: 576: 568: 5353: 5081: 1340:

on May 14. She also "captivated" attendees at the Los Angeles Fiesta Broadway, the largest

462:

through an array of performances and public engagements. In July 1992, EMI Latin president

8248: 7933: 7926: 7731: 6025:"Selena hits gold on, off stage – Singer's wedding, break-through album highlight of 1990" 5564: 2897: 2438: 2099: 1659: 1394: 1239: 1142: 1092: 1076: 994:

album. The recording encompassed a wide range of musical influences, including power-pop,

861: 830: 787: 723: 483: 408: 142: 1483:. On July 10, 1993, the album made its entrance at number 10 on the newly established US 7683: 1785:

could be perceived as rather unremarkable in nature. Domino Renee Perez, writing in the

1102:

According to Patoski, "Missing My Baby" exemplifies modern pop, while J. R. Reynolds of

646:. Pérez developed an admiration for the ensemble subsequent to experiencing their album 8541: 8504: 8230: 8160: 8110: 7912: 7823: 7802: 7232: 7144: 7105: 5871: 5773: 5699: 5392: 5221: 2487: 2413: 2345: 2223: 1936: 1751: 1547: 1420: 1361: 1281: 1184: 1096: 991: 803: 775: 692: 639: 627: 479: 448: 440: 432: 377: 365: 259: 245: 90: 2896:

Selena's first commercially successful single in the United States is her version of "

1145:". Tarradell suggested that "Missing My Baby" and other tracks were incorporated into 675:—dismissed Pérez, perceiving him as more of a rocker and deeming him ill-suited for a 618: 8564: 8205: 8149: 8028: 7152: 7062: 6962: 6547: 5798: 5737: 5379: 2555: 2190: 1755: 1721: 1693: 1556: 1467: 1427: 1402: 1348:

music program. In October, she headlined a benefit concert in Houston for victims of

1341: 1268: 1261: 1192: 1019: 961: 842: 728: 580: 491: 475: 463: 155: 610:

has garnered a cumulative sales total of 1,000,000 copies across the US and Mexico.

8520: 8488: 8000: 7873: 6723: 2492: 2379: 2252: 2117: 1922: 1424: 1220:

s lead single, "La Carcacha" was released in April and ascended to the top spot on

1130: 1115: 979: 886: 807: 795: 771: 759: 714:

Pérez was taken back at the group's work ethic throughout the entire production of

676: 436: 424: 381: 315: 289: 199: 130: 77: 7172:"Perez: For Americans of Mexican descent, Selena's music helped us tell our story" 6931: 1441:

sold 50,000 units in pre-sale copies, and made its debut at number nine on the US

7376: 7052: 7004: 6906: 6556: 6537: 6336: 5559: 5539: 5482: 917: 8154: 7071: 6003:"Selena crosses over to pop – Posthumous release a reminder of talent cut short" 5684: 5057: 4439: 4437: 4435: 4433: 4431: 2505: 2049: 1518:

reached sales of 385,000 units by April 1994, and sold 200,000 units in Mexico.

1458: 1369: 1256:. The song was also one of the most-played tracks on radio stations in Houston, 1208: 1150: 1138: 1120: 1088: 1084: 1080: 1056: 1052: 995: 877: 865: 838: 420: 401: 353: 276: 85: 7461:

The encyclopedia of dead rock stars : heroin, handguns, and ham sandwiches

6677:(1st ed.). College Station: Texas A & M University Press. p. 55. 6379: 6359: 6244: 5932: 5208: 563:

became the second all-time best-selling regional Mexican album in the US since

8225: 8042: 7698: 7439: 7406:

San-Juan, Rocio (December 1992). "Selena y Los Dinos: La Revelacion del '92".

7321:"Selena's Legacy: Remembering the Singer on the 20th Anniversary of Her Death" 7299: 6885: 6332: 6310: 6288: 6266: 6220: 6198: 6176: 6154: 6132: 6110: 5910: 5373: 2829: 2425: 1908: 1383: 1196: 1030: 1007: 983: 965: 944: 881: 818: 719: 657: 397: 393: 369: 5524: 5494: 5338: 5300: 5244: 1393:, which helped increased her popularity, as did her subsequent appearance on 8174: 7289: 7268: 7245: 7081: 1285: 841:" after he and keyboardist Joe Ojeda encountered a dilapidated vehicle at a 834: 826: 814: 747: 687: 444: 349: 135: 7480:"Conoce las canciones mexicanas más famosas de la de la historia en los EU" 551:

chart, for eight consecutive months. Critics praised the achievement while

6289:"Double Bill on Saturday in Alice; Selena Still Atop Chart with Boxed Set" 802:

struck him, prompting him to hastily exit the shower and collaborate with

8445: 8382: 8370: 8358: 8346: 8334: 7710: 7618:"La historia de una memorable entrevista de Selena Quintanilla en México" 6443: 5759: 1699: 1610: 1406: 1306: 1207:", music videos for "La Carcacha" and "Buenos Amigos", as well as spoken 1123:

baby-voice" in "Missing My Baby" and displayed remarkable vocal agility.

1108: 1047: 1043: 1026: 521: 1284:

and her "trademark", "Como la Flor" has become a posthumous epithet and

7715: 5873:

Icons of Latino America : Latino Contributions to American Culture

799: 779: 495: 1551:(1994), rose 1,250% in sales in the eight weeks following her murder. 1514:

became the first album by a Tejano woman to outsell men in the genre.

8509: 8493: 8477: 7754: 7212: 2335: 1759: 1462: 1314: 1257: 783: 672: 345: 168: 43: 7549:"A Decade of Selena: 10 albums showcase the music behind the legend" 6413:

American Latin Music: Rumba Rhythms, Bossa Nova, and the Salsa Sound

770:

transpired at the San Antonio studio owned by Tejano music producer

6630:"The new Selena merch collection features a photo taken in Houston" 2473:

A. B. Quintanilla – composer, executive producer, programmer,

1063:

if it meant losing the relationship. According to Erika Ramirez of

7571:"On what would've been her 44th birthday, Selena's legend endures" 7365:

Romo, Ricardo (April 15, 2018). "Remembering Selena Quintanilla".

6986:

Women who rock : Bessie to Beyoncé, girl groups to riot grrrl

1003: 746: 617: 389: 360:

kept his role as the singer's producer and, in collaboration with

38: 4564: 4562: 4560: 1242:

chart for the week ending October 24, 1992. Suzette Fernandez of

356:

market in the United States with this release. Selena's brother,

352:. The label endeavored to bolster Selena's popularity within the 8525: 8461: 8394: 7645:"Grammy-Winning Singer Selena Killed in Shooting at Texas Motel" 7003:

Lannert, John; Bronson, Fred; Mayfield, Geoff (April 15, 1995).

1310: 443:

and her "trademark", serving as both her posthumous epithet and

8263: 7727: 6781:

Latino almanac : from early explorers to corporate leaders

5911:"1992 The Year Modern Tex-Mex Ecliped Classic Days of the '70s" 1039:

deemed the song well-crafted, catchy, and skillfully executed.

419:

was supported by its singles, including the career-propelling "

5410:. Vol. 105, no. 52. December 25, 1993. p. YE-58 5107:. Vol. 104, no. 52. December 26, 1992. p. YE-40 4346: 4344: 4319: 4317: 850: 630:

joined the group in 1988, briefly left, and returned in 1991.

384:. The album incorporates musical inspirations from power pop, 5489:. Vol. 104, no. 48. November 28, 1992. p. 36. 1676:

was Selena's "coming of age" album, along with its successor

5954:"Top salsa and pop performers to vie for Latin Music Awards" 5757:

Baker, Tim (2018). "The Life and Legacy of Tejano's Queen".

5739:

Selena's Secret: The Revealing Story Behind Her Tragic Death

4079: 4077: 4075: 2873:

List of number-one Billboard Regional Mexican Albums of 1993

2868:

List of number-one Billboard Regional Mexican Albums of 1992

2530: 2467: 2404: 2324: 899: 567:

began tracking sales in 1991. On March 31, 1995, Selena was

5617:. Vol. 107, no. 51. December 23, 1995. p. 78 5546:. Vol. 106, no. 52. December 24, 1994. p. 60 5127:. Vol. 104, no. 48. November 28, 1992. p. 36 4202: 4200: 3657: 3655: 3072: 3070: 3068: 3066: 1578:

has sold a combined 1,000,000 copies in the US and Mexico.

1372:, attracting an estimated 26,000 attendees. Writing in the 4579: 4577: 3454: 3452: 3332: 3330: 3328: 3326: 3324: 3322: 3234: 3232: 3064: 3062: 3060: 3058: 3056: 3054: 3052: 3050: 3048: 3046: 2907:

s Hot Latin Songs chart on the week ending August 8, 1987.

1280:

descent in the US. It is widely considered to be Selena's

7723: 7506:"Singer soared beyond traditional limits on Tejano music" 7082:

Selenidad: Selena, Latinos, and the Performance of Memory

6566:"Collective recordings of Selena span a number of genres" 4702: 4700: 4687: 4685: 4606: 4604: 4268: 4266: 3822: 3820: 3818: 3816: 3814: 3415: 3413: 3282: 3280: 3278: 3276: 3156: 3154: 3152: 3150: 3148: 3123: 3121: 3119: 3117: 701:(1990), achieved a top-five ranking on the United States 6311:"Tejano Musicians Celebrate Good Times at Cinco de Mayo" 6071:

The Billboard Guide to Tejano and Regional Mexican Music

4660: 4658: 3534: 3532: 3104: 3102: 634:

became his inaugural collaborative effort with the band.

6308:

Campbell, Elizabeth; Korosec, Thomas (April 26, 1993).

3898: 3364: 3362: 3251: 3249: 3247: 2863:

Billboard Regional Mexican Albums Year-end Chart, 1990s

7194:"A Year Later: Michael Jackson's Massive Sales Impact" 5800:

All Music Guide: The Definitive Guide to Popular Music

4645: 4643: 4443: 4217: 4215: 3495: 3493: 3491: 3349: 3347: 3345: 3309: 3307: 3089: 3087: 3085: 2817:

Sales+streaming figures based on certification alone.

1570:

has been certified Diamond (Latin), denoting 600,000

1537:

plants. It was the fifth best-selling Latin album in

8291:

Tejano Music Award for Album of the Year – Orchestra

6398:

Del Toro, Jesus (March 31, 2005). "Selena 10 Anos".

3183: 3181: 1703:

believed Selena made a significant advancement from

8420: 8297: 8120: 8091: 8059: 7943: 7904: 7865: 7840: 7794: 7060:Ortiz, Fiona M. (April 19, 1995). "Latin Pop 101". 6609:"Cover Story; The 50 Greatest Texas Musicians ever" 5846:Blanco-Cano, Rosana; Urquijo-Ruiz, Rita E. (2011). 5804:(4th ed.). San Francisco, CA: Backbeat Books. 2961: 2959: 2180: 2166: 1896: 1885: 258: 216: 167: 141: 129: 112: 96: 84: 73: 65: 50: 37: 23: 7595: 7526: 7504: 7438: 7385: 7298: 6884: 6607: 6585: 6505: 6309: 6287: 6265: 6243: 6219: 6197: 6175: 6153: 6131: 6109: 6045: 6023: 6001: 5961: 5931: 5909: 5870: 5797: 5630: 5455: 5423: 5372: 5207: 1793:" as a gateway" for Selena's subsequent releases. 1271:organized a high-profile press tour for Selena in 667:—the group's manager and father of A. B., drummer 7597:"Tejano superstar Selena slain in Corpus Christi" 7528:"Stampede knifes through struggling Tejano scene" 7011:. Vol. 107, no. 15. pp. 72, 80, 82 5239:. Vol. 104, no. 52. December 26, 1992. 8596:Tejano Music Award winners for Album of the Year 5692:Anon. (November 26, 2008). "Selena: Biography". 5333:. Vol. 104, no. 43. October 24, 1992. 5160:"Regional Mexican Albums > September 5, 1992" 2483:Jorge A. Pino – re-issue executive producer 1867:, which she had done the previous year as well. 1725:said that Selena had "cranked the volume up" on 1529:. Media attention had helped increased sales of 1055:and forceful delivery of lyrics, reminiscent of 880:. The record company sought to have R&B duo 829:from their concert in California. Tejano artist 7672:"Texas, My Texas, You Deserve a New State Song" 7028:(1st ed.). Sagebrush Education Resources. 6655:"These 24 Selena songs don't get played enough" 5877:(1st ed.). Westport, CT: Greenwood Press. 4155: 4143: 3013: 2977: 344:) is the third studio album by American singer 7849:Selena: The Original Motion Picture Soundtrack 6155:"Labor Day Weekend Packed with Top Latin Acts" 6047:"Auction of Selena's car triggers family rift" 5632:"Record company planning Selena retrospective" 5519:. Vol. 105, no. 11. March 13, 1993. 5454:(in Spanish). January 26, 1993. Archived from 1804:made Selena "a superstar", and is featured on 1099:referred to as "the grain of Selena's voice". 1067:, Selena's performance of "Como la Flor" and " 931:, Selena's performance of "Como la Flor" and " 8275: 7739: 6719:"Selena's Talent Shines on 'Dreaming of You'" 5448:"Mexico Groupera Songs > January 26, 1993" 5295:. Vol. 104, no. 29. July 18, 1992. 4503: 1835:. At the awards ceremony, "Como la Flor" won 557:best-selling Regional Mexican Album in the US 8: 7387:"'Storm' in Liberty Band's musical forecast" 6221:"Tejano Acts Moving Up the Billboard Charts" 6199:"Top Groups End Year With Area Performances" 5141:"Regional Mexican Albums > June 13, 1992" 3661: 3646: 1615: 1481:sixth best-selling US Regional Mexican Album 1465:from claiming the chart's apex. Writing for 774:, with Brian "Red" Moore, Guerra's in-house 652:(1988), becoming particularly enamored with 7225:(written biography). EMI Latin. 7243494110. 6177:"Selena, La Mafia, Mazz Topping the Charts" 5425:"Selena Appeals to fans in U.S. and Mexico" 5260:"Discos Mas Populares > October 2, 1992" 5179:"Regional Mexican Albums > May 15, 1993" 4978:"RIAA Gold & Platinum ("Como la Flor")" 4898: 4551: 4386: 4308: 4257: 4131: 4083: 4030: 4018: 3392: 3238: 3223: 3076: 3037: 3025: 2387:Ramon Hernandez – re-issue photography 998:-driven Tejano cumbia, traditional Tejano, 8282: 8268: 8260: 7746: 7732: 7724: 5708:"Selena: 25 años sin la reina del Tex-Mex" 5056:. Texas Talent Association. Archived from 4952:"RIAA Gold & Platinum ("La Carcacha")" 4179: 2761: 2654: 2609: 2534: 1590: 860:The album's sole English-language track, " 762:", after conceptualizing the idea in 1982. 642:replaced Roger Garcia as the guitarist of 29: 20: 7463:(Second ed.). Chicago Review Press. 6905:Mejias-Rentas, Antonio (April 13, 1995). 6849:. Vol. 105, no. 22. p. 131 6267:"Selena, David Lee Draw Crowd in Houston" 6245:"Mazz, Navaira Top Tejano Award Nominees" 5987:. Vol. 106, no. 17. p. 104 5510:"Nominations for Lo Nuestro Awards, 1993" 5002:"RIAA Gold & Platinum ("Que Creias")" 4934: 4922: 4910: 4886: 4730: 4706: 4691: 4622: 4610: 4568: 4539: 4515: 4350: 4335: 4323: 4284: 4272: 4245: 4233: 4006: 3994: 3982: 3970: 3862: 3850: 3805: 3793: 3781: 3745: 3733: 3721: 3709: 3538: 3523: 3404: 3336: 3108: 2858:Latin American music in the United States 2498:Guillermo J. Page – reissue producer 1309:'s chart-topper "Me Estoy Enamorado" and 1229:Recording Industry Association of America 1051:song's demonstration of her unrestrained 731:to assist A. B. during the production of 600:Recording Industry Association of America 482:. Analogously, Selena's participation in 8036:Through the Years / A Traves de los Años 7670:Wallace, Christian (February 25, 2016). 6828:. Vol. 105, no. 17. p. 92 6345:. Vol. 114, no. 42. p. 20 6133:"La Mafia, Tiger Diaz in Concert Friday" 5483:"Hot Latin Songs > November 28, 1992" 5121:"Hot Latin Songs > November 28, 1992" 4850: 4634: 4491: 4479: 4296: 4066: 3946: 3826: 3697: 3685: 3511: 3482: 2317:Credits adapted from the liner notes of 2160: 1882: 1875:Credits adapted from the liner notes of 1800:"star-making turn" for the solo artist. 7959:Mis Mejores Canciones – 17 Super Éxitos 7170:Perez, Domingo Renee (March 27, 2015). 6111:"More and More Mazz is Top Tejano Band" 5324:"Hot Latin Songs > October 24, 1992" 4874: 4742: 4583: 4527: 4422: 4410: 4167: 4119: 4095: 4042: 3958: 3934: 3922: 3910: 3886: 3838: 3757: 3673: 3622: 3562: 3470: 3458: 3443: 3419: 3380: 3286: 3160: 3127: 2950: 2919: 2889: 2813: 2138: 6864:"Posthumous Certifications For Selena" 6802:(1st ed.). St. Martin's Griffin. 6461:"Amor Prohibido > List of releases" 4838: 4826: 4814: 4790: 4778: 4664: 4649: 4054: 3874: 3550: 3431: 3298: 3093: 2480:Ricky Vela – composer, programmer 1492:best-selling US regional Mexican album 942: 7525:Tarradell, Mario (January 25, 2001). 6819:"Hot Latin Songs > April 24, 1993" 6717:Johnston, Jerry (September 8, 1995). 6694:"Selena: Amor Prohibido Album Review" 6479:Fernandez, Suzette (March 26, 2020). 5833:from the original on November 6, 2016 5354:"Top Latin Albums > July 10, 1993" 5098:"Billboard Year-end Charts > 1992" 5074:"Hot Latin Songs > August 8, 1987" 4862: 4766: 4754: 4676: 4595: 4455: 4398: 4221: 4206: 4191: 4107: 3769: 3610: 3598: 3586: 3574: 3499: 3267: 3255: 3211: 3199: 3187: 3139: 3001: 2965: 2938: 2926: 2536:1992-95 Weekly chart performance for 2139: 1596: 466:organized a press tour for Selena in 7: 7994:All My Hits: Todos Mis Éxitos Vol. 2 7643:Verhovek, Sam Howe (April 1, 1995). 7384:Saldana, Hector (October 27, 1995). 7110:. Boston: Little Brown and Company. 6692:Herrera, Isabelia (March 26, 2022). 6378:Chirinos, Fanny S (March 27, 2005). 6174:Cabrera, Rene (September 18, 1992). 6089:Burr, Ramiro; Shannon, Doug (2003). 5401:"Billboard Year-end Chart > 1993" 5286:"Hot Latin Songs > July 18, 1992" 4802: 4718: 4467: 4444:Lannert, Bronson & Mayfield 1995 4374: 4362: 3634: 3368: 3353: 3313: 3172: 2989: 1113:between them. Jerry Johnston of the 622:Following initial reservations from 8576:Albums produced by A.B. Quintanilla 7616:Villaseñor, Esteban (May 4, 2021). 7569:Tarradell, Mario (April 13, 2015). 7547:Tarradell, Mario (March 30, 2000). 7437:Silva, Pifas (September 11, 1993). 7344:Reynolds, J. R. (August 19, 1995). 7005:"Selena's Tragedy Echoed in Charts" 6886:"Remembering Selena One Year Later" 6883:Maldonado, Vilma (March 31, 1996). 6843:"Hot Latin Songs > May 22, 1993" 6242:Cabrera, Rene (February 26, 1993). 6196:Cabrera, Rene (December 25, 1992). 6152:Cabrera, Rene (September 4, 1992). 5848:Global Mexican cultural productions 5206:. September 2, 1992. Archived from 5012:from the original on April 10, 2022 3899:Blanco-Cano & Urquijo-Ruiz 2011 2419:A.B. Quintanilla – bass guitar 1843:, "Como la Flor" was nominated for 1779:The Encyclopedia of Dead Rock Stars 1231:(RIAA) has certified "La Carcacha" 1119:commented that Selena exhibited a " 7657:from the original on July 20, 2016 7503:Tarradell, Mario (April 1, 1995). 6507:"Selena, Sunny wow crowd A Review" 6439:"Amor Prohibido > Album Review" 5930:Burr, Ramiro (February 23, 1993). 5908:Burr, Ramiro (December 18, 1992). 5892:Burr, Ramiro (February 25, 1993). 5374:"1993 Tejano Music Award Nominess" 2504:Suzette Quintanilla – spoken 1857:Album of the Year — Orchestra 1267:In July 1992, EMI Latin president 837:style to the piece. A. B. penned " 532:Album of the Year — Orchestra 14: 8220:Corpus: A Home Movie About Selena 7440:"Paso Del Norte's Musical Lineup" 7319:Ramirez, Erika (March 31, 2015). 7297:Ragland, Kathy (March 24, 1996). 6988:(First ed.). Running Press. 6108:Cabrera, Rene (January 3, 1992). 6093:. Scholastic Library Publishing. 5268:. October 2, 1992. Archived from 5054:"Tejano Music Past Award Winners" 1837:Regional Mexican Song of the Year 1617: 1541:in the days following her death. 1423:, who played Selena, in the 1997 512:, Selena shared the accolade for 431:", and Selena's ode to guitarist 8244: 8243: 7478:Tamayo, Martin (June 23, 2020). 7422:. New York: Marshall Cavendish. 6817:Lannert, John (April 24, 1993). 6628:Guerra, Joey (August 16, 2019). 6606:Guerra, Joey (August 10, 2018). 6358:Cohen, Howard (March 27, 1997). 5716:. March 30, 2020. Archived from 5655:"Billboard 200 > May 6, 1995" 5080:. August 8, 1987. Archived from 2900:", which peaked at number 19 on 2832: 2463:Technical and production credits 2410:Suzette Quintanilla – drums 1636: 1631: 1626: 1621: 1616: 943:Problems playing this file? See 915: 7594:Tomaso, Bruce (April 1, 1995). 7288:(spoken liner notes producer). 7267:(spoken liner notes producer). 7244:(spoken liner notes producer). 6653:Guerra, Joey (March 27, 2020). 6587:"Selena's Music Over the Years" 6584:Guerra, Joey (March 26, 2000). 6564:Guerra, Joey (March 25, 2005). 6264:Cabrera, Rene (March 5, 1993). 6130:Cabrera, Rene (June 19, 1992). 6022:Burr, Ramiro (March 26, 1996). 5979:Burr, Ramiro (April 23, 1994). 5933:"Selena Poised for Pop Success" 5894:"Selena poised for pop success" 5468:– via Elsiglodeterron.mx. 2656:Year-end chart performance for 2611:All-time chart performance for 1332:s release, Selena performed at 544:peaked at number one on the US 494:, was subsequently depicted in 18:1992 studio album by Selena 6862:Lannert, John (June 3, 1995). 6841:Lannert, John (May 22, 1993). 6286:Cabrera, Rene (May 29, 1998). 6218:Cabrera, Rene (May 21, 1993). 6044:Burr, Ramiro (June 12, 1998). 6000:Burr, Ramiro (July 18, 1995). 5819:Browne, David (May 12, 1995). 2384:Lisy – artwork and design 2167: 2075:"Siempre Estoy Pensando En Ti" 1886: 1865:Female Entertainer of the Year 1823:, Selena tied with La Mafia's 1525:On March 31, 1995, Selena was 1510:began tracking sales in 1991. 925:According to Erika Ramirez of 868:of her readiness to release a 423:", the career-defining track " 348:, released on May 6, 1992, by 217:Selena studio album chronology 1: 8586:1990s Spanish-language albums 7987:All My Hits: Todos Mis Éxitos 7888:Unforgettable: The Live Album 7856:Selena: The Series Soundtrack 6504:Garcia, Gus (July 26, 1993). 5952:Burr, Ramiro (May 16, 1993). 5673:"The Charts Selena Forever". 2763:Certifications and sales for 2444:Manny Guerra – accordion 2296:"Buenos Amigos" (music video) 1401:, which was shown throughout 813:Vela admitted to utilizing a 7626:(in Spanish). Archived from 7623:Vogue México y Latinoamérica 7420:Mexico and the United States 7352:. Vol. 107, no. 33 7276:Quintanilla, Selena (2002). 7253:Quintanilla, Selena (2002). 7230:Quintanilla, Selena (2002). 7129:. Texas A&M University. 6870:. Vol. 107, no. 22 5431:New Braunfels Herald-Zeitung 2744:US Regional Mexican Albums ( 2692:US Regional Mexican Albums ( 2672:US Regional Mexican Albums ( 2629:US Regional Mexican Albums ( 2501:Manny Guerra – engineer 2375:Al Rendon – photography 2162:2002 re-release bonus tracks 1574:sold in the US. As of 2018, 1490:chart. It ended 1993 as the 1412:Vogue México y Latinoamérica 952:At the time of its release, 606:sold in the US. As of 2018, 7454:– via Newspapers.com. 7445:Corpus Christi Caller-Times 7314:– via Newspapers.com. 7045:Corpus Christi Caller-Times 6384:Corpus Christi Caller-Times 6380:"Selena Fans Flock to City" 6327:– via Newspapers.com. 6303:– via Newspapers.com. 6294:Corpus Christi Caller-Times 6281:– via Newspapers.com. 6272:Corpus Christi Caller-Times 6259:– via Newspapers.com. 6250:Corpus Christi Caller-Times 6237:– via Newspapers.com. 6227:Corpus Christi Caller-Times 6213:– via Newspapers.com. 6204:Corpus Christi Caller-Times 6191:– via Newspapers.com. 6182:Corpus Christi Caller-Times 6169:– via Newspapers.com. 6160:Corpus Christi Caller-Times 6147:– via Newspapers.com. 6138:Corpus Christi Caller-Times 6125:– via Newspapers.com. 6116:Corpus Christi Caller-Times 5947:– via Newspapers.com. 5925:– via Newspapers.com. 5775:The Handbook of Texas Music 5026:"RIAA Gold & Platinum ( 4156:Campbell & Korosec 1993 4144:Campbell & Korosec 1993 2270:"La Carcacha" (music video) 1829:Best Regional Mexican Album 1811:s recommended listen list. 530:, while the album procured 514:Best Regional Mexican Album 8612: 7952:16 Super Éxitos Originales 7346:"The Rhythm and the Blues" 7104:Patoski, Joe Nick (1996). 6984:McDonnell, Evelyn (2018). 6779:Kanellos, Nicolás (2023). 6675:The History of Texas Music 6459:Erlewine, Stephen Thomas. 6417:Twenty-First Century Books 5821:"Selena: Crossover Dreams" 3014:Quintanilla & 2002 (b) 2978:Quintanilla & 2002 (a) 2447:Joel Guzman – trumpet 2422:Joe Ojeda – keyboards 1806:The History of Texas Music 1535:Greensboro, North Carolina 614:Production and development 498:'s two-part limited drama 8239: 8198:Trial of Yolanda Saldívar 7761: 7459:Simmonds, Jeremy (2012). 7305:Austin American Statesmen 7079:Parédez, Deborah (2009). 6744:Jones, Veda Boyd (2013). 5938:Austin American Statesman 5608:"1995: The Year in Music" 5540:"1994: The Year in Music" 5230:"1992, The Year in Music" 5203:Austin American Statesman 2853:Selena albums discography 2814: 2795: 2784: 2776: 2773: 2770: 2743: 2731: 2726: 2723: 2711: 2706: 2703: 2691: 2686: 2683: 2671: 2666: 2663: 2628: 2621: 2618: 2585: 2567: 2553: 2546: 2543: 2486:Brian "Red" Moore – 2354: – background vocals 2348: – background vocals 2292: 2266: 2245: 2218:Where Did the Feeling Go? 2212: 2185: 2177: 2174: 2171: 2112: 2094: 2071: 2044: 2021: 1998: 1971: 1948: 1917: 1901: 1893: 1890: 1859:, and Selena was awarded 1604: 1601: 1253:Austin American-Statesman 1205:Where Did the Feeling Go? 596:certified Diamond (Latin) 329: 269: 221: 212: 175: 28: 7392:San Antonio Express-News 6435:Erlewine, Stephen Thomas 6317:Fort Worth Star-Telegram 6053:San Antonio Express-News 6030:San Antonio Express-News 6008:San Antonio-Express News 5638:Fort Worth Star-Telegram 5473:"Listas Mas Populares". 2758:Certifications and sales 1841:1993 Tejano Music Awards 1743:San Antonio Express-News 1375:Fort Worth Star-Telegram 833:contributed his emotive 602:(RIAA) denoting 600,000 536:1993 Tejano Music Awards 7602:The Dallas Morning News 7575:The Dallas Morning News 7554:The Dallas Morning News 7533:The Dallas Morning News 7511:The Dallas Morning News 7024:Novas, Himilce (1995). 6955:Mottola, Tommy (2016). 6938:Lerner Publishing Group 6930:Márquez, Herón (2001). 3662:Erlewine & n.d. (b) 3647:Erlewine & n.d. (a) 3393:Burr & Shannon 2003 2588:Regional Mexican Albums 2450:Rodney B. – guitar 2416: – electric guitar 2378:Lisette Lorenzo – 1754:'s emotive tremors and 1738:The Dallas Morning News 1732:Joe Galván, writing in 1428:biopic about the singer 1233:triple Platinum (Latin) 1141:, and the Beach Boys' " 1036:The Dallas Morning News 708:Regional Mexican Albums 549:Regional Mexican Albums 490:, broadcast throughout 308:Released: November 1992 8075:Live! The Last Concert 7881:Live! The Last Concert 6673:Hartman, Gary (2008). 5742:. Simon and Schuster. 5734:Arrarás, María Celeste 4899:Cabrera & 1993 (b) 4552:Lannert & 1995 (b) 4387:Cabrera & 1992 (e) 4309:Cabrera & 1992 (d) 4258:Cabrera & 1992 (b) 4132:Cabrera & 1993 (c) 4084:Cabrera & 1992 (c) 4031:Lannert & 1993 (b) 4019:Lannert & 1993 (a) 3889:, pp. 1034, 1053. 3239:Ramirez & 2015 (a) 3026:Cabrera & 1992 (a) 1952:"Yo Te Sigo Queriendo" 1821:1993 Lo Nuestro Awards 1680:. Isabelia Herrera of 1572:album-equivalent units 1434:Commercial performance 1338:1992 Premio Lo Nuestro 1191:on their 1991 single " 1129:noted that the song's 904: 763: 635: 604:album-equivalent units 510:1993 Lo Nuestro Awards 427:", the crowd-pleaser " 341: 7973:Las Reinas del Pueblo 7379:– via ProQuest. 7125:Peña, Manuel (2002). 7087:Duke University Press 7074:– via ProQuest. 7055:– via ProQuest. 6798:Koster, Rick (2000). 6783:. Visible Ink Press. 6748:. Infobase Learning. 6623:– via Newsbank. 6601:– via Newsbank. 6559:– via ProQuest. 6540:– via ProQuest. 6411:Doeden, Matt (2017). 6068:Burr, Ramiro (1999). 5974:– via Newsbank. 5869:Bruns, Roger (2008). 5772:Barkley, Roy (2003). 5676:The Los Angeles Times 5060:on September 30, 2000 4446:, p. 72, 80, 82. 3577:, pp. 56–58, 98. 2732:US Top Latin Albums ( 2712:US Top Latin Albums ( 2313:Credits and personnel 1479:finished 1992 as the 1177:Corpus Christi, Texas 1033:, Mario Tarradell of 903: 751:It took a decade for 750: 743:Writing and recording 621: 54:May 6, 1992 8187:El secreto de Selena 8145:To Selena, With Love 7149:To Selena, with Love 7107:Selena: Como La Flor 6907:"Selena, numero uno" 6634:Laredo Morning Times 6400:Rumbo de San Antonio 6364:Springfield News-Sun 6335:(October 19, 2002). 5826:Entertainment Weekly 5198:"Top Tejano Singles" 4935:Anon. & 1994 (d) 4923:Anon. & n.d. (e) 4911:Anon. & 1992 (m) 4887:Anon. & 1993 (i) 4707:Anon. & 1995 (e) 4611:Anon. & n.d. (d) 4571:, pp. YE-65-66. 4569:Anon. & 1995 (d) 4540:Anon. & 1995 (f) 4516:Anon. & 1995 (g) 4351:Anon. & 1993 (d) 4336:Anon. & 1993 (c) 4324:Anon. & 1992 (c) 4285:Anon. & 1992 (g) 4273:Anon. & 1992 (f) 4246:Anon. & 1992 (e) 4234:Anon. & 1993 (e) 4007:Anon. & n.d. (c) 3995:Anon. & 1993 (h) 3983:Anon. & 1992 (d) 3971:Anon. & n.d. (b) 3863:Anon. & 1993 (g) 3851:Anon. & 1993 (f) 3806:Anon. & 1992 (i) 3794:Anon. & 1992 (j) 3782:Anon. & 1992 (h) 3734:Anon. & 1992 (l) 3722:Anon. & 1992 (k) 3710:Anon. & n.d. (a) 3524:Anon. & 1995 (b) 3473:, pp. 51, 1125. 3337:Anon. & 1995 (a) 2878:Women in Latin music 1774:Entertainment Weekly 1648:Entertainment Weekly 1592:Professional ratings 1133:evoke Diana Ross's " 1075:" to tears. Scholar 504:(2020–21), starring 321:Released: April 1993 282:Released: April 1992 80:(San Antonio, Texas) 8099:Abraham Quintanilla 7771:Singles discography 7418:Stacy, Lee (2002). 7286:Suzette Quintanilla 7265:Suzette Quintanilla 7242:Suzette Quintanilla 7223:Abraham Quintanilla 7213:Quintanilla, Selena 6513:Del Rio News Herald 6091:Encyclopedia Latina 6074:. Billboard Books. 5591:The Virginian-Pilot 5475:El Siglo de Torreón 5383:. December 11, 1992 5265:El Siglo de Torreón 4889:, pp. 10, 121. 4480:Burr & 1993 (b) 4209:, pp. 123–128. 4194:, pp. 123–124. 4122:, pp. 106–107. 3841:, pp. 101–102. 3827:Burr & 1993 (a) 2848:1992 in Latin music 2767: 2660: 2615: 2540: 2370:Suzette Quintanilla 2364:Visuals and imagery 2258:Suzette Quintanilla 2163: 1825:Estas Tocando Fuego 1593: 1539:southern California 1451:Estas Tocando Fuego 1399:Y Vero América ¡Va! 1223:Radio & Records 1195:", a 1989 cover of 1126:The Virginian-Pilot 669:Suzette Quintanilla 665:Abraham Quintanilla 624:Abraham Quintanilla 527:Estas Tocando Fuego 488:Y Vero América ¡Va! 476:biopic about Selena 458:Selena promulgated 449:Texas musical canon 415:, and heartbreaks. 295:Released: June 1992 8457:Para Nuestra Gente 8429:Breaking the Rules 8213:Selena: The Series 8140:Mirador de la Flor 8128:Selena y Los Dinos 8050:Lo Mejor de Selena 7980:Éxitos y Recuerdos 7944:Compilation albums 7766:Albums discography 7718:(list of releases) 7650:The New York Times 7026:Remembering Selena 5852:Palgrave Macmillan 5794:Bogdanov, Vladimir 5698:. 60 minutes in. 5452:El Siglo de Terron 4504:Mejias-Rentas 1995 3601:, pp. 93, 99. 3202:, pp. 30, 39. 2840:Latin music portal 2762: 2655: 2610: 2535: 2161: 1849:Single of the Year 1591: 1582:Critical reception 1390:Siempre en Domingo 905: 764: 679:band. Writing for 644:Selena y Los Dinos 636: 555:ended 1993 as the 506:Christian Serratos 501:Selena: The Series 362:Selena y Los Dinos 8555: 8554: 8257: 8256: 8134:Fiesta de la Flor 8068:Selena Remembered 7841:Soundtrack albums 7581:on March 31, 2023 7484:El Sol de Sinaloa 7177:Houston Chronicle 7162:978-1-101-58026-4 7136:978-0-89096-888-8 7096:978-0-8223-9089-3 6947:978-0-8225-4993-2 6704:on April 24, 2023 6659:Houston Chronicle 6640:on April 24, 2023 6614:Houston Chronicle 6592:Houston Chronicle 6570:Houston Chronicle 6426:978-1-4677-0147-1 5966:on March 31, 2023 5958:Houston Chronicle 5884:978-0-313-34087-1 5861:978-0-230-37039-5 5679:. April 9, 1995. 5594:. August 11, 1995 5460:on March 30, 2023 5040:on March 31, 2023 4988:on March 30, 2023 4964:on March 30, 2023 3625:, pp. 96–97. 3214:, pp. 76–77. 2823: 2822: 2818: 2755: 2754: 2647: 2646: 2640: 2639: 2601: 2600: 2517: 2516: 2459: 2458: 2441: – accordion 2428: – keyboards 2396: 2395: 2340:background vocals 2309: 2308: 2157: 2156: 1932:A. B. Quintanilla 1787:Houston Chronicle 1781:(2012), songs in 1711:. He opined that 1669: 1668: 1508:Nielsen SoundScan 1497:In a 1992 recap, 1455:Vicente Fernandez 1358:Houston Astrodome 1273:Monterrey, Mexico 1201:Russell Hitchcock 1015:call-and-response 971:Houston Chronicle 920: 855:Eagle Pass, Texas 766:The recording of 753:A. B. Quintanilla 693:self-titled album 654:A. B. Quintanilla 565:Nielsen SoundScan 468:Monterrey, Mexico 413:women empowerment 358:A. B. Quintanilla 333: 332: 264:Entre a Mi Mundo 254: 253: 208: 207: 151:A. B. Quintanilla 8603: 8581:EMI Latin albums 8473:Entre a Mi Mundo 8306:Live for Schlitz 8284: 8277: 8270: 8261: 8247: 8246: 8193:Yolanda Saldívar 8181:Murder of Selena 8121:Related articles 8105:A.B. Quintanilla 8015:Momentos Intimos 7817:Entre a Mi Mundo 7748: 7741: 7734: 7725: 7711:Entre a Mi Mundo 7700:Entre a Mi Mundo 7687: 7666: 7664: 7662: 7639: 7637: 7635: 7630:on April 1, 2023 7612: 7610: 7608: 7599: 7590: 7588: 7586: 7577:. Archived from 7565: 7563: 7561: 7543: 7541: 7539: 7530: 7521: 7519: 7517: 7508: 7499: 7497: 7495: 7490:on April 1, 2023 7486:. Archived from 7474: 7455: 7453: 7451: 7442: 7433: 7414: 7402: 7400: 7398: 7389: 7380: 7361: 7359: 7357: 7340: 7338: 7336: 7331:on April 1, 2022 7327:. Archived from 7315: 7313: 7311: 7302: 7293: 7282:A.B. Quintanilla 7278:Entre a Mi Mundo 7272: 7261:A.B. Quintanilla 7249: 7238:A.B. Quintanilla 7226: 7208: 7206: 7204: 7192:Peoples, Glenn. 7188: 7186: 7184: 7166: 7140: 7121: 7100: 7075: 7056: 7039: 7020: 7018: 7016: 6999: 6980: 6951: 6933:Latin Sensations 6926: 6924: 6922: 6901: 6899: 6897: 6888: 6879: 6877: 6875: 6858: 6856: 6854: 6837: 6835: 6833: 6823: 6813: 6794: 6775: 6759: 6740: 6738: 6736: 6731:on April 2, 2015 6727:. Archived from 6713: 6711: 6709: 6700:. Archived from 6688: 6669: 6667: 6665: 6649: 6647: 6645: 6636:. Archived from 6624: 6622: 6620: 6611: 6602: 6600: 6598: 6589: 6580: 6578: 6576: 6560: 6541: 6524: 6522: 6520: 6509: 6500: 6498: 6496: 6491:on April 1, 2022 6487:. Archived from 6475: 6473: 6471: 6455: 6453: 6451: 6430: 6407: 6394: 6392: 6390: 6374: 6372: 6370: 6354: 6352: 6350: 6337:"Singles Review" 6328: 6326: 6324: 6313: 6304: 6302: 6300: 6291: 6282: 6280: 6278: 6269: 6260: 6258: 6256: 6247: 6238: 6236: 6234: 6223: 6214: 6212: 6210: 6201: 6192: 6190: 6188: 6179: 6170: 6168: 6166: 6157: 6148: 6146: 6144: 6135: 6126: 6124: 6122: 6113: 6104: 6085: 6064: 6062: 6060: 6049: 6040: 6038: 6036: 6027: 6018: 6016: 6014: 6005: 5996: 5994: 5992: 5975: 5973: 5971: 5965: 5960:. Archived from 5948: 5946: 5944: 5935: 5926: 5924: 5922: 5913: 5904: 5902: 5900: 5888: 5876: 5865: 5850:(1st ed.). 5842: 5840: 5838: 5815: 5803: 5789: 5768: 5753: 5729: 5727: 5725: 5720:on April 1, 2023 5703: 5688: 5669: 5667: 5665: 5650: 5648: 5646: 5641:. April 12, 1995 5634: 5626: 5624: 5622: 5612: 5603: 5601: 5599: 5581: 5579: 5577: 5572:(5). August 1995 5555: 5553: 5551: 5535: 5533: 5531: 5514: 5505: 5503: 5501: 5478: 5477:. March 2, 1993. 5469: 5467: 5465: 5459: 5443: 5441: 5439: 5427: 5419: 5417: 5415: 5405: 5396: 5390: 5388: 5376: 5368: 5366: 5364: 5349: 5347: 5345: 5328: 5319: 5317: 5315: 5310:on April 1, 2022 5309: 5303:. Archived from 5290: 5281: 5279: 5277: 5255: 5253: 5251: 5234: 5225: 5219: 5217: 5212:on April 1, 2022 5211: 5193: 5191: 5189: 5174: 5172: 5170: 5155: 5153: 5151: 5136: 5134: 5132: 5116: 5114: 5112: 5102: 5093: 5091: 5089: 5084:on April 2, 2022 5069: 5067: 5065: 5049: 5047: 5045: 5036:. Archived from 5028:Entre a Mi Mundo 5021: 5019: 5017: 4997: 4995: 4993: 4984:. Archived from 4973: 4971: 4969: 4960:. Archived from 4938: 4932: 4926: 4920: 4914: 4908: 4902: 4896: 4890: 4884: 4878: 4872: 4866: 4860: 4854: 4848: 4842: 4836: 4830: 4824: 4818: 4812: 4806: 4800: 4794: 4788: 4782: 4776: 4770: 4764: 4758: 4752: 4746: 4740: 4734: 4728: 4722: 4716: 4710: 4704: 4695: 4689: 4680: 4674: 4668: 4662: 4653: 4647: 4638: 4632: 4626: 4620: 4614: 4608: 4599: 4593: 4587: 4581: 4572: 4566: 4555: 4549: 4543: 4537: 4531: 4525: 4519: 4513: 4507: 4501: 4495: 4489: 4483: 4477: 4471: 4465: 4459: 4453: 4447: 4441: 4426: 4420: 4414: 4408: 4402: 4396: 4390: 4384: 4378: 4372: 4366: 4360: 4354: 4353:, p. YE-58. 4348: 4339: 4333: 4327: 4326:, p. YE-54. 4321: 4312: 4306: 4300: 4294: 4288: 4282: 4276: 4270: 4261: 4255: 4249: 4243: 4237: 4231: 4225: 4219: 4210: 4204: 4195: 4189: 4183: 4177: 4171: 4165: 4159: 4153: 4147: 4141: 4135: 4129: 4123: 4117: 4111: 4105: 4099: 4093: 4087: 4081: 4070: 4064: 4058: 4052: 4046: 4040: 4034: 4028: 4022: 4016: 4010: 4004: 3998: 3992: 3986: 3980: 3974: 3968: 3962: 3956: 3950: 3944: 3938: 3932: 3926: 3920: 3914: 3908: 3902: 3896: 3890: 3884: 3878: 3872: 3866: 3860: 3854: 3848: 3842: 3836: 3830: 3824: 3809: 3808:, p. YE-54. 3803: 3797: 3791: 3785: 3779: 3773: 3767: 3761: 3755: 3749: 3743: 3737: 3731: 3725: 3719: 3713: 3707: 3701: 3695: 3689: 3683: 3677: 3671: 3665: 3659: 3650: 3644: 3638: 3632: 3626: 3620: 3614: 3608: 3602: 3596: 3590: 3584: 3578: 3572: 3566: 3560: 3554: 3548: 3542: 3536: 3527: 3521: 3515: 3509: 3503: 3497: 3486: 3480: 3474: 3468: 3462: 3456: 3447: 3441: 3435: 3429: 3423: 3417: 3408: 3402: 3396: 3390: 3384: 3378: 3372: 3371:, pp. 1, 6. 3366: 3357: 3351: 3340: 3334: 3317: 3311: 3302: 3296: 3290: 3284: 3271: 3265: 3259: 3253: 3242: 3236: 3227: 3224:Quintanilla 1998 3221: 3215: 3209: 3203: 3197: 3191: 3185: 3176: 3170: 3164: 3158: 3143: 3137: 3131: 3125: 3112: 3106: 3097: 3091: 3080: 3077:Quintanilla 2002 3074: 3041: 3038:Quintanilla 2002 3035: 3029: 3023: 3017: 3011: 3005: 2999: 2993: 2987: 2981: 2975: 2969: 2963: 2954: 2948: 2942: 2936: 2930: 2924: 2908: 2906: 2894: 2842: 2837: 2836: 2835: 2816: 2768: 2765:Entre a Mi Mundo 2661: 2658:Entre a Mi Mundo 2616: 2613:Entre a Mi Mundo 2570:Top Latin Albums 2544:Chart (1992–95) 2541: 2538:Entre a Mi Mundo 2531: 2468: 2405: 2352:A.B. Quintanilla 2338: – vocals, 2325: 2319:Entre a Mi Mundo 2205:Enrique Elizondo 2169: 2164: 2153: 2152: 2148: 2142: 1888: 1883: 1877:Entre a Mi Mundo 1853:Entre a Mi Mundo 1845:Song of the Year 1833:Entre a Mi Mundo 1810: 1802:Entre a Mi Mundo 1797:Entre a Mi Mundo 1791:Entre a Mi Mundo 1783:Entre a Mi Mundo 1771:, an editor for 1764:Entre a Mi Mundo 1748:Entre a Mi Mundo 1727:Entre a Mi Mundo 1717:Entre a Mi Mundo 1713:Entre a Mi Mundo 1709:Entre a Mi Mundo 1688:Entre a Mi Mundo 1674:Entre a Mi Mundo 1641: 1640: 1639: 1635: 1634: 1630: 1629: 1625: 1624: 1620: 1619: 1594: 1576:Entre a Mi Mundo 1568:Entre a Mi Mundo 1564:Entre a Mi Mundo 1553:Entre a Mi Mundo 1543:Entre a Mi Mundo 1531:Entre a Mi Mundo 1520:Entre a Mi Mundo 1516:Entre a Mi Mundo 1512:Entre a Mi Mundo 1504:Entre a Mi Mundo 1499:Entre a Mi Mundo 1488:Top Latin Albums 1477:Entre a Mi Mundo 1439:Entre a Mi Mundo 1350:Hurricane Andrew 1331: 1327:Entre a Mi Mundo 1290:Entre a Mi Mundo 1277:Entre a Mi Mundo 1248:Entre a Mi Mundo 1219: 1215:Entre a Mi Mundo 1203:'s solo single " 1181:Entre a Mi Mundo 1172:Entre a Mi Mundo 1167:Entre a Mi Mundo 1147:Entre a Mi Mundo 1137:", a tribute to 988:Entre a Mi Mundo 976:Entre a Mi Mundo 960:, Pérez infused 954:Entre a Mi Mundo 922: 921: 902: 768:Entre a Mi Mundo 737:Entre a Mi Mundo 733:Entre a Mi Mundo 716:Entre a Mi Mundo 632:Entre a Mi Mundo 608:Entre a Mi Mundo 592:Entre a Mi Mundo 588:Entre a Mi Mundo 586:chart. By 1997, 577:Top Latin Albums 573:Entre a Mi Mundo 561:Entre a Mi Mundo 553:Entre a Mi Mundo 542:Entre a Mi Mundo 518:Entre a Mi Mundo 472:Entre a Mi Mundo 460:Entre a Mi Mundo 453:Entre a Mi Mundo 417:Entre a Mi Mundo 411:, teen romance, 374:Entre a Mi Mundo 337:Entre a Mi Mundo 322: 319: 309: 306: 296: 293: 283: 280: 237:Entre a Mi Mundo 223: 222: 191:Entre a Mi Mundo 177: 176: 108: 107: 103: 61: 59: 33: 24:Entre a Mi Mundo 21: 8611: 8610: 8606: 8605: 8604: 8602: 8601: 8600: 8561: 8560: 8558: 8556: 8551: 8537:Como Te Extraño 8416: 8293: 8288: 8258: 8253: 8235: 8116: 8087: 8055: 7966:12 Super Éxitos 7939: 7934:Moonchild Mixes 7927:Enamorada de Ti 7900: 7861: 7836: 7831:Dreaming of You 7790: 7757: 7752: 7695: 7690: 7669: 7660: 7658: 7642: 7633: 7631: 7615: 7606: 7604: 7593: 7584: 7582: 7568: 7559: 7557: 7546: 7537: 7535: 7524: 7515: 7513: 7502: 7493: 7491: 7477: 7471: 7458: 7449: 7447: 7436: 7430: 7417: 7408:Norteña Musical 7405: 7396: 7394: 7383: 7364: 7355: 7353: 7343: 7334: 7332: 7318: 7309: 7307: 7296: 7280:(Media notes). 7275: 7259:(Media notes). 7252: 7248:. 724354099403. 7236:(Media notes). 7229: 7221:(Media notes). 7211: 7202: 7200: 7191: 7182: 7180: 7169: 7163: 7143: 7137: 7124: 7118: 7103: 7097: 7078: 7059: 7042: 7036: 7023: 7014: 7012: 7002: 6996: 6983: 6977: 6954: 6948: 6936:. Minneapolis: 6929: 6920: 6918: 6904: 6895: 6893: 6882: 6873: 6871: 6861: 6852: 6850: 6840: 6831: 6829: 6821: 6816: 6810: 6797: 6791: 6778: 6762: 6756: 6743: 6734: 6732: 6716: 6707: 6705: 6691: 6685: 6672: 6663: 6661: 6652: 6643: 6641: 6627: 6618: 6616: 6605: 6596: 6594: 6583: 6574: 6572: 6563: 6544: 6527: 6518: 6516: 6503: 6494: 6492: 6478: 6469: 6467: 6458: 6449: 6447: 6433: 6427: 6410: 6397: 6388: 6386: 6377: 6368: 6366: 6357: 6348: 6346: 6331: 6322: 6320: 6307: 6298: 6296: 6285: 6276: 6274: 6263: 6254: 6252: 6241: 6232: 6230: 6217: 6208: 6206: 6195: 6186: 6184: 6173: 6164: 6162: 6151: 6142: 6140: 6129: 6120: 6118: 6107: 6101: 6088: 6082: 6067: 6058: 6056: 6043: 6034: 6032: 6021: 6012: 6010: 5999: 5990: 5988: 5978: 5969: 5967: 5951: 5942: 5940: 5929: 5920: 5918: 5907: 5898: 5896: 5891: 5885: 5868: 5862: 5845: 5836: 5834: 5818: 5812: 5792: 5786: 5771: 5756: 5750: 5732: 5723: 5721: 5706: 5691: 5672: 5663: 5661: 5653: 5644: 5642: 5629: 5620: 5618: 5610: 5606: 5597: 5595: 5584: 5575: 5573: 5558: 5549: 5547: 5538: 5529: 5527: 5512: 5508: 5499: 5497: 5481: 5472: 5463: 5461: 5446: 5437: 5435: 5434:. April 4, 1993 5422: 5413: 5411: 5403: 5399: 5386: 5384: 5371: 5362: 5360: 5352: 5343: 5341: 5326: 5322: 5313: 5311: 5307: 5288: 5284: 5275: 5273: 5272:on May 12, 2022 5258: 5249: 5247: 5232: 5228: 5215: 5213: 5196: 5187: 5185: 5177: 5168: 5166: 5158: 5149: 5147: 5139: 5130: 5128: 5119: 5110: 5108: 5100: 5096: 5087: 5085: 5072: 5063: 5061: 5052: 5043: 5041: 5024: 5015: 5013: 5000: 4991: 4989: 4976: 4967: 4965: 4950: 4946: 4941: 4933: 4929: 4921: 4917: 4909: 4905: 4897: 4893: 4885: 4881: 4873: 4869: 4861: 4857: 4849: 4845: 4841:, p. D008. 4837: 4833: 4825: 4821: 4813: 4809: 4801: 4797: 4789: 4785: 4777: 4773: 4765: 4761: 4753: 4749: 4741: 4737: 4729: 4725: 4717: 4713: 4705: 4698: 4690: 4683: 4675: 4671: 4663: 4656: 4648: 4641: 4633: 4629: 4621: 4617: 4609: 4602: 4594: 4590: 4582: 4575: 4567: 4558: 4550: 4546: 4538: 4534: 4526: 4522: 4514: 4510: 4502: 4498: 4490: 4486: 4478: 4474: 4466: 4462: 4454: 4450: 4442: 4429: 4421: 4417: 4409: 4405: 4397: 4393: 4385: 4381: 4373: 4369: 4361: 4357: 4349: 4342: 4334: 4330: 4322: 4315: 4307: 4303: 4295: 4291: 4283: 4279: 4271: 4264: 4256: 4252: 4244: 4240: 4232: 4228: 4220: 4213: 4205: 4198: 4190: 4186: 4180:Villaseñor 2021 4178: 4174: 4166: 4162: 4154: 4150: 4142: 4138: 4130: 4126: 4118: 4114: 4106: 4102: 4094: 4090: 4082: 4073: 4065: 4061: 4053: 4049: 4041: 4037: 4029: 4025: 4017: 4013: 4005: 4001: 3993: 3989: 3981: 3977: 3969: 3965: 3957: 3953: 3945: 3941: 3933: 3929: 3921: 3917: 3909: 3905: 3897: 3893: 3885: 3881: 3873: 3869: 3861: 3857: 3849: 3845: 3837: 3833: 3825: 3812: 3804: 3800: 3792: 3788: 3780: 3776: 3768: 3764: 3756: 3752: 3744: 3740: 3732: 3728: 3720: 3716: 3708: 3704: 3696: 3692: 3684: 3680: 3672: 3668: 3660: 3653: 3645: 3641: 3633: 3629: 3621: 3617: 3609: 3605: 3597: 3593: 3585: 3581: 3573: 3569: 3561: 3557: 3549: 3545: 3537: 3530: 3522: 3518: 3510: 3506: 3498: 3489: 3481: 3477: 3469: 3465: 3461:, p. 1089. 3457: 3450: 3442: 3438: 3430: 3426: 3418: 3411: 3403: 3399: 3391: 3387: 3379: 3375: 3367: 3360: 3352: 3343: 3335: 3320: 3312: 3305: 3297: 3293: 3285: 3274: 3266: 3262: 3254: 3245: 3237: 3230: 3222: 3218: 3210: 3206: 3198: 3194: 3186: 3179: 3171: 3167: 3159: 3146: 3138: 3134: 3126: 3115: 3107: 3100: 3092: 3083: 3075: 3044: 3036: 3032: 3024: 3020: 3012: 3008: 3000: 2996: 2988: 2984: 2976: 2972: 2964: 2957: 2949: 2945: 2937: 2933: 2925: 2921: 2917: 2912: 2911: 2904: 2895: 2891: 2886: 2838: 2833: 2831: 2828: 2796:United States ( 2778:Certified units 2760: 2653: 2651:Year-end charts 2648: 2623: 2608: 2606:All-time charts 2548: 2528: 2523: 2518: 2460: 2439:David Lee Garza 2432: 2397: 2372: – stylist 2358: 2315: 2310: 2282: 2238: 2226:, Norman Saleet 2158: 2150: 2146: 2145: 2140: 2132: 2100:Missing My Baby 2087: 2064: 2037: 2014: 1991: 1964: 1941: 1905:"Si La Quieres" 1873: 1861:Female Vocalist 1817: 1808: 1789:, posited that 1637: 1632: 1627: 1622: 1589: 1584: 1527:shot and killed 1436: 1395:Veronica Castro 1334:Caesar's Palace 1329: 1323: 1240:Hot Latin Songs 1217: 1164: 1159: 1143:Good to My Baby 1093:unrequited love 1077:Deborah Parédez 1069:No Me Queda Más 990:is primarily a 950: 949: 941: 939: 938: 937: 936: 933:No Me Queda Más 923: 916: 913: 906: 900: 895: 862:Missing My Baby 831:David Lee Garza 788:unrequited love 745: 616: 575:re-entered the 484:Veronica Castro 409:unrequited love 325: 320: 313: 312: 307: 300: 299: 294: 287: 286: 281: 274: 273: 249: 240: 231: 203: 194: 185: 163: 125: 105: 101: 100: 57: 55: 46: 19: 12: 11: 5: 8609: 8607: 8599: 8598: 8593: 8588: 8583: 8578: 8573: 8563: 8562: 8553: 8552: 8550: 8549: 8542:Pete Astudillo 8533: 8517: 8505:Amor Prohibido 8501: 8485: 8469: 8453: 8441:No Te Olvidare 8437: 8424: 8422: 8418: 8417: 8415: 8414: 8398: 8386: 8374: 8362: 8350: 8338: 8326: 8314: 8301: 8299: 8295: 8294: 8289: 8287: 8286: 8279: 8272: 8264: 8255: 8254: 8252: 8251: 8240: 8237: 8236: 8234: 8233: 8231:Pete Astudillo 8228: 8223: 8216: 8209: 8202: 8201: 8200: 8195: 8190: 8178: 8171: 8164: 8161:Selena Forever 8157: 8152: 8147: 8142: 8137: 8130: 8124: 8122: 8118: 8117: 8115: 8114: 8108: 8102: 8095: 8093: 8089: 8088: 8086: 8085: 8078: 8071: 8063: 8061: 8057: 8056: 8054: 8053: 8046: 8039: 8032: 8025: 8018: 8011: 8004: 7997: 7990: 7983: 7976: 7969: 7962: 7955: 7947: 7945: 7941: 7940: 7938: 7937: 7930: 7923: 7916: 7913:Siempre Selena 7908: 7906: 7902: 7901: 7899: 7898: 7891: 7884: 7877: 7869: 7867: 7863: 7862: 7860: 7859: 7852: 7844: 7842: 7838: 7837: 7835: 7834: 7827: 7824:Amor Prohibido 7820: 7813: 7806: 7798: 7796: 7792: 7791: 7789: 7788: 7783: 7778: 7773: 7768: 7762: 7759: 7758: 7753: 7751: 7750: 7743: 7736: 7728: 7720: 7719: 7707: 7694: 7693:External links 7691: 7689: 7688: 7667: 7640: 7613: 7591: 7566: 7544: 7522: 7500: 7475: 7469: 7456: 7434: 7428: 7415: 7403: 7381: 7362: 7341: 7316: 7300:"With Respect" 7294: 7273: 7250: 7227: 7209: 7189: 7167: 7161: 7141: 7135: 7122: 7116: 7101: 7095: 7076: 7057: 7040: 7034: 7021: 7000: 6994: 6981: 6976:978-0451467782 6975: 6952: 6946: 6927: 6902: 6880: 6859: 6838: 6814: 6808: 6795: 6789: 6776: 6760: 6754: 6741: 6714: 6689: 6684:978-1603443944 6683: 6670: 6650: 6625: 6603: 6581: 6561: 6542: 6525: 6501: 6476: 6456: 6431: 6425: 6408: 6395: 6375: 6360:"Music Review" 6355: 6329: 6305: 6283: 6261: 6239: 6215: 6193: 6171: 6149: 6127: 6105: 6099: 6086: 6080: 6065: 6041: 6019: 5997: 5981:"Tejano music" 5976: 5949: 5927: 5905: 5889: 5883: 5866: 5860: 5843: 5816: 5810: 5790: 5784: 5769: 5754: 5748: 5730: 5704: 5689: 5670: 5651: 5627: 5604: 5582: 5556: 5536: 5506: 5479: 5470: 5444: 5420: 5397: 5393:Newspapers.com 5369: 5350: 5320: 5282: 5256: 5226: 5222:Newspapers.com 5194: 5175: 5156: 5137: 5117: 5094: 5070: 5050: 5022: 4998: 4974: 4947: 4945: 4942: 4940: 4939: 4927: 4915: 4903: 4891: 4879: 4867: 4855: 4853:, p. 333. 4843: 4831: 4819: 4807: 4795: 4783: 4771: 4769:, p. D01. 4759: 4747: 4735: 4731:Maldonado 1996 4723: 4711: 4696: 4692:Tarradell 1995 4681: 4669: 4654: 4639: 4637:, p. 933. 4627: 4623:McDonnell 2018 4615: 4600: 4588: 4586:, p. 104. 4573: 4556: 4544: 4532: 4520: 4508: 4496: 4484: 4472: 4460: 4448: 4427: 4415: 4413:, p. 285. 4403: 4401:, p. 463. 4391: 4379: 4367: 4355: 4340: 4328: 4313: 4301: 4289: 4277: 4262: 4250: 4238: 4226: 4211: 4196: 4184: 4172: 4170:, p. 103. 4160: 4148: 4136: 4124: 4112: 4100: 4088: 4071: 4059: 4057:, p. 237. 4047: 4035: 4023: 4011: 3999: 3987: 3975: 3963: 3951: 3939: 3937:, p. 105. 3927: 3915: 3903: 3901:, p. 227. 3891: 3879: 3867: 3855: 3843: 3831: 3810: 3798: 3786: 3774: 3762: 3750: 3746:Fernandez 2020 3738: 3726: 3714: 3702: 3690: 3678: 3666: 3651: 3639: 3627: 3615: 3613:, p. 105. 3603: 3591: 3579: 3567: 3555: 3543: 3539:Tarradell 2000 3528: 3516: 3504: 3487: 3475: 3463: 3448: 3436: 3424: 3422:, p. 102. 3409: 3405:Tarradell 2001 3397: 3385: 3383:, p. 118. 3373: 3358: 3356:, p. 188. 3341: 3318: 3303: 3291: 3289:, p. 101. 3272: 3270:, p. 113. 3260: 3258:, p. 111. 3243: 3228: 3216: 3204: 3192: 3177: 3165: 3163:, p. 113. 3144: 3132: 3130:, p. 100. 3113: 3109:Tarradell 2015 3098: 3081: 3042: 3030: 3018: 3006: 3004:, p. 746. 2994: 2992:, p. 205. 2982: 2970: 2955: 2943: 2931: 2918: 2916: 2913: 2910: 2909: 2888: 2887: 2885: 2882: 2881: 2880: 2875: 2870: 2865: 2860: 2855: 2850: 2844: 2843: 2827: 2824: 2821: 2820: 2812: 2811: 2808: 2801: 2793: 2792: 2789: 2786: 2782: 2781: 2775: 2772: 2759: 2756: 2753: 2752: 2749: 2741: 2740: 2737: 2729: 2728: 2725: 2721: 2720: 2717: 2709: 2708: 2705: 2701: 2700: 2697: 2689: 2688: 2685: 2681: 2680: 2677: 2669: 2668: 2665: 2652: 2649: 2645: 2644: 2638: 2637: 2634: 2626: 2625: 2620: 2607: 2604: 2602: 2599: 2598: 2595: 2583: 2582: 2579: 2565: 2564: 2561: 2551: 2550: 2545: 2529: 2527: 2524: 2522: 2519: 2515: 2514: 2510: 2509: 2502: 2499: 2496: 2495: – editor 2490: 2484: 2481: 2478: 2466: 2465: 2464: 2457: 2456: 2452: 2451: 2448: 2445: 2442: 2434: 2430: 2429: 2423: 2420: 2417: 2411: 2403: 2402: 2401: 2394: 2393: 2389: 2388: 2385: 2382: 2376: 2373: 2366: 2365: 2360: 2356: 2355: 2349: 2346:Pete Astudillo 2343: 2332: 2331: 2323: 2314: 2311: 2307: 2306: 2303: 2300: 2297: 2294: 2290: 2289: 2286: 2283: 2281: 2280: 2277: 2273: 2271: 2268: 2264: 2263: 2260: 2255: 2250: 2247: 2243: 2242: 2239: 2237: 2236: 2233: 2229: 2227: 2224:Michael Masser 2221: 2214: 2210: 2209: 2206: 2203: 2198: 2187: 2183: 2182: 2179: 2176: 2173: 2170: 2159: 2155: 2154: 2143: 2137: 2136: 2133: 2131: 2130: 2127: 2123: 2121: 2114: 2110: 2109: 2106: 2103: 2096: 2092: 2091: 2088: 2086: 2085: 2082: 2078: 2076: 2073: 2069: 2068: 2065: 2063: 2062: 2059: 2055: 2053: 2046: 2042: 2041: 2038: 2036: 2035: 2032: 2028: 2026: 2023: 2019: 2018: 2015: 2013: 2012: 2009: 2005: 2003: 2000: 1996: 1995: 1992: 1990: 1989: 1986: 1982: 1980: 1973: 1969: 1968: 1965: 1963: 1962: 1959: 1955: 1953: 1950: 1946: 1945: 1942: 1940: 1939: 1937:Pete Astudillo 1934: 1928: 1926: 1919: 1915: 1914: 1911: 1906: 1903: 1899: 1898: 1895: 1892: 1889: 1881: 1872: 1869: 1816: 1813: 1752:Gloria Estefan 1678:Amor Prohibido 1667: 1666: 1663: 1655: 1654: 1651: 1643: 1642: 1613: 1607: 1606: 1603: 1599: 1598: 1588: 1585: 1583: 1580: 1548:Amor Prohibido 1435: 1432: 1421:Jennifer Lopez 1409:. Writing for 1362:Texas Tornados 1322: 1319: 1282:signature song 1163: 1160: 1158: 1155: 1097:Roland Barthes 982:, as noted by 940: 924: 914: 911:"Como La Flor" 909: 908: 907: 898: 897: 896: 894: 891: 804:Pete Astudillo 776:music engineer 744: 741: 615: 612: 480:Jennifer Lopez 441:signature song 404:Tejano music. 366:Pete Astudillo 342:Enter My World 331: 330: 327: 326: 324: 323: 310: 297: 284: 270: 267: 266: 256: 255: 252: 251: 246:Amor Prohibido 242: 233: 219: 218: 214: 213: 210: 209: 206: 205: 196: 187: 173: 172: 165: 164: 162: 161: 158: 153: 147: 145: 139: 138: 133: 127: 126: 124: 123: 120: 116: 114: 110: 109: 98: 94: 93: 88: 82: 81: 75: 71: 70: 67: 63: 62: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 8608: 8597: 8594: 8592: 8591:Selena albums 8589: 8587: 8584: 8582: 8579: 8577: 8574: 8572: 8569: 8568: 8566: 8559: 8547: 8543: 8539: 8538: 8534: 8531: 8527: 8523: 8522: 8518: 8515: 8511: 8507: 8506: 8502: 8499: 8495: 8491: 8490: 8486: 8483: 8479: 8475: 8474: 8470: 8467: 8463: 8459: 8458: 8454: 8451: 8447: 8443: 8442: 8438: 8435: 8431: 8430: 8426: 8425: 8423: 8419: 8412: 8408: 8404: 8403: 8399: 8396: 8392: 8391: 8387: 8384: 8380: 8379: 8375: 8372: 8368: 8367: 8363: 8360: 8356: 8355: 8351: 8348: 8344: 8343: 8339: 8336: 8332: 8331: 8327: 8324: 8320: 8319: 8315: 8312: 8308: 8307: 8303: 8302: 8300: 8296: 8292: 8285: 8280: 8278: 8273: 8271: 8266: 8265: 8262: 8250: 8242: 8241: 8238: 8232: 8229: 8227: 8224: 8222: 8221: 8217: 8215: 8214: 8210: 8208: 8207: 8203: 8199: 8196: 8194: 8191: 8189: 8188: 8184: 8183: 8182: 8179: 8177: 8176: 8172: 8170: 8169: 8168:Selena ¡VIVE! 8165: 8163: 8162: 8158: 8156: 8153: 8151: 8150:Q-Productions 8148: 8146: 8143: 8141: 8138: 8136: 8135: 8131: 8129: 8126: 8125: 8123: 8119: 8112: 8109: 8106: 8103: 8100: 8097: 8096: 8094: 8090: 8084: 8083: 8079: 8077: 8076: 8072: 8070: 8069: 8065: 8064: 8062: 8058: 8052: 8051: 8047: 8045: 8044: 8040: 8038: 8037: 8033: 8031: 8030: 8029:Dos Historias 8026: 8024: 8023: 8022:Unforgettable 8019: 8017: 8016: 8012: 8010: 8009: 8008:Greatest Hits 8005: 8003: 8002: 7998: 7996: 7995: 7991: 7989: 7988: 7984: 7982: 7981: 7977: 7975: 7974: 7970: 7968: 7967: 7963: 7961: 7960: 7956: 7954: 7953: 7949: 7948: 7946: 7942: 7936: 7935: 7931: 7929: 7928: 7924: 7922: 7921: 7917: 7915: 7914: 7910: 7909: 7907: 7903: 7897: 7896: 7895:Selena ¡Vive! 7892: 7890: 7889: 7885: 7883: 7882: 7878: 7876: 7875: 7871: 7870: 7868: 7864: 7858: 7857: 7853: 7851: 7850: 7846: 7845: 7843: 7839: 7833: 7832: 7828: 7826: 7825: 7821: 7819: 7818: 7814: 7812: 7811: 7807: 7805: 7804: 7800: 7799: 7797: 7795:Studio albums 7793: 7787: 7784: 7782: 7779: 7777: 7774: 7772: 7769: 7767: 7764: 7763: 7760: 7756: 7749: 7744: 7742: 7737: 7735: 7730: 7729: 7726: 7722: 7717: 7713: 7712: 7708: 7706: 7702: 7701: 7697: 7696: 7692: 7685: 7681: 7677: 7676:Texas Monthly 7673: 7668: 7656: 7653:. p. 1. 7652: 7651: 7646: 7641: 7629: 7625: 7624: 7619: 7614: 7603: 7598: 7592: 7580: 7576: 7572: 7567: 7556: 7555: 7550: 7545: 7534: 7529: 7523: 7512: 7507: 7501: 7489: 7485: 7481: 7476: 7472: 7470:9781613744789 7466: 7462: 7457: 7446: 7441: 7435: 7431: 7429:0-7614-7402-1 7425: 7421: 7416: 7413: 7409: 7404: 7393: 7388: 7382: 7378: 7374: 7370: 7369: 7363: 7351: 7347: 7342: 7330: 7326: 7322: 7317: 7306: 7301: 7295: 7291: 7287: 7283: 7279: 7274: 7270: 7266: 7262: 7258: 7257: 7251: 7247: 7243: 7239: 7235: 7234: 7228: 7224: 7220: 7219: 7214: 7210: 7199: 7195: 7190: 7179: 7178: 7173: 7168: 7164: 7158: 7154: 7153:Penguin Books 7150: 7146: 7142: 7138: 7132: 7128: 7127:Música Tejana 7123: 7119: 7117:0-316-69378-2 7113: 7109: 7108: 7102: 7098: 7092: 7088: 7084: 7083: 7077: 7073: 7069: 7065: 7064: 7063:The Oregonian 7058: 7054: 7050: 7046: 7041: 7037: 7035:0-613-92637-4 7031: 7027: 7022: 7010: 7006: 7001: 6997: 6995:9780316558860 6991: 6987: 6982: 6978: 6972: 6968: 6964: 6963:Penguin Books 6960: 6959: 6953: 6949: 6943: 6939: 6935: 6934: 6928: 6916: 6912: 6908: 6903: 6892: 6887: 6881: 6869: 6865: 6860: 6848: 6844: 6839: 6827: 6820: 6815: 6811: 6809:9780312254254 6805: 6801: 6796: 6792: 6790:9781578597536 6786: 6782: 6777: 6774: 6770: 6766: 6761: 6757: 6755:9781438146379 6751: 6747: 6742: 6730: 6726: 6725: 6720: 6715: 6703: 6699: 6695: 6690: 6686: 6680: 6676: 6671: 6660: 6656: 6651: 6639: 6635: 6631: 6626: 6615: 6610: 6604: 6593: 6588: 6582: 6571: 6567: 6562: 6558: 6554: 6550: 6549: 6548:Texas Monthly 6543: 6539: 6535: 6531: 6530:Texas Monthly 6526: 6515: 6514: 6508: 6502: 6490: 6486: 6482: 6477: 6466: 6462: 6457: 6446: 6445: 6440: 6436: 6432: 6428: 6422: 6418: 6414: 6409: 6406: 6401: 6396: 6385: 6381: 6376: 6365: 6361: 6356: 6344: 6343: 6338: 6334: 6330: 6319: 6318: 6312: 6306: 6295: 6290: 6284: 6273: 6268: 6262: 6251: 6246: 6240: 6229: 6228: 6222: 6216: 6205: 6200: 6194: 6183: 6178: 6172: 6161: 6156: 6150: 6139: 6134: 6128: 6117: 6112: 6106: 6102: 6096: 6092: 6087: 6083: 6081:0-8230-7691-1 6077: 6073: 6072: 6066: 6055: 6054: 6048: 6042: 6031: 6026: 6020: 6009: 6004: 5998: 5986: 5982: 5977: 5964: 5959: 5955: 5950: 5939: 5934: 5928: 5917: 5916:El Paso Times 5912: 5906: 5895: 5890: 5886: 5880: 5875: 5874: 5867: 5863: 5857: 5853: 5849: 5844: 5832: 5829:. p. 2. 5828: 5827: 5822: 5817: 5813: 5811:0-87930-627-0 5807: 5802: 5801: 5795: 5791: 5787: 5781: 5777: 5776: 5770: 5767: 5762: 5761: 5755: 5751: 5749:0-684-83193-7 5745: 5741: 5740: 5735: 5731: 5719: 5715: 5714: 5709: 5705: 5701: 5697: 5696: 5690: 5686: 5682: 5678: 5677: 5671: 5660: 5656: 5652: 5640: 5639: 5633: 5628: 5616: 5609: 5605: 5593: 5592: 5587: 5586:"Daily Break" 5583: 5571: 5567: 5566: 5561: 5557: 5550:September 19, 5545: 5541: 5537: 5526: 5522: 5518: 5511: 5507: 5496: 5492: 5488: 5484: 5480: 5476: 5471: 5458: 5453: 5449: 5445: 5433: 5432: 5426: 5421: 5409: 5402: 5398: 5394: 5382: 5381: 5380:El Paso Times 5375: 5370: 5359: 5355: 5351: 5340: 5336: 5332: 5325: 5321: 5306: 5302: 5298: 5294: 5287: 5283: 5271: 5267: 5266: 5261: 5257: 5246: 5242: 5238: 5231: 5227: 5223: 5210: 5205: 5204: 5199: 5195: 5184: 5180: 5176: 5165: 5161: 5157: 5146: 5142: 5138: 5126: 5122: 5118: 5106: 5099: 5095: 5083: 5079: 5075: 5071: 5059: 5055: 5051: 5039: 5035: 5031: 5029: 5023: 5011: 5007: 5003: 4999: 4987: 4983: 4979: 4975: 4963: 4959: 4958: 4953: 4949: 4948: 4943: 4937:, p. 57. 4936: 4931: 4928: 4924: 4919: 4916: 4913:, p. 58. 4912: 4907: 4904: 4901:, p. 83. 4900: 4895: 4892: 4888: 4883: 4880: 4877:, p. 55. 4876: 4871: 4868: 4864: 4859: 4856: 4852: 4851:Simmonds 2012 4847: 4844: 4840: 4835: 4832: 4829:, p. 14. 4828: 4823: 4820: 4816: 4811: 4808: 4804: 4799: 4796: 4792: 4787: 4784: 4780: 4775: 4772: 4768: 4763: 4760: 4756: 4751: 4748: 4744: 4739: 4736: 4732: 4727: 4724: 4720: 4715: 4712: 4708: 4703: 4701: 4697: 4693: 4688: 4686: 4682: 4678: 4673: 4670: 4667:, p. 38. 4666: 4661: 4659: 4655: 4651: 4646: 4644: 4640: 4636: 4635:Bogdanov 2001 4631: 4628: 4624: 4619: 4616: 4612: 4607: 4605: 4601: 4597: 4592: 4589: 4585: 4580: 4578: 4574: 4570: 4565: 4563: 4561: 4557: 4554:, p. 47. 4553: 4548: 4545: 4541: 4536: 4533: 4529: 4524: 4521: 4518:, p. 62. 4517: 4512: 4509: 4506:, p. 31. 4505: 4500: 4497: 4493: 4492:Verhovek 1995 4488: 4485: 4482:, p. 16. 4481: 4476: 4473: 4470:, p. 30. 4469: 4464: 4461: 4457: 4452: 4449: 4445: 4440: 4438: 4436: 4434: 4432: 4428: 4425:, p. 52. 4424: 4419: 4416: 4412: 4407: 4404: 4400: 4395: 4392: 4389:, p. 96. 4388: 4383: 4380: 4377:, p. 50. 4376: 4371: 4368: 4365:, p. 50. 4364: 4359: 4356: 4352: 4347: 4345: 4341: 4338:, p. 26. 4337: 4332: 4329: 4325: 4320: 4318: 4314: 4311:, p. 81. 4310: 4305: 4302: 4298: 4297:Kanellos 2023 4293: 4290: 4286: 4281: 4278: 4274: 4269: 4267: 4263: 4260:, p. 88. 4259: 4254: 4251: 4247: 4242: 4239: 4236:, p. 10. 4235: 4230: 4227: 4224:, p. 45. 4223: 4218: 4216: 4212: 4208: 4203: 4201: 4197: 4193: 4188: 4185: 4181: 4176: 4173: 4169: 4164: 4161: 4158:, p. 24. 4157: 4152: 4149: 4146:, p. 27. 4145: 4140: 4137: 4134:, p. 73. 4133: 4128: 4125: 4121: 4116: 4113: 4110:, p. 58. 4109: 4104: 4101: 4098:, p. 99. 4097: 4092: 4089: 4086:, p. 94. 4085: 4080: 4078: 4076: 4072: 4069:, p. 82. 4068: 4067:San-Juan 1992 4063: 4060: 4056: 4051: 4048: 4045:, p. 83. 4044: 4039: 4036: 4033:, p. 73. 4032: 4027: 4024: 4021:, p. 29. 4020: 4015: 4012: 4008: 4003: 4000: 3997:, p. 47. 3996: 3991: 3988: 3985:, p. 36. 3984: 3979: 3976: 3972: 3967: 3964: 3960: 3955: 3952: 3949:, p. 23. 3948: 3947:Del Toro 2005 3943: 3940: 3936: 3931: 3928: 3925:, p. 20. 3924: 3919: 3916: 3912: 3907: 3904: 3900: 3895: 3892: 3888: 3883: 3880: 3876: 3871: 3868: 3865:, p. 43. 3864: 3859: 3856: 3853:, p. 40. 3852: 3847: 3844: 3840: 3835: 3832: 3829:, p. 86. 3828: 3823: 3821: 3819: 3817: 3815: 3811: 3807: 3802: 3799: 3796:, p. 60. 3795: 3790: 3787: 3784:, p. 93. 3783: 3778: 3775: 3771: 3766: 3763: 3760:, p. 66. 3759: 3754: 3751: 3747: 3742: 3739: 3736:, p. 40. 3735: 3730: 3727: 3724:, p. 33. 3723: 3718: 3715: 3711: 3706: 3703: 3699: 3698:San-Juan 1992 3694: 3691: 3687: 3686:Chirinos 2005 3682: 3679: 3676:, p. 67. 3675: 3670: 3667: 3663: 3658: 3656: 3652: 3648: 3643: 3640: 3637:, p. 1G. 3636: 3631: 3628: 3624: 3619: 3616: 3612: 3607: 3604: 3600: 3595: 3592: 3589:, p. 79. 3588: 3583: 3580: 3576: 3571: 3568: 3564: 3559: 3556: 3552: 3547: 3544: 3540: 3535: 3533: 3529: 3525: 3520: 3517: 3513: 3512:Johnston 1995 3508: 3505: 3502:, p. 39. 3501: 3496: 3494: 3492: 3488: 3485:, p. 96. 3484: 3483:Reynolds 1995 3479: 3476: 3472: 3467: 3464: 3460: 3455: 3453: 3449: 3446:, p. 92. 3445: 3440: 3437: 3433: 3428: 3425: 3421: 3416: 3414: 3410: 3406: 3401: 3398: 3395:, p. 91. 3394: 3389: 3386: 3382: 3377: 3374: 3370: 3365: 3363: 3359: 3355: 3350: 3348: 3346: 3342: 3339:, p. 96. 3338: 3333: 3331: 3329: 3327: 3325: 3323: 3319: 3316:, p. 26. 3315: 3310: 3308: 3304: 3300: 3295: 3292: 3288: 3283: 3281: 3279: 3277: 3273: 3269: 3264: 3261: 3257: 3252: 3250: 3248: 3244: 3240: 3235: 3233: 3229: 3225: 3220: 3217: 3213: 3208: 3205: 3201: 3196: 3193: 3189: 3184: 3182: 3178: 3174: 3169: 3166: 3162: 3157: 3155: 3153: 3151: 3149: 3145: 3142:, p. 53. 3141: 3136: 3133: 3129: 3124: 3122: 3120: 3118: 3114: 3110: 3105: 3103: 3099: 3095: 3090: 3088: 3086: 3082: 3078: 3073: 3071: 3069: 3067: 3065: 3063: 3061: 3059: 3057: 3055: 3053: 3051: 3049: 3047: 3043: 3039: 3034: 3031: 3028:, p. 60. 3027: 3022: 3019: 3015: 3010: 3007: 3003: 2998: 2995: 2991: 2986: 2983: 2979: 2974: 2971: 2967: 2962: 2960: 2956: 2953:, p. 90. 2952: 2947: 2944: 2941:, p. 24. 2940: 2935: 2932: 2929:, p. 22. 2928: 2923: 2920: 2914: 2903: 2899: 2893: 2890: 2883: 2879: 2876: 2874: 2871: 2869: 2866: 2864: 2861: 2859: 2856: 2854: 2851: 2849: 2846: 2845: 2841: 2830: 2825: 2819: 2809: 2806: 2802: 2799: 2794: 2790: 2787: 2783: 2779: 2774:Certification 2769: 2766: 2757: 2750: 2747: 2742: 2738: 2735: 2730: 2724:Chart (1995) 2722: 2718: 2715: 2710: 2704:Chart (1994) 2702: 2698: 2695: 2690: 2684:Chart (1993) 2682: 2678: 2675: 2670: 2664:Chart (1992) 2662: 2659: 2650: 2643: 2635: 2632: 2627: 2619:Chart (1994) 2617: 2614: 2605: 2603: 2596: 2593: 2589: 2584: 2580: 2577: 2576: 2571: 2566: 2562: 2560: 2558: 2552: 2542: 2539: 2533: 2532: 2526:Weekly charts 2525: 2520: 2513: 2507: 2503: 2500: 2497: 2494: 2491: 2489: 2485: 2482: 2479: 2476: 2472: 2471: 2470: 2469: 2462: 2461: 2455: 2449: 2446: 2443: 2440: 2437: 2436: 2435: 2433: 2427: 2424: 2421: 2418: 2415: 2412: 2409: 2408: 2407: 2406: 2399: 2398: 2392: 2386: 2383: 2381: 2380:art direction 2377: 2374: 2371: 2368: 2367: 2363: 2362: 2361: 2359: 2353: 2350: 2347: 2344: 2341: 2337: 2334: 2333: 2330:Vocal credits 2329: 2328: 2327: 2326: 2322: 2320: 2312: 2304: 2301: 2298: 2295: 2291: 2287: 2284: 2278: 2275: 2274: 2272: 2269: 2265: 2261: 2259: 2256: 2254: 2251: 2248: 2244: 2240: 2234: 2231: 2230: 2228: 2225: 2222: 2219: 2215: 2211: 2207: 2204: 2202: 2201:Álvaro Torres 2199: 2196: 2195:Álvaro Torres 2193:" (featuring 2192: 2191:Buenos Amigos 2188: 2184: 2165: 2144: 2141:Total length: 2134: 2128: 2125: 2124: 2122: 2119: 2115: 2111: 2107: 2104: 2101: 2097: 2093: 2089: 2083: 2080: 2079: 2077: 2074: 2070: 2066: 2060: 2057: 2056: 2054: 2051: 2047: 2043: 2039: 2033: 2030: 2029: 2027: 2025:"Vuelve A Mí" 2024: 2020: 2016: 2010: 2007: 2006: 2004: 2002:"Las Cadenas" 2001: 1997: 1993: 1987: 1984: 1983: 1981: 1978: 1974: 1970: 1966: 1960: 1957: 1956: 1954: 1951: 1947: 1943: 1938: 1935: 1933: 1930: 1929: 1927: 1924: 1920: 1916: 1912: 1910: 1907: 1904: 1900: 1884: 1880: 1878: 1871:Track listing 1870: 1868: 1866: 1862: 1858: 1854: 1850: 1846: 1842: 1838: 1834: 1830: 1826: 1822: 1814: 1812: 1807: 1803: 1798: 1794: 1792: 1788: 1784: 1780: 1776: 1775: 1770: 1765: 1761: 1757: 1756:Debbie Gibson 1753: 1749: 1745: 1744: 1739: 1735: 1734:Texas Monthly 1730: 1728: 1724: 1723: 1722:The Oregonian 1718: 1714: 1710: 1706: 1702: 1701: 1696: 1695: 1694:Texas Monthly 1689: 1685: 1684: 1679: 1675: 1664: 1662: 1661: 1657: 1656: 1652: 1650: 1649: 1645: 1644: 1614: 1612: 1609: 1608: 1600: 1597:Review scores 1595: 1586: 1581: 1579: 1577: 1573: 1569: 1565: 1561: 1559: 1554: 1550: 1549: 1544: 1540: 1536: 1532: 1528: 1523: 1521: 1517: 1513: 1509: 1505: 1500: 1495: 1493: 1489: 1486: 1482: 1478: 1474: 1470: 1469: 1468:El Paso Times 1464: 1460: 1456: 1452: 1448: 1444: 1440: 1433: 1431: 1429: 1426: 1422: 1416: 1414: 1413: 1408: 1404: 1403:Latin America 1400: 1396: 1392: 1391: 1385: 1379: 1377: 1376: 1371: 1367: 1363: 1359: 1355: 1351: 1347: 1343: 1342:Cinco de Mayo 1339: 1335: 1328: 1320: 1318: 1316: 1312: 1308: 1303: 1298: 1293: 1291: 1287: 1283: 1278: 1274: 1270: 1265: 1263: 1262:San Francisco 1259: 1255: 1254: 1249: 1245: 1241: 1238: 1234: 1230: 1225: 1224: 1216: 1212: 1210: 1206: 1202: 1198: 1194: 1193:Buenos Amigos 1190: 1189:Álvaro Torres 1186: 1182: 1178: 1173: 1168: 1161: 1156: 1154: 1152: 1148: 1144: 1140: 1136: 1132: 1128: 1127: 1122: 1118: 1117: 1111: 1110: 1105: 1100: 1098: 1094: 1090: 1086: 1082: 1078: 1074: 1070: 1066: 1060: 1058: 1054: 1049: 1045: 1040: 1038: 1037: 1032: 1028: 1023: 1021: 1020:Fito Olivares 1016: 1011: 1009: 1005: 1001: 997: 993: 992:Tejano cumbia 989: 985: 981: 977: 973: 972: 967: 963: 962:rock and roll 959: 955: 948: 946: 934: 930: 929: 912: 892: 890: 888: 883: 879: 875: 871: 867: 863: 858: 856: 852: 848: 844: 843:Uvalde, Texas 840: 836: 832: 828: 824: 820: 816: 811: 809: 805: 801: 800:catchy melody 797: 793: 789: 785: 781: 777: 773: 769: 761: 757: 754: 749: 742: 740: 738: 734: 730: 729:Bebu Silvetti 725: 721: 717: 712: 709: 706: 705: 700: 699: 694: 689: 684: 683: 678: 674: 670: 666: 661: 659: 655: 651: 650: 645: 641: 633: 629: 625: 620: 613: 611: 609: 605: 601: 597: 593: 589: 585: 583: 578: 574: 570: 566: 562: 558: 554: 550: 547: 543: 539: 537: 533: 529: 528: 523: 519: 515: 511: 507: 503: 502: 497: 493: 492:Latin America 489: 485: 481: 477: 473: 469: 465: 461: 456: 454: 450: 446: 442: 438: 434: 430: 426: 422: 418: 414: 410: 405: 403: 399: 395: 391: 387: 383: 379: 378:Tejano cumbia 375: 371: 367: 363: 359: 355: 351: 347: 343: 339: 338: 328: 317: 311: 304: 298: 291: 285: 278: 272: 271: 268: 265: 261: 257: 248: 247: 243: 239: 238: 234: 230: 229: 225: 224: 220: 215: 211: 202: 201: 197: 193: 192: 188: 184: 183: 179: 178: 174: 170: 166: 160:Jorge A. Pino 159: 157: 156:Bebu Silvetti 154: 152: 149: 148: 146: 144: 140: 137: 134: 132: 128: 121: 118: 117: 115: 111: 99: 95: 92: 91:Tejano cumbia 89: 87: 83: 79: 76: 72: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 8557: 8535: 8521:Solo Para Ti 8519: 8503: 8489:Selena Live! 8487: 8472: 8471: 8455: 8439: 8427: 8400: 8388: 8376: 8364: 8352: 8342:Electrifying 8340: 8328: 8318:Prieta Linda 8316: 8304: 8218: 8211: 8204: 8185: 8173: 8166: 8159: 8132: 8082:Performances 8080: 8073: 8066: 8060:Video albums 8048: 8041: 8034: 8027: 8020: 8013: 8006: 7999: 7992: 7985: 7978: 7971: 7964: 7957: 7950: 7932: 7925: 7918: 7911: 7905:Remix albums 7893: 7886: 7879: 7874:Selena Live! 7872: 7854: 7847: 7829: 7822: 7816: 7815: 7808: 7801: 7721: 7709: 7699: 7675: 7659:. Retrieved 7648: 7632:. Retrieved 7628:the original 7621: 7607:November 18, 7605:. Retrieved 7601: 7583:. Retrieved 7579:the original 7574: 7558:. Retrieved 7552: 7538:November 18, 7536:. Retrieved 7532: 7516:November 18, 7514:. 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