510:"During a timeout you've got nothing to do – you're not talking – you're just trying to breathe, mostly. Nothing to take out that little pencil and write down what you saw. The shape of the linemen. The body language a defensive lineman would occupy ... his posture ... What I see when you pull. The reaction of the defense to your movement. The awareness of the lines within the movement, the pattern within the lines, the rhythm of movement. A couple of notes to me would denote an action ... an image that I could instantly recreate in my mind. Some of those notes have been made into paintings. Quite a few, really."
278:, finding the less-traveled parts of campus away from other students. One day Ernest was drawing in his notebook in a quiet area of the school. He was discovered hiding there by the masonry teacher, Tommy Tucker, who was also the weightlifting coach and a former athlete. He was intrigued with Barnes's drawings, so he asked the aspiring artist about his grades and goals. Tucker shared his own experience of how bodybuilding improved his strength and outlook on life. That one encounter would begin Barnes's discipline and dedication that would permeate his life. In his senior year at
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how blind we are to one another's humanity. Blinded by a lot of things that have, perhaps, initiated feelings in that light. We don't see into the depths of our interconnection. The gifts, the strength and potential within other human beings. We stop at color quite often. So one of the things we have to be aware of is who we are in order to have the capacity to like others. But when you cannot visualize the offerings of another human being you're obviously not looking at the human being with open eyes.
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636:. He noticed the usually well-maintained white picketed fence had gone untended since his father's illness. Days later, Ernest E. Barnes Sr. died. "I placed a painting against the fence and stood away and had a look. I was startled at the marriage between the old wood fence and the painting. It was perfect. In tribute, Daddy's fence would hug all my paintings in a prestigious New York gallery. That would have made him smile."
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Angeles-based Barnes, a former professional football player. "I just became so enamored again with Ernie Barnes's art because he covered such a broad spectrum of life in America, and of black life in America," Tanne told vanityfair.com. "It just seemed like there could really be a lot of artwork to get them talking to each other."
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the phrase "Black is
Beautiful" had just come into fashion, Black people were just starting to appreciate themselves as a people. But when it was said, "I'm Black and I'm Proud," I said, "proud of what?" And that question of "proud of what" led to a series of paintings that became "The Beauty of the Ghetto".
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Fairfax enlivened me to everyday life themes … and forced me to look at my life – the way I had grown up, the customs within my community versus the customs in the Jewish community. Their customs were documented, ours were not. Because we were so clueless that our own culture had value and because of
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All his life, Barnes was ambivalent about his football experience. In interviews and in personal appearances, Barnes said he hated the violence and the physical torment of the sport. However, his years as an athlete gave him unique, in-depth observations. "(Wilson) told me to pay attention to what
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Ernie Barnes was recognized as a main honoree by the
Sesquicentennial Honors Commission at the Durham 150 Closing Ceremony in Durham, North Carolina, on November 2, 2019. The posthumous recognition was bestowed on 29 individuals "whose dedication, accomplishments and passion have helped shape Durham
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1971: "Barnes organized a touring exhibition of 35 paintings with the purpose of defining how black is beautiful, giving the black community a sense of pride a sense of community." From 1972 to 1979, "The Beauty of the Ghetto" traveled to major U.S. cities, where his celebrity supporters and local
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After he returned home, without making any preliminary sketches, he went directly to a blank canvas to record his point of view. Using a palette knife, "painting in quick, direct movements hoping to capture the vision ... before it evaporated," Barnes said, he created "The Bench" in less than
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One of his most notable art works that takes on this framing style is titled "Screen Door", which was a work in progress piece from 2007. It is a scene viewed through an open door. "The large vertical painting depicts a man and women embracing. Her back is to the viewer. Green painted and weathered
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Barnes credits his college art instructor Ed Wilson for laying the foundation for his development as an artist. Wilson was a sculptor who instructed Barnes to paint from his own life experiences. "He made me conscious of the fact that the artist who is useful to
America is one who studies his own
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The Obamas have said they went to the Art
Institute of Chicago, but Tanne didn't know what they saw when they got there. The museum's summer 1989 schedule included an Andy Warhol retrospective, but there is no mention of an African American art exhibition. Tanne improvised, introducing the work of
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as an exhibition. And I showed it to some people who were Black to get a reaction. And from one (person) it was very negative. And when I began to express my points of view (to this) professional man, he resisted the notion. And as a result of his comments and his attitude I began to see, observe,
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On days when Fannie allowed "June" (Barnes's nickname to family and childhood friends) to accompany her to work, Mr. Fuller encouraged him to peruse the art books and listen to classical music. The young Ernest was intrigued and captivated by the works of master artists. By the time Barnes entered
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Of this exhibition, Barnes said, "I am providing a pictorial background for an understanding into the aesthetics of black
America. It is not a plea to people to continue to live there (in the ghetto) but for those who feel trapped, it is ... a challenge of how beautiful life can be."
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In what was one of the most unusual posts in the history of the NFL, Werblin retained Barnes as a salaried player, but positioned him in front of the canvas, rather than on the football field. Werblin told Barnes, "You have more value to the country as an artist than as a football player."
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Ernie Barnes framed his paintings with distressed wood in homage to his father. In his 1995 autobiography, Barnes wrote of his father: "... with so little education, he had worked so hard for us. His legacy to me was his effort, and that was plenty. He knew absolutely nothing about art."
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is a recall of a childhood experience. It was the first time my innocence met with the sins of dance. The painting transmits rhythm so the experience is re-created in the person viewing it. To show that
African-Americans utilize rhythm as a way of resolving physical tension."
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remained in Barnes's possession, even taking it with him to all his football training camps and hiding it under his bed. It would be the only painting Barnes would never sell, despite many substantial offers, including a $ 25,000 bid at his first show in 1966.
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said he'd broken his neck in a game the Sunday before. But how could that be? How could he have hit in practice all week with a broken neck? What he died of, I think, was more like heat exhaustion. I told them I didn't want to play on a team like this."
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In 1971 Barnes wrote a series of essays (illustrated with his own drawings) in the
Gridiron newspaper titled "I Hate the Game I Love" (with Neil Amdur). These articles became the beginning manuscript of his autobiography, later-published in 1995 titled
271:. When he entered junior high school, he could appreciate, as well as decode, many of the cherished masterpieces within the walls of mainstream museums – although it would be many more years before he was allowed entrance because of segregation.
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Barnes loathed being on the Titans. He said, " was a circus of ineptitude. The equipment was poor, the coaches not as knowledgeable as the ones in
Baltimore. We were like a group of guys in the neighborhood who said let's pretend we're pros."
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After Marvin Gaye asked him for permission to use the painting as an album cover, Barnes then augmented the painting by adding references that allude to Gaye's album, including banners hanging from the ceiling to promote the album's singles.
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by a private collector. Barnes felt compelled to create the painting from his "concern with the just application of the law ... the integrity of the legal process for all people, but especially those without resource or influence."
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on a banner. (He incorrectly listed the frequency as 620, though it was actually 1410. Barnes confused what he used to hear WSRC's on-air personality
Norfley Whitted saying "620 on your dial" when Whitted was at his former station
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of the city. He had a younger brother named James (b. 1942), as well as a half-brother, Benjamin B. Rogers Jr. (1920–1970). Ernest Jr. was nicknamed "June". His father, Ernest E. Barnes Sr. ( –1966), worked as a shipping clerk for
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on December 27, 1959. The Colts won 31–16 and Barnes was filled with layers of emotion after watching the game from the Colts' bench. At age 21, he had just signed his football contract and met his new teammates
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newspaper. Until then Barnes was always known by his birth name, Ernest Barnes. But when Clark's article appeared on July 20, 1960, it referred to him as "Ernie Barnes," which changed his name and life forever.
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television series (1974–79) most of the paintings by the character J.J. are works by Ernie Barnes. However a few images, including "Black Jesus" in the first season (1974), were not painted by Barnes.
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as an inspirational billboard in the inner-city. Barnes contributed $ 1,000 to the winner of a slogan contest among the city's junior high school students that best represented the painting.
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Barnes created many styles of athletic pieces of art that weren't just football related. These pieces would capture sports such as hockey, boxing, tennis, basketball, and gymnastics
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my body felt like in movement. Within that elongation, there's a feeling. And attitude and expression. I hate to think had I not played sports what my work would look like."
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was only used in opening credits for the first eight episodes and in the closing credits for five early episodes during that season. In the fifth and sixth seasons (1977–79),
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died. Barnes asked for his release two days later. The cause of Glenn's death was reported as a broken neck. However, Barnes and other teammates have long attributed it to
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The original piece is currently owned by Eddie Murphy, and is on display at his home in Beverly Park, California. A duplicate created by Barnes in 1976 is on display at the
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Shortly after his final football game, Barnes went to the 1965 NFL owners meeting in Houston in hopes of becoming the league's official artist. There he was introduced to
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responded, "Your people don't express themselves that way". 23 years later, in 1979, when Barnes returned to the museum for a solo exhibition, North Carolina Governor
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in San Diego. It was Philbin's first talk show. They would see each other again 45 years later when Philbin attended the tribute to Barnes in New York City.
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Weeks before Ernie Barnes's first solo art exhibition in 1966, he was at the family home in Durham as his father lay in the hospital after suffering a
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television series (within the fictional show it's supposed to be the artwork of Jimmie Walker's J.J. Evans, an aspiring painter) and on the 1976
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On Barnes's 1964 Denver Broncos Topps football card he is shown wearing jersey #55 although he never played in that number. His jersey was #62.
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Moving to an all-Jewish neighborhood in Los Angeles known as the Fairfax District in 1971 was a major turning point in Barnes's life and art.
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has been known to art critics for embodying the style of art composition known as "Black Romantic," which, according to Natalie Hopkinson of
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exhibition of 35 paintings that toured major American cities from 1972 to 1979 hosted by dignitaries, professional athletes and celebrities.
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2263:"Ernie Barnes Stole the Show at Christie's With His $ 15.3 Million Painting. Here Are 3 Things You Might Not Know About 'The Sugar Shack'"
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prints were sold with 100% of the proceeds going to the Hero Scholarship Fund, which provides college tuition and expenses to children of
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Shortly after his twenty-second birthday, while at the Colts' training camp, Barnes was interviewed by N. P. Clark, sportswriter for the
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measures 9 ft. x 10 ft. In the center of the painting is a large angel reaching out to a much smaller figure of West.
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Barnes attended racially segregated schools. In 1956 he graduated from Hillside High School with 26 athletic scholarship offers.
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A self-described chubby and unathletic child, Barnes was taunted and bullied by classmates. He continually sought refuge in his
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commissioned Barnes to create a painting with the theme, "Where we were, where we are, and where we are going." The painting,
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In 1999 Barnes was bestowed "The University Award", the highest honor by the University of North Carolina Board of Governors.
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made its debut on the show's fourth season (1976–77) during the opening and closing credits. In the fifth season (1977–78)
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In 1993 Barnes was selected to the "Black College Football 100th Year All-Time Team" by the Sheridan Broadcasting Network.
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Midway through Barnes's second season with the Chargers, he was cut after a series of injuries. He was then signed to the
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1943:"Ernie Barnes Retrospective Brings Renewed Attention to African American Artist Who Found Fame After Playing Pro Football"
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after reflecting upon his childhood, during which he was not "able to go to a dance." In a 2008 interview, Barnes said, "
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when caught sketching during team meetings. One of the sketches that he was fined $ 100 for sold years later for $ 1000.
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2623:"In First Date Movie 'Southside With You,' Paintings by Ernie Barnes Fuel Connection Between Barack and Michelle Obama"
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The Los Angeles Olympic Organizing Committee named Barnes "Sports Artist of the 1984 Olympic Games". LAOOC President
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commissioned Barnes to create a painting to depict his life-changing experience following his near-fatal car crash.
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Jack Kemp and Ethel Kennedy, co-hosts for 1974 Washington DC exhibition. Courtesy of the Ernie Barnes Family Trust.
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was only used in the closing credits for five early episodes during that season. In the sixth season (1978–79),
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2004: Barnes was named "America's Best Painter of Sports" by the American Sport Art Museum & Archives.
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Many times during breaks, Barnes would run off the field onto the sideline to give his offensive line coach
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elected officials hosted the shows and new collectors from across the country were introduced to his work."
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1497:) prominently features Barnes's work in an early scene where the two characters visit an art exhibition.
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Barnes was the last cut of the Colts' training camp. After Baltimore released Barnes, the newly formed
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1961 San Diego Chargers #61 Offensive guard, 6' 3" 250 lbs. Courtesy of the Ernie Barnes Family Trust.
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Artist Statement in Commemorative catalogue for "The Advocate," May 7, 1998. Retrieved October 2010
1600:"The Beauty of the Ghetto" catalogue, Grand Central Art Galleries, New York, 1990 "Artist Statement"
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2016: Barnes' painting "Willies' Barbershop" was part of an exhibit about afro-natural hair pioneer
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In 1990 Barnes was awarded an Honorary Doctorate of Fine Arts by North Carolina Central University.
213:, well known for his unique style of elongated characters and movement. He was also a professional
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immediately signed him because the team had first option on any player released within the league.
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appears in the background of the Evans family apartment. Barnes had a bit part on two episodes of
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1963–64 Denver Broncos, Offensive guard, 6' 3" 253 lbs. Courtesy of the Ernie Barnes Family Trust.
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2729:. University of California; Los Angeles. Center for African American Studies. CAAS Publications.
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Barnes's first television interview as a professional football player and artist was in 1962 on
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During the off-seasons with the Chargers, Barnes was program director at San Diego's Southeast
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Numerous artists have been influenced by Barnes's art and unique style. Accordingly, several
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life and records it through the medium of art, manners and customs of his own experiences."
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Shortly after Barnes was drafted by the Baltimore Colts, Barnes was invited to see their
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401:. In a later interview, Barnes said, "They never really said what he died of. (Coach)
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2211:"Ernie Barnes' 'Sugar Shack': Why museum-goers line up to see ex-NFL player's painting"
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A consistent and distinct feature in Barnes's work is the closed eyes of his subjects.
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Black College Football, 1892–1992: One Hundred Years Of History, Education & Pride
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which featured a majority of paintings he created in the last few years of his life.
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Barnes art used as inspiration billboard. Courtesy of the Ernie Barnes Family Trust.
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wood frames the image in the manner of a wooden screen door, complete with handle."
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Charging Through The AFL: Los Angeles And San Diego Chargers' Football In The 1960s
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October 2007: Barnes's final public exhibition. The National Football League and
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1397:: The Houseguest (February 18, 1975) and Sweet Daddy Williams (January 20, 1976).
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In December 1959 Barnes was drafted in the tenth round by the then-World Champion
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in Raleigh, Barnes inquired where he could find "paintings by Negro artists". The
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Wellington, Elizabeth (May 8, 1998). "'The Advocate' will plead a special case".
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which chronicles his transition from professional football to his art career.
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St. James Guide To Black Artists Edition 1 (St. James Guide To Black Artists)
2059:"1984 & 2004 Sports Artist of the Year, Ernie Barnes, America's El Greco"
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With "In Remembrance" painting. Courtesy of the Ernie Barnes Family Trust.
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Barnes sold his first painting "Slow Dance" at age 21 in 1959 for $ 90 to
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In 1965, after his second season with the Broncos, Barnes signed with the
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Clark, N.P. (July 20, 1960). "Little Bunch of Colt Rookies Turn Up Big".
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television special which showcased pro athletes with celebrities such as
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2005: Three of Barnes's original paintings were exhibited at London's
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in New York City, was critically acclaimed and all the paintings sold.
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Barnes's November 1966 debut solo exhibition, hosted by Werblin at the
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At age 18, on a college art class field trip to the newly desegregated
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Barnes, Ernie. Interview, "Personal Diaries" with Ed Gordon, BET, 1990
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anniversary television special on March 25, 1983, tribute was paid to
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At the time of his passing, Barnes had been working on an exhibition
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1985: Barnes was named the first "Sports Artist of the Year" by the
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Barnes's artwork was also used on many television series, including
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1995: Barnes's work was included in the traveling group exhibition
691:'s 1968 "Say it Loud: I'm Black and I'm Proud" song, Barnes created
314:. Barnes played the football positions of tackle and center at NCC.
2237:"Ernie Barnes's 'Sugar Shack' Painting Brings Big Price at Auction"
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in 1971. It gained international exposure when it was used on the
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the first grade, he was familiar with the works of such masters as
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Ridgely, Roberta (February 1962). "The Times are Out of Joints".
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1723:"Two 'Gold Medalists' in Art, Barnes, Parmenter, Coming Here".
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stressed the important positive message of the exhibit in the
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2458:"Black Hair Care Pioneer Subject Of Escondido Museum Exhibit"
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Barnes, Ernie; Amdur, Neil (1971). "I Hate the Game I Love".
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According to Barnes, he had created the original version of
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Keen, Harold (July 1963). "San Diego's Racial Powder Keg".
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Other notable sports commissions include paintings for the
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1996: To commemorate their 50th anniversary in 1996, the
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Barnes passed away on Monday evening, April 27, 2009, at
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Players of American football from Durham, North Carolina
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Black Art And Culture In The 20th Century (World Of Art)
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Carone, Angela; McVicker, Nicholas (January 26, 2016).
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20th Century Masterworks of African-American Artists II
2383:"Back to Black – Art, Cinema and the Racial Imaginary"
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Barnes played Deke Coleman in the 1969 motion picture
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police and fire personnel killed in the line of duty.
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Barnes's work appears on the following album covers:
912:"The Sugar Shack" redirects here. For other uses, see
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lawsuits have been settled and are currently pending.
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said Barnes and his art "captured the essence of the
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Barnes decided to accept a previous offer from Coach
2318:"African-American Art: 20th Century Masterworks, II"
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Merchant, Larry (November 19, 1966). "The Painter".
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1586:Maher, Charles (May 7, 1968). "Artist's Portrait".
1327:In 1971 Barnes, along with Mike Henry, created the
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2484:"The black hair story: '400 Years Without a Comb'"
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1227:Back to Black: Art, Cinema & Racial Imaginary
209:(July 15, 1938 – April 27, 2009) was an American
2707:Historic Preservation Society of Durham (2008).
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389:After their seventh game on October 9, 1960, at
2508:"'Super Comedy Bowl' Features Stars, Players".
1302:. Barnes played Dr. Penfield in the 1971 movie
1249:A Tribute to Artist and NFL Alumni Ernie Barnes
1176:North Carolina Central University School of Law
702:When the exhibition was on view in 1974 at the
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3344:North Carolina Central Eagles football players
2653:"Ernie Barnes, Artist and Athlete, Dies at 70"
2409:"Kanye West denies angel likeness in painting"
2302:Wharton, David (July 10, 1992). "Street Art".
2065:. The American Sport Art Museum & Archives
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1005:with a dance interpretation of the painting.
460:Barnes also illustrated several articles for
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2621:Valentine, Victoria L. (September 5, 2016).
1927:Interview, "Our World with Black Enterprise"
1859:Thomas, Robert McG. Jr. (January 27, 1997).
1675:Barnes, Ernie (1962). "A Matter of Sports".
652:It was in 1971 when I conceived the idea of
2385:. Whitechapel Gallery. 2005. Archived from
1861:"Ed Wilson, 71, a Sculptor and Art Teacher"
1190:2001: While watching the tragic events of
453:. He also worked as the sports editor for
3190:
3176:
3168:
2884:
2870:
2862:
2845:
96:
85:
1016:on May 12, 2022, to American businessman
979:, he included his hometown radio station
799:Naismith Memorial Basketball Hall of Fame
466:during the off-seasons in 1962 and 1963.
72:Learn how and when to remove this message
56:so that sources are clearly identifiable.
19:For other people with similar names, see
3349:North Carolina Central University alumni
1556:
1554:
1552:
1550:
1548:
1546:
1544:
1542:
1540:
1538:
1020:, who paid $ 15.3 million for the work.
894:In 2014, Barnes's wife Bernie presented
2716:Hills, Patricia; Renn, Melissa (2005).
2595:"'Southside With You': Sundance Review"
2175:
2173:
2115:"Top Black Painter Exhibits in Oakland"
1534:
1457:In 1981 Barnes played baseball catcher
968:, is the "visual-art equivalent of the
496:Barnes was often fined by Denver Coach
156:American artist, football player, actor
3399:20th-century African-American painters
2820:
2809:
2575:
2564:
2540:
2529:
2040:
2029:
1990:
1979:
1910:
1899:
1758:
1747:
230:Ernest Barnes Jr. was born during the
3404:21st-century African-American artists
679:"The Beauty of the Ghetto" exhibition
7:
2008:"An Olympic Artist With A Message".
1974:The Atlanta Journal and Constitution
1645:"Ernie Barnes: An Athletic Artist".
1060:Donald Byrd and 125th Street, N.Y.C.
998:Motown 25: Yesterday, Today, Forever
430:. It was there Barnes met teammate
298:prevented him from attending nearby
2684:Durham 150 Closing Ceremony Program
2593:McCarthy, Todd (January 24, 2016).
1198:. It was formally unveiled at the
3409:20th-century American male artists
3394:Deaths from leukemia in California
2209:Easter, Makeda (August 28, 2019).
1370:. A second special aired in 1972.
1063:painting on self-titled 1979 album
1012:(CAAM). The duplicate was sold at
1010:California African American Museum
778:football team owners Rosalind and
14:
2738:. Turner Publishing Company (KY).
2123:. August 14, 2002. Archived from
1132:Other notable art and exhibitions
308:North Carolina Central University
164:6 ft 3 in (1.91 m)
3374:American Football League players
2720:. Boston University Art Gallery.
2482:Kragen, Pam (January 16, 2016).
2235:Pogrebin, Robin (May 12, 2022).
2190:. Retrieved on October 26, 2010.
181:Janet Thaleen Norton (1965–1983)
54:add missing citation information
30:
2797:Anderson, Jean Bradley (1990).
2686:. November 2, 2019. p. 19.
2651:Weber, Bruce (April 30, 2009).
2261:Cascone, Sarah (May 16, 2022).
1565:. Waco, Texas: WRS Publishing.
1260:Liberating Humanity From Within
886:an hour. Throughout his life,
791:National Basketball Association
449:working with parolees from the
3389:21st-century American painters
3379:20th-century American painters
1517:, one of his favorite cities.
1467:Don't Look Back: The Story of
1194:, Barnes created the painting
751:basketball team that included
410:San Diego Chargers (1960–1962)
21:Ernest Barnes (disambiguation)
1:
3354:New York Titans (AFL) players
2747:. Donning Company Publishers.
2727:Resistance, Dignity and Pride
1791:Resonance, The Company of Art
1050:painting on self-titled 1978
245:Liggett Myers Tobacco Company
234:in "the bottom" community of
175:Bernadine Gradney (1984–2009)
3364:Denver Broncos (AFL) players
2899:1960 inaugural season roster
1776:"Rembrandt of the Broncos".
919:Barnes created the painting
914:Sugar Shack (disambiguation)
839:Colts' NFL Championship Game
738:United States Sports Academy
319:North Carolina Museum of Art
304:University of North Carolina
251:member, Frank L. Fuller Jr.
16:American painter (1938–2009)
2770:Powell, Richard J. (1997).
577:Grand Central Art Galleries
3425:
3359:San Diego Chargers players
2761:Trocki, Philip K. (1998).
2692:
2435:"Remembering Ernie Barnes"
1148:1992: In the wake of the
1117:Makin Love is Good For You
975:When Barnes first created
911:
683:In response to the 1960s "
665:Jewish community influence
451:California Youth Authority
217:player, actor and author.
178:Andrea Burnett (1957–1965)
18:
3213:
2906:
2024:Long Beach Press Telegram
1742:The National Sports Daily
1170:1998: Barnes's painting
1053:Faith, Hope & Charity
900:Pro Football Hall of Fame
374:Titans of New York (1960)
344:Baltimore Colts (1959–60)
95:
2801:. Duke University Press.
2765:. Pearson Prentice Hall.
2693:Not to be confused with
2437:. CNN. November 27, 2009
2369:The Philadelphia Tribune
2148:"Ernie Barnes Interview"
1465:in the television movie
706:in Washington, DC, Rep.
693:The Beauty of the Ghetto
687:" cultural movement and
654:The Beauty of the Ghetto
538:Saskatchewan Roughriders
532:Canadian Football League
485:Denver Broncos (1963–64)
207:Ernest Eugene Barnes Jr.
112:Ernest Eugene Barnes Jr.
2725:Von Blum, Paul (2004).
2488:San Diego Union-Tribune
2345:The News & Observer
1662:The Baltimore News-Post
1511:Los Angeles, California
1210:. A limited number of
1208:African American Museum
1156:used Barnes's painting
1076:Something to Believe In
524:Barnes was called "Big
145:Los Angeles, California
3384:American male painters
3369:Denver Broncos players
2788:Barnes, Ernie (1994).
2779:Riggs, Thomas (1997).
2774:. Thames & Hudson.
2743:Hurd, Michael (2000).
2600:The Hollywood Reporter
1561:Barnes, Ernie (1995).
1521:Posthumous recognition
1187:
1150:1992 Los Angeles riots
1145:
1128:
1103:The Good and Bad Times
946:
827:football team owners.
743:1987: Barnes created
676:
659:
618:copyright infringement
518:
442:
236:Durham, North Carolina
126:Durham, North Carolina
2752:Carroll, Bob (1999).
2734:Tobias, Todd (2004).
2199:Ritz (2003), pp. 2–3.
1976:. September 16, 1973.
1894:Durham Morning Herald
1507:Cedars Sinai Hospital
1469:Leroy 'Satchel' Paige
1277:Television and movies
1185:
1158:Growth Through Limits
1143:
1126:
988:in the early 1950s.)
945:
704:Museum of African Art
671:
650:
516:
440:
339:Professional football
2790:From Pads To Palette
2526:. November 23, 1971.
2367:"Honorary Artwork".
2324:on November 26, 2010
2179:Neal, Mark Anthony.
2095:on December 16, 2016
1744:. December 14, 1990.
1563:From Pads to Palette
1526:in important ways."
1442:, and in the movies
880:"Big Daddy" Lipscomb
712:Congressional Record
585:From Pads to Palette
420:Los Angeles Chargers
280:Hillside High School
41:needs more complete
2158:on November 9, 2010
1945:. September 7, 2019
1896:. November 1, 1973.
1810:. November 21, 1966
1793:(newsletter), 1996.
1780:. December 6, 1964.
1223:Whitechapel Gallery
1206:and donated to its
1174:was donated to the
966:The Washington Post
784:Victory in Overtime
757:Kareem Abdul-Jabbar
366:Baltimore News-Post
354:Washington Redskins
312:Dr. Leroy T. Walker
2718:Syncopated Rhythms
2658:The New York Times
2561:. January 9, 1972.
2512:. January 9, 1971.
1865:The New York Times
1808:Sports Illustrated
1707:San Diego Magazine
1692:San Diego Magazine
1647:The New York Times
1614:"Ernie Barnes Bio"
1515:Carmel, California
1482:Southside with You
1200:Seattle Art Museum
1188:
1146:
1129:
1024:Music album covers
947:
817:New Orleans Saints
749:Los Angeles Lakers
727:Peter V. Ueberroth
685:Black is beautiful
519:
463:San Diego Magazine
443:
380:Titans of New York
249:Board of Education
3316:
3315:
3165:
3164:
2819:Missing or empty
2792:. WRS Publishing.
2711:. BPR Publishers.
2574:Missing or empty
2559:Los Angeles Times
2539:Missing or empty
2524:Los Angeles Times
2510:Los Angeles Times
2462:KPBS Public Media
2304:Los Angeles Times
2289:Los Angeles Times
2287:"Billboard Art".
2215:Los Angeles Times
2039:Missing or empty
2026:. March 15, 1984.
2010:Los Angeles Times
1989:Missing or empty
1909:Missing or empty
1831:The New York Post
1757:Missing or empty
1727:. March 13, 1985.
1588:Los Angeles Times
1329:Super Comedy Bowl
1284:To Tell the Truth
795:The Dream Unfolds
776:Carolina Panthers
290:College education
204:
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82:
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3295:
3238:Gerhard Schwedes
3206:
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3117:Gerhard Schwedes
2961:Frank D'Agostino
2900:
2895:
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2863:
2849:
2844:
2843:
2841:Official website
2828:
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2766:
2757:
2756:. HarperCollins.
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2389:on July 20, 2011
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2371:. July 12, 2002.
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2127:on July 10, 2011
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2091:. Archived from
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1427:The Wayans Bros.
1409:The White Shadow
1322:Carroll O'Connor
1308:, which starred
1229:art exhibition.
970:Chitlin' circuit
898:painting to the
847:Memorial Stadium
780:Jerry Richardson
391:Jeppesen Stadium
257:Toulouse-Lautrec
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2709:Brighter Leaves
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2291:. May 29, 1992.
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2146:Barnes, Ernie.
2145:
2144:
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2130:
2128:
2120:Oakland Tribune
2113:
2112:
2108:
2098:
2096:
2089:ErnieBarnes.com
2083:
2082:
2078:
2068:
2066:
2057:
2056:
2052:
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2028:
2022:
2021:
2017:
2012:. May 24, 1984.
2007:
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1778:Empire Magazine
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1725:Mobile Register
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1503:
1476:playing Paige.
1474:Lou Gossett Jr.
1451:Boyz n the Hood
1391:The Sugar Shack
1387:The Sugar Shack
1383:The Sugar Shack
1379:The Sugar Shack
1373:Throughout the
1296:Charlton Heston
1279:
1238:A Life Restored
1134:
1095:Head Over Heels
1071:Curtis Mayfield
1033:The Sugar Shack
1026:
1003:The Sugar Shack
977:The Sugar Shack
962:The Sugar Shack
955:The Sugar Shack
951:The Sugar Shack
921:The Sugar Shack
917:
910:
907:The Sugar Shack
843:New York Giants
835:
825:Boston Patriots
821:Oakland Raiders
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393:, his teammate
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300:Duke University
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3205:1960 NFL draft
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2833:External links
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2806:Bradbury, Ray.
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2794:
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2754:Total Football
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2680:"Ernie Barnes"
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2415:. July 7, 2008
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2152:SoulMuseum.net
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1649:. May 7, 1984.
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1491:Michelle Obama
1479:The 2016 film
1314:Richard Crenna
1305:Doctors' Wives
1300:Jessica Walter
1294:, which stars
1278:
1275:
1196:In Remembrance
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558:Sonny Werblin
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153:Occupation(s)
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122:July 15, 1938
110:
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39:This article
37:
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27:
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3267:Ernie Barnes
3266:
3246:Al Bansavage
3242:Marv Lasater
3153:
3142:Hall Whitley
3006:Dick Guesman
2996:Howard Glenn
2941:Ken Campbell
2936:Dan Callahan
2916:Ernie Barnes
2915:
2853:Ernie Barnes
2821:|title=
2798:
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2763:Spell It Out
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1360:Lucille Ball
1333:variety show
1328:
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1318:Gene Hackman
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1204:Philadelphia
1195:
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1018:Bill Perkins
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761:James Worthy
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708:John Conyers
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388:
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334:
331:
316:
293:
273:
269:Michelangelo
253:
232:Jim Crow era
229:
206:
205:
194:Paige Barnes
139:(2009-04-27)
90:Ernie Barnes
83:
68:
59:
52:Please help
47:verification
40:
3334:2009 deaths
3329:1938 births
3301:Dan Sheehan
3276:Bob Wehking
3262:Don Perkins
3157:Sammy Baugh
3154:Head coach:
3132:Corky Tharp
3122:Bob Scrabis
3107:Tom Saidock
3079:Joe Pagliei
3074:Nick Mumley
3069:Bob Mischak
3059:Don Maynard
3054:Bill Mathis
3045:Bob Marques
3036:Joe Katchik
3031:Fred Julian
3021:Mike Hudock
3016:Don Herndon
2986:Roger Ellis
2931:Leon Burton
2911:Larry Baker
2664:October 26,
2606:February 3,
2441:October 26,
2419:October 26,
2393:October 28,
2328:October 26,
2267:Artnet News
2162:October 26,
2131:October 26,
2099:October 26,
2085:"Biography"
2069:October 26,
1459:Josh Gibson
1368:Tony Curtis
1356:Jack Lemmon
1348:Alex Karras
1310:Dyan Cannon
1245:Time Warner
1154:Tom Bradley
1082:The Maestro
1037:Marvin Gaye
995:During the
931:Marvin Gaye
876:Alan Ameche
868:Art Donovan
864:Lenny Moore
803:Springfield
765:Kurt Rambis
689:James Brown
644:Eyes closed
403:Sammy Baugh
296:Segregation
276:sketchbooks
238:, near the
198:Erin Barnes
196:Sean Barnes
3323:Categories
3298:Jim Beaver
3282:Jim Nemeth
3279:Bill Bucek
3272:Bobby Boyd
3254:Jim Colvin
3208:selections
3137:Ted Wegert
3084:Art Powell
3041:Jack Klotz
2921:Eddie Bell
2701:References
2632:January 6,
2188:PopMatters
2183:I Want You
1814:August 21,
1618:artnet.com
1395:Good Times
1375:Good Times
1352:Joe Namath
1340:John Wayne
1292:Number One
1247:sponsored
1234:Kanye West
1108:In Rapture
1042:I Want You
1014:Christie's
936:I Want You
926:Good Times
860:Jim Parker
718:Sports art
548:Retirement
505:Red Miller
424:taxi squad
399:heatstroke
329:attended.
221:Early life
118:1938-07-15
62:April 2021
3309:Bob Hogue
3233:Jim Welch
3223:Don Floyd
3099:Dave Ross
3011:Pete Hart
2991:Dick Felt
2812:cite book
2567:cite news
2532:cite news
2063:ASAMA.org
2032:cite news
1982:cite news
1902:cite news
1873:0362-4331
1750:cite news
1677:The Voice
1493:'s first
1439:Soul Food
1433:Wife Swap
1271:Escondido
1112:B.B. King
1048:The Disco
896:The Bench
888:The Bench
851:Baltimore
832:The Bench
745:Fastbreak
611:Sam Jones
526:Rembrandt
455:The Voice
432:Jack Kemp
428:San Diego
261:Delacroix
226:Childhood
43:citations
3258:Bob Hall
3103:Joe Ryan
2976:Al Dorow
2951:Ed Cooke
2181:Review:
1846:Gridiron
1804:"People"
1623:March 7,
1445:Drumline
1415:Dream On
1152:, Mayor
1114:'s 2000
1073:'s 1980
1039:'s 1976
841:vs. the
731:Olympics
416:Al Davis
327:Jim Hunt
284:shot put
215:football
189:Children
3218:Ron Mix
2493:July 4,
2467:July 4,
2272:May 17,
2246:May 13,
1485:(about
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1403:Columbo
1088:' 1984
624:Framing
594:Artwork
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169:Spouses
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1436:, and
1232:2005:
1212:giclée
933:album
774:1996:
634:stroke
556:owner
542:Canada
323:docent
265:Rubens
211:artist
161:Height
1530:Notes
1501:Death
1472:with
1101:1986
358:Negro
2857:IMDb
2825:help
2666:2010
2634:2019
2608:2016
2580:help
2545:help
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2469:2022
2443:2010
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2330:2010
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2164:2010
2133:2010
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2071:2010
2045:help
1995:help
1951:2020
1915:help
1880:2019
1869:ISSN
1816:2017
1763:help
1625:2018
1567:ISBN
1495:date
1489:and
1448:and
1366:and
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1320:and
1298:and
1192:9/11
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981:WSRC
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475:Show
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