Knowledge (XXG)

Félix Fénéon

Source 📝

202: 108: 33: 288: 210: 336:, where he anonymously composed daily news "fillers", what the French call "faits-divers" or "sundry events", of three lines each. His authorship was not revealed until the 1940s. In these fillers he captured the complex subtleties of French daily life. The following examples highlight the wit typical of this critic of the mundane: 639:
Book II “Sabrine & Vincent van Gogh” Historium Press 2024, ISBN 978-1-962465-34-2.  In R.w. Meek’s two historical fiction novels, Félix Fénéon is a major character, showing his influence on promoting the avant garde poet, Arthur Rimbaud, and the Neo-Impressionists, Seurat, Signac and Camille
305:
after the trial and his subsequent expulsion from the War Office; he worked for that magazine until 1903. In that time, he went on to promote the works of Seurat and Signac through the magazine. He organized the first retrospective of Seurat's work in 1900. Seurat is known for a number of works, most
258:
asked permission to produce a portrait of the lauded critic. Fénéon refused several times before agreeing, on the condition that Signac produced a full face effigy. Signac refused, painting instead a famous profile of Fénéon with his characteristic goatee, a picture that became a well-known symbol of
365:
and became increasingly involved with Neo-Impressionism, especially the art of Georges Seurat. He was the director of the gallery from 1906 to 1925. Before his retirement from the gallery, he is reported to have told a friend that he was "ready for idleness", and then he abruptly quit at the age of
643:
Reilly, Samuel. "The Secret Sharer: Felix Feneon, the publicity-averse critic, collector and anarchist who moved in avant-garde circles and was an early champion of African art, is being celebrated in a series of exhibitions in Paris and New York",
229:
In 1894, Fénéon was arrested on suspicion of conspiracy because of an anarchist bombing of the Foyot restaurant, a popular haunt of politicians. He was also suspected of being connected with the assassination of the French President,
172:
After placing first in the competitive exams for jobs, Fénéon moved to Paris at age 20 to work for the War Office where he achieved the rank of chief clerk. During his time in there he edited many literary works, including those of
225:
Fénéon worked for 13 years at the War Office while remaining heavily active in supporting anarchist circles and movements. In March 1892, French police talked about Fénéon as an "active Anarchist", and they had him shadowed.
238:. Fénéon was acquitted with many of the original thirty. However, the trial was a high point in publicity for Fénéon, normally behind the scenes, as he championed his wit to the amusement of the jury. Of the courtroom scene, 242:
writes, "When the presiding judge put it to him that he had been spotted talking to a known anarchist behind a gas lamp, he replied coolly: Can you tell me, Monsieur le Président, which side of a gas lamp is its behind?"
324:
notes that "Actually he was the only critic who proved capable of articulating an appreciation of Seurat's picture, and the new method of painting it exemplified, in words notable for their objective tone".
308: 745: 272:
in 1906 and later as a collection, only because his mistress Camille Pateel had collected them in an album, Fénéon published only a 43-page monograph in
1115: 1253: 169:, Italy in 1861 to Marie-Louise Jacquin (a Swiss Schoolteacher) and Pierre Marie Jules Félix Fénéon (a French salesman). He was raised in Burgundy. 259:
the anarchist movement, spawning many variations. Fénéon, though displeased, hung the picture on his wall until Signac's death 45 years later.
622: 517: 710:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Félix Fénéon (see index) 663: 738: 705: 350:"If my candidate loses, I will kill myself," M. Bellavoine, of Fresquienne, Seine-Inferieure, had declared. He killed himself. 688: 573: 347:
In a café on Rue Fontaine, Vautour, Lenoir, and Atanis exchanged a few bullets regarding their wives, who were not present.
231: 201: 649: 1125: 353:
Women suckling their infants argued the workers' cause to the director of the streetcar lines in Toulon. He was unmoved.
234:, by an Italian anarchist. He and twenty-nine others were arrested on charges of conspiracy in what became known as the 1248: 731: 284:
points out, Fénéon, one might say, is invisibly famous, having affected so much without being recognizable to many.
1243: 1150: 920: 900: 459: 287: 945: 107: 1094: 190: 178: 397: 1135: 1130: 1084: 1044: 1039: 157:
was established in 1949 by his wife, Fanny Goubaux, from proceeds from the sale of his art collection.
1238: 1233: 215: 1160: 955: 880: 870: 235: 72: 860: 754: 585: 549: 464: 1145: 950: 344:, Mlle Tulle, was sentenced by the Rouen court to 10 years hard labor, while her lover got five. 292: 154: 1049: 772: 684: 659: 618: 569: 523: 513: 469: 268: 252: 142: 32: 1140: 1089: 983: 940: 905: 835: 804: 674: 635:
Book I “Sabrine & Sigmund Freud” Historium Press 2023, ISBN 978-1-962465-13-7  and
301: 1212: 1074: 935: 850: 830: 402: 313: 124: 1019: 855: 1155: 1064: 1054: 1034: 1014: 1009: 930: 910: 895: 845: 668: 362: 186: 147: 280:
as a collection, Fénéon famously replied with an angry "I aspire only to silence". As
1227: 1197: 1181: 1079: 1069: 1029: 988: 978: 925: 865: 239: 219: 1099: 890: 875: 840: 656:
Félix Fénéon: The Anarchist and the Avant-Garde — From Signac to Matisse and Beyond
384: 718:
Félix Fénéon: The Anarchist and the Avant-Garde—From Signac to Matisse and Beyond
713: 562: 915: 885: 809: 787: 782: 777: 700: 678: 512:. By Fénéon, Félix. Translated by Sante, Lucy. New York: New York Review Books. 255: 205: 182: 1207: 1059: 1024: 825: 799: 410: 281: 129: 527: 473: 1202: 793: 137: 133: 507: 973: 460:"Félix Fénéon, the Collector-Anarchist Who Was Seurat's First Champion" 174: 1120: 993: 723: 341: 76: 266:
that first appeared as clippings in the Parisian liberal newspaper
286: 200: 166: 727: 417:
Correspondance de Fanny & Félix Fénéon avec Maximilien Luce
681:, Félix Fénéon, and the Art & Anarchy of the Fin de Siecle 594: 251:
After the trial, Fénéon became even more elusive. In 1890 the
193:
salons on Tuesday evenings, and active in anarchist circles.
615:
Félix Fénéon: Aesthete and Anarchist in Fin-De-Siecle Paris
299:
Fénéon's lawyer, Thadée Natanson, offered him a post at
136:
during the late 19th century and early 20th century. He
701:
Olga's Gallery Newsletter: Félix Fénéon and Pointillism
565:
Georges Seurat ,1859-1891: The Master of Pointillism
1190: 1169: 1108: 1002: 964: 818: 763: 552:. pp. 9–11 – via London Review of Books. 435:
Correspondance de Stéphane Mallarmé et Félix Fénéon
309:
A Sunday Afternoon on the Island of La Grande Jatte
100: 92: 84: 61: 42: 23: 658:. Exh. cat. New York: Museum of Modern Art, 2020. 318:Un dimanche après-midi à l'Île de la Grande Jatte 128:; 22 June 1861 – 29 February 1944) was a French 654:Starr Figura, Isabelle Cahn, Phillipe Peltier. 423:Petit supplément aux œuvres plus que complètes 146:in 1886 to identify a group of artists led by 739: 8: 543: 541: 539: 537: 16:French anarchist and art critic (1861–1944) 746: 732: 724: 409:), translated and with an introduction by 31: 20: 453: 451: 96:art critic, art gallery director, writer 720:. Museum of Modern Art, New York, 2020. 501: 499: 497: 495: 493: 491: 489: 487: 485: 483: 447: 181:, and helped to advance the fledgling 123: 7: 617:. New Haven: Yale University Press. 506:Sante, Lucy (2007). Introduction. 458:Smith, Roberta (August 28, 2020). 14: 548:Barnes, Julian (4 October 2007). 322:Seurat, The Master of Pointillism 613:Halperin, Joan Ungersma (1988). 332:failed, Fénéon went to work for 320:). Hajo Düchting, the author of 132:, gallery director, writer and 106: 1254:French male non-fiction writers 683:. Simon & Schuster, 1999. 437:, Maurice Imbert, editor, 2007 361:, Fénéon directed the Galerie 276:(1886). When asked to produce 150:, and ardently promoted them. 1: 376:Les Impressionnistes en 1886 1270: 921:Henri de Toulouse-Lautrec 407:Nouvelles en trois lignes 391:Œuvres plus que complètes 105: 30: 387:, Paris, Gallimard, 1948 211:Portrait of Félix Fénéon 648:(July-Aug 2019), p66+. 1151:Salon des Indépendants 1131:Le Barc de Boutteville 1085:Robert Antoine Pinchon 714:Online exhibition page 406: 317: 296: 222: 189:. He was a regular at 1116:Artistes Indépendants 1045:Karl Schmidt-Rottluff 1040:Ernst Ludwig Kirchner 946:Théo van Rysselberghe 588:Novels in Three Lines 550:"Behind the Gas Lamp" 509:Novels in Three Lines 398:Novels in Three Lines 290: 278:Novels in Three Lines 264:Novels in Three Lines 204: 37:Félix Fénéon, c. 1900 633:The Dream Collector, 429:Le Procès des Trente 216:Museum of Modern Art 125:[felifeneɔ̃] 1161:Salon des Tuileries 1136:La Libre Esthétique 901:René Schützenberger 881:Hippolyte Petitjean 637:The Dream Collector 236:Trial of the Thirty 165:Fénéon was born in 1249:French art critics 1126:Volpini Exhibition 861:Henri-Edmond Cross 756:Post-Impressionism 465:The New York Times 357:After his post at 297: 274:Les Impressionists 223: 197:Political activity 1244:French anarchists 1221: 1220: 1050:Wassily Kandinsky 773:Neo-Impressionism 707:Signac, 1863-1935 624:978-0-300-04300-6 568:, Taschen, 2000, 519:978-1-59017-230-8 253:Neo-Impressionist 143:Neo-Impressionism 114: 113: 1261: 1141:Ambroise Vollard 1090:Henriette Tirman 984:Der Blaue Reiter 956:Édouard Vuillard 941:Vincent van Gogh 871:Georges Dufrénoy 757: 748: 741: 734: 725: 675:Toulouse-Lautrec 673:Explosive Acts: 628: 600: 599: 582: 576: 560: 554: 553: 545: 532: 531: 503: 478: 477: 455: 330:La Revue Blanche 302:La Revue Blanche 291:Félix Fénéon by 127: 122: 110: 73:Châtenay-Malabry 68: 65:29 February 1944 52: 50: 35: 21: 1269: 1268: 1264: 1263: 1262: 1260: 1259: 1258: 1224: 1223: 1222: 1217: 1186: 1165: 1146:Salon d'Automne 1104: 1075:Francis Picabia 998: 966: 960: 951:Félix Vallotton 936:Maximilien Luce 851:Marius Borgeaud 831:Charles Angrand 814: 765: 759: 755: 752: 697: 669:Sweetman, David 625: 612: 609: 607:Further reading 604: 603: 584: 583: 579: 563:Hajo Düchting. 561: 557: 547: 546: 535: 520: 505: 504: 481: 457: 456: 449: 444: 372: 293:Félix Vallotton 249: 199: 185:movement under 163: 120: 80: 70: 66: 57: 54: 48: 46: 38: 26: 17: 12: 11: 5: 1267: 1265: 1257: 1256: 1251: 1246: 1241: 1236: 1226: 1225: 1219: 1218: 1216: 1215: 1210: 1205: 1200: 1194: 1192: 1188: 1187: 1185: 1184: 1179: 1173: 1171: 1167: 1166: 1164: 1163: 1158: 1156:Salon des Cent 1153: 1148: 1143: 1138: 1133: 1128: 1123: 1118: 1112: 1110: 1106: 1105: 1103: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1065:Jean Metzinger 1062: 1057: 1055:Sonia Lewitska 1052: 1047: 1042: 1037: 1035:Albert Gleizes 1032: 1027: 1022: 1017: 1015:Charles Camoin 1012: 1010:Georges Braque 1006: 1004: 1000: 999: 997: 996: 991: 986: 981: 976: 970: 968: 962: 961: 959: 958: 953: 948: 943: 938: 933: 931:Georges Lemmen 928: 923: 918: 913: 911:Georges Seurat 908: 903: 898: 896:Henri Rousseau 893: 888: 883: 878: 873: 868: 863: 858: 853: 848: 846:Pierre Bonnard 843: 838: 833: 828: 822: 820: 816: 815: 813: 812: 807: 802: 797: 790: 785: 780: 775: 769: 767: 761: 760: 753: 751: 750: 743: 736: 728: 722: 721: 711: 703: 696: 695:External links 693: 692: 691: 666: 652: 641: 629: 623: 608: 605: 602: 601: 577: 555: 533: 518: 479: 446: 445: 443: 440: 439: 438: 432: 426: 420: 414: 394: 388: 378: 371: 368: 363:Bernheim-Jeune 355: 354: 351: 348: 345: 306:significantly 248: 245: 198: 195: 187:Georges Seurat 162: 159: 148:Georges Seurat 112: 111: 103: 102: 98: 97: 94: 90: 89: 86: 82: 81: 71: 69:(aged 82) 63: 59: 58: 55: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1266: 1255: 1252: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1231: 1229: 1214: 1211: 1209: 1206: 1204: 1201: 1199: 1198:Impressionism 1196: 1195: 1193: 1189: 1183: 1182:Albert Aurier 1180: 1178: 1175: 1174: 1172: 1168: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1113: 1111: 1107: 1101: 1098: 1096: 1095:Jean Marchand 1093: 1091: 1088: 1086: 1083: 1081: 1080:Pablo Picasso 1078: 1076: 1073: 1071: 1070:Henry Ottmann 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1030:Henri Matisse 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1007: 1005: 1001: 995: 992: 990: 989:Expressionism 987: 985: 982: 980: 977: 975: 972: 971: 969: 965:20th-century 963: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 932: 929: 927: 926:Charles Laval 924: 922: 919: 917: 914: 912: 909: 907: 906:Paul Sérusier 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 879: 877: 874: 872: 869: 867: 866:Maurice Denis 864: 862: 859: 857: 854: 852: 849: 847: 844: 842: 839: 837: 836:Émile Bernard 834: 832: 829: 827: 824: 823: 821: 817: 811: 808: 806: 803: 801: 798: 796: 795: 791: 789: 786: 784: 781: 779: 776: 774: 771: 770: 768: 764:19th-century 762: 758: 749: 744: 742: 737: 735: 730: 729: 726: 719: 715: 712: 709: 708: 704: 702: 699: 698: 694: 690: 686: 682: 680: 676: 670: 667: 665: 664:9781633451018 661: 657: 653: 651: 647: 642: 638: 634: 630: 626: 620: 616: 611: 610: 606: 597: 596: 591: 589: 581: 578: 575: 571: 567: 566: 559: 556: 551: 544: 542: 540: 538: 534: 529: 525: 521: 515: 511: 510: 502: 500: 498: 496: 494: 492: 490: 488: 486: 484: 480: 475: 471: 467: 466: 461: 454: 452: 448: 441: 436: 433: 430: 427: 424: 421: 418: 415: 412: 408: 404: 400: 399: 395: 392: 389: 386: 383:; preface by 382: 379: 377: 374: 373: 369: 367: 364: 360: 352: 349: 346: 343: 339: 338: 337: 335: 331: 326: 323: 319: 315: 311: 310: 304: 303: 294: 289: 285: 283: 279: 275: 271: 270: 265: 260: 257: 254: 246: 244: 241: 240:Julian Barnes 237: 233: 227: 221: 220:New York City 217: 213: 212: 207: 203: 196: 194: 192: 188: 184: 180: 176: 170: 168: 160: 158: 156: 151: 149: 145: 144: 139: 135: 131: 126: 118: 109: 104: 99: 95: 93:Occupation(s) 91: 87: 83: 78: 74: 64: 60: 45: 41: 34: 29: 22: 19: 1213:Secessionism 1177:Félix Fénéon 1176: 1100:Othon Friesz 1020:André Derain 891:Odilon Redon 876:Paul Gauguin 856:Paul Cézanne 841:Edvard Munch 792: 717: 706: 672: 655: 645: 636: 632: 614: 593: 587: 580: 564: 558: 508: 463: 434: 428: 422: 416: 396: 390: 385:Jean Paulhan 380: 375: 358: 356: 333: 329: 327: 321: 307: 300: 298: 277: 273: 267: 263: 261: 250: 228: 224: 209: 171: 164: 155:Fénéon Prize 152: 141: 117:Félix Fénéon 116: 115: 67:(1944-02-29) 56:Turin, Italy 53:22 June 1861 25:Félix Fénéon 18: 1239:1944 deaths 1234:1861 births 1109:Exhibitions 916:Paul Signac 886:Paul Ranson 810:Art Nouveau 788:Cloisonnism 783:Pointillism 778:Divisionism 679:Oscar Wilde 425:, 2 volumes 340:A criminal 262:Aside from 256:Paul Signac 232:Sadi Carnot 206:Paul Signac 183:pointillist 179:Lautréamont 85:Nationality 1228:Categories 1208:Modern art 1060:Franz Marc 1025:Raoul Dufy 979:Die Brücke 826:Cuno Amiet 800:Synthetism 689:0684811790 631:Meek, R.w 586:"Excerpt: 574:3822858633 442:References 411:Lucy Sante 282:Lucy Sante 191:Mallarmé's 161:Early life 130:art critic 49:1861-06-22 1203:Modernism 967:movements 805:Symbolism 794:Les Nabis 766:movements 640:Pissarro. 528:123119788 474:0362-4331 140:the term 134:anarchist 101:Signature 359:Le Matin 334:Le Matin 269:Le Matin 214:, 1890, 1191:Related 1170:Critics 1003:Artists 974:Fauvism 819:Artists 175:Rimbaud 121:French: 1121:Les XX 994:Cubism 687:  662:  650:online 646:Apollo 621:  572:  526:  516:  472:  431:, 2004 419:, 2001 413:, 2007 403:French 393:, 1970 381:Œuvres 342:virago 328:After 314:French 295:(1898) 247:Career 138:coined 88:French 77:France 370:Works 167:Turin 716:for 685:ISBN 660:ISBN 619:ISBN 570:ISBN 524:OCLC 514:ISBN 470:ISSN 366:63. 177:and 153:The 62:Died 43:Born 595:NPR 1230:: 677:, 671:. 592:. 536:^ 522:. 482:^ 468:. 462:. 450:^ 405:: 316:: 218:, 208:, 747:e 740:t 733:v 627:. 598:. 590:" 530:. 476:. 401:( 312:( 119:( 79:) 75:( 51:) 47:(

Index

Félix Fénéon, circa 1900
Châtenay-Malabry
France

[felifeneɔ̃]
art critic
anarchist
coined
Neo-Impressionism
Georges Seurat
Fénéon Prize
Turin
Rimbaud
Lautréamont
pointillist
Georges Seurat
Mallarmé's

Paul Signac
Portrait of Félix Fénéon
Museum of Modern Art
New York City
Sadi Carnot
Trial of the Thirty
Julian Barnes
Neo-Impressionist
Paul Signac
Le Matin
Lucy Sante

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.