186:. A chord contains exactly as many factors as it contains unique pitch names (octaves don't matter), while a voicing can have any number of voices that draw from and represent some or all the factors of a chord in various octaves. Thus, a chord with three unique pitch names always has three factors, even if some of those pitches are doubled or omitted in a particular voicing. For example, the figure to the right shows a four-note voicing of a C Major triad, which has three chord factors. The "root" chord factor (pitch name "C"), is represented twice in the voicing by voices 1 and 4 in different octaves. The chord factor called the "fifth" (pitch name "G") is represented in voice 2 (shown in red).
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harmony, chords are made more complex, or "extended", by introducing additional chord factors stacked in thirds. The illustration shows the theoretical construction of a C13 chord having seven chord factors, with the "extended" chord factors shown in red. In real applications, it is common practice
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223:). The illustration shows one possible four-note voicing of a G7 third-inversion chord (written G7/F in lead-sheet chord-symbol notation), with every chord factor being represented once by a voice in the voicing.
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to omit the eleventh from voicings of a dominant 13 chord, because though being necessary to theoretically derive the thirteenth by stacking on it, the unaltered perfect eleventh clashes with the major third.
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or extensions, i.e. notes beyond the seventh, in red (ninth, eleventh, thirteenth).
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197:. For example, if the third is in the bass it is a first inversion chord (
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16:This article is about music. For Geodesics, see
178:Chord factors are taken into consideration in
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159:(compound 6th), and so on, for their generic
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1077:. You can help Knowledge (XXG) by
18:Geodesic dome § Chord factors
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175:are distinguished, respectively.
51:Seventh (F) of a third inversion
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189:The chord factor that is in the
119:is a member or component of a
1:
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516:Dominant seventh flat five
269:O'Toole, Patricia (2003).
27:Fifth (G), in red, of a C
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290:Ostransky, Leroy (1977).
169:consonance and dissonance
171:of a chord factor and a
1033:Chord names and symbols
271:Shaping Sound Musicians
916:Secondary leading-tone
195:inversion of the chord
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53:dominant seventh chord
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26:
921:Secondary supertonic
163:above the root. In
76:Dominant thirteenth
1129:Music theory stubs
992:Chord-scale system
911:Secondary dominant
292:Understanding Jazz
123:. These are named
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883:Chromatic mediant
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739:Viennese trichord
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561:Harmonic seventh
531:Diminished major
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155:(compound 4th),
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775:Synthetic chord
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714:Northern lights
679:Complexe sonore
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643:Augmented sixth
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594:Upper structure
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551:Altered seventh
546:Augmented minor
541:Augmented major
526:Half-diminished
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193:determines the
101:upper structure
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1038:List of chords
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755:Mixed interval
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241:Degree (music)
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79:extended chord
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947:Primary triad
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340:Chord factors
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300:0-13-936542-7
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279:1-57999-211-0
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251:Triad (music)
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184:voice leading
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173:nonchord tone
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1079:expanding it
1071:music theory
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851:Leading-tone
628: /
615:Tone cluster
496:Leading-tone
339:
291:
286:
270:
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199:figured bass
188:
177:
117:chord factor
116:
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106:
836:Subdominant
699:Grandmother
556:Nondominant
536:Minor-major
246:Sixth chord
55:in C (G7) (
29:major chord
1118:Categories
970:Techniques
957:Substitute
952:Subsidiary
888:Neapolitan
846:Submediant
826:Supertonic
599:Dominant 7
589:Thirteenth
521:Diminished
473:Diminished
381:Thirteenth
273:, p. 368.
257:References
157:thirteenth
987:Chordioid
903:Secondary
719:Petrushka
653:Seven six
610:Polychord
478:Suspended
468:Augmented
392:Bass note
386:Fifteenth
294:, p. 91.
81:: C E G B
1028:Arpeggio
942:Contrast
878:Borrowed
873:Approach
855:Subtonic
841:Dominant
813:Diatonic
804:function
760:Secundal
662:Specific
602:♯
584:Eleventh
571:Extended
511:Dominant
376:Eleventh
235:See also
161:interval
153:eleventh
149:compound
84:♭
893:Passing
865:Altered
831:Mediant
770:Quartal
765:Tertian
748:General
734:Tristan
729:So What
689:Elektra
630:omitted
488:Seventh
442:By form
366:Seventh
228:Tertian
180:voicing
165:harmony
141:seventh
1043:Factor
997:Guitar
937:Common
780:Tetrad
724:Psalms
709:Mystic
694:Farben
674:Bridge
648:Lydian
435:Chords
298:
277:
167:, the
151:2nd),
113:factor
99:. The
87:D F A
1069:This
1021:Other
1012:Slash
1007:Power
982:Block
977:Barre
930:Other
821:Tonic
704:Magic
684:Dream
669:Alpha
638:Sixth
626:Added
579:Ninth
506:Minor
501:Major
463:Minor
458:Major
450:Triad
371:Ninth
361:Fifth
356:Third
145:ninth
137:sixth
133:fifth
129:third
121:chord
109:music
1075:stub
1002:Open
351:Root
296:ISBN
275:ISBN
191:bass
182:and
125:root
111:, a
93:play
61:Play
37:Play
802:By
226:In
115:or
107:In
1120::
853:/
201::
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127:,
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43:).
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390:(
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147:(
31:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
