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590:, Montreal. He had been invited by Sue Mingus to catalogue a trunkful of Mingus's handwritten charts and in the process had discovered a vast assortment of orchestral pages written by Mingus with measures numbered consecutively well into the thousands. After some investigation, Homzy realized what it was that he had found and eventually managed to reassemble the
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score. At that point Homzy and Sue Mingus got in touch with
Gunther Schuller, who put together an all-star orchestra to play this very demanding piece of music. However, despite the stellar cast that was assembled, problems were again encountered. Thirty years earlier, charts were being copied in the
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wanted to record and release. Then UA moved up the date five weeks, Mingus kept writing even newer music while rehearsals were underway, the musicians were unprepared (the Coss article suggests that in three previous rehearsals not one piece had been played all the way through), and audience members
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The microphone Mingus grabbed had no amplification, but what he said, more or less, was: "Get your money back. I couldn't stop you from coming here. The press agents lied to you. You've been taken advantage of. Go out now and get your money back. I don't want you to think I've done this to you. It
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outside of
Washington, DC. A double-CD was later released by Columbia/Sony Records. The concert was also filmed, and broadcast on U.K. television around 1990. The 1989 recording at Alice Tully Hall was recorded by John McClure and David Hewitt on Remote Recording Services' Silver Truck.
383:'s review: "The occasion was supposed to have been a public recording date, but the producers' announcements and ads somehow came out reading 'concert.' At one point during the proceedings, Mingus shouted to his audience, advising, 'Get your money back!'"
127:. It is 4,235 measures long, takes more than two hours to perform, and was only completely discovered during the cataloguing process after his death. With the help of a grant from the
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The concert/recording was extremely disorganized. From the liner notes: "...this record represents a curious combination of open recording session and concert on a
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The problems seem to have arisen because Mingus had piles of new music in his head, and wanted to stage an open rehearsal which United
Artists and producer
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Book... under 'Hard'." And conductor
Gunther Schuller stated "The only comparison I've ever been able to find is the great iconoclastic American composer
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wings before the show. This time, the charts were all computerized, but the software was buggy and again charts were being sight-read at the last minute.
395:, who is a fine promoter, changed it into a concert. So get your money back. The company has lots of money. It would take years to rehearse this music."
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in 1989, was a critical triumph, if ten years too late for
Charles Mingus to enjoy it. The same personnel performed the piece two days later at the
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stage that held thirty musicians, two men still copying the music to be played, no play-back equipment, and a host of unbelievable tensions."
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There was one ill-fated attempt to record some of "Epitaph" during Mingus's lifetime, in New York City on
October 12, 1962. The album
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164:(United Artists UAJ 14024) includes the tracks "Epitaph Pt. I" and "Epitaph Pt. II", as well as "Clark in the Dark", for trumpeter
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on June 3, 1989, 10 years after his death, and issued as a live album. It was performed again at several concerts in 2007.
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had apparently been expecting a fully rehearsed concert rather than a taping session with false starts and retakes.
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Wed, April 25, 2007, Frederick P. Rose Hall, Home of Jazz at
Lincoln Center, New York. Hosted by Bill Cosby
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Pop/Jazz; Reviving An 'Epitaph,' A Symphony By Mingus: Review By JON PARELES in the New York Times
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was published by Let My
Children Hear Music, Inc (The Charles Mingus Institute), distributed by
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Accurately convinced that it would never be performed in his lifetime, Mingus called his work
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titled "A Report of a Most
Remarkable Event", and was reprinted in the January 2005 edition.
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s recreation, by John Sobol, a jazz critic who was at the rehearsals and show
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Fri, May 18, 2007, 8pm, Symphony Center
Chicago, Symphony Orchestra Chicago
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resembles many other Mingus compositions in level of difficulty. Trumpeter
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in 2007, including new sections discovered since the 1989 premiere.
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A review by Bill Coss appeared in the December 6, 1962, edition of
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was rediscovered by Andrew Homzy, director of the jazz program at
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Fri, April 27, 2007, 8pm, Tri-C Jazz Festival, Cleveland, Ohio
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Roger Rosenberg (piccolo, flute, clarinet, baritone saxophone)
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Wed, May 16, 2007, 8pm, Walt Disney Concert Hall, Los Angeles
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Phil Bodner (oboe, English horn, clarinet, tenor saxophone)
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Pepper Adams Plays the Compositions of Charlie Mingus
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46:. Unsourced material may be challenged and removed.
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150:declaring that it was written "for my tombstone."
391:was supposed to be a recording session, but Mr.
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1391:A Modern Jazz Symposium of Music and Poetry
908:Let My Children Hear Music again presented
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1195:"Epitaph - Charles Mingus | AllMusic"
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106:Learn how and when to remove this message
55:"Epitaph" Charles Mingus composition
1239:"Charles Mingus Triumph of the Underdog"
1180:"Charles Mingus: Epitaph Lost and Found"
1847:Charles Mingus: Triumph of the Underdog
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775:Dale Kleps (flute, contrabass clarinet)
1419:Charles Mingus Presents Charles Mingus
1349:The Jazz Experiments of Charlie Mingus
678:Monk, Bunk & Vice Versa (Osmotin')
1773:Mingus Big Band Live at Jazz Standard
1706:Charles Mingus and Friends in Concert
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1666:Right Now: Live at the Jazz Workshop
1594:Jazz Portraits: Mingus in Wonderland
1274:– in-depth personal memoir of
671:Please Don't Come Back from the Moon
44:adding citations to reliable sources
1642:The Great Concert of Charles Mingus
1461:The Black Saint and the Sinner Lady
899:Daniel Druckman (percussion, tumba)
690:Ballad (In Other Words, I Am Three)
582:After Mingus's death, the score to
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1468:Mingus Mingus Mingus Mingus Mingus
1272:John Sobol, "Meeting the Underdog"
742:(clarinet, alto saxophone, speech)
123:is a composition by jazz musician
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135:and produced by Mingus's widow,
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1698:Charles Mingus Sextet In Berlin
1690:Music Written for Monterey 1965
1249:from the original on 2021-12-22
696:Interlude (The Underdog Rising)
31:needs additional citations for
1890:Compositions by Charles Mingus
1602:The Complete Town Hall Concert
1128:Christos Rafalides, vibraphone
766:(clarinet, baritone saxophone)
665:Self Portrait / Chill of Death
161:The Complete Town Hall Concert
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1900:Charles Mingus tribute albums
1895:Albums produced by Sue Mingus
1559:Charles Mingus with Orchestra
1531:Three or Four Shades of Blues
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844:Paul Faulise (bass trombone)
687:The Children's Hour of Dream
1840:Mingus: Charlie Mingus 1968
1566:Reincarnation of a Lovebird
1154:In 2008, the full score of
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1875:Charles Mingus live albums
1658:Mingus in Europe Volume II
1503:Let My Children Hear Music
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656:Better Get It in Your Soul
168:, who played in the band.
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1193:Kremsky, Stuart (2011).
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171:The musicians included:
1722:Mingus at Carnegie Hall
1496:Pithycanthropus Erectus
1363:Pithecanthropus Erectus
1356:Jazz Composers Workshop
598:This was no mean feat.
386:From the Coss article:
374:New York City Town Hall
937:and available online.
668:O.P. (Oscar Pettiford)
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1586:Mingus at the Bohemia
1552:Something Like a Bird
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681:Peggy's Blue Skylight
647:Percussion Discussion
183:(contrabass clarinet)
1752:(1971 autobiography)
1749:Beneath the Underdog
588:Concordia University
515:Professional ratings
231:(baritone saxophone)
225:(baritone saxophone)
40:improve this article
1792:Jazz at Massey Hall
1682:My Favorite Quintet
958:Saxes and woodwinds
728:Saxes and woodwinds
702:Main Score, Reprise
620:Wolf Trap Farm Park
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186:Romeo Penque (oboe)
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1674:Mingus at Monterey
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987:
984:
982:
979:
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974:
971:
970:Douglas Yates
968:
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938:
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839:Britt Woodman
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786:Randy Brecker
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300:Britt Woodman
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290:Willie Dennis
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96:December 2010
88:
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78:
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67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
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1838:
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1814:
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1730:Cornell 1964
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1624:
1618:Astral Weeks
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1522:
1515:
1510:Mingus Moves
1508:
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1459:
1454:Money Jungle
1452:
1445:
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1424:
1417:
1410:
1403:
1398:Mingus Ah Um
1396:
1389:
1384:Mingus Three
1382:
1375:
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1361:
1354:
1347:
1275:
1251:. Retrieved
1242:
1233:
1222:
1216:
1204:. Retrieved
1198:
1188:
1174:
1155:
1153:
1145:, percussion
1143:David Nyberg
1132:Jack Wilkins
1112:Boris Kozlov
1094:
1093:
1051:
1050:
1031:Jack Walrath
1026:Walter White
1014:
1013:
1003:Ronnie Cuber
981:Steve Slagle
957:
956:
945:
944:
928:
909:
907:
904:2007 version
894:Victor Lewis
873:Roland Hanna
854:
853:
834:David Taylor
814:
813:
809:Snooky Young
801:Jack Walrath
779:
778:
764:Gary Smulyan
752:George Adams
746:Bobby Watson
727:
726:
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612:Charles Ives
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569:
408:1989 version
401:Alan Douglas
398:
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371:
364:
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359:(percussion)
315:Warren Smith
308:
307:
304:Paul Faulise
273:
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268:Snooky Young
245:Rolf Ericson
241:Eddie Armour
235:
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229:Pepper Adams
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154:1962 version
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76:
69:
62:
50:
38:Please help
33:verification
30:
1800:Weary Blues
1524:Changes Two
1517:Changes One
1332:Discography
1253:21 December
1160:Hal Leonard
1138:Mark Belair
1083:Dave Taylor
1036:Dave Ballou
976:Craig Handy
861:Karl Berger
829:Urbie Green
393:George Wein
345:Milt Hinton
260:Clark Terry
255:Ernie Royal
196:Eric Dolphy
166:Clark Terry
1864:Categories
1786:Sue Mingus
1166:References
1058:Sam Burtis
1021:Ryan Kisor
879:John Hicks
825:Sam Burtis
821:Eddie Bert
805:Joe Wilder
796:Lew Soloff
734:John Handy
699:Noon Night
502:Sue Mingus
430:Live album
357:Grady Tate
333:Jaki Byard
280:Eddie Bert
181:Danny Bank
66:newspapers
1489:Blue Bird
1370:The Clown
1206:13 August
966:, bassoon
946:Conductor
941:Personnel
716:Conductor
711:Personnel
366:Down Beat
321:Les Spann
217:Zoot Sims
1634:Revenge!
1426:Pre-Bird
1276:Epitaph'
1247:Archived
1200:AllMusic
1134:, guitar
1119:, basses
1108:, pianos
1015:Trumpets
869:(guitar)
780:Trumpets
659:The Soul
534:AllMusic
497:Producer
490:Columbia
450:Recorded
442:Released
432: by
323:(guitar)
236:Trumpets
1832:Epitaph
1760:Related
1440:Oh Yeah
1243:YouTube
1156:Epitaph
1125:, drums
910:Epitaph
896:(drums)
881:(piano)
875:(piano)
693:Freedom
637:Disc 2
634:Disc 1
600:Epitaph
592:Epitaph
584:Epitaph
415:Epitaph
353:(drums)
335:(piano)
329:(piano)
148:Epitaph
120:Epitaph
80:scholar
1835:(1990)
1827:(1979)
1824:Mingus
1819:(1964)
1811:(1960)
1803:(1958)
1795:(1953)
1733:(2007)
1725:(1974)
1717:(1974)
1709:(1972)
1701:(1970)
1693:(1965)
1685:(1965)
1677:(1964)
1669:(1964)
1661:(1964)
1653:(1964)
1645:(1964)
1637:(1964)
1629:(1964)
1621:(1964)
1613:(1963)
1605:(1962)
1597:(1959)
1589:(1956)
1578:albums
1433:Mingus
1341:albums
1339:Studio
1224:Select
1090:, tuba
887:(bass)
850:(tuba)
571:Select
528:Rating
525:Source
468:Length
347:(bass)
341:(bass)
82:
75:
68:
61:
53:
1741:Books
1150:Score
608:Etude
485:Label
459:Genre
379:From
139:, at
87:JSTOR
73:books
1576:Live
1255:2014
1208:2011
463:Jazz
453:1989
445:1990
59:news
935:NPR
576:4/5
473:127
137:Sue
42:by
1866::
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477:22
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103:(
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84:·
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70:·
63:·
36:.
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