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used by various cultural groups as an essential element in determining the character of their music, and did much work in comparing different tunings. A lot of this work has been criticized since, but in its time, this was a rarely explored area. Hornbostel also argued that music should be a part of
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Stumpf, C. and E. v. Hornbostel. 1911. Ăśber die
Bedeutung ethnologischer Untersuchungen für die Psychologie und Ästhetik der Tonkunst. Beiträge zur Akustik und Musikwissenschaft 6: 102-115
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Hornbostel, Erich M. von. 1910. Ăśber vergleichende akustische und musikpsychologische
Untersuchungen. Beiträge zur Akustik und Musikwissenschaft 5: 143-167
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Hornbostel, E. v. 1913. Ăśber ein akustisches
Kriterium für Kulturzusammenhänge. Beiträge zur Akustik und Musikwissenschaft 7: 1-20
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devices (for finding the directions to artillery, aircraft, submarines, etc.) for the German war effort during
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and scholar of music. He is remembered for his pioneering work in the field of ethnomusicology, and for the
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system of musical instrument classification (published 1914).
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as a child, but his PhD at the
University of Vienna was in
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England, where he worked on an archive of non-European
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Zeitschrift fĂĽr
Psychologie und ihre Grenzwissenschaften
145:(25 February 1877 – 28 November 1935) was an Austrian
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536:Emigrants from Nazi Germany to the United Kingdom
220:In 1933, he was sacked from all his posts by the
263:Hornbostel's students include American composer
27:German-Ashkenazi Jewish musicologist (1877-1935)
456:Max Planck Institute for the History of Science
448:Short biography with links on digitized sources
396:. American Anthropological Association: 242.
338:Beobachtungen über ein- und zweiohriges Hören
283:Hornbostel also contributed to the theory of
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465:International Music Score Library Project
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244:Hornbostel did much work in the field of
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325:Erich M. v. Hornbostel and Curt Sachs:
197:, where he fell under the influence of
333:. Band 46, 1914, Heft 4–5, S. 553–590.
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177:is a Saxon nobility. He studied the
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363:Fritz Bose (1972),
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