Knowledge (XXG)

Ernst Wachter

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until his death in August 1931. The concert singer Frieda Wachter continued to occupy the flat in the Leipzig district of Gohlis after Wachter's passing. The singer Gertrud Wachter was also temporarily resident at Möckernsche Straße 24 in Leipzig-Gohlis in the 1930s and as a widow became co-owner of
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was also pleased that the Court Theatre had found "the long-sought serious deep bass." The "impressive firmness of tone", his "immensely secure, precise pronunciation" as well as the "euphony" of the bass and also of his voice "in the middle and high register" were emphasised. The first bass Wachter
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because of the father's job. After attending school, Wachter became a trainee in a Leipzig shop, as he was to take up a commercial profession. After the death of the shop owner and the dissolution of the company, the aspiring merchant reoriented himself professionally.
442:, the guild informed about Wachter's death and named August of the previous year as the month of death. The yearbook paid tribute to the "former Saxon court opera singer" with an account of his professional life and described his last occupation as "singing master". 304:
were emphasised. Wachter's distinctive bass voice was included in the album "100 Years of Bayreuth on Record" along with other vocal ranges of early Festival singers. Wachter remained in Dresden for another ten years after his performances at the Bayreuth Festival.
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Following on from his low voice, with which he had "attracted attention in family and club circles" as a youth, he now endeavoured to give it "an artistic education". He became a pupil of the
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Wachter changed his place of residence again in 1912 from Dresden to Leipzig and worked there in his profession as an opera singer until 1919, after which he worked as a singing teacher in
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Wachter sang at the Hofoper Munich in the period from "1 November 1900 to 1 November 1901" with the status of a guest. His contract was extended for another year until November 1902.
398: 991: 709: 462: 623: 42:, Wachter, real name Wächter, attended school in Leipzig, where his parents, the engineer Adolph Julius Carl Wächter</ref> and his wife Emma 393: 812: 788: 558: 882:. Publisher: 'Genossenschaft Deutscher Bühnen-Angehöriger'. 23rd volume, Berlin 1912, p. 704: "Abgegangen", among others Ernst Wachter. 195:, at the Dresden Opera on 7 June 1900. The music critic Edgar Mansfield Pierson (1848-1919) regretted at this musical performance that the 70:
On 12 April 1893, he began his one-year singing training with Goldberg and on 12 April 1894 he auditioned at the Court Opera in Dresden.
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Adressbuch Leipzig, volume 110, 1931, Part I, p. 1182, Sp. 1: Wohnanschrift von Wachter in Leipzig mit Berufsangabe im Jahr 1931
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for the first time at the public "Neunten Übungs-Abend" of this association on 4 March 1898. The Lieder had been composed by
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Möckernsche Straße 24, according to the Leipzig address book, volume 112 (1933), Part I., p. 1147, column 1;
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From 1910, Wachter belonged to the Stadttheater in Zurich and he left the opera of this theatre again in 1912.
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and son "Wachter, Ernst, Hofopernsänger a. D." lived together in Leipzig in their own house, Löhrstraße 33;
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Wächter, genannt Wachter, mit Wohnanschrift im Adressbuch 1908 in Dresden, Part I, p. 8, column 2
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was held in high esteem as an "ornament of the Dresden Opera" and beyond the metropolis on the Elbe.
67:(1847-1905), who was also a "teacher of the art of singing", and trained with him to become a bass. 355: 338: 330: 314: 227: 215: 1021: 935: 919: 847: 808: 784: 772: 601: 586: 554: 515: 499: 270: 191: 140:, which he had taken on. Gleich especially praised how skilfully the bass performed the arias 126: 103:
on 7 June of the same year. His outstanding bass voice was promptly reported in the newspaper
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Wachter performed at the Dresden Court Opera on 20 March 1901 together with the singers
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Das Dresdner Hoftheater der Gegenwart. Biographical-critical sketches of the members.
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Das Dresdner Hoftheater der Gegenwart. Biographical-critical sketches of the members
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Das Dresdner Hoftheater der Gegenwart.Biographisch-kritische Skizzen der Mitglieder
537:. E. Person's Verlag, Dresden/Leipzig, 1896, pp. 97–100, here p. 98 530: 360: 268:
Wachter accepted several invitations to take part in the Bayreuth Festival. At the
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On 1 May 1903, the bassist appeared at the Royal Opera House in the performance of
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the property at Löhrstraße 33, which had previously belonged in half to Wächter.
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by Weber on 19 May 1894 and the role of the character "Sarastro" in the opera by
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In Dresden, the young singer immediately received a five-year contract at the
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in 1897/98. The opera singer performed four Lieder für eine Bassstimme with
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After returning from Zurich, previously living in Dresden, mother Marie as
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full euphony and impeccable purity of his beautiful and powerful bass voice
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E. Person's Verlag, Dresden/Leipzig, 1896, p. (97-100) 99; Reprint 2010:
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Address book, Leipzig volume 113 (1934), part I, p. 1077, column 1
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Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert
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Großes biographisches Lexikon der deutschen Bühne im XIX. Jahrhundert
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Neuer Theater-Almanach. Theatre-historical yearbook and address book
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Programme of the Ninth Practice Evening 1898 in Report, p. 23;
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Neuer Theater-Almanach. Theatergeschichtliches Jahr- und Adressbuch
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Adolph (Adolf) Julius Carl Wächter, Berliner Straße 11 in Leipzig;
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Year of the association "End of May 1897 to end of May 1898";
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Medaille für Kunst und Wissenschaft (Mecklenburg-Schwerin)
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Leipziger Adressbuch 1932, Part II, p. 274, column 3
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Wachter lived in Zurich, Höschgasse 64, according to the
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Duden. Die deutsche Rechtschreibung der deutschen Sprache
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Member of the Genossenschaft Deutscher Bühnen-Angehöriger
252:'s direction at the Dresden Hofoper on 9 December 1905. 234:(1870-1954), bass. In the premiere of the one-act opera 807:, p. 455 column 1, keywords "Leigeb u. Leitgeber" 516:
Adressbuch Leipzig 1912, Part I., p. 934, column 4
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Brustbild von Ernst Wachter, Hofopernsänger in Dresden
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by the composer at the piano during his performance.
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as a music critic, using the example of the part of
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Jahrgang, Berlin 1911, p. 728 1033: 451: 964:Membership no. 10213 according to the 783:, volume 4, pp. 5282–5286; 274:he made his debut on 24 May 1896 with 982:Literature by and about Ernst Wachter 7: 622:, published in Vienna, XXth volume; 894:. 27th volume, 1916, p. 474, 826:. In Herrmann A. L. Degner (ed.): 485:. In Herrmann A. L. Degner (ed.): 174:to texts by four poets, including 14: 635:Spielplan der Theater von Dresden 214:(1872-1932), coloratura soprano; 1048: 1036: 748:Karl-Josef Kutsch, Leo Riemens: 624:No. 18, 20 June 1900, p. 3. 148:in the performance of the opera 142:O Isis und Osiris, welche Wonne! 730:100 Years of Bayreuth on Record 384:as the "Leitgeb Jörg Pöschel". 107:in Vienna by the correspondent 591:, volume , 1897/98, p. 16 440:Deutsches Bühnen-Jahrbuch 1932 392:Wachter was honoured with the 1: 664:, 12 December 1905, p. 1 264:Guest appearances in Bayreuth 162:Tonkünstler-Verein zu Dresden 799:Landschaftlich veraltet für 720:, Leipzig 1903, p. 1078 662:Dresdner Neueste Nachrichten 639:Dresdner Neueste Nachrichten 473:, Leipzig 1903, p. 1076 432:Wachter was a member of the 160:Wachter was admitted to the 89:He then took on the role of 656:, reviewed by music critic 353:(1845-1915) from the cycle 256:Guest performance in Munich 244:(1868-1931), with music by 1107: 696:, Berlin 1903, p. 459 654:Strauss' Salome in Dresden 189:, the first hunter boy in 966:Deutsches Bühnen-Jahrbuch 892:Deutsches Bühnen-Jahrbuch 641:, 1 May 1903, p. 2; 435:Guild of the German Stage 218:(1863-1938), soprano and 146:In diesen heiligen Hallen 55:Vocal training in Leipzig 46:Caroline, had moved from 1000:, Vienna, 1 January 1898 992:Abbildung: Ernst Wachter 840:DeutschesTheater-Lexikon 1091:Musicians from Mulhouse 986:German National Library 288:and he sang Hunding in 240:, performed by soprano 101:Wolfgang Amadeus Mozart 1076:German music educators 1071:German operatic basses 936:Numerized SLUB Dresden 690:Neuer Theater-Almanach 674:Neuer Theater-Almanach 614:Dresdener Theaterbrief 602:Numerized SLUB Dresden 781:Großes Sängerlexikon 751:Großes Sängerlexikon 407:Engagement in Zürich 366:under the conductor 226:(1870-1924); tenor, 207:Un ballo in maschera 197:richly gifted singer 16:German operatic bass 692:, 14th volume, ed. 676:, 13th volume, ed. 572:. In Ernst Roeder: 549:. In Ernst Roeder: 372:Odysseus Homecoming 185:Wachter first sang 438:to Berlin. In its 339:Irene von Chavanne 331:Karl Scheidemantel 315:Friedrich Plaschke 228:Karl Scheidemantel 216:Irene von Chavanne 74:Singing in Dresden 813:978-3-411-04011-7 789:978-3-598-44088-5 773:Karl-Josef Kutsch 559:978-1-160-35945-0 343:Mathilde Fröhlich 271:Bayreuth Festival 127:Dresdner Anzeiger 105:Neue Freie Presse 1098: 1053: 1052: 1051: 1041: 1040: 1032: 969: 962: 956: 953: 947: 944: 938: 932: 926: 905: 899: 889: 883: 877: 871: 860: 854: 837: 831: 821: 815: 797: 791: 770: 764: 746: 740: 727: 721: 706:Ludwig Eisenberg 703: 697: 687: 681: 671: 665: 651: 645: 632: 626: 610: 604: 598: 592: 583: 577: 567: 561: 544: 538: 524: 518: 508: 502: 496: 490: 480: 474: 459:Ludwig Eisenberg 456: 402: 368:Ernst von Schuch 364: 341:(1863-1938) and 250:Ernst von Schuch 152:. The newspaper 123: 115:Ferdinand Gleich 1106: 1105: 1101: 1100: 1099: 1097: 1096: 1095: 1061: 1060: 1059: 1049: 1047: 1035: 1027: 1011:Die Zauberflöte 978: 973: 972: 963: 959: 954: 950: 945: 941: 933: 929: 906: 902: 890: 886: 878: 874: 861: 857: 838: 834: 822: 818: 798: 794: 771: 767: 747: 743: 728: 724: 704: 700: 688: 684: 672: 668: 658:Ludwig Hartmann 652: 648: 633: 629: 612:Edgar Pierson: 611: 607: 599: 595: 584: 580: 568: 564: 545: 541: 525: 521: 509: 505: 497: 493: 481: 477: 457: 453: 448: 430: 417: 409: 396: 390: 358: 311: 309:Opera premieres 266: 258: 246:Richard Strauss 212:Irene Abendroth 150:Die Zauberflöte 137:The Magic Flute 117: 76: 65:Albert Goldberg 57: 36: 34:Life and career 17: 12: 11: 5: 1104: 1102: 1094: 1093: 1088: 1083: 1078: 1073: 1063: 1062: 1058: 1057: 1045: 1025: 1024: 1019: 1014: 1006: 1001: 989: 977: 976:External links 974: 971: 970: 957: 948: 939: 927: 908:Wachter, Ernst 900: 884: 872: 855: 832: 824:Wachter, Ernst 816: 792: 765: 741: 722: 698: 682: 666: 646: 627: 605: 593: 578: 562: 547:Wachter, Ernst 539: 519: 503: 491: 483:Wachter, Ernst 475: 450: 449: 447: 444: 429: 426: 416: 413: 408: 405: 389: 386: 351:August Bungert 335:Erika Wedekind 319:Charlotte Huhn 310: 307: 265: 262: 257: 254: 220:Erika Wedekind 192:Der Freischütz 176:Emanuel Geibel 172:Georg Pittrich 96:Der Freischütz 75: 72: 56: 53: 35: 32: 28:music educator 15: 13: 10: 9: 6: 4: 3: 2: 1103: 1092: 1089: 1087: 1084: 1082: 1079: 1077: 1074: 1072: 1069: 1068: 1066: 1056: 1046: 1044: 1039: 1034: 1030: 1023: 1020: 1018: 1015: 1013: 1012: 1007: 1005: 1002: 999: 998: 993: 990: 987: 983: 980: 979: 975: 967: 961: 958: 952: 949: 943: 940: 937: 931: 928: 925: 924:3-7959-0271-1 921: 917: 916:Opern-Lexikon 913: 909: 904: 901: 897: 893: 888: 885: 881: 876: 873: 869: 866:. 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In the 471:Paul List 381:Feuersnot 347:Nausikaa 297:Parsifal 199:did not 132:Sarastro 40:Mülhouse 38:Born in 1055:Germany 1029:Portals 984:in the 844:Wachter 734:DNB-IDN 660:in the 512:Privata 922:  850:  811:  787:  736:  557:  421:Gohlis 388:Awards 280:Fasolt 276:Wagner 237:Salome 187:Kaspar 91:Hermit 48:Alsace 1043:Opera 910:. In 712:. In 616:. In 529:. In 465:. In 401:] 363:] 122:] 44:Marie 920:ISBN 848:ISBN 809:ISBN 801:Wirt 785:ISBN 555:ISBN 26:and 24:bass 994:in 760:at 349:by 282:in 134:in 93:in 1067:: 914:: 846:; 779:: 775:, 732:; 716:. 708:: 533:: 469:. 461:: 403:. 399:de 361:de 120:de 30:. 1031:: 87:.

Index

bass
music educator
Mülhouse
Alsace
Kammersänger
Albert Goldberg
Semperoper
Il trovatore
Hermit
Der Freischütz
Wolfgang Amadeus Mozart
Paul Lindau
Ferdinand Gleich
de
Dresdner Anzeiger
The Magic Flute
pianoforte
Georg Pittrich
Emanuel Geibel
accompanied
Der Freischütz
Un ballo in maschera
Irene Abendroth
Irene von Chavanne
Erika Wedekind
Karel Burian
Karl Scheidemantel
Leon Rains
Salome
Marie Wittich

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