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579:–based author Brivs Mekis. Mekis split his house into two distinct halves and alternated between living in the two until he died. After his death, copies of the book were found; despite these copies being made none had ever been sold or given away. "Old Man Kensey" likewise "celebrate an eccentric individual living in the Deep South." Writing for
29:
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is R.E.M.'s most thematically cohesive album. He considers its lyrics to not be "simply a retelling of myths or a hagiography for these men", referring to the characters featured throughout the album's songs. Rather, he feels they display "pointed, thoughtful consideration of what these stories mean
1064:
is the record where R.E.M. "mastered the art of effortlessly mismatching itself from album to album, and even song to song." He also highlights the eerie atmosphere of the album, stating that songs such as "Green Grow the Rushes" and "Good
Advices" "might have otherwise fit beautifully" on the band's
1053:
Retrospective reviews have also been positive. In a review for AllMusic, Erlewine states that despite finding the album to be less consistent than the band's first two, it does "demonstrate musical growth, particularly in how perfectly it evokes the strange rural legends of the South." He goes on to
443:
Boyd would later describe the recording period as "not the best time in my life", but recalled that " seemed to get along better than most groups I’ve worked with" even though their relationships were somewhat strained at the time. He felt that R.E.M.'s approach to mixing was unique in comparison to
303:
was positive, with many reviews noting its folk elements and murky tone. Retrospectively, it has also been viewed as a transitional album, retaining the sound and obscure themes of the band's early work while hinting at the experimentation with acoustic instrumentation that would be present on their
614:
singing. According to
Lukowski, Stipe's lyrics on this song are more personal, and associate himself with the other outcast characters on the record. Tim Peacock of uDiscoverMusic describes "Auctioneer (Another Engine)" as "atypically jagged and aggressive" for the band, with its "urgent, anthemic
439:
to the studio and London was at the tail end of a rough winter; Buck recalled that "It rained every day it wasn't snowing". Boyd's work ethic reportedly caused tensions with the band, as his precise attention to detail contrasted with the more spontaneous approach the band had utilized on the
1076:
describes the album as "overlooked and transitional", and considers it to be a "dark and murky set with a textural palette close to the muted earth tones of its packaging." Like
Erlewine, he finds the album to be less consistent than its two predecessors, but still praises it as "great" and
589:" incorporates soul and funk influences and a horn section. Perpetua described the song as "approximated Southern funk", while Puterbaugh felt it "sets a tone of dislocation that pervades the entire record". "Green Grow the Rushes" was written as part of a pact between Stipe and
1122:
interview from 1991, Buck was dismissive of "Driver 8", saying, "I can write that kind of stuff in my sleep. We all can." However, Stipe, who once infamously compared the album's sound to "two oranges being nailed together", stated in the same 1991 interview that he believed
1135:
has built up. For some reason, people have the impression that the members of R.E.M. don't like the record. Nothing could be further from the truth. It's a personal favorite, and I'm really proud of how strange it is. Nobody but R.E.M. could have made that record."
710:
has known about for years." Both 7" and 12" versions of the single were released; the 7" was backed with the non-album track "Bandwagon", while the 12" version included both "Bandwagon" and another previously unreleased song, "Burning Hell", on its B-side.
444:
other acts: "When you mix a record, traditionally the singer wants his voice louder, and the guitar player says, 'Turn up the guitar,' and the bass player says, 'Can’t you make the bass parts punchier?' With R.E.M., everyone wanted themselves turned down".
440:
previous two albums. Dixon and Easter had worked quickly and encouraged the band to experiment; in contrast, Boyd spent hours mixing and remixing songs, which the band felt removed some of the energy and spontaneity of their performances.
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declared that Boyd's production confirmed that the band's "formal frame of reference is folk rock" but that the band was able to "defeat folk rock's crippling stasis: they have a good beat, and you can boogie to them".
304:
later albums. The album's sales reflected R.E.M.'s growing popularity, with it becoming their second album to reach the top 30 in the US and first to make the top 40 in the UK. It was later certified Gold by the
4139:
3391:
542:, Parke Puterbaugh described the song's cello part as "seem to drag down and halt time" and adding to its "unnerving" and "dirgelike" feel. Like many of R.E.M.'s songs, "Maps and Legends" uses bassist
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649:, with the sleeve featuring two "front covers" each displaying one of the two titles. This extends to the record label, where side one is referred to as "a side" and displays the album name as
706:
magazine described the single as having "a fully rocking chorus and a typically steady and murky verse this cut superior pop character as well as giving mainstream listeners a taste of what
2613:
2205:
1995:
714:"Driver 8", the album's second single, also charted on the Top Rock Tracks chart, reaching a peak of number 22. The B-side of the single included a cover of "Crazy" by fellow Athens band
679:, making it the band's first to reach the top 40 of that chart. It was also the band's first record to chart in Canada, reaching number 40, while in New Zealand it peaked at number 29.
4410:
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list "Feeling
Gravitys Pull", "Maps and Legends", "Green Grow the Rushes", "Auctioneer (Another Engine)", and the first two singles as "among the group's best" songs. Scott Gordon of
2397:
1037:, Parke Puterbaugh awarded the album four stars out of five, referring to it as "unretouched R.E.M. in all their rough-cut glory", and felt the band sounded "surer than they did on
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as a "Southern Gothic masterpiece". She considers it an "infinitely detailed" album which "rewards patience", while describing it as a "dark, dissonant record". Jonathan Keefe of
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described the album's aesthetic as "evok images of railroads, small towns, eccentric locals, oppressive humidity, and a vague sense of time slowing to a crawl."
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629:; continuing the album's theme of eccentric characters, Puterbaugh considers its lyrics to be a "surreal, lachrymose fable about some back-country oddball."
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625:-like balladry." Lukowski refers to its lyrics as "paranoid but strangely reassuring old time wisdom." Closing track "Wendell Gee" features Buck playing
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499:", the album introduced new instrumentation for the band, including strings, brass, and banjo. Prior to the recording of the album, Stipe studied
2122:
1987:
507:, both of which influenced the material. The combination of the album's sound and the Southern focus of its lyrics have many critics to declare
431:. After having recorded their first two albums in North Carolina, the band instead flew to England to record the album at Livingston Studios in
4317:
641:
finished in early April, and the album was released on June 10, 1985. The album's packaging leaves it unclear as to whether its true title is
2676:
598:
675:). The album would be certified Gold by the RIAA for sales in excess of 500,000 copies on June 24, 1991. The album reached number 35 on the
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described "Driver 8" as a "classic railroad song" and a showcase for Buck's playing as both an "intricate picker" and a "folky rock star".
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themes and characters. The album also utilizes more varied instrumentation, including string and brass arrangements and banjo.
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354:(1984), R.E.M. decided to work with a different producer for their next album. Those considered to produce the album included
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726:. "Wendell Gee" was released as the third and final single in Europe only and became the first R.E.M. song to reach the
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1131:, stating in the liner notes of the album's 25th anniversary reissue: "Over the years, a certain misapprehension about
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284:. It was the band's first album recorded outside of the U.S., with sessions taking place at Livingston Studios in
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mixes the band's established style with folk elements and a darker sound. Writers have labeled the album as
2027:
718:. "Driver 8" has become one of R.E.M.'s most-covered songs, with versions being recorded by acts including
28:
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3069:
2773:"Rhino's Got You Covered: John Wesley Harding, Hootie & The Blowfish, Dwight Yoakam, and Terry Reid"
3823:
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2110:
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contained the band's strongest set of songs up to that point. Buck has since spoken positively about
839:
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682:"Cant Get There from Here" was released as the album's lead single. While it failed to chart on the
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1246:(credited as "PL Buck – Ministry of Music") – electric guitar, acoustic guitar, banjo, harmonica
621:
the following year. Parke has described "Good
Advices" (as well as "Green Grow the Rushes") as "
585:, Andrzej Lukowski describes the song as "a nightmarish tale of a crazed old guy." Lead single "
435:, London. Conditions were less than ideal, as the band had a long commute from their lodging in
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312:" has since become one of R.E.M.'s best-known and most-covered songs from their early period.
292:. The record displays a darker, murkier sound than its predecessors, with lyrics drawing from
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536:. The dreary tone of the song is augmented by the use of a string trio; in a review for
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1252:(credited as "ME Mills – Consolate Mediator") – bass guitar, backing vocals, piano
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was hired as the album's producer thanks to his prior work with folk rock artists.
411:
The band ultimately chose to work with London-based producer Joe Boyd. Guitarist
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chart, peaking at number 14: their highest placement on that chart at the time.
533:
515:. Many of its songs describe eccentric, unusual characters; Matthew Perpetua of
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757:
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289:
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142:
3065:
2238:"Review: R.E.M., Fables of the Reconstruction: 25th Anniversary Edition"
601:; the 10,000 Maniacs song "Among the Americans", from their 1985 album
529:
465:
436:
308:
in 1991. While none of its singles achieved mainstream chart success, "
362:(who had been achieving great success with his work with acts such as
3139:
285:
277:
149:
41:
2325:"Listen to Peter Buck's isolated guitars on R.E.M. song 'Driver 8'"
4160:
626:
451:
319:
36:
1041:". He likened the album's style to the "insular mood weaving" of
571:"Life and How to Live It" takes inspiration from a book entitled
2271:
1069:, "trade some of the band's early understatement for suspense."
457:
404:, and thus Stipe felt that Parks would be the right fit for the
3112:
2082:"R.E.M.: Fables of the Reconstruction [Deluxe Edition]"
1846:"The Full Story Behind R.E.M.'s 'Fables of the Reconstruction'"
528:
guitar riff played by Buck. The song's lyrics reference artist
415:
particularly wanted to work with Boyd, known for his work with
2804:"Watch Jason Isbell Cover "Driver 8" With R.E.M.'s Mike Mills"
1608:
1260:
1988:"R.E.M. in the Real World — Rolling Stone's 1987 Cover Story"
3042:
2465:"Underrated R.E.M.: The Most Overlooked Songs From Every LP"
1160:, except "Old Man Kensey" by Berry, Buck, Mills, Stipe, and
1240:(credited as "WT Berry – Best Boy") – drums, backing vocals
524:
Opening track "Feeling
Gravitys Pull" starts with a dark,
3600:
It's the End of the World as We Know It (And I Feel Fine)
3420:
Part Lies, Part Heart, Part Truth, Part
Garbage 1982–2011
3108:
1106:
The members of R.E.M. have expressed varying opinions on
615:
sound" hinting at the direction the band would take with
511:
R.E.M.'s most "Southern" album, as well as an example of
2390:"R.E.M. "Fables of the Reconstruction (Deluxe Edition)""
550:
to Stipe during the chorus. Its lyrics were inspired by
456:
The lyrics of "Feeling
Gravitys Pull" make reference to
653:
whilst side two is labeled "another side" and displays
386:'s first choice; Parks had recently released the album
1783:
Liner notes list "March 1985" as the recording period.
1258:(credited as "JM Stipe – Gaffer Interpretor [
4258:
4170:
4075:
3938:
3521:
3496:
3450:
3348:
3302:
3186:
597:that both would write a song about the genocide of
197:
148:
136:
124:
108:
72:
64:
56:
48:
35:
21:
1065:first two records, but instead, in the context of
1763:† I.R.S. Vintage Years edition, with bonus tracks
1098:and, specifically, of how Stipe perceives them."
408:-influenced material he was writing at the time.
4325:Drive XV: A Tribute to Automatic for the People
2268:"R.E.M. Disc Two: Fables of the Reconstruction"
4411:Alternative country albums by American artists
3325:Unplugged: The Complete 1991 and 2001 Sessions
1301:David Bitelli – tenor and baritone saxophones
945:
3124:
1875:
1873:
1871:
8:
3817:All the Way to Reno (You're Gonna Be a Star)
2496:
2494:
2492:
2490:
2299:"Howard Finster: The Master of Outsider Art"
2075:
2073:
1839:
1766:†† 25th Anniversary edition, with bonus disc
983:
907:
869:
812:
762:
4406:Psychedelic rock albums by American artists
3000:
2998:
2198:Hit Parade | Music History and Music Trivia
2071:
2069:
2067:
2065:
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2061:
2059:
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2055:
2053:
1837:
1835:
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1823:
1821:
1819:
3131:
3117:
3109:
2961:
2959:
2021:
2019:
2017:
2015:
2013:
737:
280:It was released on June 10, 1985, through
27:
18:
2833:"Traveling Through The Years With R.E.M."
2539:Recording Industry Association of America
396:folk tales which had been popular in the
3768:How the West Was Won and Where It Got Us
2231:
2229:
2227:
2225:
2223:
2104:
2102:
1425:
1388:
1346:
1031:was generally positive. In a review for
693:. The song achieved more success on the
272:) is the third studio album by American
3023:from the original on September 14, 2018
2983:from the original on September 14, 2015
2529:
2527:
2383:
2381:
2028:"R.E.M. – Fables of the Reconstruction"
1945:
1943:
1941:
1939:
1937:
1935:
1933:
1931:
1929:
1904:"R.E.M. – Fables of the Reconstruction"
1897:
1895:
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1891:
1815:
1776:
4318:Surprise Your Pig: A Tribute to R.E.M.
2152:
2150:
2148:
2146:
2144:
2142:
2140:
1981:
1979:
1977:
3007:"R.E.M.: Number One With an Attitude"
2783:from the original on 17 November 2023
2669:Billboard's Top Pop Singles 1955–2010
2564:
2562:
2560:
2545:from the original on 16 November 2023
2475:from the original on 19 November 2023
2421:
2419:
2417:
2415:
2400:from the original on 15 November 2023
2366:from the original on 19 November 2023
2335:from the original on 19 November 2023
2278:from the original on October 28, 2021
2248:from the original on 16 November 2023
1998:from the original on 26 December 2023
1914:from the original on 15 November 2023
1856:from the original on 15 November 2023
743:
7:
4386:Folk rock albums by American artists
2612:(21). August 3, 1985. Archived from
2580:from the original on 27 January 2024
2354:Consequence Staff (4 January 2023).
1962:from the original on 8 February 2023
1338:M. K. Johnston – photography and art
1212:"Auctioneer (Another Engine)" – 2:44
1110:since its release. In 1987, drummer
1027:Contemporary critical reception for
2920:Nawrocki, Tom (2004). "R.E.M.". In
2194:"The Deadbeat Club Edition, Part 1"
2157:Lukowski, Andrzej (July 13, 2010).
947:
562:the previous year. Tyler Golsen of
2844:from the original on March 6, 2021
2444:from the original on June 14, 2021
2388:Wisgard, Alex (3 September 2010).
2297:Starkey, Arun (23 December 2021).
2208:from the original on July 31, 2023
2080:Perpetua, Matthew (14 July 2010).
1950:Puterbaugh, Parke (20 June 1985).
1332:Berry Clempson – audio engineering
558:who had created the album art for
14:
3929:We All Go Back to Where We Belong
2931:The New Rolling Stone Album Guide
2802:Rettig, James (25 January 2022).
2512:from the original on 26 July 2023
2323:Golsen, Tyler (5 February 2022).
2192:Molanphy, Chris (June 29, 2018).
2125:from the original on May 29, 2023
1986:Pond, Steve (21 September 2011).
985:
909:
871:
814:
764:
4337:
4336:
3487:Reckoning Songs from The Olympia
2463:Zaleski, Annie (9 August 2021).
2236:Keefe, Jonathan (12 July 2010).
2038:from the original on 25 May 2019
1186:"Life and How to Live It" – 4:06
1004:
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989:
984:
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689:, it did reach number 10 on the
532:and include imagery relating to
2909:. No. 290. September 2010.
2709:from the original on 2023-03-21
2645:from the original on 2 May 2021
2426:Gordon, Scott (July 13, 2010).
607:, was Merchant's contribution.
392:(1984), which was based on the
3712:What's the Frequency, Kenneth?
3081:(I.R.S. Vintage Years edition)
2761:(liner notes). I.R.S. Records.
2746:(liner notes). I.R.S. Records.
2731:(liner notes). I.R.S. Records.
1952:"Fables of the Reconstruction"
1902:Jones, Allan (9 August 2010).
1884:(liner notes). I.R.S. Records.
1206:"Green Grow the Rushes" – 3:46
1173:"Feeling Gravitys Pull" – 4:48
1072:Matthew Perpetua's review for
1:
3005:Giles, Jeff (June 27, 1991).
2702:. July 27, 1985. p. 11.
1844:Peacock, Tim (10 June 2023).
1348:Weekly chart performance for
940:The Rolling Stone Album Guide
203:Fables of the Reconstruction
3684:The Sidewinder Sleeps Tonite
3551:(Don't Go Back To) Rockville
3544:So. Central Rain (I'm Sorry)
3209:Fables of the Reconstruction
3098:Fables of the Reconstruction
3085:Fables of the Reconstruction
3075:Fables of the Reconstruction
3066:Fables of the Reconstruction
3060:Fables of the Reconstruction
2971:"Christgau's Consumer Guide"
2901:Fables of the Reconstruction
2744:Cant Get There from Here 12"
2535:"Gold & Platinum – RIAA"
2430:Fables Of The Reconstruction
2161:Fables of the Reconstruction
2113:Fables of the Reconstruction
1882:Fables of the Reconstruction
1414:
1411:
1405:
1400:
1397:
1394:
1382:
1377:
1372:
1363:
1358:
1355:
1350:Fables of the Reconstruction
1133:Fables of the Reconstruction
1077:"inspired". In a review for
1029:Fables of the Reconstruction
655:Reconstruction of the Fables
651:Fables of the Reconstruction
647:Reconstruction of the Fables
643:Fables of the Reconstruction
639:Fables of the Reconstruction
610:"Kohoutek" features Stipe's
473:Fables of the Reconstruction
301:Fables of the Reconstruction
269:Reconstruction of the Fables
263:Fables of the Reconstruction
172:Fables of the Reconstruction
22:Fables of the Reconstruction
4371:Albums produced by Joe Boyd
3339:Live at the Borderline 1991
2729:Cant Get There from Here 7"
1280:Philippa Ibbotson – violin
664:peaked at number 28 on the
342:on their first two albums,
4432:
3044:, liner notes, p. 5, 2010.
2026:Erlewine, Stephen Thomas.
1792:The band also co-produced
429:Richard and Linda Thompson
382:. Parks was lead vocalist
4334:
3880:Supernatural Superserious
3473:Vancouver Rehearsal Tapes
3146:
2570:"R.E.M. Songs and Albums"
1570:
1567:
1476:
1471:
1468:
1343:Charts and certifications
1335:Tony Harris – engineering
1176:"Maps and Legends" – 3:10
751:
748:
720:Hootie & the Blowfish
554:, a Baptist minister and
255:
208:
193:
156:
26:
3558:Cant Get There from Here
3244:Automatic for the People
2356:"R.E.M.'s 20 Best Songs"
2159:"Album Review: R.E.M. –
1201:Cant Get There from Here
730:, peaking at number 91.
587:Cant Get There from Here
503:and took an interest in
374:(known for working with
247:Released: September 1985
234:Released: September 1985
216:Cant Get There from Here
4401:Psychedelic folk albums
4024:First We Take Manhattan
3258:New Adventures in Hi-Fi
2868:"An R.E.M. discography"
1880:R.E.M. (10 June 1985).
1274:Camilla Brunt – violin
1189:"Old Man Kensey" – 4:08
493:Stephen Thomas Erlewine
4381:Capitol Records albums
4140:When the Light Is Mine
3537:Talk About the Passion
2502:"R.E.M. Chart History"
691:Bubbling Under Hot 100
469:
398:Southern United States
331:
299:Critical reception to
4396:I.R.S. Records albums
4391:Gothic country albums
4059:All the Right Friends
3908:Mine Smell Like Honey
3901:Until the Day Is Done
2469:Ultimate Classic Rock
1307:Jim Dvorak – trumpet
1264:]") – lead vocals
1215:"Good Advices" – 3:30
1144:All songs written by
1083:, Lukowski refers to
671:(one spot lower than
455:
323:
4416:Southern rock albums
4376:1980s concept albums
4220:The Baseball Project
4154:Live from Austin, TX
3789:At My Most Beautiful
2936:Simon & Schuster
2880:on December 10, 2021
2873:Entertainment Weekly
2636:"Discography R.E.M."
2394:The Line of Best Fit
1798:(1982), their debut
1286:David Newby – cello
1269:Additional musicians
1114:bluntly stated that
840:Entertainment Weekly
739:Professional ratings
546:' backing vocals as
16:1985 album by R.E.M.
4003:Turn You Inside-Out
3726:Crush with Eyeliner
3466:Not Bad for No Tour
3318:Live at The Olympia
2671:. Record Research.
1391:
1352:
740:
495:as "creepy, rustic
481:alternative country
425:Fairport Convention
334:After working with
221:Released: June 1985
91:alternative country
68:Livingston (London)
60:February–April 1985
4286:170 College Avenue
4066:Out in the Country
3954:Gardening at Night
3824:I'll Take the Rain
3733:Strange Currencies
3649:Shiny Happy People
3642:Losing My Religion
3371:The Best of R.E.M.
3357:Dead Letter Office
3216:Lifes Rich Pageant
3105:(list of releases)
2866:(March 22, 1991).
2831:(March 24, 1991).
2173:on August 29, 2012
1751:509996 46071 22††
1389:
1347:
1295:– tenor saxophone
738:
734:Critical reception
618:Lifes Rich Pageant
470:
402:Reconstruction era
332:
328:(pictured in 2008)
181:Lifes Rich Pageant
4348:
4347:
3968:Pretty Persuasion
3810:Imitation of Life
3530:Radio Free Europe
3426:Complete Rarities
3385:Singles Collected
3378:The Automatic Box
3332:R.E.M. at the BBC
3293:Collapse into Now
2976:The Village Voice
2969:(June 25, 1985).
2967:Christgau, Robert
2693:"Single Releases"
2678:978-0-89820-190-1
2163:: Deluxe Edition"
2115:(Deluxe Edition)"
1755:
1754:
1419:
1418:
1387:
1386:
1209:"Kohoutek" – 3:18
1025:
1024:
1016:The Village Voice
604:The Wishing Chair
573:Life: How to Live
505:oral storytelling
501:Appalachian music
259:
258:
189:
188:
4423:
4340:
4339:
4259:Related articles
4210:Ken Stringfellow
4017:Country Feedback
3894:Man-Sized Wreath
3845:Leaving New York
3803:The Great Beyond
3747:E-Bow the Letter
3656:Near Wild Heaven
3480:Live from London
3406:iTunes Originals
3133:
3126:
3119:
3110:
3045:
3039:
3033:
3032:
3030:
3028:
3002:
2993:
2992:
2990:
2988:
2963:
2954:
2953:
2934:(4th ed.).
2926:Hoard, Christian
2922:Brackett, Nathan
2917:
2911:
2910:
2896:
2890:
2889:
2887:
2885:
2876:. Archived from
2860:
2854:
2853:
2851:
2849:
2825:
2819:
2818:
2816:
2814:
2799:
2793:
2792:
2790:
2788:
2769:
2763:
2762:
2754:
2748:
2747:
2739:
2733:
2732:
2724:
2718:
2717:
2715:
2714:
2708:
2697:
2689:
2683:
2682:
2661:
2655:
2654:
2652:
2650:
2632:
2626:
2625:
2623:
2621:
2600:"RPM 100 Albums"
2596:
2590:
2589:
2587:
2585:
2566:
2555:
2554:
2552:
2550:
2531:
2522:
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2340:
2320:
2314:
2313:
2311:
2309:
2294:
2288:
2287:
2285:
2283:
2274:. July 5, 2010.
2264:
2258:
2257:
2255:
2253:
2233:
2218:
2217:
2215:
2213:
2189:
2183:
2182:
2180:
2178:
2169:. Archived from
2167:Drowned in Sound
2154:
2135:
2134:
2132:
2130:
2106:
2097:
2096:
2094:
2092:
2077:
2048:
2047:
2045:
2043:
2023:
2008:
2007:
2005:
2003:
1983:
1972:
1971:
1969:
1967:
1947:
1924:
1923:
1921:
1919:
1899:
1886:
1885:
1877:
1866:
1865:
1863:
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1841:
1803:
1790:
1784:
1781:
1742:
1723:
1704:
1685:
1666:
1645:
1626:
1605:
1600:The Netherlands
1573:
1554:
1549:The Netherlands
1532:
1511:
1474:
1451:
1426:
1392:
1353:
1310:
1304:
1298:
1289:
1283:
1277:
1080:Drowned in Sound
1047:Robert Christgau
1009:
1008:
1007:
1003:
1002:
998:
997:
993:
992:
988:
987:
971:
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831:
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816:
788:
787:
786:
782:
781:
777:
776:
772:
771:
767:
766:
741:
728:UK Singles Chart
599:Native Americans
595:Natalie Merchant
582:Drowned in Sound
497:psychedelic folk
448:Music and lyrics
400:during the post-
274:alternative rock
248:
245:
235:
232:
222:
219:
158:
157:
120:
119:
115:
96:psychedelic folk
31:
19:
4431:
4430:
4426:
4425:
4424:
4422:
4421:
4420:
4351:
4350:
4349:
4344:
4330:
4306:I Belong to You
4254:
4230:Hindu Love Gods
4200:Scott McCaughey
4190:Peter Holsapple
4180:Nathan December
4172:
4166:
4105:This Film Is On
4071:
3982:Begin the Begin
3975:7 Chinese Bros.
3934:
3691:Everybody Hurts
3677:Man on the Moon
3607:Finest Worksong
3517:
3505:Man on the Moon
3492:
3446:
3413:And I Feel Fine
3344:
3298:
3182:
3142:
3137:
3054:
3049:
3048:
3040:
3036:
3026:
3024:
3004:
3003:
2996:
2986:
2984:
2965:
2964:
2957:
2950:
2919:
2918:
2914:
2898:
2897:
2893:
2883:
2881:
2862:
2861:
2857:
2847:
2845:
2837:Chicago Tribune
2827:
2826:
2822:
2812:
2810:
2801:
2800:
2796:
2786:
2784:
2771:
2770:
2766:
2757:R.E.M. (1985).
2756:
2755:
2751:
2742:R.E.M. (1985).
2741:
2740:
2736:
2727:R.E.M. (1985).
2726:
2725:
2721:
2712:
2710:
2706:
2695:
2691:
2690:
2686:
2679:
2663:
2662:
2658:
2648:
2646:
2634:
2633:
2629:
2619:
2617:
2616:on May 13, 2016
2598:
2597:
2593:
2583:
2581:
2574:Official Charts
2568:
2567:
2558:
2548:
2546:
2533:
2532:
2525:
2515:
2513:
2500:
2499:
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2209:
2191:
2190:
2186:
2176:
2174:
2156:
2155:
2138:
2128:
2126:
2108:
2107:
2100:
2090:
2088:
2079:
2078:
2051:
2041:
2039:
2025:
2024:
2011:
2001:
1999:
1985:
1984:
1975:
1965:
1963:
1949:
1948:
1927:
1917:
1915:
1901:
1900:
1889:
1879:
1878:
1869:
1859:
1857:
1843:
1842:
1817:
1812:
1807:
1806:
1791:
1787:
1782:
1778:
1773:
1740:
1721:
1702:
1683:
1664:
1643:
1624:
1621:United Kingdom
1603:
1571:
1552:
1530:
1509:
1472:
1449:
1446:United Kingdom
1424:
1422:Release history
1390:Certifications
1379:UK Albums Chart
1345:
1317:
1308:
1302:
1296:
1287:
1281:
1275:
1271:
1234:
1229:
1142:
1118:"sucked". In a
1104:
1005:
1000:
995:
990:
967:
962:
957:
952:
929:
924:
919:
914:
891:
886:
881:
876:
829:
824:
819:
807:Chicago Tribune
784:
779:
774:
769:
736:
698:Top Rock Tracks
677:UK Albums Chart
635:
556:outsider artist
513:Southern Gothic
487:. Described by
450:
406:Southern Gothic
318:
294:Southern Gothic
251:
246:
239:
238:
233:
226:
225:
220:
213:
212:
184:
175:
166:
117:
113:
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44:
17:
12:
11:
5:
4429:
4427:
4419:
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4408:
4403:
4398:
4393:
4388:
4383:
4378:
4373:
4368:
4363:
4353:
4352:
4346:
4345:
4335:
4332:
4331:
4329:
4328:
4321:
4314:
4309:
4302:
4299:Athens Andover
4295:
4288:
4283:
4278:
4273:
4268:
4262:
4260:
4256:
4255:
4253:
4252:
4247:
4242:
4237:
4232:
4227:
4225:Filthy Friends
4222:
4217:
4212:
4207:
4202:
4197:
4195:Barrett Martin
4192:
4187:
4182:
4176:
4174:
4168:
4167:
4165:
4164:
4157:
4150:
4143:
4136:
4133:Perfect Square
4129:
4122:
4115:
4108:
4101:
4094:
4087:
4079:
4077:
4073:
4072:
4070:
4069:
4062:
4055:
4052:New Test Leper
4048:
4041:
4034:
4027:
4020:
4013:
4006:
3999:
3992:
3985:
3978:
3971:
3964:
3961:Perfect Circle
3957:
3950:
3942:
3940:
3936:
3935:
3933:
3932:
3925:
3918:
3911:
3904:
3897:
3890:
3883:
3876:
3869:
3862:
3855:
3848:
3841:
3834:
3827:
3820:
3813:
3806:
3799:
3792:
3785:
3778:
3771:
3764:
3757:
3754:Bittersweet Me
3750:
3743:
3736:
3729:
3722:
3719:Bang and Blame
3715:
3708:
3705:Find the River
3701:
3694:
3687:
3680:
3673:
3666:
3659:
3652:
3645:
3638:
3631:
3624:
3617:
3610:
3603:
3596:
3593:The One I Love
3589:
3582:
3575:
3568:
3561:
3554:
3547:
3540:
3533:
3525:
3523:
3519:
3518:
3516:
3515:
3508:
3500:
3498:
3494:
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3483:
3476:
3469:
3462:
3454:
3452:
3448:
3447:
3445:
3444:
3437:
3423:
3416:
3409:
3402:
3395:
3388:
3381:
3374:
3367:
3360:
3352:
3350:
3346:
3345:
3343:
3342:
3335:
3328:
3321:
3314:
3306:
3304:
3300:
3299:
3297:
3296:
3289:
3282:
3279:Around the Sun
3275:
3268:
3261:
3254:
3247:
3240:
3233:
3226:
3219:
3212:
3205:
3198:
3190:
3188:
3184:
3183:
3181:
3180:
3178:Jefferson Holt
3175:
3169:
3168:
3163:
3158:
3153:
3147:
3144:
3143:
3138:
3136:
3135:
3128:
3121:
3113:
3107:
3106:
3094:
3093:
3092:
3082:
3063:
3053:
3052:External links
3050:
3047:
3046:
3034:
2994:
2955:
2948:
2912:
2891:
2855:
2820:
2794:
2779:. 8 May 2019.
2764:
2749:
2734:
2719:
2684:
2677:
2665:Whitburn, Joel
2656:
2627:
2591:
2556:
2523:
2486:
2455:
2411:
2377:
2346:
2315:
2289:
2259:
2242:Slant Magazine
2219:
2184:
2136:
2098:
2049:
2009:
1973:
1925:
1887:
1867:
1850:uDiscoverMusic
1814:
1813:
1811:
1808:
1805:
1804:
1802:, with Easter.
1785:
1775:
1774:
1772:
1769:
1768:
1767:
1764:
1753:
1752:
1749:
1746:
1743:
1738:
1737:United States
1734:
1733:
1730:
1727:
1724:
1719:
1715:
1714:
1711:
1708:
1705:
1700:
1699:United States
1696:
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1637:
1636:
1633:
1630:
1627:
1622:
1618:
1617:
1614:
1611:
1606:
1604:August 6, 1992
1601:
1597:
1596:
1593:
1592:cassette tape
1590:
1586:
1585:
1582:
1579:
1574:
1569:
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1470:
1469:United States
1466:
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1457:
1452:
1447:
1443:
1442:
1439:
1436:
1433:
1430:
1423:
1420:
1417:
1416:
1415:June 24, 1991
1413:
1410:
1403:
1402:
1399:
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1385:
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1371:
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746:
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732:
634:
631:
591:10,000 Maniacs
552:Howard Finster
534:lucid dreaming
449:
446:
380:Elvis Costello
356:Van Dyke Parks
317:
314:
288:with producer
282:I.R.S. Records
257:
256:
253:
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250:
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236:
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24:
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15:
13:
10:
9:
6:
4:
3:
2:
4428:
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4399:
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4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4362:
4361:R.E.M. albums
4359:
4358:
4356:
4343:
4333:
4327:
4326:
4322:
4320:
4319:
4315:
4313:
4310:
4307:
4303:
4301:
4300:
4296:
4294:
4293:
4289:
4287:
4284:
4282:
4279:
4277:
4274:
4272:
4271:List of songs
4269:
4267:
4264:
4263:
4261:
4257:
4251:
4248:
4246:
4243:
4241:
4238:
4236:
4233:
4231:
4228:
4226:
4223:
4221:
4218:
4216:
4215:Joey Waronker
4213:
4211:
4208:
4206:
4203:
4201:
4198:
4196:
4193:
4191:
4188:
4186:
4183:
4181:
4178:
4177:
4175:
4173:side projects
4169:
4163:
4162:
4158:
4156:
4155:
4151:
4149:
4148:
4144:
4142:
4141:
4137:
4135:
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4128:
4127:
4123:
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4120:
4116:
4114:
4113:
4109:
4107:
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4102:
4100:
4099:
4095:
4093:
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3947:Sitting Still
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3859:Electron Blue
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3698:Nightswimming
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3210:
3206:
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3203:
3199:
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3196:
3192:
3191:
3189:
3187:Studio albums
3185:
3179:
3176:
3174:
3171:
3170:
3167:
3166:Michael Stipe
3164:
3162:
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3056:
3055:
3051:
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3038:
3035:
3027:September 13,
3022:
3018:
3014:
3013:
3012:Rolling Stone
3008:
3001:
2999:
2995:
2982:
2978:
2977:
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2956:
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2949:0-7432-0169-8
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2895:
2892:
2879:
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2869:
2865:
2864:Browne, David
2859:
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2639:charts.org.nz
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2443:
2439:
2438:
2437:The A.V. Club
2433:
2431:
2422:
2420:
2418:
2416:
2412:
2399:
2395:
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2054:
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2029:
2022:
2020:
2018:
2016:
2014:
2010:
1997:
1993:
1992:Rolling Stone
1989:
1982:
1980:
1978:
1974:
1961:
1957:
1956:Rolling Stone
1953:
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1759:
1750:
1748:Compact Disc
1747:
1744:
1741:July 23, 2010
1739:
1736:
1735:
1731:
1729:Compact Disc
1728:
1725:
1720:
1717:
1716:
1712:
1709:
1707:Simply Vinyl
1706:
1701:
1698:
1697:
1693:
1691:Compact Disc
1690:
1687:
1682:
1679:
1678:
1674:
1672:Compact Disc
1671:
1668:
1663:
1660:
1659:
1655:
1653:Compact Disc
1652:
1650:
1647:
1642:
1639:
1638:
1634:
1631:
1629:Simply Vinyl
1628:
1623:
1620:
1619:
1616:7 13160 2 9†
1615:
1613:Compact Disc
1612:
1610:
1607:
1602:
1599:
1598:
1594:
1591:
1588:
1587:
1583:
1581:Compact Disc
1580:
1578:
1575:
1566:
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1556:
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1500:
1498:compact disc
1497:
1496:
1492:
1490:
1489:cassette tape
1487:
1486:
1482:
1479:
1473:June 11, 1985
1467:
1463:
1461:
1458:
1456:
1453:
1450:June 10, 1985
1448:
1445:
1444:
1440:
1437:
1434:
1431:
1428:
1427:
1421:
1408:
1404:
1395:Organization
1393:
1380:
1376:
1370:
1368:
1362:
1356:Chart (1985)
1354:
1351:
1342:
1337:
1334:
1331:
1329:– engineering
1328:
1325:
1322:
1319:
1318:
1314:
1306:
1300:
1294:
1291:
1285:
1279:
1273:
1272:
1268:
1263:
1262:
1257:
1256:Michael Stipe
1254:
1251:
1248:
1245:
1242:
1239:
1236:
1235:
1231:
1226:
1221:
1217:
1214:
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1208:
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1188:
1185:
1182:
1178:
1175:
1172:
1171:
1170:
1169:
1165:
1163:
1159:
1158:Michael Stipe
1155:
1151:
1147:
1140:Track listing
1139:
1137:
1134:
1130:
1126:
1121:
1120:Rolling Stone
1117:
1113:
1109:
1102:Band opinions
1101:
1099:
1096:
1092:
1091:
1086:
1082:
1081:
1075:
1070:
1068:
1063:
1059:
1058:
1057:The A.V. Club
1051:
1048:
1044:
1040:
1036:
1035:
1034:Rolling Stone
1030:
1020:
1018:
1017:
1013:
1012:
982:
980:
979:
975:
974:
944:
942:
941:
937:
936:
906:
904:
903:
902:Rolling Stone
899:
898:
868:
866:
865:
861:
860:
856:
854:
853:
849:
848:
844:
842:
841:
837:
836:
811:
809:
808:
804:
803:
799:
797:
796:
795:The A.V. Club
792:
791:
761:
759:
756:
755:
747:
744:Review scores
742:
733:
731:
729:
725:
721:
717:
712:
709:
708:college radio
705:
704:
699:
696:
692:
688:
686:
680:
678:
674:
670:
668:
663:
658:
656:
652:
648:
644:
640:
632:
630:
628:
624:
620:
619:
613:
608:
606:
605:
600:
596:
592:
588:
584:
583:
578:
575:by eccentric
574:
569:
567:
566:
561:
557:
553:
549:
545:
541:
540:
539:Rolling Stone
535:
531:
527:
522:
520:
519:
514:
510:
506:
502:
498:
494:
490:
486:
485:Southern rock
482:
479:, folk rock,
478:
474:
467:
463:
459:
454:
447:
445:
441:
438:
434:
430:
426:
422:
419:acts such as
418:
414:
409:
407:
403:
399:
395:
391:
390:
385:
384:Michael Stipe
381:
377:
373:
369:
365:
361:
357:
353:
352:
347:
346:
341:
337:
329:
326:
322:
315:
313:
311:
307:
302:
297:
295:
291:
287:
283:
279:
275:
271:
270:
265:
264:
254:
243:
237:
230:
224:
217:
211:
210:
207:
204:
200:
196:
192:
183:
182:
178:
174:
173:
169:
165:
164:
160:
159:
155:
151:
147:
144:
141:
139:
135:
132:
129:
127:
123:
111:
107:
102:
101:Southern rock
99:
97:
94:
92:
89:
87:
84:
82:
79:
78:
77:
75:
71:
67:
63:
59:
55:
52:June 10, 1985
51:
47:
43:
38:
34:
30:
25:
20:
4323:
4316:
4297:
4291:
4205:Bill Rieflin
4185:Buren Fowler
4159:
4152:
4145:
4138:
4131:
4124:
4117:
4110:
4103:
4096:
4089:
4082:
3614:Orange Crush
3510:
3503:
3497:Other albums
3485:
3478:
3471:
3464:
3459:Chronic Town
3457:
3439:
3425:
3418:
3411:
3404:
3397:
3392:In the Attic
3390:
3383:
3376:
3369:
3362:
3355:
3349:Compilations
3337:
3330:
3323:
3316:
3309:
3291:
3284:
3277:
3270:
3263:
3256:
3249:
3242:
3235:
3228:
3221:
3214:
3208:
3207:
3200:
3193:
3173:Bertis Downs
3097:
3091:(LP reissue)
3059:
3058:R.E.M.HQ on
3041:
3037:
3025:. Retrieved
3017:Wenner Media
3010:
2985:. Retrieved
2974:
2930:
2915:
2904:
2900:
2894:
2882:. Retrieved
2878:the original
2871:
2858:
2846:. Retrieved
2835:
2823:
2811:. Retrieved
2807:
2797:
2785:. Retrieved
2776:
2767:
2758:
2752:
2743:
2737:
2728:
2722:
2711:. Retrieved
2699:
2687:
2668:
2659:
2647:. Retrieved
2638:
2630:
2618:. Retrieved
2614:the original
2609:
2603:
2594:
2582:. Retrieved
2573:
2547:. Retrieved
2538:
2514:. Retrieved
2505:
2477:. Retrieved
2468:
2458:
2446:. Retrieved
2435:
2429:
2402:. Retrieved
2393:
2368:. Retrieved
2359:
2349:
2337:. Retrieved
2328:
2318:
2306:. Retrieved
2302:
2292:
2282:February 22,
2280:. Retrieved
2262:
2250:. Retrieved
2241:
2210:. Retrieved
2197:
2187:
2175:. Retrieved
2171:the original
2160:
2127:. Retrieved
2118:
2112:
2109:Chase, Ted.
2089:. Retrieved
2085:
2040:. Retrieved
2031:
2000:. Retrieved
1991:
1964:. Retrieved
1955:
1916:. Retrieved
1907:
1881:
1858:. Retrieved
1849:
1795:Chronic Town
1793:
1788:
1779:
1757:
1756:
1632:180-gram LP
1366:
1349:
1323:– production
1259:
1194:Another side
1193:
1192:
1167:
1166:
1162:Jeremy Ayers
1143:
1132:
1128:
1124:
1119:
1115:
1107:
1105:
1094:
1088:
1084:
1078:
1073:
1071:
1066:
1061:
1055:
1052:
1042:
1038:
1032:
1028:
1026:
1014:
976:
938:
900:
862:
850:
838:
805:
793:
724:Jason Isbell
713:
702:
694:
684:
681:
672:
666:
661:
659:
654:
650:
646:
642:
638:
636:
616:
609:
602:
580:
572:
570:
563:
559:
548:counterpoint
537:
523:
516:
508:
472:
471:
442:
410:
387:
372:Elliot Mazer
360:Hugh Padgham
349:
343:
340:Mitch Easter
333:
327:
300:
298:
268:
267:
262:
261:
260:
202:
179:
171:
170:
161:
37:Studio album
4366:1985 albums
4266:Discography
4235:The Minus 5
4171:Support and
4147:R.E.M. Live
3996:Ages of You
3939:Other songs
3922:Oh My Heart
3761:Electrolite
3628:Pop Song 89
3572:Wendell Gee
3311:R.E.M. Live
3303:Live albums
3237:Out of Time
3103:MusicBrainz
2938:. pp.
2848:November 2,
2813:16 November
2787:16 November
2649:16 November
2584:16 November
2549:16 November
2516:16 November
2479:19 November
2404:19 November
2370:19 November
2360:Consequence
2339:19 November
2308:16 November
2252:16 November
2200:(Podcast).
2091:16 November
2042:16 November
2002:29 November
1966:15 November
1918:15 November
1860:15 November
1293:Pete Thomas
1220:Wendell Gee
1093:feels that
1060:feels that
660:In the US,
593:frontwoman
394:Uncle Remus
348:(1983) and
242:Wendell Gee
4355:Categories
4292:Peter Buck
4250:Tired Pony
4240:Tanzplagen
4119:Road Movie
4098:Pop Screen
4038:Dark Globe
4031:Ignoreland
3887:Hollow Man
3866:Wanderlust
3775:Daysleeper
3663:Radio Song
3579:Fall on Me
3286:Accelerate
3161:Mike Mills
3156:Peter Buck
3151:Bill Berry
2987:August 31,
2884:August 30,
2713:2022-07-29
2448:August 31,
2177:August 26,
1810:References
1680:Worldwide
1640:Worldwide
1595:IRSC-5592
1568:Worldwide
1544:ELPS 4495
1527:Australia
1501:IRSD-5592
1493:IRSC-5592
1327:Jerry Boys
1315:Production
1250:Mike Mills
1244:Peter Buck
1238:Bill Berry
1154:Mike Mills
1150:Peter Buck
1146:Bill Berry
1112:Bill Berry
544:Mike Mills
477:jangle pop
462:surrealist
433:Wood Green
421:Nick Drake
413:Peter Buck
376:Neil Young
364:the Police
316:Production
152:chronology
81:Jangle pop
4010:Texarkana
3852:Aftermath
3796:Suspicion
3441:7IN—83–88
3364:Eponymous
3202:Reckoning
2899:"R.E.M.:
2829:Kot, Greg
2808:Stereogum
2620:March 28,
2506:Billboard
2428:"R.E.M.:
2111:"R.E.M.:
2086:Pitchfork
1732:7131602†
1483:IRS-5592
1464:MIRF1003
1367:Billboard
1359:Position
1227:Personnel
1074:Pitchfork
1039:Reckoning
852:Pitchfork
695:Billboard
685:Billboard
673:Reckoning
667:Billboard
560:Reckoning
526:chromatic
518:Pitchfork
417:folk rock
351:Reckoning
336:Don Dixon
163:Reckoning
86:folk rock
4342:Category
4312:Hib-Tone
4112:Parallel
4091:Tourfilm
4084:Succumbs
3989:Cuyahoga
3873:#9 Dream
3586:Superman
3565:Driver 8
3512:r.e.m.IX
3223:Document
3089:AllMusic
3079:AllMusic
3070:AllMusic
3021:Archived
2981:Archived
2928:(eds.).
2842:Archived
2781:Archived
2759:Driver 8
2704:Archived
2700:Cash Box
2643:Archived
2578:Archived
2543:Archived
2510:Archived
2473:Archived
2442:Archived
2398:Archived
2364:Archived
2333:Archived
2276:Archived
2246:Archived
2212:July 30,
2206:Archived
2123:Archived
2036:Archived
2032:AllMusic
1996:Archived
1960:Archived
1912:Archived
1854:Archived
1713:0000151
1635:SVLP151
1441:Catalog
1321:Joe Boyd
1222:" – 3:01
1203:" – 3:39
1183:" – 3:23
1181:Driver 8
758:AllMusic
703:Cash Box
637:Work on
612:falsetto
489:AllMusic
325:Joe Boyd
310:Driver 8
290:Joe Boyd
229:Driver 8
143:Joe Boyd
138:Producer
57:Recorded
49:Released
39: by
4245:Tuatara
4126:In View
4045:Star 69
3915:Überlin
3831:Bad Day
3522:Singles
3399:In Time
3251:Monster
2940:685–687
2329:Far Out
2303:Far Out
2129:May 28,
1745:I.R.S.
1726:I.R.S.
1718:Europe
1688:I.R.S.
1675:13160†
1661:Europe
1649:Capitol
1589:I.R.S.
1557:I.R.S.
1535:I.R.S./
1515:Illegal
1506:Greece
1477:I.R.S.
1438:Format
1429:Region
687:Hot 100
633:Release
565:Far Out
530:Man Ray
466:Man Ray
464:artist
458:Dadaist
437:Mayfair
378:), and
368:Genesis
199:Singles
185:(1986)
176:(1985)
167:(1984)
4276:Awards
4076:Videos
3838:Animal
3740:Tongue
3635:Get Up
3430:I.R.S.
3272:Reveal
3195:Murmur
3140:R.E.M.
2946:
2675:
1694:19016
1656:93479
1563:26525
1522:26525
1455:I.R.S.
1435:Label
1398:Level
1232:R.E.M.
1168:A side
1156:, and
1129:Fables
1125:Fables
1116:Fables
1108:Fables
1095:Fables
1085:Fables
1067:Fables
1062:Fables
1043:Murmur
857:8.5/10
752:Rating
749:Source
662:Fables
577:Athens
509:Fables
483:, and
427:, and
345:Murmur
286:London
278:R.E.M.
150:R.E.M.
131:I.R.S.
109:Length
65:Studio
42:R.E.M.
4281:Tours
4161:REMTV
3782:Lotus
3670:Drive
3621:Stand
3230:Green
2777:Rhino
2707:(PDF)
2696:(PDF)
2202:Slate
1908:Uncut
1771:Notes
1758:Notes
1584:5592
1432:Date
1412:Gold
1409:(US)
1401:Date
1090:Slant
978:Uncut
716:Pylon
627:banjo
623:Byrds
389:Jump!
276:band
201:from
126:Label
74:Genre
3029:2017
2989:2015
2944:ISBN
2886:2015
2850:2015
2815:2023
2789:2023
2673:ISBN
2651:2023
2622:2012
2586:2023
2551:2023
2518:2023
2481:2023
2450:2015
2406:2023
2372:2023
2341:2023
2310:2023
2284:2020
2272:KCRW
2254:2023
2214:2023
2179:2012
2131:2023
2093:2023
2044:2023
2004:2023
1968:2023
1920:2023
1862:2023
1722:2000
1703:1999
1684:1999
1669:EMI
1665:1998
1644:1998
1625:1992
1572:1990
1553:1985
1537:Epic
1531:1985
1510:1985
1407:RIAA
722:and
366:and
338:and
306:RIAA
266:(or
3451:EPs
3101:at
3087:at
3077:at
3068:at
2903:".
2605:RPM
2119:QRO
1710:LP
1609:EMI
1577:MCA
1560:LP
1541:LP
1519:LP
1480:LP
1383:35
1373:28
1369:200
1364:US
1309:(6)
1303:(6)
1297:(6)
1288:(1)
1282:(1)
1276:(1)
1261:sic
669:200
645:or
491:'s
370:),
4357::
3434:WB
3432:·
3265:Up
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1021:B+
845:B−
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