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Esmeralda (opera)

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239: 617:, has fallen in love with Esmeralda. He arrives at the Court of Miracles and attempts to carry her off with the help of the hunchback Quasimodo, his adopted son. She is rescued by Phoebus, a captain in the king's archers, and the pair immediately fall in love. Frollo manages to escape. Quasimodo is captured, but then freed on the entreaties of Esmeralda. and vows his eternal devotion to her. 587: 366: 1511: 878: 634:
Gringoire arrives at Esmeralda's garret demanding his marital rights, but she drives him away with her dagger. Frollo and Quasimodo then arrive in another attempt to abduct Esmeralda. They conceal themselves on hearing Phoebus approaching. When Frollo hears Esmeralda and Phoebus declaring their love
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Esmeralda is in prison and about to be burned at the stake. Frollo approaches and tells her that he will have her pardoned if she takes him as her lover. She refuses. Then Phoebus and Gringoire arrive. Frollo, enraged that her innocence can now be proven, tries to kill Phoebus again, but Quasimodo
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At the house of Fleur-de-Lys, who is betrothed to Phoebus, a gathering is underway. Away from the crowd of guests, Phoebus soliloquizes on his love for Esmeralda. She then appears outside the house dancing in the street with a band of Romani. When Fleur-de-Lys invites her inside, Esmeralda and
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in November of that year, and over the next two decades proved to be popular both in London and in British provincial theatres. It was performed in German translation in Cologne and Hamburg in 1885, and was revived in Scotland in 1886 when it was toured to multiple theatres. In 1888, the opera
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In the tragic denouement of Hugo's original novel, Esmeralda dies on the scaffold. However, Marzials and Randegger's libretto gave the story a happy ending, a decision heavily criticised in a review of the premiere published in
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That Esmeralda and Phoebus should get married at the close of the fourth act, and live happily for ever after, is all very well from the school-girl novel-reading point of view; but, as a new ending to
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in 1908 at the Royal Opera House drew very small audiences. It eventually fell into obscurity, although individual arias and the ballet music from the opera were performed at 33 separate
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where he was a student at the time. Alberto Randegger (the musical director of the Carl Rosa company) and the eccentric British poet Theo Marzials co-wrote the libretto. Its subject,
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was staged by the Carl Rosa company on 26 March 1883 at London's Drury Lane Theatre in a performance conducted by Alberto Randegger. It was given its Scottish premiere at the
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dancing girl steps forward and offers to marry him, but stipulates privately to him that the marriage will be in name only. Meanwhile, Claude Frollo, the Archdeacon of
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throws himself in front of Phoebus, and is stabbed by Frollo. Quasimodo dies and Frollo is arrested. Esmeralda and Phoebus are joyfully reunited.
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Phoebus recognize each other and he declares his love for her in the presence of Fleur-de-Lys and her guests. Fleur-de-Lys is distraught.
1200: 609:), the poet Gringoire has been surrounded by a mob of beggars who threaten to kill him unless he marries one of the crowd. Esmeralda, a 1312: 635:
for each other, he stabs Phoebus. The crowd rushes in, and Frollo accuses Esmeralda of the stabbing. She is carried off to prison.
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recorded its main tenor aria, "O Vision entrancing", in 1944 with the Liverpool Philharmonic Orchestra conducted by
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in the title role. The revised version was also performed in English for the US premiere at the
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in New York City on 19 November 1900. The following month the same company staged
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was Thomas's first opera to receive a full staging. He dedicated it to
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following a very successful performance of excerpts from his opera
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between 1895 and 1930. There are no complete recordings of
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Georgina Burns (1860–1932), Esmeralda in the 1883 premiere
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was performed in a French translation of the libretto by
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Disney's Animated Storybook: The Hunchback of Notre Dame
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reached Australia, where it was staged in Melbourne by
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An earlier recording of the aria sung by 1572:Music dedicated to ensembles or performers 1562:Works based on The Hunchback of Notre-Dame 992: 978: 970: 166:with Georgina Burns in the title role and 49: 29: 16:For the 1836 opera by Louise Bertin, see 372: 1506: 675: 1463:Kingdom Hearts 3D: Dream Drop Distance 136:is an opera in four acts composed by 7: 1557:Operas based on works by Victor Hugo 726: 724: 696: 694: 692: 683: 351:to a piano accompaniment appears on 1201:The Magical Adventures of Quasimodo 859:. L'Almanacco di Gherardo Casaglia 763:. L'Almanacco di Gherardo Casaglia 577:Setting: Paris in the 15th century 472:a hunchback, adopted son of Frollo 14: 375:Roles, voice types, premiere cast 1509: 701:Squire, William Barclay (1911). 906:, p. 3. Retrieved 26 June 2013. 838:, p. 6. Retrieved 27 June 1013. 659:"O vision entrancing" (Phoebus) 594:depicted in an illustration by 304:in London on 12 July 1890 with 1567:Operas by Arthur Goring Thomas 1174:The Hunchback of Notre Dame II 564:Gypsies, beggars, party guests 1: 802:produced at the Metropolitan" 704:"Thomas, Arthur Goring"  427:captain of the king's archers 333:Henry Wood Promenade Concerts 185:. It was commissioned by the 818:1883 Carl Rosa Opera Company 503:a poet, married to Esmeralda 389:Premiere cast, 26 March 1883 1306:The Hunchback of Notre Dame 1193:The Hunchback of Notre Dame 1150:The Hunchback of Notre Dame 1142:The Hunchback of Notre Dame 1134:The Hunchback of Notre Dame 1126:The Hunchback of Notre Dame 1118:The Hunchback of Notre Dame 1110:The Hunchback of Notre Dame 1102:The Hunchback of Notre Dame 1078:The Hunchback of Notre Dame 1002:The Hunchback of Notre-Dame 600:The Hunchback of Notre-Dame 246:, sheet music published by 207:The Hunchback of Notre-Dame 159:The Hunchback of Notre-Dame 99:The Hunchback of Notre-Dame 1588: 847:Casaglia, Gherardo (2005). 751:Casaglia, Gherardo (2005). 22: 15: 957:, Boosey & Co. (1885) 924:. Retrieved 26 June 2013. 885:. Retrieved 27 June 2013 820:. Retrieved 26 June 2013. 804:. Retrieved 26 June 2013. 662:"O virginal air" (Frollo) 562: 519:governess to Fleur-de-Lys 164:Theatre Royal, Drury Lane 121:Theatre Royal, Drury Lane 48: 37: 1314:Klokkeren fra Notre Dame 782:. Retrieved 26 June 2013 314:Metropolitan Opera House 285:Theatre Royal, Edinburgh 248:Oliver Distson & Co. 1542:English-language operas 1338:The Bells of Notre Dame 887:(subscription required) 714:Encyclopædia Britannica 187:Carl Rosa Opera Company 170:as her lover, Phoebus. 140:to an English-language 110:26 March 1883 1552:Operas based on novels 831:The New Zealand Herald 684:Piano reduction (1885) 602: 423:Phoebus de Châteaupers 370: 272: 251: 221:Alexander Dargomyzhsky 195:Royal Academy of Music 191:The Light of the Harem 1471:Disney Magic Kingdoms 1359:God Help the Outcasts 737:. May 1883. pp.  589: 552:Marquis de Chevreuse 368: 354:The Record of Singing 263: 241: 1332:1996 film soundtrack 1166:Quasimodo d'El Paris 1086:The Darling of Paris 796:(20 November 1900). 615:Notre-Dame Cathedral 486:betrothed to Phoebus 450:Notre-Dame Cathedral 138:Arthur Goring Thomas 55:The composer in 1892 43:Arthur Goring Thomas 25:Esmeralda (Battista) 18:La Esmeralda (opera) 1547:Operas set in Paris 1298:Notre-Dame de Paris 1279:Notre-Dame de Paris 1252:Notre-Dame de Paris 965:Library of Congress 813:OperaScotland.org. 776:OperaScotland.org. 731:"Our Musical-Box". 538:King of the Beggars 377: 275:Performance history 268:Notre Dame de Paris 203:Notre-Dame de Paris 1048:Clopin Trouillefou 937:(20 November 1900) 935:The New York Times 933:Synopsis based on 879:"Music and Drama: 877:(1 January 1901). 836:"Miss Amy Sherwin" 793:The New York Times 603: 373: 371: 322:Auditorium Theatre 320:in Chicago at the 252: 1497: 1496: 1036:Disney adaptation 857:19 November 1900" 834:(20 April 1888). 798:"Goring Thomas's 607:Court of Miracles 605:In a Paris slum ( 592:Court of Miracles 569: 568: 393:Alberto Randegger 302:Royal Opera House 150:Alberto Randegger 129: 128: 73:Alberto Randegger 1579: 1514: 1513: 1505: 1489:Disney franchise 1053:Pierre Gringoire 994: 987: 980: 971: 955: 954: 938: 931: 925: 913: 907: 902:(16 June 1908). 895: 889: 888: 870: 864: 862: 856: 845: 839: 827: 821: 811: 805: 789: 783: 774: 768: 766: 760: 749: 743: 742: 728: 719: 718: 706: 698: 687: 680: 558:J. H. Stilliard 499:Pierre Gringoire 378: 376: 279:The premiere of 242:Selections from 117: 115: 53: 30: 1587: 1586: 1582: 1581: 1580: 1578: 1577: 1576: 1522: 1521: 1520: 1508: 1500: 1498: 1493: 1477: 1439:Super Hunchback 1418: 1320: 1285: 1258: 1207: 1180: 1057: 1043:Captain Phoebus 1009: 998: 961:German libretto 953:Piano reduction 952: 951: 947: 942: 941: 932: 928: 918:Proms Archive. 914: 910: 904:"Musical Notes" 896: 892: 886: 874:Chicago Tribune 871: 867: 860: 854: 846: 842: 828: 824: 812: 808: 790: 786: 775: 771: 764: 758: 750: 746: 730: 729: 722: 700: 699: 690: 681: 677: 672: 650: 648:Principal arias 574: 437:Barton McGuckin 417:Georgina Burns 390: 374: 363: 345:Malcolm Sargent 308:as Phoebus and 277: 193:in 1879 at the 183:Pauline Viardot 176: 168:Barton McGuckin 125: 124: 118: 113: 111: 77: 56: 28: 21: 12: 11: 5: 1585: 1583: 1575: 1574: 1569: 1564: 1559: 1554: 1549: 1544: 1539: 1534: 1524: 1523: 1519: 1518: 1495: 1494: 1492: 1491: 1485: 1483: 1479: 1478: 1476: 1475: 1467: 1459: 1451: 1443: 1435: 1426: 1424: 1420: 1419: 1417: 1416: 1415: 1414: 1404: 1403: 1402: 1395: 1385: 1384: 1383: 1376: 1373:A Guy Like You 1369: 1362: 1355: 1348: 1341: 1328: 1326: 1322: 1321: 1319: 1318: 1310: 1302: 1293: 1291: 1287: 1286: 1284: 1283: 1275: 1266: 1264: 1260: 1259: 1257: 1256: 1248: 1240: 1232: 1224: 1215: 1213: 1209: 1208: 1206: 1205: 1197: 1188: 1186: 1182: 1181: 1179: 1178: 1170: 1162: 1154: 1146: 1138: 1130: 1122: 1114: 1106: 1098: 1090: 1082: 1074: 1065: 1063: 1059: 1058: 1056: 1055: 1050: 1045: 1040: 1039: 1038: 1028: 1023: 1017: 1015: 1011: 1010: 999: 997: 996: 989: 982: 974: 968: 967: 958: 946: 945:External links 943: 940: 939: 926: 908: 890: 865: 840: 822: 806: 784: 769: 761:26 March 1883" 744: 720: 709:Chisholm, Hugh 688: 674: 673: 671: 668: 667: 666: 663: 660: 657: 654: 649: 646: 573: 570: 567: 566: 560: 559: 556: 553: 549: 548: 546:G. 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Snazelle 543: 540: 530: 529: 526: 521: 514: 513: 508: 505: 495: 494: 491: 488: 484:Fleur-de-Lys, 481: 480: 479:Leslie Crotty 477: 474: 464: 463: 461:William Ludwig 458: 453: 448:Archdeacon of 440: 439: 434: 429: 419: 418: 415: 410: 396: 395: 387: 382: 362: 359: 306:Jean de Reszke 276: 273: 175: 172: 156:'s 1831 novel 127: 126: 119: 109: 107: 103: 102: 91: 87: 86: 83: 79: 78: 76: 75: 70: 64: 62: 58: 57: 54: 46: 45: 35: 34: 13: 10: 9: 6: 4: 3: 2: 1584: 1573: 1570: 1568: 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1548: 1545: 1543: 1540: 1538: 1535: 1533: 1530: 1529: 1527: 1517: 1512: 1507: 1503: 1490: 1487: 1486: 1484: 1480: 1473: 1472: 1468: 1465: 1464: 1460: 1457: 1456: 1452: 1449: 1448: 1444: 1441: 1440: 1436: 1433: 1432: 1428: 1427: 1425: 1421: 1412: 1411:Made of Stone 1408: 1407: 1406:1999 musical 1405: 1400: 1396: 1393: 1389: 1388: 1387:1998 musical 1386: 1381: 1377: 1374: 1370: 1367: 1363: 1360: 1356: 1353: 1349: 1346: 1342: 1339: 1335: 1334: 1333: 1330: 1329: 1327: 1323: 1316: 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Index

La Esmeralda (opera)
Esmeralda (Battista)
Opera
Arthur Goring Thomas

Theo Marzials
Alberto Randegger
Victor Hugo
The Hunchback of Notre-Dame
Theatre Royal, Drury Lane
Arthur Goring Thomas
libretto
Theo Marzials
Alberto Randegger
Victor Hugo
The Hunchback of Notre-Dame
Theatre Royal, Drury Lane
Barton McGuckin
Pauline Viardot
Carl Rosa Opera Company
Royal Academy of Music
Esmeralda
Louise Bertin
La Esmeralda
Alexander Dargomyzhsky
Fabio Campana

Oliver Distson & Co.
The Theatre
Theatre Royal, Edinburgh

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