292:, which was being successfully revived at the time. Among the musical highlights, besides the sinfonia, are Falstaff's strutting Act I patter aria, the quartet in Act I, the duettino "La stessa, La stessissima", the technically brilliant "laughter" trio in the opening moments of Act II, the canonical duet of Mr. and Mrs. Ford toward the end of Act II (featuring a rare late 18th century cello solo) and the grand finale to Act II. Throughout the score Salieri employs careful tone painting, parody of opera seria conventions, a more harmonically interesting structure for the secco recitative, and more involved counterpoint; traits that have helped return Falstaff to the playing boards.
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is notable for a general compression and streamlining of the original plot, note the absence of the two young lovers, Fenton and Anne, and the addition of a scene in which
Mistress Ford pretends to be German to charm Falstaff (actually two such scenes exist, one in a separate score by Salieri was
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with David Arnold in the title role, supported by
Elizabeth Phinney, Pamela Gore, Frank Hoffmeister, and Ernest Triplett, with an English translation by Michael Auclair and scenery by William Fregosi. The conductor was Robert Willoughby Jones.
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probably omitted from the original
Viennese productions). Defranceschi moves the plot and structure away from Elizabethan drama and closer to the standard conventions of late 18th century
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Romano
Franceschetto, Fernando Luis Ciuffo, Filippo Bettoschi, Milan Madrigalists, Chiara Chialli, et al. Alberto Veronesi cond, Guido Cantelli Orchestra Milan. 2 CDs, DDD,
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on 3 January 1799. Twenty-six performances were given between then and 1802. The
American premiere took place on 15 November 1974 in the National Theater of the
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József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gáti, Eva Pánczél, et al. Tamás Pál cond., Salieri
Chamber Orchestra, Salieri Chamber Chorus. 3 CDs, DDD,
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Review quotes for a revival performance at the
Bampton Opera
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Highlights include the
Sinfonia (overture) in the style of
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1011:Overture to The Merry Wives of Windsor
474:La Grande Écurie et la Chambre du Roy
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555:. L'Almanacco di Gherardo Casaglia
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162:Falstaff, or The Three Jokes
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700:Der Rauchfangkehrer
684:Europa riconosciuta
676:La fiera di Venezia
487:, 27 September 2003
296:Performance history
255:William Shakespeare
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36:verification
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1126:1799 operas
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456:Discography
331:Voice type
273:opera buffa
245:, set to a
195:Shakespeare
158:Translation
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944:Characters
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503:References
485:Hungaroton
394:Ignaz Saal
209:1799-01-03
168:Librettist
69:newspapers
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417:baritone
411:Bardolf,
99:June 2018
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247:libretto
218:, Vienna
201:Premiere
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1081:Related
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425:Betty,
376:soprano
235:) is a
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179:Italian
83:scholar
1121:Operas
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