36:
1053:
137:
in 1901. They met in 1920, eager to heal the rift caused by the First World War. At the meeting, Elgar proposed that they orchestrate this work by Bach. Strauss would orchestrate the
Fantasia and Elgar would work on the Fugue. Elgar completed his section in the spring of 1921, but Strauss never
327:
79:
is about eight minutes; the fantasia is written in 6/4 time, while the fugue is in 2/2. The fantasia of the piece is quite lush and very ornate, consisting of two unequal halves that both feature the same two basic musical ideas, an imitative
320:
92:-like passage in which performers could show off their virtuosity. The fugue uses a steady theme four times in a row that can be easily recognised each time that it reappears. The total length of the fugue is 130 contrapuntal bars.
313:
48:
During his life, Bach had two tenures in Weimar, then a town with a population of only about 5000, but possessing a strong cultural tradition. His second tenure began in 1708, when he left a post as a church organist in
511:
341:
282:
180:
847:
927:
337:
867:
990:
524:
883:
453:
184:
1020:
439:
100:
During his period in Weimar his fame as an organist grew, and he was visited by students of the organ to hear him play and to try to learn from his technique.
1025:
400:
779:
766:
732:
719:
634:
621:
138:
kept his part of the agreement. Elgar proceeded to orchestrate the
Fantasia as well, and the final combined orchestration was first performed in the 1922
1030:
792:
687:
674:
647:
502:
468:
286:
1073:
822:
434:
983:
805:
759:
752:
745:
712:
705:
667:
660:
614:
607:
588:
444:
420:
415:
410:
405:
395:
390:
380:
375:
64:
211:
579:
572:
565:
54:
876:
1088:
997:
1078:
860:
494:
425:
920:
905:
1043:
827:
816:
559:
458:
940:
305:
67:, and some fugues, although in the case of Bach's fugues it is often difficult to identify when they were composed.
1083:
947:
832:
361:
900:
463:
104:
544:
841:
1057:
1005:
165:
129:
597:
549:
516:
473:
346:
139:
25:
911:
967:
554:
486:
370:
299:
853:
215:
478:
59:
35:
291:
124:
977:
major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
85:
103:
The piece appeared in 1867 in the first complete edition of the composer's works, the
1067:
134:
81:
50:
21:
295:
120:
108:
84:
tune, and a leaping eighth-note form, which is also in imitation, initiated by the
199:
143:
236:
256:
89:
512:
Canonic
Variations on "Vom Himmel hoch da komm' ich her", BWV 769
28:. It was composed during the composer's second period of residence in
29:
267:
107:. The volume in question was devoted to organ music and edited by
76:
34:
309:
57:. He composed many of his organ works at Weimar, including the
53:
to serve as an organist in the chapel of Weimar's ruling duke,
1041:
161:
159:
88:. Unlike many of its contemporaries, it features no
957:
893:
537:
354:
195:
193:
426:Eight Short Preludes and Fugues, BWV 553–560
984:Concerto transcriptions, BWV 592–596 and 972–987
401:Fantasia and Fugue in G minor ("Great"), BWV 542
391:Toccata and Fugue in D minor ("Dorian"), BWV 538
884:Capriccio on the departure of a beloved brother
454:Prelude (Toccata) and Fugue in E major, BWV 566
421:Prelude and Fugue in E minor ("Wedge"), BWV 548
187:. Retrieved 5 Feb. 2022 (subscription required)
459:Fantasia ("Pièce d'Orgue") in G major, BWV 572
127:dating back to the German premiere of Elgar's
1021:List of compositions by Johann Sebastian Bach
440:Toccata, Adagio and Fugue in C major, BWV 564
321:
8:
1026:List of fugal works by Johann Sebastian Bach
75:The combined length of the fantasia and the
1031:List of concertos by Johann Sebastian Bach
328:
314:
306:
302:organ in the Georgenkirche, Rötha, Germany
469:Passacaglia and Fugue in C minor, BWV 582
362:Fugue in G minor, BWV 131a
287:International Music Score Library Project
1048:
175:
173:
155:
823:Fantasia and Fugue in C minor, BWV 906
435:Fantasia and Fugue in C minor, BWV 562
386:Fantasia and Fugue in C minor, BWV 537
283:Fantasia and Fugue in C minor, BWV 537
18:Fantasia and Fugue in C minor, BWV 537
589:Overture in the French style, BWV 831
550:English Suites, BWV 806–811
545:Inventions and Sinfonias, BWV 772–801
445:Toccata and Fugue in D minor, BWV 565
416:Prelude and Fugue in C minor, BWV 546
411:Prelude and Fugue in B minor, BWV 544
406:Prelude and Fugue in A minor, BWV 543
396:Toccata and Fugue in F major, BWV 540
381:Prelude and Fugue in D major, BWV 532
376:Prelude and Fugue in C major, BWV 531
181:Keyboard music: the period of JS Bach
7:
555:French Suites, BWV 812–817
464:Fugue in G minor ("Little"), BWV 578
123:. He had a cordial friendship with
527:Wo Gott der Herr nicht bei uns hält
146:; the rendition was well received.
877:Aria variata alla maniera italiana
598:Well-Tempered Clavier, BWV 846–893
39:The chapel of the castle at Weimar
14:
1051:
1074:Fugues by Johann Sebastian Bach
928:Prelude, Fugue and Allegro in E
828:Toccatas, BWV 910–916
560:Partitas, BWV 825–830
496:Great Eighteen Chorale Preludes
247:Decca Publication No. 443 485-2
119:This piece was transcribed by
1:
817:Chromatic Fantasia and Fugue
941:Prelude in C minor, BWV 999
474:Concertos, BWV 592–597
1105:
991:KlavierbĂĽchlein W. F. Bach
948:Fugue in G minor, BWV 1000
848:Harpsichord solo concertos
1016:
921:Suite in C minor, BWV 997
906:Suite in E minor, BWV 996
901:Suite in G minor, BWV 995
105:Bach-Gesellschaft-Ausgabe
44:Background of Composition
971:: Prelude and Fugue in E
505:Sei gegrĂĽĂźet, Jesu gĂĽtig
292:Free download of BWV 537
1089:Compositions in C minor
836:, BWV 933–938
65:concerto transcriptions
1079:Compositions for organ
1006:Twelve Little Preludes
130:The Dream of Gerontius
40:
347:Johann Sebastian Bach
140:Three Choirs Festival
96:Influence of the work
38:
26:Johann Sebastian Bach
520:, BWV 1090–1120
371:Sonatas, BWV 525–530
300:Gottfried Silbermann
998:Notebook A. M. Bach
854:Goldberg Variations
834:Six Little Preludes
518:Neumeister chorales
20:is a piece for the
498:, BWV 651–668
490:, BWV 645–650
482:, BWV 599–644
336:Compositions for
185:Grove Music Online
166:Classical Archives
41:
1084:Fantasias (music)
1039:
1038:
969:Clavier-Ăśbung III
914:
870:
863:
808:
806:No. 24 in B minor
801:
788:
775:
762:
760:No. 12 in F minor
755:
748:
741:
728:
715:
708:
696:
683:
670:
668:No. 16 in G minor
663:
661:No. 10 in E minor
656:
643:
630:
617:
610:
582:
575:
568:
525:Chorale fantasia
488:SchĂĽbler Chorales
450:
431:
367:
342:keyboard and lute
200:Baroque music.org
1096:
1056:
1055:
1054:
1047:
1009:
1000:
993:
986:
979:
976:
975:
950:
943:
936:
933:
932:
923:
910:
866:
859:
842:Italian Concerto
804:
798:
797:
791:
785:
784:
778:
772:
771:
765:
758:
753:No. 6 in D minor
751:
746:No. 5 in D major
744:
738:
737:
731:
725:
724:
718:
713:No. 2 in C minor
711:
706:No. 1 in C major
704:
693:
692:
686:
680:
679:
673:
666:
659:
653:
652:
646:
640:
639:
633:
627:
626:
620:
615:No. 2 in C minor
613:
608:No. 1 in C major
606:
578:
571:
564:
503:Chorale partita
448:
429:
365:
349:
330:
323:
316:
307:
285:: Scores at the
270:
265:
259:
254:
248:
245:
239:
234:
228:
227:
225:
223:
218:on 28 March 2014
214:. Archived from
208:
202:
197:
188:
177:
168:
163:
142:, being held in
1104:
1103:
1099:
1098:
1097:
1095:
1094:
1093:
1064:
1063:
1062:
1058:Classical Music
1052:
1050:
1042:
1040:
1035:
1012:
1003:
996:
989:
982:
973:
972:
966:
959:
953:
946:
939:
930:
929:
926:
919:
889:
868:Gould recording
795:
794:
782:
781:
769:
768:
735:
734:
722:
721:
690:
689:
677:
676:
650:
649:
637:
636:
624:
623:
533:
350:
345:
334:
279:
274:
273:
266:
262:
255:
251:
246:
242:
235:
231:
221:
219:
210:
209:
205:
198:
191:
178:
171:
164:
157:
152:
125:Richard Strauss
117:
98:
73:
46:
12:
11:
5:
1102:
1100:
1092:
1091:
1086:
1081:
1076:
1066:
1065:
1061:
1060:
1037:
1036:
1034:
1033:
1028:
1023:
1017:
1014:
1013:
1011:
1010:
1001:
994:
987:
980:
963:
961:
955:
954:
952:
951:
944:
937:
934:major, BWV 998
924:
917:
916:
915:
903:
897:
895:
891:
890:
888:
887:
880:
873:
872:
871:
864:
850:
845:
838:
830:
825:
820:
812:
811:
810:
809:
802:
789:
776:
763:
756:
749:
742:
729:
716:
709:
699:
698:
697:
684:
671:
664:
657:
644:
631:
618:
611:
601:
593:
592:
585:
584:
583:
576:
569:
557:
552:
547:
541:
539:
535:
534:
532:
531:
522:
514:
509:
500:
492:
484:
476:
471:
466:
461:
456:
451:
442:
437:
432:
423:
418:
413:
408:
403:
398:
393:
388:
383:
378:
373:
368:
358:
356:
352:
351:
335:
333:
332:
325:
318:
310:
304:
303:
289:
278:
277:External links
275:
272:
271:
260:
249:
240:
229:
203:
189:
169:
154:
153:
151:
148:
116:
113:
97:
94:
72:
69:
45:
42:
13:
10:
9:
6:
4:
3:
2:
1101:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1071:
1069:
1059:
1049:
1045:
1032:
1029:
1027:
1024:
1022:
1019:
1018:
1015:
1008:
1007:
1002:
999:
995:
992:
988:
985:
981:
978:
970:
965:
964:
962:
956:
949:
945:
942:
938:
935:
925:
922:
918:
913:
909:
908:
907:
904:
902:
899:
898:
896:
892:
886:
885:
881:
879:
878:
874:
869:
865:
862:
858:
857:
856:
855:
851:
849:
846:
844:
843:
839:
837:
835:
831:
829:
826:
824:
821:
819:
818:
814:
813:
807:
803:
800:
790:
787:
777:
774:
764:
761:
757:
754:
750:
747:
743:
740:
730:
727:
717:
714:
710:
707:
703:
702:
700:
695:
685:
682:
672:
669:
665:
662:
658:
655:
645:
642:
632:
629:
619:
616:
612:
609:
605:
604:
602:
600:
599:
595:
594:
591:
590:
586:
581:
577:
574:
570:
567:
563:
562:
561:
558:
556:
553:
551:
548:
546:
543:
542:
540:
536:
530:
528:
523:
521:
519:
515:
513:
510:
508:
506:
501:
499:
497:
493:
491:
489:
485:
483:
481:
480:OrgelbĂĽchlein
477:
475:
472:
470:
467:
465:
462:
460:
457:
455:
452:
446:
443:
441:
438:
436:
433:
427:
424:
422:
419:
417:
414:
412:
409:
407:
404:
402:
399:
397:
394:
392:
389:
387:
384:
382:
379:
377:
374:
372:
369:
363:
360:
359:
357:
353:
348:
343:
339:
331:
326:
324:
319:
317:
312:
311:
308:
301:
297:
293:
290:
288:
284:
281:
280:
276:
269:
264:
261:
258:
253:
250:
244:
241:
238:
233:
230:
217:
213:
207:
204:
201:
196:
194:
190:
186:
182:
179:Caldwell, J.
176:
174:
170:
167:
162:
160:
156:
149:
147:
145:
141:
136:
132:
131:
126:
122:
115:Transcription
114:
112:
110:
106:
101:
95:
93:
91:
87:
83:
82:dotted-rhythm
78:
70:
68:
66:
62:
61:
60:OrgelbĂĽchlein
56:
55:Wilhelm Ernst
52:
43:
37:
33:
31:
27:
23:
19:
1004:
968:
882:
875:
852:
840:
833:
815:
596:
587:
526:
517:
504:
495:
487:
479:
385:
298:on the 1721
296:James Kibbie
294:recorded by
263:
257:Allmusic.com
252:
243:
232:
220:. Retrieved
216:the original
212:"jsbach.org"
206:
128:
121:Edward Elgar
118:
109:Wilhelm Rust
102:
99:
74:
58:
47:
17:
15:
960:collections
861:discography
793:No. 22 in B
780:No. 18 in G
767:No. 13 in F
688:No. 22 in B
675:No. 21 in B
24:written by
1068:Categories
733:No. 4 in C
720:No. 3 in C
648:No. 7 in E
635:No. 4 in C
622:No. 3 in C
529:, BWV 1128
449:(doubtful)
430:(doubtful)
366:(doubtful)
237:8notes.com
222:4 February
150:References
144:Gloucester
135:DĂĽsseldorf
51:MĂĽhlhausen
507:, BWV 768
268:Elgar.org
974:♭
931:♭
796:♭
783:♯
770:♯
736:♯
723:♯
691:♭
678:♭
651:♭
638:♯
625:♯
538:Keyboard
71:Analysis
912:Bourrée
701:Book 2
603:Book 1
90:cadenza
1044:Portal
447:
428:
364:
86:pedals
30:Weimar
958:Mixed
799:minor
786:minor
773:major
739:minor
726:major
694:minor
681:major
654:major
641:minor
628:major
580:No. 6
573:No. 4
566:No. 2
355:Organ
338:organ
77:fugue
22:organ
894:Lute
224:2010
16:The
344:by
133:in
1070::
340:,
192:^
183:.
172:^
158:^
111:.
63:,
32:.
1046::
329:e
322:t
315:v
226:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
