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and four angels. It is a contribution of Dmitry
Shemyaka, his wife Sofiya Dmitrievna and son Ivan to the Yuriev Monastery as evidenced by the inscription on the edge of the fabric.
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143:ΠΠ»Π°ΡΠ°Π½ΠΈΡΠ°. ΠΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΠ΅ Π²ΠΎ Π³ΡΠΎΠ±. 1444. ΠΠΎΠ²Π³ΠΎΡΠΎΠ΄ΡΠΊΠΈΠΉ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΡΠΉ ΠΎΠ±ΡΠ΅Π΄ΠΈΠ½ΡΠ½Π½ΡΠΉ ΠΌΡΠ·Π΅ΠΉ-Π·Π°ΠΏΠΎΠ²Π΅Π΄Π½ΠΈΠΊ.
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183 cm Γ 124.5 cm (6 ft 0 in Γ 4 ft 1.0 in)
100:. It dates back to 1444. The work is kept in the Novgorod Museum-Reserve.
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This article about a fifteenth-century painting is a
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ΠΊΡΠ»ΡΡΡΡ. pp. 274β276.
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78:Epitaphios of Grand Prince Dmitry Shemyaka
22:Epitaphios of Grand Prince Dmitry Shemyaka
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156:ΠΡΠ΅ΡΠΊΠΈ ΠΈΡΡΠΎΡΠΈΠΈ ΡΡΠ΅Π΄Π½Π΅Π²Π΅ΠΊΠΎΠ²ΠΎΠ³ΠΎ ΠΠΎΠ²Π³ΠΎΡΠΎΠ΄Π°
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254:Paintings of the Entombment of Christ
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115:The materials of the epitaphios are
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264:15th-century painting stubs
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108:The epitaphios depicts
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154:Π―Π½ΠΈΠ½ Π. Π. (2008).
110:Christ in the tomb
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