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False relation is in this case desirable since this chromatic alteration follows a melodic idea, the rising 'melodic minor'. In such cases false relations must occur between different voices, as it follows that they cannot be produced by the semitones that occur diatonically in a mode or scale of any
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Many composers from the late 16th century onwards however began using the effect deliberately as an expressive device in their word setting. This practice continued well into the
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scale descending (the diatonic sixth degree). The bass voice ascends and therefore makes use of the ascending melodic minor scale (the raised sixth degree).
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In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The
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kind. This horizontal approach to polyphonic writing reflects the practices of composers in the
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and particularly in
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periods, particularly in vocal composition, but it is also seen, for example, in the
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or parts; or alternatively, in music written before 1600, the occurrence of a
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In this instance, the false relation is less pronounced: the contradicting E
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Ex. 2, typical example of a false relation in the Late
Baroque Style.
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sounding simultaneously (or in close proximity) in two different
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Bent, Margaret (2001). "Musica ficta, §1: Introduction". In
115:momentarily beneath it, producing the clash of an
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241:Dyson, George (2001). "False relation". In
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341:Luís Henriques (Saturday, July 21, 2007).
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185:notated in the manuscript (see
59:between two notes of adjacent
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282:The Oxford Companion to Music
47:contradiction" between two
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35:that sometimes occurs in
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460:Polymodal chromaticism
440:Diatonic and chromatic
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408:Augmented sixth chord
147:(soprano voice) and E
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29:non-harmonic relation
351:Atrium Musicologicum
314:Macmillan Publishers
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626:Musical terminology
430:Chromatic fantasia
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105:while the
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520:polyphony
175:hexachord
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306:(eds.).
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208:See also
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150:♮
144:♭
112:♮
102:♯
621:Harmony
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109:sings G
57:tritone
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202:Chopin
198:Mozart
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566:Round
551:Fugue
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171:Tudor
97:tenor
76:, by
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318:ISBN
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