498:"Believe me, there is nothing like a female singer who can step up and belt out the lines, yet has enough Sauvé Fair to finesse the lighter side of the material, and "Panic In The Year Zero" is a perfect example of that. If the vocals are the constancy, the guitar is the meat and potatoes, delivering resounding lines that drive the material and vary the intensity nicely; one moment giving meaningful power chords, the next moving with an asynchronous line. The bass uses space appropriately, developing astute lines that emphasize relationships to the drums here and the guitar there, always keeping it interesting."
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502:"Serial Killers Know How to Party" is tongue-in-cheek and somewhat comical in nature, heavily influences by horror films. Donnelly shouts "your screams could raise the dead" over a fast-paced guitar riff. "Centaur: Half-Man Half-Motorcycle" is reinforced with a double-bass panel, a technique that allows the drumming to sound more clear. Both "Centaur: Half-Man Half-Motorcycle" and "Battlestar Anorexia" channel some of the thematic similarities as the act
218:. Donnelly serves as the main singer on the album, with bassist Jonah Bergman performing backing vocals. Taking influence from horror films, lyrically the album features macabre subject matter and social commentary. The band expressed the desire to become more diverse with their musical approach than on their debut album, citing a larger list of influences. The album presents some of its themes in a theatrical, over-the-top and often
372:, and monsters, Donelly assured that the album was "always about something much more real", musing that "there's so much genuine evil in the world. That said, I love that people take all kinds of different things away from our songs, and invest so much of themselves in their interpretations." To prevent the album from being to depressing, the band attempted to present the album with the aesthetic of a b-movie, with a comical, overly
352:. The Misfits in particular were a large influence to the album; their horror themed and often purposely over-the-top style to making music were important in shaping the way the band presented themselves in image. Donelly expressed an interest with progressing the style of music on their sophomoric effort, stating that she wanted to have a tighter focus this time around, and specifically noting that the song titles on
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360:"I am so very happy with this record—both with the performances and the production. Blood, sweat and tears went into its making. It was the longest we'd spent on anything ever we've done. We knew how we wanted it to sound and we wanted to get it perfect, so yeah, we spent a long time on it. And I tell you; we had to make a lot of tough choices, with the
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775:", and noted that it "lacks a bit in the insouciant exuberance displayed by its predecessor." The same website later listed the album amongst their 100 best albums of the year at number 18. While not charting on any music charts, the album was a commercial success, selling 1500 copies in its first week of release.
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reported that style-wise the band was not for everyone, commenting that "but for those select few who appreciate the movement and atmosphere created here, they will find a technically judicious band that leads with good hooks and follows through with great substance to create an album that is wholly
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a "thing of pure kinetic beauty". According to
Holland, the album was "polished, perfected and just generally worked up into something quiet shiny and special. On the debut, the influences were everywhere, suffocating the spark. But the new songs, with names like "Panic in the Year Zero", "Nightmare
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as another influence on the project, musing that if the band became popular enough he would one day be able to perform there. Bergman commented "I used to sit in my bedroom and think, 'Damn, if we could just play
Graceland, I would die a happy guy'". Before the album was released, it was promoted by
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critic
Michaelangelo Matos viewed that while Donnelly was the standout of the album, stating that the band was "neither a rock Diamanda nor a mere hood ornament; Schoolyard Heroes' ghastly gestalt feeds on at least four entities", and that the album was launched by a triplet-driven solo performance
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was an underground success, selling over 5000 copies. Following the release of their album, the band promoted themselves with a concert tour with
Seattle-based band Vendetta Red. While on tour the band simultaneously worked on their second album. The band quickly developed a reputation for their
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Album opener "Body Shots" serves as an introduction to the style of the album. The song is barely one minute in length, compared to the duration of the majority of the songs on the album which are around four minutes long. The song contains singing by
Donnelly that is largely scream-based, with
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as a kid. According to
Bergman, the band had grown quite a lot from their first album and had learned more about producing and recording music. Bergman, when describing the album, mused, "honestly, these are 10 of the most fucking killer songs I've ever heard in my life," stating that the album
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critic Sam
Sutherland felt that the band had successfully progressed from their debut album, musing "more polished than their debut, this record possesses all the angular riffs and math-rock breakdowns of their previous work, but is greatly aided by a sense of cohesion between their colliding
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It was promoted by the single "They Live", which received a music video. The album received positive reviews from music critics, who praised
Donnelly's singing, the progression that the band had showcased from their prior work, and the humorous way that the morbid themes were expressed on the
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According to
Donnelly, the band had been working together for five years, stating that if she didn't have the band, she wouldn't know what else to do with her life. She described the band as a work of passion, citing sources of influences such as the bands
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All four members of the band recorded the album while living at the same
University District together. The production of the album was handled by Joe Reineke and T. Dallas Reed, with the majority of the lyrics composed by the band's singer and frontman
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527:"Funeral Parlor Tricks" features widely different styles of production during its running time. "Nothing Cleanses Quite Like a Fire" and album closer "The Girl Who Was Born Without a Face" relay themes of pulp violence.
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eccentric, often shocking live performances, and began to develop a cult following. They were noted for their prolific nature and their frequent live performances and touring.
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maintained the "acrobatic inter-instrumental dynamics and savagely clever, at times genuinely affecting modern-life-as-horror-movie lyrics that defined their awesome debut,
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influences and disparate style of songwriting", describing the album "as fantastic as its title suggests." Ernest Simpson of TrebleZine called Donnelly the Seattle-based
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viewed that Donnelly seems "to be lobbying for goth poster girl of the new millennium", stating that the album successfully bordered on both metal and punk influences.
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At 20,000 Feet" and "The Girl Who Was Born Without a Face" are confident, complex and strong enough to give this young band its own fierce identity."
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tone. Donelly also noted the desire to become more diverse musically with the second album, as the band had begun to listen to more sources of music.
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project. While a critical success, the album failed to achieve any chart positions. The success of the album lead to the release of their final album
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202:. Following the band's first release, they had generated success with the underground Seattle rock scene and had secured a small
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520:. "Nightmare at 20,000 Feet" features a foreboding atmosphere, fueled by a progressive math-rock style of production, with some
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for the rest of the album; the overall tone and energy of the song has been cited as a teaser for the rest of the album.
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Segment of the atmospheric "Nightmare at 20,000 Feet" with Donnelly singing over the math-rock influenced guitar riff.
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For their sophomore release, the band chose to stay with their record label The Control Group, founded by
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467:-driven and largely melodic riffs that dominate the opening song. "Body Shots" has been described as a
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364:. We wanted it to be perfect, we wanted all the different energies to flow into each other just so."
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were more direct and confident in nature. Speaking about the creation of the project, she mused:
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The next song, "Panic in the Year Zero", boasts a chorus that invokes the Iron Maiden song "
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viewed that the band had begun as a juvenile pop-punk with only a few unique ideas, calling
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and features Donnelly singing "say your prayers" in a multitude of ways. Steven Bishop of
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views that "Year Zero" showcases some of the lighter themes of the album, summarizing:
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and horror films. Horror films had always been a substantial influence on the band;
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by Jonah Bergman. Decoy's music Brandon Carter compared the band favorably to a
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Intro of single "They Live" with Donnelly singing over the muted guitar riffing.
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heavy aesthetic exhibited on that album was replaced with themes found within
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1108:"Schoolyard Heroes – Sentimentalist Magazine Online Exclusive Interview"
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While the album was influenced by things such as macabre horror tales,
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978:"Horror films, science fiction fuel Schoolyard Heroes' ghoulish rise"
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Singer Courtney Love served as an inspiration to vocalist Donnelly.
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perfectly embodied the type of music the band wished to produce.
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482:. Donnelly's vocal performance has been compared to that of
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All four members of Schoolyard Heroes lived together at the
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the release of a music video for the single "They Live".
1520:"Three Imaginary Girls Best Northwest Releases of 2005"
1498:"Schoolyard Heroes – Fantastic Wounds – Control Group"
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1070:"Schoolyard Heroes Bleed to the Brink of Stardom"
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1522:. Three Imaginary Girls. December 12, 2005.
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1388:"Fantastic Wounds – Schoolyard Heroes"
1355:"Schoolyard Heroes – Fantastic Wounds"
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1040:from the original on October 1, 2012
949:Brian Turner – drums, primary artist
198:, it was released through the label
1142:Scanlon, Tom (September 19, 2009).
836:"Centaur: Half-Man Half-Motorcycle"
1560:from the original on March 8, 2016
1297:from the original on March 4, 2016
1266:from the original on April 6, 2015
1068:Levin, Hannah (October 12, 2007).
891:"Nothing Cleanses Quite Like Fire"
825:"Serial Killers Know How to Party"
449:Problems playing these files? See
14:
1432:Simpson, Ernest (July 20, 2005).
1030:"Round 1: Schoolyard House Party"
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1353:Carter, Brandon (June 3, 2005).
1321:Sutherland, Sam (June 3, 2005).
1248:Grose, Jessica (July 15, 2009).
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1394:. June 21, 2005. Archived from
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1028:Seling, Megan (July 16, 2007).
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510:." The song is named from the
192:. Like the band's first album
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1078:. Ken Stocker. Archived from
976:Travis, Hey (July 27, 2005).
1285:Travis, Hey (June 3, 2006).
1546:"Credits: Fantastic Wounds"
274:Seattle University District
92:Joe Reineke, T. Dallas Reed
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1291:Seattle Post Intelligencer
983:Seattle Post Intelligencer
869:"Nightmare at 20,000 Feet"
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165:Released: August 8, 2012
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880:"Funeral Parlor Tricks"
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946:Joe Reineke – producer
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858:"Battlestar Anorexia"
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260:Writing and recording
1691:The Funeral Sciences
990:on December 11, 2013
773:The Funeral Sciences
724:." Roger Holland of
536:Professional ratings
524:influences as well.
480:Omar Rodríguez-López
305:The Funeral Sciences
242:The Funeral Sciences
195:The Funeral Sciences
111:The Funeral Sciences
1732:Stolen Transmission
1722:Stolen Transmission
1462:"Schoolyard Heroes"
1434:"Schoolyard Heroes"
1398:on February 4, 2013
1250:"Schoolyard Heroes"
1160:on January 30, 2013
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1082:on August 13, 2012
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232:released in 2007.
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1727:The Control Group
1640:Schoolyard Heroes
1556:. June 17, 2005.
1500:. Hybrid Magazine
1149:The Seattle Times
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313:heavy metal music
291:The Twilight Zone
200:The Control Group
190:Schoolyard Heroes
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151:Fantastic Wounds
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98:Schoolyard Heroes
81:Control Group/TCG
44:Schoolyard Heroes
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1554:All Media Guide
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1683:Studio albums
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1666:Steve Bonnell
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1659:Jonah Bergman
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1604:Official Site
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1468:. Ken Stocker
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1357:. Decoy Music
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350:Courtney Love
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54:June 21, 2005
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1705:Abominations
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1673:Brian Turner
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1650:
1574:cite journal
1562:. Retrieved
1540:
1528:. Retrieved
1514:
1502:. Retrieved
1470:. Retrieved
1465:
1438:. Retrieved
1436:. Treblezine
1400:. Retrieved
1396:the original
1359:. Retrieved
1331:. Retrieved
1329:. Ian Danzig
1299:. Retrieved
1290:
1280:
1268:. Retrieved
1253:
1222:. Retrieved
1218:the original
1211:
1162:. Retrieved
1158:the original
1147:
1122:. Retrieved
1111:
1084:. Retrieved
1080:the original
1073:
1044:November 21,
1042:. Retrieved
1034:The Stranger
1033:
992:. Retrieved
988:the original
981:
918:
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803:"Body Shots"
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461:thrash metal
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229:Abominations
227:
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208:Vendetta Red
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180:
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150:
129:Abominations
127:
119:
118:
109:
39:Studio album
15:
1753:2005 albums
847:"They Live"
767:mused that
744:train wreck
706:(favorable)
665:Decoy Music
660:(favorable)
650:(favorable)
638:(favorable)
628:(favorable)
620:(favorable)
508:amputations
427:"They Live"
346:Iron Maiden
307:; the more
284:and eating
282:video games
250:Nabil Ayers
186:horror punk
162:"They Live"
1747:Categories
1260:Buzz Media
1213:PopMatters
954:References
726:PopMatters
634:PopMatters
625:TrebleZine
488:apocalypse
451:media help
374:theatrical
362:sequencing
236:Background
100:chronology
1504:March 17,
1440:March 17,
1361:March 17,
1333:March 17,
1301:March 17,
1270:March 17,
1164:March 17,
1124:March 17,
994:March 17,
913:Personnel
531:Reception
517:They Live
465:math rock
381:Graceland
286:fast food
254:Green Day
1564:July 11,
1558:Archived
1550:Allmusic
1530:April 1,
1524:Archived
1472:April 1,
1402:April 1,
1327:Exclaim!
1295:Archived
1264:Archived
1224:April 1,
1118:Archived
1086:April 1,
1038:Archived
713:Exclaim!
616:Exclaim!
321:b-movies
88:Producer
51:Released
41: by
718:Karen O
469:trailer
388:Content
370:zombies
342:Blondie
338:Misfits
325:bassist
222:style.
147:Singles
133:(2007)
124:(2005)
115:(2003)
1715:Labels
795:Length
549:Rating
546:Source
514:film,
59:Length
792:Title
522:disco
220:campy
188:band
149:from
76:Label
1587:help
1566:2012
1532:2011
1506:2012
1474:2011
1442:2012
1404:2011
1363:2012
1335:2012
1303:2012
1272:2012
1255:Spin
1226:2011
1166:2012
1126:2012
1088:2011
1046:2009
996:2012
905:3:49
894:5:42
883:3:55
872:4:28
861:3:36
850:3:46
839:4:22
828:3:29
817:4:08
806:1:02
760:Spin
701:Spin
344:and
294:and
899:10.
788:No.
757:of
309:pop
1749::
1578::
1576:}}
1572:{{
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66::
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