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Eroticism

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31: 297: 445:, she discusses how the erotic comes from the sharing of joy, "whether physical, emotional, psychic, or intellectual" and provides the basis on which understanding provides a foundation for acknowledging difference. Lorde suggests that if we suppress the erotic rather than recognize its presence, it takes on a different form. Rather than enjoying and sharing with one another, it becomes objectifying, which she says translates into abuse as we attempt to hide and suppress our experiences. 288:, who argued that eroticism performs a function of dissolving boundaries between human subjectivity and humanity, a transgression that dissolves the rational world but is always temporary, as well as that, "Desire in eroticism is the desire that triumphs over the taboo. It presupposes man in conflict with himself". For Bataille, as well as many French theorists, "Eroticism, unlike simple sexual activity, is a psychological quest...eroticism is assenting to life even in death". 232: 329: 2011: 438:
a source of power specifically identified with the female, often corrupted or distorted by oppression, since it poses the challenge of change. "For women, this has meant a suppression of the erotic as a considered source of power and information within our lives". In "The Uses of the Erotic" within
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manifestation when the subject seeks to go beyond itself and form a communion with the object/other: "the true order of going...to the things of love, is to use the beauties of earth as steps...to all fair forms, and from fair forms to fair actions, and from fair actions to fair notions, until from
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of 1755 states that the erotic "is an epithet which is applied to everything with a connection to the love of the sexes; one employs it particularly to characterize...a dissoluteness, an excess". Libertine literature such as those by
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recognises eroticism and pornography as “two diametrically opposed uses of the sexual”, defining the erotic as “a measure between the beginnings of our sense of self and the chaos of our strongest feelings.” In her 1978 essay,
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Gauthier, Albert, "La sodomie dans le droit canonique medieval" in L'Erotisme au Moyen Age: Etudes presentees au IIe Colloque de l'Institut d'Etudes Medievales, 3-4 Avril 1976, ed. Roy, Bruno (Montreal: Ed. Aurore, 1977), pp.
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Aries, Philippe & Andre Bejin, eds., Western Sexuality: Practice and Precept in Past and Present, (Oxford: Blackwell, 1985; orig. pub. as Sexualities Occidentales, Paris: Editions du Seuil/Communications,
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writes, "demonstrate the difficulty of drawing... a clear generic demarcation between the erotic and the pornographic": "the history of the separation of pornography from eroticism... remains to be written".
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Marshall, John, "Pansies, Perverts and Macho Men: Changing Conceptions of Male Homosexuality", in Kenneth Plummer, ed., The Making of the Modern Homosexual, (London: Hutchinson, 1981), 133-54
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saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as
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Because the nature of what is erotic is fluid, early definitions of the term attempted to conceive eroticism as some form of sensual or romantic love or as the human sex drive (
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Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often confused eroticism with
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Foster. Jeannette H., Sex Variant Women in Literature: A Historical and Quantitative Survey 2nd ed., (New York: Vantage Press, 1956) (repr. Baltimore: Diana Press, 1975)
339: 792:(1871/1999), 746. However, Jowett's Victorian-era translation has asserted a reading of Plato that tends toward the physical-sex-less (e.g. the current sense of a 1790: 223:, Lorde identifies the erotic as a source of creative power that is deeply rooted in a spiritual plane of unrecognised or unexpressed feeling and sensation. 424:
summarized: "Eroticism has its own moral justification because it says that pleasure is enough for me; it is a statement of the individual's sovereignty".
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Fone, Byrne R.S., "Some Notes Toward a History of Gay People", The Advocate no. 259 (Jan 25, 1979), pp. 17-19 & no. 260 (Feb 28, 1979), pp. 11-13
397:, written primarily by and for a "handful of elite, heterosexual, bourgeois men" who "mistook their own repressed sexual proclivities" as the norm. 1023: 851: 690: 641: 1072: 189: 805: 765: 733: 369: 910:'Black Gay Male' Discourse: Reading Race and Sexuality Between the Lines". Journal of the History of Sexuality 3:3 (1993): 468-90. 2041: 1691: 1384: 1002:
Mangan, J. A. "Men, Masculinity, and Sexuality: Some Recent Literature". Journal of the History of Sexuality 3:2 (1992): 303-13
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point of view, respectively, seeing eroticism as both a political force and cultural critique for marginalized groups, or as
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Grande, L., "Laws and Attitudes towards Homosexuality from Antiquity to the Modern Era", Ponte 43:4-5 (1987), pp. 122-129
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Cohen, Ed, Talk on the Wilde Side: Towards a Genealogy of a Discourse on Male Sexualities, (New York: Routledge, 1999)
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Coward, D.A., "Attitudes to Homosexuality in Eighteenth Century France", Journal of European Studies 10, pp. 236 ff.
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relationship), compared to later scholars from Walter Pater through Michel Foucault, to the present. See Adam Lee,
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Bullough, Vern L., "Homosexuality and the Medical Model", Journal of Homosexuality 1:6 (1975), pp. 99-110
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Evans, David T., Sexual Citizenship: The Material Construction of Sexualities, (New York: Routledge, 1993)
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Morton, Donald, ed., The Material Queer: A LesBiGay Cultural Studies Reader, (Boulder CO: Westview, 1996)
75: 1998: 1572: 1525: 1434: 1259: 1232: 1206: 1140: 962:, (New York: Routledge: 1993) Gayle S. Rubin: Notes for a radical theory of the politics of sexuality, 3 525: 401: 308: 296: 1547: 2046: 1960: 1840: 1830: 1738: 1711: 1614: 1394: 1135: 304: 281: 240: 153: 2003: 1970: 1945: 1780: 1733: 1728: 1542: 1499: 1489: 1459: 1439: 1324: 1176: 1130: 1125: 1120: 1115: 1058: 485: 164: 1414: 231: 1965: 1955: 1925: 1900: 1686: 1624: 1484: 1284: 1191: 1110: 1095: 520: 421: 145: 125: 2015: 1975: 1850: 1743: 1717: 1359: 1319: 1274: 1254: 1211: 1186: 1105: 1100: 1019: 847: 801: 761: 757: 739: 729: 686: 637: 141: 1013: 972: 946: 1479: 1429: 1374: 1289: 1221: 959: 930: 818: 631: 495: 390: 285: 264: 200: 576:
Balzac, "The Physiology of Marriage" (1826), trans. Sharon Marcus (1997), Aphorism XXVI, 65
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perspective, viewing psychoanalytical and modernist views of eroticism as both archaic and
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Weinberg, M., & A. Bell, Homosexuality: An Annotated Bibliography, (New York: 1972)
549: 460: 405: 351: 252: 204: 149: 81: 2030: 1980: 1770: 1629: 1552: 1494: 1409: 1389: 1249: 1201: 515: 490: 248: 168: 109: 105: 57: 949:, (New York: Routledge: 1993) Eve Kosofsky Sedgewick: Epistemology of the closet, 45 1584: 1449: 1329: 1309: 1161: 409: 394: 386: 382: 1811:
A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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have turned to Greek philosophy for an understanding of eros' heightened
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Lorde, Audre (2007). "Uses of the Erotic: The Erotic As Power (1984)".
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from Abelove, Henry, Michele Aina Barale, and David Halperin, eds.,
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from Abelove, Henry, Michele Aina Barale, and David Halperin, eds.,
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from Abelove, Henry, Michele Aina Barale, and David Halperin, eds.,
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L'érotisme, by Georges Bataille, Paris (1957: UK publication 1962)
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feelings, as well as a philosophical contemplation concerning the
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stated, eroticism is dependent not just upon an individual's
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Modern French conceptions of eroticism can be traced to the
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all write extensively about eroticism from a heterosexual,
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fair notions he arrives at the notion of absolute beauty".
760:(Oxford: Clarendon, 1991), 105-8. Clarendon Press, 1991. 758:
Sexual Dissidence: Augusutine to Wilde, Freud to Foucault
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The Work of Art in the Age of Mechanical Reproduction
430:, a lesbian Caribbean-American writer and outspoken 1913: 1762: 1535: 1242: 1154: 1088: 776:Hunt, "Introduction", in Hunt ed., Eroticism p. 13 52:, whilst at each side a gazing male and female 798:The Platonism of Walter Pater: Embodied Equity 152:or anticipation of such – an insistent sexual 1066: 336:The examples and perspective in this section 8: 1791:The Literary Mind and the Carving of Dragons 633:The Cambridge Companion to Erotic Literature 112:. That quality may be found in any form of 1073: 1059: 1051: 354:, or create a new section, as appropriate. 1018:. New York: Ten Speed Press. p. 53. 544: 542: 370:Learn how and when to remove this message 148:. The term may also refer to a state of 538: 221:Uses of the Erotic: The Erotic as Power 1043:. NY: Ten Speed Press. pp. 53–58. 1012:Lorde, Audre; Clarke, Cheryl (2007) . 717: 715: 7: 1015:Sister Outsider: Essays and Speeches 728:. UK: Silver Press. pp. 22–25. 833:Hunt, "Introduction", in Hunt ed., 705:Hunt, "Introduction", in Hunt ed., 27:Quality that causes sexual feelings 973:The Lesbian and Gay Studies Reader 960:The Lesbian and Gay Studies Reader 947:The Lesbian and Gay Studies Reader 190:John Wilmot, 2nd Earl of Rochester 25: 800:(Oxford University Press, 2020). 725:Your silence will not protect you 683:Pornography: Men Possessing Women 616:(1755), quoted in Lynn Hunt ed., 192:evoked eroticism to the readers. 90: 'love, desire' and 2009: 327: 906:Flannigan-Saint-Aubin, Arthur. 808:; and, again, Dollimore (1991). 618:Eroticism and the Body Politic 555:Merriam-Webster.com Dictionary 1: 788:, in Benjamin Jowett trans., 1921:Aestheticization of politics 481:History of erotic depictions 389:consider the concept from a 350:, discuss the issue on the 96:) is a quality that causes 2068: 823:10.1177/004724418001004001 160:, or pattern of thoughts. 144:. It may also be found in 74: 1989: 235:Eroticism in literature. 227:Psychoanalytical approach 681:Dworkin, Andrea (1981). 1941:Evolutionary aesthetics 1891:The Aesthetic Dimension 2042:Concepts in aesthetics 1871:Avant-Garde and Kitsch 1821:Lectures on Aesthetics 320: 244: 61: 2016:Philosophy portal 935:10.1300/J082v01n01_08 866:(Penguin 2001) p. 256 756:Dollimore, Jonathan, 722:Lorde, Audre (2017). 526:Sex-positive movement 402:Eve Kosofsky Sedgwick 299: 234: 33: 1961:Philosophy of design 1841:In Praise of Shadows 1831:The Critic as Artist 630:Mudge, B.K. (2017). 348:improve this section 338:may not represent a 307:, late 19th-century 282:Age of Enlightenment 241:John William Godward 183:); for example, the 1971:Philosophy of music 1946:Mathematical beauty 790:The Essential Plato 620:(London 1991) p. 90 486:History of nude art 163:As French novelist 1966:Philosophy of film 1956:Patterns in nature 1926:Applied aesthetics 1901:Why Beauty Matters 1687:Life imitating art 1548:Art for art's sake 521:Sexual intercourse 422:Mario Vargas Llosa 321: 245: 237:The Old, Old Story 108:, sensuality, and 62: 2024: 2023: 1976:Psychology of art 1851:Art as Experience 1025:978-1-58091-186-3 862:George Bataille, 852:978-2-7073-0253-3 692:978-0-399-12619-2 643:978-1-107-18407-7 558:. 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Rubin 378: 377: 342:of the subject 340:worldwide view 335: 333: 326: 305:Jan Ciągliński 301:Symbolic dance 293: 290: 277: 274: 247:Influenced by 228: 225: 205:Andrea Dworkin 176: 173: 150:sexual arousal 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 2064: 2053: 2050: 2048: 2045: 2043: 2040: 2038: 2035: 2034: 2032: 2017: 2007: 2005: 2002: 2000: 1997: 1995: 1992: 1991: 1988: 1982: 1981:Theory of art 1979: 1977: 1974: 1972: 1969: 1967: 1964: 1962: 1959: 1957: 1954: 1952: 1949: 1947: 1944: 1942: 1939: 1937: 1934: 1932: 1929: 1927: 1924: 1922: 1919: 1918: 1916: 1912: 1903: 1902: 1898: 1893: 1892: 1888: 1883: 1882: 1878: 1872: 1868: 1862: 1858: 1853: 1852: 1848: 1843: 1842: 1838: 1832: 1828: 1823: 1822: 1818: 1813: 1812: 1808: 1803: 1802: 1798: 1793: 1792: 1788: 1783: 1782: 1778: 1773: 1772: 1771:Hippias Major 1768: 1767: 1765: 1761: 1755: 1752: 1750: 1747: 1745: 1742: 1740: 1737: 1735: 1732: 1730: 1727: 1725: 1722: 1720: 1719: 1715: 1713: 1710: 1708: 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1683: 1680: 1678: 1677: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1631: 1630:Entertainment 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1583: 1579: 1576: 1574: 1571: 1570: 1569: 1566: 1564: 1561: 1559: 1556: 1554: 1553:Art manifesto 1551: 1549: 1546: 1544: 1543:Appropriation 1541: 1540: 1538: 1534: 1528: 1527: 1523: 1521: 1518: 1516: 1513: 1511: 1508: 1506: 1503: 1501: 1498: 1496: 1493: 1491: 1488: 1486: 1483: 1481: 1478: 1476: 1473: 1471: 1468: 1466: 1463: 1461: 1458: 1456: 1453: 1451: 1448: 1446: 1443: 1441: 1438: 1436: 1435:Merleau-Ponty 1433: 1431: 1428: 1426: 1423: 1421: 1418: 1416: 1413: 1411: 1408: 1406: 1403: 1401: 1398: 1396: 1393: 1391: 1388: 1386: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1366: 1363: 1361: 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1326: 1323: 1321: 1318: 1316: 1313: 1311: 1308: 1306: 1303: 1301: 1298: 1296: 1293: 1291: 1288: 1286: 1283: 1281: 1278: 1276: 1273: 1271: 1268: 1266: 1263: 1261: 1258: 1256: 1253: 1251: 1250:Abhinavagupta 1248: 1247: 1245: 1241: 1235: 1234: 1230: 1228: 1225: 1223: 1220: 1218: 1215: 1213: 1210: 1208: 1205: 1203: 1202:Postmodernism 1200: 1198: 1195: 1193: 1190: 1188: 1185: 1183: 1180: 1178: 1175: 1173: 1170: 1168: 1165: 1163: 1160: 1159: 1157: 1153: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1107: 1104: 1102: 1099: 1097: 1094: 1093: 1091: 1087: 1083: 1076: 1071: 1069: 1064: 1062: 1057: 1056: 1053: 1042: 1035: 1032: 1027: 1021: 1017: 1016: 1008: 1005: 999: 996: 990: 987: 981: 978: 974: 968: 965: 961: 955: 952: 948: 942: 939: 936: 932: 926: 923: 916: 913: 903: 900: 894: 891: 885: 882: 878: 872: 869: 865: 859: 856: 853: 849: 843: 840: 837:p. 3 and p. 5 836: 830: 827: 824: 820: 814: 811: 807: 806:9780192588135 803: 799: 795: 791: 787: 786:The Symposium 782: 779: 773: 770: 767: 766:9780198112693 763: 759: 753: 750: 745: 741: 737: 735:0-9957162-2-6 731: 727: 726: 718: 716: 712: 708: 702: 699: 694: 688: 684: 677: 674: 668: 665: 659: 656: 645: 639: 635: 634: 626: 623: 619: 615: 610: 607: 601: 598: 591: 588: 582: 579: 573: 570: 557: 556: 551: 545: 543: 539: 532: 527: 524: 522: 519: 517: 514: 512: 509: 507: 504: 502: 499: 497: 494: 492: 491:Homoeroticism 489: 487: 484: 482: 479: 477: 474: 472: 469: 467: 464: 462: 459: 457: 454: 453: 448: 446: 444: 443: 437: 433: 429: 425: 423: 419: 415: 411: 407: 403: 398: 396: 392: 388: 384: 374: 371: 363: 360:February 2021 353: 349: 343: 341: 334: 325: 324: 318: 314: 310: 306: 302: 298: 291: 289: 287: 283: 275: 273: 270: 266: 262: 258: 254: 250: 249:Sigmund Freud 242: 238: 233: 226: 224: 222: 217: 213: 210: 206: 202: 198: 193: 191: 186: 182: 174: 172: 170: 166: 161: 159: 155: 151: 147: 143: 139: 135: 131: 127: 123: 119: 115: 111: 110:romantic love 107: 106:sexual desire 103: 99: 95: 94: 89: 87: 85: 77: 73: 70: 69:Ancient Greek 66: 59: 58:autoeroticism 55: 51: 47: 43: 39: 38: 32: 19: 1899: 1889: 1879: 1849: 1839: 1819: 1809: 1799: 1789: 1779: 1769: 1716: 1692:Magnificence 1674: 1634: 1524: 1490:Schopenhauer 1325:Coomaraswamy 1243:Philosophers 1231: 1162:Aestheticism 1040: 1034: 1014: 1007: 998: 989: 980: 967: 954: 941: 925: 915: 902: 893: 884: 876: 871: 863: 858: 842: 834: 829: 813: 797: 793: 789: 785: 781: 772: 752: 724: 706: 701: 682: 676: 667: 658: 647:. 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Index

Erotic

Kama
Khajuraho Temple
India
maithuna
masturbate
autoeroticism
Ancient Greek
ἔρως
érōs
-ism
sexual
aesthetics
sexual desire
romantic love
artwork
painting
sculpture
photography
drama
film
music
literature
advertising
sexual arousal
impulse
desire
Honoré de Balzac
sexual morality

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