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Until the mid-20th century, François Lorée was almost without rival as a maker of artist-quality French oboes. In 1906, working with
Georges Gillet, François’s son Adolphe Lucien Lorée modified the System 6 oboe to the 6bis (plateau) oboe that is almost universally used today. Even now Lorée remains
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The firm of Triébert, which was the dominant oboe-making concern in mid-19th century France, fell to pieces with the death of sole proprietor Frédéric Triébert in 1879. By 1882 it had changed management thrice and was eventually sold to the mass-maker
Gautrot, itself purchased in 1884 by Couesnon.
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the dominant French oboe maker. The overwhelming influence of French conservatory-trained oboists in
American orchestras of the 1900s led to Lorée’s dominating the American market for most of that century; rare indeed is the American oboist who has not owned a Lorée oboe.
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149:(1835–1902), formed his own oboe making company in 1881, carrying on Triébert’s work and tradition. Acquiring the contract for supplying oboes to the Paris Conservatory in 1882, François Lorée limited his
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Frédéric Triébert (1813–1878), Designer of the Modern Oboe: Newly Found
Archival Documents Featuring the Inventory and Auction of his Musical Instrument Enterprise
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to making oboes and
English horns. There is ample reason to believe that the professor of oboe at the Paris Conservatoire,
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Further details of the Lorée-Triébert relationship are in an article by Robert Howe. The study on Triébert by
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Howe, Robert (2003). "The Boehm Oboe and its Role in the
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F. Lorée was established in 1881 by François Lorée when he left his position as
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Musical instrument manufacturing companies based in Paris
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260:. The Festschrift Series. Vol. 19.
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329:Privately held companies of France
145:Frédéric Triébert’s last foreman,
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209:100 YEARS F. LOREE: 1881-1981
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119:family under the brand
239:Galpin Society Journal
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214:2008-11-21 at the
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