635:, wrote that he preferred the theatricality of the stage production, but "Now, after seeing Sidney Lumet's comparatively realistic film version, it's possible to appreciate Mr. Shaffer's text for what it is— an extraordinarily skillful, passionate inquiry into the entire Freudian method". Canby also found the movie's realism excessive, and said that "the movie exhausts us with information", specifically citing the scene where Alan rides a horse bareback as giving the viewers "anticlimactic detail". Canby also concluded "This is the best Burton performance since
353:", Alan further reveals that one evening Jill tempted him to go to a Swedish pornographic film at a local cinema, where he was shocked to see his father, who forced him to leave the cinema. After Alan went back with Jill to the stables, she stripped and offered him sex but he was unable to perform and, although she was sympathetic, told her to leave. Naked, and tormented that Equus sees all and is a jealous god, he blinded the horses.
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on Trojan, which the boy found thrilling, but his parents reacted negatively and injured him taking him off the horse. Martin also meets the stable manager, who reveals Alan secured his job through another employee, Jill. Devastated at the horses' injuries she indirectly caused, Jill has taken medical leave.
664:
English
Professor James M. Welsh felt using real horses in the film was understandable, but argued the outdoor scenes infringed on the "abstract theatrical design" that gave the play its creativity. Welsh also felt the explicit blinding was "potentially repulsive", and "much of the spirit of the play
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In stage productions, the horses are portrayed by human actors, often heavily built, athletic men wearing tribal-style masks. Lumet did not believe this could adequately be done in a film version, concluding a degree of realism was required, "because the reality he was being watched in was going to
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Martin begins winning the respect and confidence of Alan, who shares his earliest memory of a horse from when he was six and a man approached him on a horse named Trojan. Alan imagined the horse spoke to him, and said his true name was Equus, and this was the name of all horses. The man took Alan up
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Eventually, Alan admits to Martin that he would secretly take horses away from the stables at night to ride them nude, chanting prayers to Equus until he reached orgasm, after which he caressed them lovingly. Martin envies the boy's passionate paganism, in comparison to his own empty life, where he
291:
Lumet's translation of the acclaimed play to a cinematic version incorporated some realism, in the use of real horses as opposed to human actors, and a graphic portrayal of the blinding. Despite some criticism of this approach, the film received positive reviews, with awards for Burton, Firth and
624:
gave the film two and a half stars, arguing the realism in actual horses and their blinding, "strangely enough, get in the way of the play's own reality: the obsession that the two characters come to share"; however, Ebert complimented Burton and Firth on their performances.
320:
wife Dora. She had taught her son the basics of sex and that God sees all, but the withdrawn Alan replaced his mother's deity with a god he called Equus, incarnated in horses. Frank discloses to Martin that he witnessed Alan late at night in his room, haltered and
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655:"is rudely treated as the girl who, in another of those preposterous conventions of sixties movies, offers herself nude to the sensitive youth only to have him spurn her". Jesse Kornbluth, writing for
480:. Lumet found that Perkins' performance was excellent, but felt the stage productions failed to capture the conflict of the character Martin Dysart, which he believed was meant to represent writer
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Martin is left troubled by the fact that he can treat Alan to take away his pain but in the process will deprive the boy of his passion, leaving him as emotionally neutered as Martin himself.
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Lumet acknowledged that the film was "very vulnerable to attack", and critics were bound to ask why a film was needed when the play was "perfect", but initial reviews were "respectful".
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remarked that the film came "not a moment too soon" for fans of the play, and that Burton was eloquent, Firth "brings out the ugly and unpleasant qualities of the boy", while
584:. The film was produced during the height of the "tax shelter era" of Canadian filmmaking, in which foreign producers flocked to the country in order to take advantage of the
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Shaffer and Lumet spent more than one year preparing the screenplay before filming began. Much of the dialogue in
Shaffer's play is preserved, accurately, in the screenplay.
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The scene where Firth rides the horse nude was filmed in one take, in an uninterrupted shot lasting four and a half minutes. Whereas the blinding scene was done in
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on stage, Lumet opted to graphically display it to convey the horror. Much of the footage shot depicted the horses' heads morphing into faces of
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were considered for the part of Dysart in the film version. However, Burton's stage performance won over audiences, despite concerns about his
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which allowed investors to deduct up to a 100% of a film's budget provided it met certain requirements. That, combined with the value of the
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and abundance of cheaper crew and locations than those found abroad, led to a boom period in
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has ceased intimacies with his wife and is plagued by nightmares of ritualistically slaughtering children in
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Hesther
Salomon, a magistrate, asks her platonic friend Martin Dysart, a disillusioned
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create the dilemma within him". For horse-related stunts, the filmmakers consulted
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The film received generally positive reviews, currently holding a 70% rating on
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Films featuring a Best
Supporting Actor Golden Globe winning performance
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Barlow, Aaron (2008). "The
Greatest Cowboy Star You've Never Heard Of".
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Kornbluth, Jesse (December 1977). "The Two
Horsemen of Sidney Lumet".
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Films featuring a Best Drama Actor Golden Globe winning performance
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560:. The scenes in the stable and Alan's room were filmed in the
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329:-fashion which culminated in the name Equus as he climaxed.
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1977 British-American drama film directed by Sidney Lumet
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Haskell, Molly (7 November 1977). "An
Unstable Fable".
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Despite being a
British and American production set in
1462:. Westport, Connecticut and London: Greenwood Press.
1439:(Second ed.). The University Press of Kentucky.
1300:"The 50th Academy Awards (1978) Nominees and Winners"
556:, England, filming took place entirely in and around
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who works with disturbed teenagers at a hospital in
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1458:Video Versions: Film Adaptations of Plays on Video
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1403:Applebaum, Ralph (2006). "Colour and Concepts".
1109:"Tax Shelter Films | The Canadian Encyclopedia"
1738:King: A Filmed Record... Montgomery to Memphis
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514:, who had previously worked on almost all of
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1454:Erskine, Thomas L.; Welsh, James M. (2000).
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325:himself, as he chanted a series of names in
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1304:Academy of Motion Picture Arts and Sciences
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1268:"AFI's 100 Years of Film Scores Nominees"
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1435:Sidney Lumet: Film and Literary Vision
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877:Best Supporting Actor – Motion Picture
2203:Films based on plays by Peter Shaffer
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1161:"'Equus': Film of a Different Color"
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672:, based on 23 reviews. In 2005, the
1407:. University Press of Mississippi.
1354:Hollywood Foreign Press Association
2268:English-language independent films
2059:Hans Brinker and the Silver Skates
2028:Before the Devil Knows You're Dead
1159:Canby, Vincent (17 October 1977).
526:world views. With cinematographer
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2248:Films produced by Elliott Kastner
862:Best Actor – Motion Picture Drama
562:Toronto International Film Studio
1426:. Cambridge Scholars Publishing.
1133:Ebert, Roger (9 November 1977).
426:Elva Mai Hoover as Miss Raintree
345:. Given an aspirin serving as a
638:Who's Afraid of Virginia Woolf?
2188:Films directed by Sidney Lumet
1113:www.thecanadianencyclopedia.ca
682:AFI's 100 Years of Film Scores
1:
1648:Long Day's Journey into Night
1431:Cunningham, Frank R. (2001).
2183:1970s English-language films
1808:Murder on the Orient Express
1748:Last of the Mobile Hot Shots
614:Academy Award for Best Actor
1424:Film and Television Stardom
665:is lost as a consequence".
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312:. With Alan only singing
186:19 October 1977
175:14 October 1977
35:Theatrical release poster
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2243:Psychotherapy in fiction
1988:Night Falls on Manhattan
1405:Sidney Lumet: Interviews
1379:National Board of Review
1228:Erskine & Welsh 2000
992:Smith, Richard Harland.
977:Erskine & Welsh 2000
890:National Board of Review
530:and production designer
524:Apollonian and Dionysian
318:Christian fundamentalist
246:psychological drama film
151:Winkast Film Productions
797:Best Supporting Actress
760:Best Adapted Screenplay
674:American Film Institute
429:Ken James as Mr. Pearce
341:'s Greece, wearing the
2253:1977 independent films
2208:Films set in Hampshire
2198:Films about psychiatry
1638:A View from the Bridge
1579:Awards and nominations
842:Richard Rodney Bennett
678:Richard Rodney Bennett
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586:Capital Cost Allowance
137:Richard Rodney Bennett
2213:Films shot in Ontario
999:Turner Classic Movies
822:Best Supporting Actor
745:Best Supporting Actor
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314:TV commercial jingles
258:play of the same name
183: (United Kingdom)
2258:1970s American films
2223:United Artists films
2178:American drama films
2119:Sacco-Vanzetti Story
1375:"1977 Award Winners"
369:as Dr. Martin Dysart
194: (United States)
2263:1970s British films
2173:British drama films
1968:A Stranger Among Us
629:, chief critic for
2193:Films about horses
2079:Three by Tennessee
2069:All the King's Men
1868:Prince of the City
1758:The Anderson Tapes
1618:That Kind of Woman
1558:Films directed by
1280:on 6 November 2013
1166:The New York Times
929:"AFI|Catalog"
632:The New York Times
618:
601:Critical reception
484:'s inner turmoil.
411:as Margaret Dysart
399:as Hesther Saloman
327:Biblical genealogy
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2129:100 Centre Street
2109:The Iceman Cometh
2049:Beyond This Place
1928:The Morning After
1818:Dog Day Afternoon
1708:Bye Bye Braverman
1698:The Deadly Affair
1628:The Fugitive Kind
1049:, pp. 75–76.
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423:as the Ringmaster
343:Mask of Agamemnon
260:. The film stars
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558:Ontario, Canada
547:Balinese dagger
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474:Anthony Perkins
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1241:"Equus (1977)"
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1998:Critical Care
1994:
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1978:Guilty as Sin
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1589:Feature films
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1214:Texas Monthly
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1073:
1072:"AFI|Catalog"
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1061:, p. 30.
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900:Top Ten Films
898:
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853:
852:Golden Globes
849:
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843:
840:
838:
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834:
830:
828:
827:Colin Blakely
825:
823:
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803:
802:Jenny Agutter
800:
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766:
765:Peter Shaffer
761:
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704:Recipient(s)
693:
687:
685:
683:
680:'s music for
679:
675:
671:
666:
662:
660:
659:
658:Texas Monthly
654:
653:Jenny Agutter
650:
649:
645:'s review in
644:
643:Molly Haskell
640:
639:
634:
633:
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627:Vincent Canby
623:
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528:Oswald Morris
525:
521:
520:western films
517:
513:
512:Yakima Canutt
504:
502:
500:
496:
492:
491:Marlon Brando
488:
485:
483:
482:Peter Shaffer
479:
475:
471:
470:
466:saw the play
465:
457:
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443:
440:
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434:
433:David Gardner
431:
428:
425:
422:
419:
416:
413:
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407:
405:as Jill Mason
404:
403:Jenny Agutter
401:
398:
397:Eileen Atkins
395:
392:
391:Harry Andrews
389:
386:
383:
380:
379:Colin Blakely
377:
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311:
307:
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295:
293:
289:
287:
286:horse worship
283:
282:Jenny Agutter
279:
278:Eileen Atkins
275:
271:
270:Colin Blakely
267:
263:
259:
255:
254:Peter Shaffer
251:
247:
243:
242:
232:
228:
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217:United States
214:
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206:
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185:
174:
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168:Release dates
165:
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138:
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127:
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119:Oswald Morris
117:
113:
110:
109:Colin Blakely
106:
102:
101:Jenny Agutter
98:
94:
91:
87:
84:
83:Lester Persky
80:
77:
73:
68:
67:
63:
59:
56:
55:Peter Shaffer
53:
51:Screenplay by
49:
46:
43:
39:
32:
27:
22:
19:
2139:Strip Search
2137:
2127:
2117:
2107:
2097:
2087:
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2067:
2057:
2047:
2026:
2016:
2006:
1996:
1986:
1976:
1966:
1956:
1946:
1936:
1926:
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1906:
1896:
1886:
1876:
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1856:
1846:
1837:
1836:
1826:
1816:
1806:
1798:Lovin' Molly
1796:
1786:
1776:
1768:Child's Play
1766:
1756:
1746:
1736:
1726:
1718:The Sea Gull
1716:
1706:
1696:
1686:
1676:
1666:
1656:
1646:
1636:
1626:
1616:
1608:Stage Struck
1606:
1598:12 Angry Men
1596:
1560:Sidney Lumet
1517:
1506:
1495:
1478:
1457:
1434:
1423:
1404:
1397:Bibliography
1382:. Retrieved
1369:
1357:. Retrieved
1344:
1332:. Retrieved
1319:
1307:. Retrieved
1294:
1282:. Retrieved
1275:the original
1262:
1250:. Retrieved
1244:
1235:
1223:
1212:
1206:
1199:Haskell 1977
1194:
1187:Haskell 1977
1182:
1170:. Retrieved
1164:
1154:
1142:. Retrieved
1138:
1128:
1116:. Retrieved
1112:
1103:
1091:
1079:. Retrieved
1075:
1066:
1054:
1042:
1030:
1003:. Retrieved
997:
923:
881:Peter Firth
775:BAFTA Awards
723:3 April 1978
667:
663:
656:
646:
636:
630:
619:
574:Halton Hills
551:
536:
508:
489:
486:
467:
464:Sidney Lumet
461:
355:
335:
331:
323:flagellating
302:psychiatrist
299:
290:
250:Sidney Lumet
248:directed by
240:
239:
238:
203:Running time
64:
45:Sidney Lumet
18:
1908:Garbo Talks
1888:The Verdict
1778:The Offence
1572:Filmography
1035:Barlow 2008
750:Peter Firth
622:Roger Ebert
532:Tony Walton
458:Development
417:as Horseman
373:Peter Firth
266:Peter Firth
233:$ 4 million
207:137 minutes
97:Peter Firth
75:Produced by
41:Directed by
2163:1977 films
2157:Categories
2099:The Dybbuk
2040:Television
1469:0313301859
1446:0813190134
1414:1578067243
1384:23 October
1359:23 October
1334:23 October
1252:25 January
1172:23 October
1144:23 October
1118:23 January
1081:23 January
1005:24 October
915:References
846:Nominated
837:Best Music
831:Nominated
816:Nominated
789:Nominated
769:Nominated
754:Nominated
737:Nominated
728:Best Actor
676:nominated
580:suburb of
570:Georgetown
516:John Wayne
499:alcoholism
453:Production
415:John Wyman
351:truth drug
244:is a 1977
190:1977-10-19
179:1977-10-14
144:Production
2132:(2001–02)
1958:Q & A
1878:Deathtrap
1688:The Group
1668:Fail Safe
701:Category
688:Accolades
596:Reception
582:Riverdale
566:Kleinburg
554:Hampshire
539:pantomime
518:'s early
462:Director
409:Kate Reid
306:Hampshire
292:Agutter.
212:Countries
125:Edited by
1678:The Hill
1512:AllMovie
1480:New York
1284:6 August
648:New York
222:Language
133:Music by
89:Starring
61:Based on
1848:The Wiz
1828:Network
1788:Serpico
1651:(1962)
1350:"Equus"
1309:1 April
1135:"Equus"
707:Result
578:Toronto
505:Filming
347:placebo
225:English
188: (
177: (
146:company
2142:(2004)
2122:(1960)
2112:(1960)
2102:(1960)
2092:(1958)
2082:(1958)
2072:(1958)
2062:(1958)
2052:(1957)
2031:(2007)
2021:(2006)
2011:(1999)
2008:Gloria
2001:(1997)
1991:(1996)
1981:(1993)
1971:(1992)
1961:(1990)
1951:(1989)
1941:(1988)
1931:(1986)
1921:(1986)
1911:(1984)
1901:(1983)
1898:Daniel
1891:(1982)
1881:(1982)
1871:(1981)
1861:(1980)
1851:(1978)
1841:(1977)
1831:(1976)
1821:(1975)
1811:(1974)
1801:(1974)
1791:(1973)
1781:(1973)
1771:(1972)
1761:(1971)
1751:(1970)
1741:(1970)
1731:(1969)
1721:(1968)
1711:(1968)
1701:(1966)
1691:(1966)
1681:(1965)
1671:(1964)
1661:(1964)
1641:(1962)
1631:(1960)
1621:(1959)
1611:(1958)
1601:(1957)
1466:
1443:
1411:
711:Ref(s)
695:Award
447:as Art
310:sickle
280:, and
230:Budget
1918:Power
1838:Equus
1518:Equus
1507:Equus
1496:Equus
1278:(PDF)
1271:(PDF)
543:Jesus
469:Equus
339:Homer
241:Equus
66:Equus
24:Equus
1501:IMDb
1464:ISBN
1441:ISBN
1409:ISBN
1386:2016
1361:2016
1336:2016
1311:2012
1286:2016
1254:2024
1174:2016
1146:2016
1120:2020
1083:2020
1007:2016
906:Won
884:Won
869:Won
806:Won
780:1978
572:and
493:and
476:and
360:Cast
296:Plot
1521:at
1510:at
1499:at
564:in
2159::
1377:.
1352:.
1327:.
1302:.
1243:.
1163:.
1137:.
1111:.
1074:.
1015:^
996:.
984:^
969:^
954:^
937:^
684:.
641:"
501:.
288:.
276:,
272:,
268:,
264:,
1551:e
1544:t
1537:v
1483:.
1472:.
1449:.
1417:.
1388:.
1363:.
1338:.
1313:.
1288:.
1256:.
1176:.
1148:.
1122:.
1085:.
1009:.
931:.
616:.
349:"
192:)
181:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
