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175:. Nature seems to have delighted her with every gift it might bestow. Her teeth were regular and white as pearls, and her hair was a very dark auburn, worn parted smoothly across her brow, and gathered in a modest snood behind her head, while it was easy to see by its texture that if left to itself, it would have curled naturally. Such was Fanny Campbell.
185:
heroine, is one of the most interesting characters ever delineated, and her exploits surpass in boldness and brilliancy the most gallant exploits ever performed. This book is acknowledged by all who have read it to be the very best romantic history of the stirring incidents of our
Revolutionary War ever written."
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A painter should have seen her there, her person modestly veiled yet displaying her form in most ravishing distinctness; her breast heaving with suppressed emotions, and her hands clasped and raised to Heaven. Her features were after the
Grecian school, with a coral lip that would have melted an
184:
Ballou originally published the book in 1844 under the pseudonym "Lieutenant Murray". It quickly became popular, selling 80,000 copies at twenty-five cents each in just a few months: Sixteen years after its initial publication, an 1860 ad by publisher
Frederic Brady said "Fanny Campbell, the
62:, in the 1770s. She has a childhood sweetheart named William Lovell, who becomes a sailor. After his first voyage, Lovell asks Campbell to marry him. She says yes and will marry Lovell when he returns from his second voyage. In 1775, just before the
235:
artwork that continued for several decades in the 19th century. Fanny
Campbell scrimshaw continued to be popular in the 21st century, with one 19th century whale's tooth carved with a picture of Fanny Campbell selling for $ 5,000 at
139:. Fanny Campbell and William Lovell travel back home to Lynn. They marry and have papers drawn up that commission them as privateers. William returns to sea to privateer throughout the
200:, calls Fanny the "female equivalent of the crafty mariner.". In the nineteenth century, the novel inspired some of its female readers to follow in Fanny Campbell's footsteps.
100:
After she has freed her fiancé and the other prisoners, Campbell asks Lovell to promise not to reveal that she is a woman. On the way to Cuba, they encounter the
British
119:
whose crew informs her that Great
Britain and the American colonies are at war. The crews of both ships, except for four men, decide to join the Americans and become
247:'s "Fanny Campbell, Who Loved and Won", in his 1953 story collection, "True Tales of Pirates and Their Gold". Gretchen J Woertendyke who examines the novel in
357:
Golden
Feather; Or, The Buccaneer of King's Bridge: A Warlike Romance of the Rivers and the Bay of New York: Being a Tale of Love and Glory of the War of 1812-'15
50:
ship. The popularity of its heroine continued long after the book was published, with some writers publishing accounts of Fanny
Campbell as if she were real.
255:
was based on actual historical figures and circumstances. "Ballou's adaptation takes the true story of Fanny and makes it strange," she writes. Author Dr.
538:
243:
Some authors of works about seafaring adventurers have misidentified Fanny
Campbell as a real person. Ballou's novel was retold as a true tale in
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85:
On board the ship, rumors begin to circulate that the captain is going to take the entire crew to
England and force them to join the
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143:, but Fanny stays home to take care of their children. She continues however to shoot, ride and practice her sailing, keeping her
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108:, whose captain senses something is amiss and orders his crew to open fire. Despite the superior firepower of the
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literature that helped establish the cultural ideal of the assertive, redemptive woman. Margaret Cohen, in the
132:
66:, William and 10 other Americans are seized and put in irons by the captain and crew of the British ship the
112:, Campbell and her crew manage to win the battle, capturing the enemy ship and taking it along with them.
43:
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writes about Campbell in her discussion of actual women who went to sea or considered going, including
74:. Fanny decides to rescue her fiancé by dressing as a man, calling herself Channing, and signs on as a
163:
267:, who investigated working on a privateer before she decided to enlist as a Revolutionary soldier.
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216:. Maud Buckley, a captain's wife who eventually got her own license called her three masted
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Neil Rennie, Treasure Neverland: Real and Imaginary Pirates OUP Oxford, Sep 12, 2013
522:
428:
Ingenious Contrivances, Curiously Carved: Scrimshaw in the New Bedford Whaling Museum
301:
237:
441:"Scrimshaw whale's tooth depicting the female pirate Fanny Campbell", Christies.com
372:
Domestic Devils, Battlefield Angels: The Radicalism of American Womanhood 1830-1865
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Zuleika: Or, The Castilian Captive. A Romance of the Time of Ferdinand and Isabella
86:
46:, about a woman who goes to sea to rescue her fiancé and becomes commander of a
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anchorite. Where Fanny got those eyes from, heaven only knows, they rivaled
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75:
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97:, turns the ship and its crew into pirates, and continues on to Cuba.
136:
101:
90:
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93:, Campbell helps spread these rumors and then takes command of the
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Fanny Campbell, The Female Pirate Captain: A Tale of The Revolution
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Fanny Campbell, the Female Pirate Captain: A Tale of the Revolution
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Women and English Piracy, 1540-1720: Partners and Victims of Crime
116:
39:
20:
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The two ships stop briefly in Cuba, then capture another British
71:
58:
Fanny Campbell, the protagonist, is a young woman who lives in
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The book's popularity created a fashion for female pirates in
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Hemispheric Regionalism: Romance and the Geography of Genre
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Hemispheric Regionalism: Romance and the Geography of Genre
249:
Hemispheric Regionalism: Romance and the Geography of Genre
166:" and cites his description of Fanny as she is praying:
162:, calls Fanny Campbell's author Ballou a "pioneer of
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F.A. Brady, 1860 - United States, advertisement, p.91
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Bold in Her Breeches: Women Pirates Across the Ages
192:in 2003 as one of a series of books in American
220:the Fanny Campbell, which she commanded on the
123:, fighting against the British. Eventually the
316:Treasure Neverland: Real and Imaginary Pirates
25:Fanny Campbell, protagonist of the 1844 novel
160:Treasure Neverland: Real and Imagined Pirates
8:
402:, Wayne State University Press, Mar 1, 2015
204:decided to dress as a man and fight for the
16:1844 American novel by Maturin Murray Ballou
275:Jo Stanley, Anne Chambers, Dian H. Murray,
374:, Dekalb: Northern University Press, 2003
188:Literary critic Barbara Cutter described
457:, Boydell & Brewer Ltd, 2013, p.189
487:, Oxford University Press, Jun 2, 2016
472:, Oxford University Press, Jul 1, 2016
293:
131:sail back to Massachusetts, landing at
135:because British troops have occupied
7:
416:, Arcadia Publishing, Jun 26, 2012
319:, OUP Oxford, Sep 12, 2013, p. 162
14:
27:Fanny Campbell, the Female Pirate
430:David R. Godine Publisher, 2012
388:Princeton University Press, 2010
228:for several years in the 1870s:
539:Female characters in literature
400:Great Girls in Michigan History
414:Maritime Tales of Lake Ontario
1:
304:", E. D. Long, New York, 1844
147:in the closet of their home.
569:Cross-dressing in literature
544:Novels about revolutionaries
585:
483:Gretchen J. Woertendyke,
468:Gretchen J. Woertendyke,
344:F. Gleason, 1849, p. 101
180:Publication and influence
554:Novels about revolutions
529:Fictional female pirates
498:Dr. Linda Grant DePauw,
412:Susan Peterson Gateley,
300:Maturin Murray Ballou, "
240:Auction House in 2009.
29:by Maturin Murray Ballou
549:American romance novels
177:
70:, which sets sail for
30:
502:, Peacock Press, 1998
386:The Novel and the Sea
168:
44:Maturin Murray Ballou
24:
564:1844 American novels
534:Novels about pirates
355:Arthur M. Grainger,
38:is an 1844 American
340:Martha Ann Clough,
64:American Revolution
60:Lynn, Massachusetts
257:Linda Grant DePauw
202:Sarah Emma Edmonds
31:
559:Books about women
453:John C. Appleby,
426:Stuart M. Frank,
398:Patricia Majher,
277:Julie Wheelwright
198:Novel and the Sea
141:Revolutionary War
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245:Edward Rowe Snow
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89:. Fomenting a
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265:Deborah Samson
253:Fanny Campbell
214:Fanny Campbell
212:after reading
190:Fanny Campbell
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173:a Circassian's
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151:Literary style
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222:Great Lakes
156:Neil Rennie
523:Categories
289:References
238:Christie's
194:antebellum
133:Marblehead
121:privateers
233:scrimshaw
210:Civil War
125:Constance
95:Constance
80:Constance
68:Constance
226:Michigan
218:schooner
127:and the
76:deckhand
208:in the
145:cutlass
78:on the
137:Boston
129:George
110:George
106:George
102:barque
91:mutiny
48:pirate
206:Union
158:, in
117:sloop
40:novel
164:pulp
104:the
72:Cuba
54:Plot
259:in
224:in
42:by
525::
279:,
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443:/
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