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Equivocation (play)

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198:, a conspirator in the Gunpowder Plot. Cecil agrees. The next scene unfolds to show Wintour being suspended, with guards telling him how exactly he's going to be executed. Shag meets with Wintour, who at first refuses to speak with him. Shag is about to leave but when he sees how Wintour can't even write a letter to his wife because his hands are so damaged, Shag agrees to write Wintour's wife a letter if Wintour helps him. Wintour tells Shag of how Robert Catesby called a meeting to first start the plot. Catesby tells Wintour how Cecil gave him the gunpowder, supposedly for a military expedition on the continent. He also tells him of a room underneath Parliament where the deed can be done. Astonished, Shag asks Wintour about Garnet's role in this. Wintour informs him how Garnet was never in on the plan. Wintour, Catesby, and the other conspirators turn back into Shag's actors, who are just as astonished by the new play as Shag is. Richard tells them they can't do the show because it is far too dangerous to perform, but Shag insists. Richard realizes why Shag wants to do this so badly and tells Shag, "Helping someone else's son won't bring back yours." 190:(played by Armin) about how they plan on blowing up Parliament. After playing out the whole scene all the actors and Shag, with the exception of Sharpe, agree that it just doesn't work. Sharpe then suggests that they change the ending and blow up Parliament, and is immediately berated by Richard about how it is a terrible idea to put on a play about blowing up a king in the presence of the king. Nate and Armin mention how they don't understand how thirteen gentlemen could go about digging a tunnel under Parliament without getting caught, which gets Shag thinking. 202:
letter Wintour wrote to his wife away from Shag. Wintour's execution is announced. Shag begs for them to let him live, but Cecil will not comply. Wintour recites a poem before being hung, and then is cut down (while he is still alive), cut open, and then has his head cut off. At the final moments of the first act Cecil says, "Behold! The head of a traitor!" and holds up Wintour's severed head. Suddenly, the eyes of Wintour open and he whispers, "Thou liest." Blackout.
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how she hates both plays and soliloquies. Shag reenters, scolding her for messing with his work. Shag asks Judith how her twin brother is doing, and she reminds him that her brother is dead. She tells him to ask about her, in which he replies, "You're always the same." When Judith exits Shag's work comes to life. A scene unfolds, in Shakespearean tongue, of three conspirators (played by Nate, Richard, and Sharpe) meeting with the Jesuit priest
226:, explaining that he did not know them as conspirators. When Cecil challenges him to answer using plain "yes" and "no", he tells of a hypothetical scenario in which the King was seeking shelter from the Spanish in Coke's house, asking whether he would tell the Spanish the King was inside—betray the King or deliberately lie. Coke, trapped by Garnet's words, ends the trial and orders that Garnet be removed to his cell. 27: 182:, which Sharpe claims is unplayable. Shag breaks up the argument and tells them how Cecil called upon him, and how he has been commissioned to write a true history of the Gunpowder Plot. Shag tells them he's wary, since current events have never been done on the stage, but his actors claim he's "the man for the job". With that, Shag begins to write. 193:
Shag makes a trip back to see Cecil, who is annoyed that Shag has yet to finish the play. Shag tells Cecil he wants to know about the dirt ("Dirt? What dirt?"), which Cecil refuses to tell him of. After arguing some more, Shag tells Cecil how there is (in the story) no plot, to which Cecil, outraged,
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The play was produced as part of the 2015 season at the Shakespeare Theatre of New Jersey, directed by Paul Mullins. Cast included James Michael Reilly (Shag), Rob Krakovski (Richard/Garnet), Kevin Isola (Armin and others), Matthew Stucky (Sharpe/Tom Wintour/James), Dominic Comperatore (Nate/Cecil),
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has called for Master William Shagspeare (Shag for short) to commission a play for King James. After reading what it is he should write about, Shag quickly rejects the offer, but is overpowered by Cecil and is forced to take the commission. The scene suddenly turns into one of Shag's plays as actors
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Cecil then arrives at the Globe, wanting a word with Shag. He tells Shag how he has gotten his hands on a copy of the new script and does not deem it worthy to be performed. When Shag asks how he got a copy, Cecil insinuates there might be one or more moles in his theatre company. He then takes the
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Enter Judith, Shag's daughter, who looks at the darker aspects of life. After asking him how many people he's killed off in his new play, she gives him clothing to go change into. There is obvious tension between the two. While Shag changes off stage, Judith gives a soliloquy to the audience about
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Later, Shag comes to Garnet's cell disguised as a jailor, which Garnet quickly sees through. He tells Garnet he has come to learn to equivocate—to tell the truth in his play without getting caught at it. Garnet gives him the same hypothetical scenario and asks him what the Spanish are
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replies, "It is treason to say so!" When Shag says how he was just giving literary criticism, Cecil realizes his misunderstanding and acts like he said nothing. Shag also apologizes to Cecil for portraying Cecil's father as Polonius in Hamlet. He then asks to interview
352:, though it has many roles, was never intended to have a large cast. The intention was always to have six actors. Because of this, four of the six actors are meant to carry the weight of the show by taking on ten or more roles each. 341:
The play was produced by the Atlanta Shakespeare Company on April 23-May 8, 2016 as part of its 2015-16 season with Artistic Director Jeff Watkins taking the role of William Shagspeare.
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in Topanga, California, with Ted Barton, Alan Blumenfeld, Dane Oliver, Franc Ross, Taylor Jackson Ross, and Paul Turbiak in Mike Peebler's production hailed by the
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competition was being held, and student groups attending or competing were encouraged to attend the performance.
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presented the play in Seattle from 18 November through 13 December 2009. As in Ashland, it was directed by
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asks Garnet if he knew the conspirators of the plot, which he denies, but he then affirms knowing
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in Vancouver, Canada – being performed for a fixed run from July 2, 2014 to September 27, 2014.
84: 489: 479: 330: 318: 133: 419: 280: 462: 276: 264:, Christine Albright, Jonathan Haugen, Richard Elmore, John Tufts and Gregory Linington. 219: 195: 157: 153: 575: 368: 361: 310:, Tom Eason, Jason Whyte, Gavin Rutherford and Tai Berdinner-Blades. At the time the 303: 261: 383:
Gregory Linington – Armin, the script keeper/Sir Edward Coke/Robert Catesby/Ensemble
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in Ashland, Oregon. It premiered April 15, 2009, and closed on October 31, 2009.
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The second act starts in a courtroom at the trial of the Jesuit priest,
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that premiered at the Oregon Shakespeare Festival. It takes place in an
178:(Nate, Armin, Richard, and Sharpe) come out performing a scene from 20: 550:"Bill Cain's Equivocation — the Shakespeare Tavern Playhouse" 522:"An inventive, lively 'Equivocation' at Theatricum Botanicum" 566: 476:
Circa, 1996-2016 : and a celebration of forty years
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John Tufts – Sharpe/Thomas Wintour/King James/Ensemble
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The play was part of the 2014 season at Will Geer's
51:. Unsourced material may be challenged and removed. 148:(referred to as Shagspeare) to write an official 439:"If He Can, Above all, To His Own Self Be True" 377:Richard Elmore – Richard/Henry Garnet/Ensemble 8: 587:Cultural depictions of William Shakespeare 506:: CS1 maint: location missing publisher ( 111:Learn how and when to remove this message 524:. 9 September 2014 – via LA Times. 536:"The Shakespeare Theatre of New Jersey" 393: 499: 319:Bard on the Beach Shakespeare Festival 234:asking, but Shag can't figure it out. 374:Jonathan Haugen – Nate/Cecil/Ensemble 7: 49:adding citations to reliable sources 242:The play was first produced at the 437:Charles Isherwood (3 March 2010). 14: 592:Cultural depictions of Guy Fawkes 312:Sheilah Winn National Shakespeare 25: 36:needs additional citations for 338:and Therese Barbato (Judith). 1: 617:Plays set in the 17th century 317:It has also been produced at 254:Oregon Shakespeare Festival 244:Oregon Shakespeare Festival 633: 602:Plays based on real people 173:London. 1605. A room. Sir 267:The play appeared at the 250:Seattle Repertory Theatre 16:Play written by Bill Cain 334:as a "Critics' Choice." 60:"Equivocation" play 302:It was produced by the 424:www.talkinbroadway.com 367:Christine Albright – 345:Breaking up the roles 478:. Wellington. 2016. 364:– William Shagspeare 326:Theatricum Botanicum 271:in March, 2010 with 269:New York City Center 252:in partnership with 138:17th Century England 45:improve this article 612:Fiction set in 1605 607:Plays set in London 567:OSF's official site 146:William Shakespeare 461:2014-06-23 at the 406:www.seattlerep.org 285:Michael Countryman 128:is a 2009 play by 485:978-0-9941302-3-5 371:, Shag's daughter 331:Los Angeles Times 134:alternate history 121: 120: 113: 95: 624: 554: 553: 546: 540: 539: 532: 526: 525: 518: 512: 511: 505: 497: 472: 466: 453: 447: 446: 434: 428: 427: 416: 410: 409: 398: 281:Remy Auberjonois 116: 109: 105: 102: 96: 94: 53: 29: 21: 632: 631: 627: 626: 625: 623: 622: 621: 572: 571: 563: 558: 557: 548: 547: 543: 534: 533: 529: 520: 519: 515: 498: 486: 474: 473: 469: 463:Wayback Machine 454: 450: 436: 435: 431: 418: 417: 413: 400: 399: 395: 390: 358: 347: 308:Paul McLaughlin 277:Charlotte Parry 240: 208: 171: 166: 156:to assassinate 117: 106: 100: 97: 54: 52: 42: 30: 17: 12: 11: 5: 630: 628: 620: 619: 614: 609: 604: 599: 597:Gunpowder Plot 594: 589: 584: 574: 573: 570: 569: 562: 561:External links 559: 556: 555: 541: 527: 513: 484: 467: 465:at Circa.co.nz 448: 443:New York Times 429: 411: 402:"Equivocation" 392: 391: 389: 386: 385: 384: 381: 378: 375: 372: 365: 357: 354: 346: 343: 239: 236: 220:Robert Catesby 207: 204: 196:Thomas Wintour 170: 167: 165: 162: 154:Gunpowder Plot 119: 118: 33: 31: 24: 15: 13: 10: 9: 6: 4: 3: 2: 629: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 583: 580: 579: 577: 568: 565: 564: 560: 551: 545: 542: 537: 531: 528: 523: 517: 514: 509: 503: 495: 491: 487: 481: 477: 471: 468: 464: 460: 457: 452: 449: 444: 440: 433: 430: 425: 421: 415: 412: 407: 403: 397: 394: 387: 382: 379: 376: 373: 370: 366: 363: 362:Anthony Heald 360: 359: 356:Original cast 355: 353: 351: 344: 342: 339: 335: 333: 332: 327: 322: 320: 315: 313: 309: 305: 304:Circa Theatre 300: 298: 294: 290: 286: 282: 278: 274: 270: 265: 263: 262:Anthony Heald 259: 255: 251: 247: 245: 237: 235: 233: 227: 225: 221: 217: 214:. Prosecutor 213: 205: 203: 199: 197: 191: 189: 183: 181: 176: 168: 163: 161: 159: 155: 151: 147: 143: 139: 135: 131: 127: 126: 115: 112: 104: 93: 90: 86: 83: 79: 76: 72: 69: 65: 62: –  61: 57: 56:Find sources: 50: 46: 40: 39: 34:This article 32: 28: 23: 22: 19: 544: 530: 516: 475: 470: 456:Equivocation 451: 442: 432: 423: 414: 405: 396: 350:Equivocation 349: 348: 340: 336: 329: 323: 316: 301: 266: 248: 241: 231: 228: 212:Henry Garnet 209: 200: 192: 188:Henry Garnet 184: 179: 175:Robert Cecil 172: 158:King James I 150:history play 144:commissions 142:Robert Cecil 125:Equivocation 124: 123: 122: 107: 98: 88: 81: 74: 67: 55: 43:Please help 38:verification 35: 18: 297:Garry Hynes 293:David Pittu 273:John Pankow 238:Productions 216:Edward Coke 582:2009 plays 576:Categories 388:References 299:directed. 289:David Furr 258:Bill Rauch 224:Guy Fawkes 152:about the 71:newspapers 502:cite book 494:951440720 180:King Lear 130:Bill Cain 101:July 2011 459:Archived 164:Synopsis 85:scholar 492:  482:  369:Judith 232:really 140:where 87:  80:  73:  66:  58:  260:with 206:Act 2 169:Act 1 92:JSTOR 78:books 508:link 490:OCLC 480:ISBN 291:and 64:news 295:. 136:in 47:by 578:: 504:}} 500:{{ 488:. 441:. 422:. 404:. 287:, 283:, 279:, 275:, 160:. 552:. 538:. 510:) 496:. 445:. 426:. 408:. 114:) 108:( 103:) 99:( 89:· 82:· 75:· 68:· 41:.

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verification
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"Equivocation" play
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JSTOR
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Bill Cain
alternate history
17th Century England
Robert Cecil
William Shakespeare
history play
Gunpowder Plot
King James I
Robert Cecil
Henry Garnet
Thomas Wintour
Henry Garnet
Edward Coke
Robert Catesby
Guy Fawkes
Oregon Shakespeare Festival
Seattle Repertory Theatre
Oregon Shakespeare Festival
Bill Rauch

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