1041:
1287:
1186:
1204:
1101:
645:
1003:
1269:
1249:
1118:
1087:
133:
1059:
1135:
1024:
384:
1152:
1751:
1073:
1231:
1216:
1169:
674:
872:
906:, but the appointment he desired was never given to him. He also aspired to be chosen deputy or made senator, but he was not elected. In 1861 he succeeded Abel de Pujol as member of the Academy of Fine Arts. On the occasion of the centenary festival in honour of Michelangelo in 1875 he was the delegate of the Institute of France to Florence, and spoke as its representative. Meissonier was an admirable draughtsman upon wood, his illustrations to
986:
321:. His father, Charles, had been a successful businessman, the proprietor of a factory in Saint-Denis, north of Paris, that made dyes for the textile industry. He expected Ernest, the eldest of his two sons, to follow him into the dye business. Yet from his schooldays Ernest showed a taste for painting, to which some early sketches, dated 1823, bear witness. After being placed with a druggist in the
971:
1542:
310:
25:
1734:
372:, London) it is, with fifteen other examples of this painter. It was the first attempt in France in the particular genre which was destined to make Meissonier famous: microscopic painting miniature in oils. Working hard for daily bread at illustrations for the publishers Curmer, Hetzel and Dubocherhe, Meissonier also exhibited at the Salon of 1836 with
923:
455:, who specialised in miniature scenes of bourgeois domestic life; "grandiose history paintings did not sell as readily as smaller canvases such as landscapes or portraits, which fitted more easily onto the walls of Paris apartments". He specialised in scenes from seventeenth- and eighteenth-century life, portraying his
661:
landscapists had encouraged
Meissonier to abandon for a while his obsession with historical authenticity in favour of something more spontaneous: " of creating eye-catching visual effects by means of a few salient touches of the brush. If these Antibes landscapes never matched the work of
1522:
656:
The light of the south attracted
Meissonnier. "It is delightful to sun oneself in the brilliant light of the South instead of wandering about like gnomes in the fog. The view at Antibes is one of the fairest sights in nature." And it is possible that the influence of
918:
being among the best known. The leading engravers and etchers of France have been engaged upon plates from the works of
Meissonier, and many of these plates command the highest esteem of collectors. Meissonier died in Paris on 31 January 1891.
408:
named Emma
Steinhel, the sister of M. Steinheil, one of his artistic companions. Two children were born in due course; Thérèse (1840), and Charles. On the birth registration of his daughter he described himself as a "painter of history".
1518:
628:
with canvas and easel, together with his wife, son and daughter, and two of his horses, Bachelier and Lady
Coningham. He may have been attracted there for historical reasons—in 1794 Napoleon had been imprisoned in
1203:
1100:
1040:
463:- playing chess, smoking pipes, reading books, sitting before easels or double basses, or posing in the uniforms of musketeers or halberdiers all executed in microscopic detail. Typical examples include
1286:
895:. In 1840 he was awarded a third-class medal, a second-class medal in 1841, first-class medals in 1843 and 1844 and medals of honour at the great exhibitions. In 1846 he was appointed knight of the
1185:
1268:
293:. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. Like
1002:
1248:
1554:
1951:
1380:
887:
Meissonier was attached by
Napoleon III to the imperial staff, and accompanied him during the campaign in Italy at the beginning of the war in 1870. During the
1956:
1086:
266:
Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The
English art critic
1778:
1563:
825:, but the prints are now scarcely to be found. Of all the painters of the century, Meissonier was one of the most fortunate in the matter of payments. His
325:, at age seventeen, he obtained leave from his parents to become an artist. Following the recommendation of a painter named Potier, himself a second class
1230:
1117:
1961:
666:, they nonetheless revealed Meissonier as a painter of remarkable versatility whose ambitions were not entirely at odds with those of the École des
1072:
644:
1519:"Restitution de 7 œuvres d'art spoliées faisant partie des œuvres dites Musées nationaux Récupération (MNR) aux ayants droit de Marguerite Stern"
1745:
931:
766:
830:
1926:
1738:
1707:
1215:
1058:
1134:
1023:
1834:
695:
1810:
564:
had indeed seen active service as a captain in the
National Guard, when he fought on the side of the republican government during the
270:
examined his work at length under a magnifying glass, "marvelling at
Meissonier's manual dexterity and eye for fascinating minutiae".
42:
552:
took
Meissonier more than three years to complete. The work, a battle scene, represented something of a departure for the painter of
1936:
1721:
1699:
1585:
1151:
518:
to the English Court. His triumph was sustained at the Salon of 1857, when he exhibited nine pictures, and drawings; among them the
108:
89:
1842:
1771:
992:
899:
and promoted to the higher grades in 1856, 1867 (June 29), and 1880 (July 12), receiving the Grand Cross in 1889 (October 29).
546:
from their territories in northern Italy, Meissonier received a government commission to illustrate scenes from the campaign.
888:
61:
46:
548:
1931:
861:
757:
686:
731:. Thenceforward he exhibited less in the Salons, and sent his work to smaller exhibitions. Being chosen president of the
68:
1168:
365:
1946:
1818:
1255:
970:
681:
Meissonier worked with elaborate care and a scrupulous observation of nature. Some of his works, as for instance his
1921:
1764:
1278:
1260:
1240:
581:
132:
75:
35:
934:
was re-vitalized, in 1890, Ernest Meissonier was elected its first chairman, but he died soon; his successor was
561:
1363:
732:
902:
He nevertheless cherished certain ambitions which remained unfulfilled. He hoped to become a professor at the
57:
1613:
985:
946:
1872:
903:
834:
413:
383:
1802:
1619:
515:
896:
1941:
1602:
1348:
1343:
1309:
388:
1916:
1911:
1321:
837:, was bought from the artist for £10,000, sold at Brussels for £11,000, and then resold for £16,000.
756:
of Meissonier's collected works, including 146 examples. As president of the jury on painting at the
690:
638:
240:
1326:
1296:
1195:
1050:
1013:
892:
753:
260:
891:
he was colonel of a regiment de marche, one of the improvised units thrown up in the chaos of the
397:
1331:
935:
573:
566:
539:
301:
and pre-industrial France, specialising in scenes from seventeenth- and eighteenth-century life.
297:, he excelled at depicting scenes of chivalry and masculine adventure against a backdrop of pre-
673:
556:
and musketeers though Meissonier had already painted scenes of violence and massacre, such as
82:
1717:
1703:
1695:
1581:
871:
412:
After some not very happy attempts at religious painting, he returned, under the influence of
298:
1314:
1596:
1353:
949:, also a painter, was his father's pupil, and was admitted to the Légion d'honneur in 1889.
663:
322:
1826:
1358:
959:
was restituted to the heirs of Marguerite Stern, from whom it was looted under the Nazis.
294:
285:, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the
277:, sometimes known as the Grande Maison. The Grande Maison included two large studios, the
227:
1865:
1612:
1009:
330:
1750:
637:
in 1815 he had come ashore at Golfe-Jouan—and the island of Sainte-Marguerite where the
273:
Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in
1574:
476:
444:, works which show the finish and certainty of his technique, and assured his success.
393:
369:
1905:
1558:
1548:
939:
630:
452:
349:
334:
416:, to the class of work he was born to excel in, and exhibited with much success the
1860:
1375:
616:
468:
326:
232:
203:
1676:
952:
Rue Meissonier, in the 17th Arrondissement in Paris, France, is named after him.
652:- "It is delightful to sun oneself in the brilliant light of the South," he wrote
822:
770:), and Meissonier became its president. He exhibited there in 1890 his painting
667:
345:
309:
267:
24:
1336:
405:
256:
543:
236:
1567:. Vol. 18 (11th ed.). Cambridge University Press. pp. 85–86.
1733:
880:
538:. When, in the summer of 1859, Emperor Napoleon III, together with
248:
1595:
1748:
in American public collections, on the French Sculpture Census website
922:
782:
649:
625:
876:
502:, 1852). In 1855 he touched the highest mark of his achievement with
338:
274:
1756:
1692:
The plight of emulation: Ernest Meissonier and French salon painting
1714:
The end of the Salon: art and the state in the early Third Republic
1547:
This article incorporates text from a publication now in the
921:
870:
672:
643:
382:
308:
252:
231:; 21 February 1815 – 31 January 1891) was a French
175:
781:
A less well-known class of work than his painting is a series of
586:
voted for him to join their number. To the Salon of 1861 he sent
634:
318:
244:
156:
1760:
840:
Besides his genre portraits, he painted some others: those of
18:
760:
he contributed some new pictures. In the following year the
685:, remained ten years in course of execution. To the great
392:(Napoleon and his staff returning from Soissons after the
1716:(Cambridge; New York: Cambridge University Press, 1993)
451:, a reference to the seventeenth-century Dutch painter
1429:
1427:
1425:
1423:
1421:
1419:
1417:
1415:
1413:
1411:
1677:
Illustrated Biographies of Modern Artists: Meissonier
1853:
1794:
1398:
1396:
735:in 1883, he was represented there by such works as
641:was imprisoned 1686–1698, was a little out to sea.
404:In 1838 Meissonier married a Protestant woman from
209:
199:
191:
183:
164:
142:
123:
49:. Unsourced material may be challenged and removed.
1573:
1381:List of claims for restitution for Nazi-looted art
821:, in the Hertford House collection. He also tried
570:. In autumn 1861 he was elected to a chair in the
689:he contributed sixteen pictures: the portrait of
542:King of Piedmont and Sardinia, tried to oust the
752:On 24 May 1884 an exhibition was opened at the
333:'s studio. He also formed his style after the
1772:
8:
774:; and in 1891, shortly after his death, his
579:
571:
1641:Histoire de la peinture militaire en France
875:Statue of Meissonier at Parc Meissonier in
1779:
1765:
1757:
1749:
693:which had been seen at the Salon of 1877,
549:The Emperor Napoleon III at Solferino
490:, which was never finished, and exhibited
120:
1209:Portrait du Marechal Ney, Duc d'Elchingen
239:. He became famous for his depictions of
109:Learn how and when to remove this message
910:(engraved by Lavoignat), to Lamartine's
860:. He also collaborated with the painter
1886:
1392:
966:
705:Moreau and his Staff before Hohenlinden
633:, and in 1815, returning from exile on
1952:Members of the Académie des beaux-arts
1893:
1505:
1493:
1433:
791:The Skill of Vuillaume the Lute Player
313:Ernest Meissonier, Self-portrait, 1889
1957:Honorary members of the Royal Academy
1614:"Meissonier, Jean Louis Ernest"
926:Ernest Meissonier, undated photograph
912:Fall of an Angel to Paul and Virginia
624:In June 1868 Meissonier travelled to
226:
7:
1606:. New York: Robert Appleton Company.
1481:
1469:
1457:
1445:
1402:
520:Young Man of the Time of the Regency
344:He paid short visits to Rome and to
47:adding citations to reliable sources
1835:1805, Cuirassiers Before the Charge
1694:(Princeton University Press, 1996)
648:In June 1868 Meissonier arrived in
1580:, New York: Walker & Company,
14:
1611:Rines, George Edwin, ed. (1920).
1594:Herbermann, Charles, ed. (1913).
1962:19th-century French male artists
1732:
1540:
1525:from the original on 2020-12-02.
1285:
1267:
1247:
1229:
1222:Rue de la Mortellerie, June 1848
1214:
1202:
1184:
1167:
1150:
1133:
1116:
1099:
1085:
1071:
1057:
1039:
1022:
1001:
984:
969:
932:Société Nationale des Beaux-Arts
916:The French Painted by Themselves
767:Société Nationale des Beaux-Arts
364:, subsequently purchased by Sir
131:
23:
955:In 2020, Meissonier's painting
447:Meissonier became known as the
352:of 1831 a painting then called
34:needs additional citations for
1275:A General and His Aide-de-camp
721:The Outpost of the Grand Guard
317:Ernest Meissonier was born in
1:
1555:Meissonier, Jean Louis Ernest
434:Young Man looking at Drawings
228:[ʒɑ̃lwiɛʁnɛstmɛsɔnje]
1927:19th-century French painters
1739:Jean-Louis-Ernest Meissonier
1669:Meissonier, sa vie—son œuvre
1124:The Marchioness of Manzanedo
610:. He subsequently exhibited
422:Young Man playing the 'Cello
362:The Visit to the Burgomaster
220:Jean-Louis-Ernest Meissonier
125:Jean-Louis-Ernest Meissonier
1819:Soldier Playing the Theorbo
1256:Soldier Playing the Theorbo
1978:
1634:Works published up to 1901
1364:Gaylord Sangston Truesdell
1279:Metropolitan Museum of Art
1261:Metropolitan Museum of Art
1241:Metropolitan Museum of Art
1092:Self-portrait, oil sketch,
889:Siege of Paris (1870–1871)
744:The Arrival of the Guests,
514:), which was presented by
368:, in whose collection (at
16:French painter (1815–1891)
1597:"Ernest Meissonier"
1080:jumping at a gallop, n.d.
938:. The vice-president was
866:The Park at St Cloud
733:Great National Exhibition
619:and the Army of the Rhine
580:
572:
130:
1937:19th-century war artists
1685:Contemporary scholarship
1657:(Paris and London, 1897)
604:The Emperor at Solferino
578:when the members of the
558:Remembrance of Civil War
389:1814. Campagne de France
1564:Encyclopædia Britannica
1553:Frantz, Henri (1911). "
1065:Relief after the Battle
947:Jean Charles Meissonier
803:Preparations for a Duel
582:Académie des Beaux-Arts
540:Victor Emmanuel II
414:Antoine-Marie Chenavard
348:, and exhibited in the
259:and was the teacher of
1620:Encyclopedia Americana
927:
884:
815:The Reporting Sergeant
741:The Army of the Rhine,
678:
653:
536:A Reading at Diderot's
401:
354:Les Bourgeois Flamands
337:as represented in the
314:
251:themes. He documented
1811:French Campaign, 1814
1741:at Wikimedia Commons
1648:Notice sur Meissonier
1603:Catholic Encyclopedia
1576:The Judgment of Paris
1344:Daniel Ridgway Knight
925:
874:
778:was displayed there.
729:Dictating his Memoirs
676:
647:
475:, which was owned by
426:Painter in his Studio
386:
360:), but also known as
329:, he was admitted to
312:
1932:French male painters
1876:(1966-1967 painting)
904:École des Beaux-Arts
691:Alexandre Dumas fils
639:Man in the Iron Mask
43:improve this article
1712:Patricia Mainardi,
1572:King, Ross (2006),
1484:, pp. 234–235.
1297:Clark Art Institute
1196:Clark Art Institute
1107:The End of the Game
1051:Clark Art Institute
1014:Battle of Solferino
893:Franco-Prussian war
831:duc d'Aumale's
696:Cuirassiers of 1805
612:A Gamblers' Quarrel
600:M. Louis Fould
195:Painting, Sculpture
58:"Ernest Meissonier"
1947:French war artists
1843:The Siege of Paris
1472:, pp. 27, 45.
1349:Charles Meissonier
1310:Georges Bretegnier
993:The Siege of Paris
936:Puvis de Chavannes
928:
908:Les Conties Rémois
885:
829:, now in the late
758:Exhibition of 1889
709:Portrait of a Lady
701:A Venetian Painter
687:Exhibition of 1878
679:
677:Ernest Meissonnier
654:
602:; to that of 1864
574:Institut de France
402:
315:
1922:Artists from Lyon
1883:
1882:
1788:Ernest Meissonier
1746:Ernest Meissonier
1737:Media related to
1708:978-0-691-04374-6
1496:, pp. 85–86.
1078:Study of a horse,
977:Head of a Soldier
795:The Little Smoker
713:Road to La Salice
528:The Shoeing Smith
516:Napoleon III
217:
216:
137:Ernest Meissonier
119:
118:
111:
93:
1969:
1897:
1891:
1781:
1774:
1767:
1758:
1753:
1736:
1662:Maîtres modernes
1624:
1616:
1607:
1599:
1590:
1579:
1568:
1546:
1544:
1543:
1527:
1526:
1515:
1509:
1503:
1497:
1491:
1485:
1479:
1473:
1467:
1461:
1460:, pp. 5, 9.
1455:
1449:
1443:
1437:
1431:
1406:
1400:
1340:
1327:Édouard Detaille
1318:
1289:
1271:
1251:
1237:The Card Players
1233:
1218:
1206:
1188:
1171:
1154:
1141:The Card Players
1137:
1120:
1103:
1089:
1075:
1061:
1043:
1030:A Game of Piquet
1026:
1005:
988:
973:
957:Joueurs d’échecs
897:Légion d'honneur
864:in a picture of
764:was formed (the
585:
584:
577:
576:
486:(1848) he began
440:(1845), and the
323:Rue des Lombards
261:Édouard Detaille
230:
225:
171:
153:21 February 1815
152:
150:
135:
121:
114:
107:
103:
100:
94:
92:
51:
27:
19:
1977:
1976:
1972:
1971:
1970:
1968:
1967:
1966:
1902:
1901:
1900:
1892:
1888:
1884:
1879:
1849:
1827:1807, Friedland
1790:
1785:
1730:
1687:
1674:J. W. Mollett,
1667:Ch. Formentin,
1636:
1631:
1629:Further reading
1610:
1593:
1588:
1571:
1552:
1541:
1539:
1536:
1531:
1530:
1517:
1516:
1512:
1504:
1500:
1492:
1488:
1480:
1476:
1468:
1464:
1456:
1452:
1444:
1440:
1432:
1409:
1401:
1394:
1389:
1372:
1359:Alphonse Moutte
1334:
1322:Maurice Courant
1312:
1306:
1299:
1290:
1281:
1272:
1263:
1252:
1243:
1234:
1225:
1224:, 1850 (Louvre)
1219:
1210:
1207:
1198:
1189:
1180:
1178:
1175:Leland Stanford
1172:
1163:
1161:
1158:The Philosopher
1155:
1146:
1144:
1138:
1129:
1127:
1121:
1112:
1108:
1104:
1095:
1093:
1090:
1081:
1079:
1076:
1067:
1062:
1053:
1047:Jules Pelletier
1044:
1035:
1033:
1027:
1018:
1006:
997:
989:
980:
974:
965:
787:The Last Supper
717:The Two Friends
588:A Shoeing Smith
467:, owned by the
366:Richard Wallace
307:
295:Alexandre Dumas
291:summer workshop
283:winter workshop
279:atelier d'hiver
223:
179:
173:
169:
168:31 January 1891
160:
154:
148:
146:
138:
126:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
1975:
1973:
1965:
1964:
1959:
1954:
1949:
1944:
1939:
1934:
1929:
1924:
1919:
1914:
1904:
1903:
1899:
1898:
1885:
1881:
1880:
1878:
1877:
1869:
1863:
1857:
1855:
1851:
1850:
1848:
1847:
1839:
1831:
1830:(c. 1861-1875)
1823:
1815:
1807:
1798:
1796:
1792:
1791:
1786:
1784:
1783:
1776:
1769:
1761:
1755:
1754:
1729:
1728:External links
1726:
1725:
1724:
1710:
1690:Marc Gotlieb,
1686:
1683:
1682:
1681:
1680:(London, 1882)
1672:
1665:
1658:
1651:
1644:
1635:
1632:
1630:
1627:
1626:
1625:
1608:
1591:
1586:
1569:
1559:Chisholm, Hugh
1535:
1532:
1529:
1528:
1510:
1498:
1486:
1474:
1462:
1450:
1438:
1407:
1391:
1390:
1388:
1385:
1384:
1383:
1378:
1371:
1368:
1367:
1366:
1361:
1356:
1351:
1346:
1341:
1329:
1324:
1319:
1305:
1302:
1301:
1300:
1291:
1284:
1282:
1273:
1266:
1264:
1253:
1246:
1244:
1235:
1228:
1226:
1220:
1213:
1211:
1208:
1201:
1199:
1190:
1183:
1181:
1173:
1166:
1164:
1156:
1149:
1147:
1139:
1132:
1130:
1122:
1115:
1113:
1105:
1098:
1096:
1091:
1084:
1082:
1077:
1070:
1068:
1063:
1056:
1054:
1045:
1038:
1036:
1028:
1021:
1019:
1007:
1000:
998:
990:
983:
981:
975:
968:
964:
961:
842:Doctor Lefevre
833:collection at
799:The Old Smoker
477:Queen Victoria
465:Halt at an Inn
438:Game of Piquet
430:The Guard Room
394:Battle of Laon
370:Hertford House
358:Dutch Burghers
306:
303:
215:
214:
211:
207:
206:
201:
197:
196:
193:
192:Known for
189:
188:
185:
181:
180:
174:
172:(aged 75)
166:
162:
161:
155:
144:
140:
139:
136:
128:
127:
124:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1974:
1963:
1960:
1958:
1955:
1953:
1950:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1930:
1928:
1925:
1923:
1920:
1918:
1915:
1913:
1910:
1909:
1907:
1896:, p. 86.
1895:
1890:
1887:
1875:
1874:
1870:
1867:
1864:
1862:
1859:
1858:
1856:
1852:
1845:
1844:
1840:
1837:
1836:
1832:
1829:
1828:
1824:
1821:
1820:
1816:
1813:
1812:
1808:
1805:
1804:
1800:
1799:
1797:
1793:
1789:
1782:
1777:
1775:
1770:
1768:
1763:
1762:
1759:
1752:
1747:
1744:
1743:
1742:
1740:
1735:
1727:
1723:
1722:0-521-43251-0
1719:
1715:
1711:
1709:
1705:
1701:
1700:0-691-04374-4
1697:
1693:
1689:
1688:
1684:
1679:
1678:
1673:
1671:(Paris, 1901)
1670:
1666:
1664:(Paris, 1884)
1663:
1660:T. G. Dumas,
1659:
1656:
1652:
1650:(Paris, 1892)
1649:
1645:
1643:(Paris, 1891)
1642:
1638:
1637:
1633:
1628:
1622:
1621:
1615:
1609:
1605:
1604:
1598:
1592:
1589:
1587:0-8027-1466-8
1583:
1578:
1577:
1570:
1566:
1565:
1560:
1556:
1550:
1549:public domain
1538:
1537:
1533:
1524:
1520:
1514:
1511:
1508:, p. 86.
1507:
1502:
1499:
1495:
1490:
1487:
1483:
1478:
1475:
1471:
1466:
1463:
1459:
1454:
1451:
1447:
1442:
1439:
1436:, p. 85.
1435:
1430:
1428:
1426:
1424:
1422:
1420:
1418:
1416:
1414:
1412:
1408:
1404:
1399:
1397:
1393:
1386:
1382:
1379:
1377:
1374:
1373:
1369:
1365:
1362:
1360:
1357:
1355:
1354:Louis Monziès
1352:
1350:
1347:
1345:
1342:
1338:
1333:
1330:
1328:
1325:
1323:
1320:
1316:
1311:
1308:
1307:
1303:
1298:
1294:
1288:
1283:
1280:
1276:
1270:
1265:
1262:
1258:
1257:
1250:
1245:
1242:
1238:
1232:
1227:
1223:
1217:
1212:
1205:
1200:
1197:
1193:
1187:
1182:
1176:
1170:
1165:
1159:
1153:
1148:
1142:
1136:
1131:
1125:
1119:
1114:
1110:
1102:
1097:
1088:
1083:
1074:
1069:
1066:
1060:
1055:
1052:
1048:
1042:
1037:
1031:
1025:
1020:
1016:
1015:
1011:
1004:
999:
995:
994:
987:
982:
978:
972:
967:
962:
960:
958:
953:
950:
948:
943:
941:
940:Auguste Rodin
937:
933:
924:
920:
917:
913:
909:
905:
900:
898:
894:
890:
882:
878:
873:
869:
867:
863:
859:
855:
851:
847:
843:
838:
836:
832:
828:
824:
820:
816:
812:
808:
804:
800:
796:
792:
788:
784:
779:
777:
773:
769:
768:
763:
759:
755:
754:Petit Gallery
750:
749:
745:
742:
738:
734:
730:
726:
722:
718:
714:
710:
706:
702:
698:
697:
692:
688:
684:
675:
671:
669:
665:
660:
651:
646:
642:
640:
636:
632:
627:
622:
620:
618:
613:
609:
605:
601:
597:
593:
589:
583:
575:
569:
568:
563:
559:
555:
551:
550:
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
501:
497:
493:
489:
488:A Day in June
485:
480:
478:
474:
470:
466:
462:
458:
454:
453:Gabriel Metsu
450:
445:
443:
442:Game of Bowls
439:
435:
431:
427:
423:
419:
418:Game of Chess
415:
410:
407:
399:
398:Musée d'Orsay
395:
391:
390:
385:
381:
379:
375:
371:
367:
363:
359:
355:
351:
347:
342:
340:
336:
335:Dutch masters
332:
328:
324:
320:
311:
304:
302:
300:
299:Revolutionary
296:
292:
288:
287:atelier d'été
284:
280:
276:
271:
269:
264:
262:
258:
254:
250:
246:
242:
238:
234:
229:
221:
213:Emma Steinhel
212:
208:
205:
202:
198:
194:
190:
186:
182:
177:
167:
163:
158:
145:
141:
134:
129:
122:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
1942:Academic art
1889:
1873:Tuna Fishing
1871:
1866:Léon Cogniet
1861:Academic art
1841:
1833:
1825:
1817:
1809:
1801:
1787:
1731:
1713:
1691:
1675:
1668:
1661:
1654:
1647:
1640:
1618:
1601:
1575:
1562:
1513:
1501:
1489:
1477:
1465:
1453:
1448:, p. 9.
1441:
1405:, p. 7.
1376:Military art
1293:The Musician
1292:
1274:
1254:
1236:
1221:
1191:
1174:
1157:
1140:
1123:
1106:
1064:
1046:
1029:
1010:Napoléon III
1008:
991:
976:
956:
954:
951:
944:
929:
915:
911:
907:
901:
886:
865:
857:
854:Doctor Guyon
853:
849:
845:
841:
839:
826:
819:Polichinelle
818:
814:
810:
806:
802:
798:
794:
790:
786:
780:
775:
771:
765:
761:
751:
747:
743:
740:
736:
728:
724:
720:
716:
712:
708:
704:
700:
694:
682:
680:
658:
655:
623:
615:
611:
607:
603:
599:
595:
591:
587:
565:
557:
553:
547:
535:
532:The Musician
531:
527:
523:
519:
511:
507:
504:The Gamblers
503:
499:
495:
491:
487:
483:
481:
472:
469:Duc de Morny
464:
460:
456:
449:French Metsu
448:
446:
441:
437:
433:
429:
425:
421:
420:(1841), the
417:
411:
403:
387:
377:
374:Chess Player
373:
361:
357:
353:
343:
331:Léon Cogniet
327:Prix de Rome
316:
290:
286:
282:
278:
272:
265:
235:painter and
219:
218:
204:Academic art
170:(1891-01-31)
105:
99:January 2021
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
1917:1891 deaths
1912:1815 births
1894:Frantz 1911
1814:(1860-1864)
1639:Alexandre,
1506:Frantz 1911
1494:Frantz 1911
1434:Frantz 1911
1335: [
1332:Lucien Gros
1313: [
1192:Man Reading
979:, 1860-1870
827:Cuirassiers
823:lithography
748:Saint Mark.
737:The Pioneer
668:Batignolles
614:(1865) and
524:The Painter
508:The Quarrel
494:(1849) and
461:goodfellows
346:Switzerland
268:John Ruskin
184:Nationality
1906:Categories
1655:Meissonier
1534:References
1111:, ca. 1870
850:Vanderbilt
631:Fort Carré
592:A Musician
554:bonshommes
482:After his
457:bonshommes
406:Strasbourg
378:Errand Boy
257:manoeuvres
149:1815-02-21
69:newspapers
1803:A Painter
1795:Paintings
1646:Laurens,
1482:King 2006
1470:King 2006
1458:King 2006
1446:King 2006
1403:King 2006
945:His son,
930:When the
914:, and to
883:), France
856:, and of
846:Chenavard
835:Chantilly
776:Barricade
762:New Salon
659:plein-air
596:A Painter
567:June Days
560:, and in
544:Habsburgs
500:Les Bravi
473:The Brawl
396:), 1864 (
305:Biography
1868:(master)
1653:Gréard,
1523:Archived
1370:See also
1295:, 1859.
1277:, 1869,
1259:, 1865,
1239:, 1863,
1194:, 1851.
1109:of Cards
1094:ca. 1865
1049:, 1867.
881:Yvelines
862:Français
858:Stanford
811:Troopers
783:etchings
664:Pissarro
621:(1867).
492:A Smoker
484:Soldiers
428:(1843),
376:and the
249:military
241:Napoleon
237:sculptor
233:academic
200:Movement
178:, France
159:, France
1854:Related
1561:(ed.).
1551::
1012:at the
963:Gallery
807:Anglers
725:A Scout
650:Antibes
626:Antibes
512:La Rixe
424:(1842),
224:French:
83:scholar
1846:(1884)
1838:(1878)
1822:(1865)
1806:(1855)
1720:
1706:
1698:
1584:
1557:". In
1545:
1304:Pupils
1017:, 1863
996:, 1884
877:Poissy
817:, and
801:, the
727:, and
711:, the
617:Desaix
606:, and
598:, and
534:, and
496:Bravos
436:, the
432:, the
339:Louvre
275:Poissy
253:sieges
245:armies
243:, his
210:Spouse
187:French
85:
78:
71:
64:
56:
1387:Notes
1339:]
1317:]
852:, of
848:, of
844:, of
459:, or
350:Salon
281:, or
176:Paris
90:JSTOR
76:books
1718:ISBN
1704:ISBN
1696:ISBN
1582:ISBN
1179:1881
1162:1878
1145:1872
1128:1872
1034:1861
772:1807
746:and
707:, a
683:1807
635:Elba
608:1814
562:1848
506:and
471:and
319:Lyon
255:and
247:and
165:Died
157:Lyon
143:Born
62:news
670:."
289:or
45:by
1908::
1702:,
1617:.
1600:.
1521:.
1410:^
1395:^
1337:fr
1315:fr
942:.
868:.
813:,
809:,
805:,
797:,
793:,
789:,
785::
739:,
723:,
719:,
715:,
703:,
699:,
594:,
590:,
530:,
526:,
522:,
479:.
380:.
341:.
263:.
1780:e
1773:t
1766:v
1623:.
1177:,
1160:,
1143:,
1126:,
1032:,
879:(
510:(
498:(
400:)
356:(
222:(
151:)
147:(
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
