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Ero e Leandro

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38: 1862: 91:, with the soprano soloist taking the role of Hero. In it, Hero finds her love, Leander, drowned, tears out her hair, thus symbolically rejecting the beauty which had led to Leander's fascination with her (and thus his death), then drowns herself. It is composed for a soprano solo (with no other singers), and a small orchestra consisting of two oboes, and two string sections: a 1883: 1873: 625: 125:
comes from a period very early in Handel's career, when Handel, having travelled to Italy in 1706, was replacing his former Germanic style of composition with the Italian style that he would use for the rest of his life. Music from it would be reused by Handel in his later compositions: Themes taken
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was first published in 1999 as part of Hallische Händel-Ausgabe's attempt to create a complete edition of all of Handel's works. It appears in
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It is the only of Handel's cantatas known, to reasonable certainty, to have been written under the patronage of Cardinal
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Harris, Ellen T (March 2001), "Kantaten mit Instrumenten, III: HWV 150, 165, 166, 170, 171, 173 (review)", in
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Harris, Ellen T (March 2001), "Kantaten mit Instrumenten, III: HWV 150, 165, 166, 170, 171, 173 (review)", in
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Georg Friedrich Händel. Kantaten mit Instrumenten, III: HWV 150, 165, 166, 170, 171, 173
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from this opera appear in both Handel's Recorder Sonata Opus 1, No 2 and in his
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Sawyer, John E (November 1999). "Irony and Borrowing in Handel's "Agrippina"".
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Agrippina condotta a morire or Dunque sarĂ  pur vero
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Handel's Compositions HWV 101-200 196: 1065:L'Allegro, il Penseroso ed il Moderato 95:of solo violin and violoncello, and a 1001:Il trionfo del Tempo e del Disinganno 168:Qual ti reveggio, oh Dio (Recitative) 99:made up of two violins, a viola, and 54:, also known after its first line as 7: 1872: 180:Questi dalla mia fronte (Recitative) 1739:Keyboard suite in D minor (HWV 437) 1005:Il trionfo del Tempo e della VeritĂ  413:Handel and the English Chapel Royal 1913:Cantatas by George Frideric Handel 1230:Ode for the Birthday of Queen Anne 14: 1395:Funeral Anthem for Queen Caroline 384:The Cambridge Companion to Handel 206:The Cambridge Companion to Handel 1881: 1871: 1861: 1860: 1416:Wedding anthem for Princess Anne 623: 186:Ecco, gelide labbra (Recitative) 1837:Handel & Hendrix in London 386:, Cambridge University Press, 209:, Cambridge University Press, 75:, composed during his stay in 1: 1510:Music for the Royal Fireworks 1009:The Triumph of Time and Truth 174:Amor, che ascoso (Recitative) 115:as well; however, unusually, 42: 1441:Utrecht Te Deum and Jubilate 1325:Tra le fiamme (Il consiglio) 580:Handel's lost Hamburg operas 177:Se la morte non vorrĂ  (Aria) 28:, nor the symphonic poem by 415:, Oxford University Press, 83:. 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Harris (2001), 57:Qual ti reveggio, oh Dio 24:, nor the lost opera by 20:, nor the 1897 opera by 1269:Allor ch'io dissi addio 1223:Aci, Galatea e Polifemo 1128:Joseph and his Brethren 411:Donald Burrows (2005), 382:Donald Burrows (1997), 203:Donald Burrows (1997), 1695:Concerti grossi, Op. 6 1690:Concerti grossi, Op. 3 1685:Organ concertos, Op. 7 1680:Organ concertos, Op. 4 1455:Queen Caroline Te Deum 1198:The Choice of Hercules 548:George Frideric Handel 468:(subscription access). 73:George Frideric Handel 46: 1283:Clori, Tirsi e Fileno 431:, p. 89, footnote 43. 305:Dean, Winton (1997), 40: 1817:Letters and writings 1290:Dalla guerra amorosa 951:Va tacito e nascosto 944:Svegliatevi nel core 564:List of compositions 248:. 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Index

Giovanni Bottesini
Luigi Mancinelli
Arrigo Boito
Alfredo Catalani
black&white photograph of a 1710 miniature of a young man's portrait
HWV
Italian-language
cantata
George Frideric Handel
Rome
Pietro Ottoboni
Greek myth
Hero and Leander
concertino
concerto grosso
continuo
oratorios
operas
Utrecht Te Deum
Agrippina
Pietro Ottoboni
The Cambridge Companion to Handel
ISBN
0-521-45613-4
ISBN
978-0-521-45613-5


G. F. Handel's Compositions HWV 101-200
Archived

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