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power now in decline. As opposed to kitsch, camp reappropriates culture in an ironic fashion, whereas kitsch is indelibly sincere. Additionally, kitsch may be seen as a quality of an object, while camp "tends to refer to a subjective process". Those who identify objects as "camp" note the distance often apparent in the process through which "unexpected value can be located in some obscure or exorbitant object."
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1240:, an annually televised competition of song performers from different countries, has shown an increasing element of camp—since the contest has shown an increasing attraction within the LGBTQ+ communities—in their stage performances. This is especially true during the televised finale, which is screened live across Europe. As it is a visual show, many
432:, and that this was a way of projecting one's own queer sensibility upon the world to therefore reclaim it. Conversely, he argued, the biggest threat to camp wasn't heterosexuals ("who tend to accept it, although usually at a fairly broad and superficial level"), but "a neo-puritanism, a received conformism" emerging among gay people at the time.
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535:, explains that context is also important for understanding the power and relevance of camp: "Camp tends to come to the fore through moments of social and political instability, when our society is deeply polarized. The 1960s is one such moment, as were the 1980s, so, too, are the times in which we’re living."
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combines outmoded and contemporary forms of style, fashion, and technology. Often characterized by the reappropriation of a "throwaway Pop aesthetic", camp works to intermingle the categories of "high" and "low" culture. Objects may become camp objects because of their historical association with a
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to jazz, especially in camp's playfulness and admiration for its subjects, which can seem mocking but often borders on veneration. He argues that musical camp draws attention to its performativity and inspirations, while engaging the audience interactively in the process of creating meaning.
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concerns
William Blake's hymn about the building of a New Jerusalem. it is still sung every year in London 's Albert Hall on the Last Night of the Proms. But it is in a fervor without faith. It brings tears to the eyes, only it is in a mixture of nostalgia, camp, 'post-modernism,' and
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Lady Gaga's entrance took 16 minutes, as she arrived to the gala alongside an entourage of five dancers carrying umbrellas, a make up artist, and a personal photographer to snap pictures of Gaga's poses. Gaga arrived in a hot pink
1360:, remains a popular form of entertainment for families and young children. Most towns and cities in the UK stage at least one pantomime between November and February, drawing in an estimated ÂŁ146 million in 2014.
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students: one girl in the chorus takes leave from the goddess Diana, and begins to rehearse a dance routine, muttering to herself in a broad
Australian accent, "Mum says I have to practice if I want to be on
554:'s designs have been described as camp and "Radical Cheek" for his ironic use of bold colours, antiquated or incongruous styles, and reclaimed racist symbols. He designed a banana dress in reference to
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405:. With swish's extensive use of superlatives and drag's exaggerated female impersonation, camp occasionally became extended to all things "over the top", including women posing as female impersonators (
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things that are not intrinsically camp, but display artificiality, stylization, theatricality, naivety, sexual ambiguity, tackiness, poor taste, stylishness, or camp people, and thus appeal to them.
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Camp thrives on tragic gestures, on lament at the transience of life, on an excess of sentiment, an ironic sensibility that art and artifice is preferable to nature and health, in a
Wildean sense.
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Webster's New World
Dictionary of the American Language, 1976 edition, sense 6, banality, mediocrity, artifice, ostentation, etc. so extreme as to amuse or have a perversely sophisticated appeal
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Her famous banana dress has been noted as particularly camp for its flamboyant, humorous and ironic qualities, as well as the way it makes a political point using outdated but reclaimed imagery.
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performances attempt to attract the attention of voters through means other than the music, which sometimes leads to bizarre onstage gimmicks, and what some critics have called "the
Eurovision
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style and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or
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is one of the artists who received the title of "Queen of Camp" through her colourful on-stage fashion and live performances. She gained this status in the 1970s when she launched her
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915:' diaries. Williams' diary entry for 1 January 1947 reads: "Went to Singapore with Stan—very camp evening, was followed, but tatty types so didn't bother to make overtures."
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with humor and which by those same means may also signal the possibility of the overturn of that ontology—as when, on a famous night in 1969, the evening of the funeral of
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has three major features: incongruity, theatricality, and humour. In his 1984, writer George Melly argued that the camp sensibility allowed almost anything to be seen as a
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881:, he defines camp as "to present oneself as being committed to the marginal with a commitment greater than the marginal merits". He makes a distinction between genuine
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844:, Sontag emphasized the embrace of artifice, frivolity, naivety, pretentiousness, offensiveness, and excess as key elements of camp. Examples cited by Sontag included
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Sladen, Simon (2017). "'Hiya Fans!' Celebrity
Performance and Reception in Modern British Pantomime". In Ainsworth, Adam; Double, Oliver; Peacock, Louise (eds.).
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Miller, W. Watts (2002), "Secularism and the sacred: is there really something called 'secular religion'?", in
Idinopulos, Thomas A.; Wilson, Brian C. (eds.),
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1013:, and heavy make-up that included her much-copied "panda eye" look. Springfield borrowed elements of her look from blonde glamour queens of the 1950s, such as
5747:
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Menninghaus, Winfried (2009). "On the Vital
Significance of 'Kitsch': Walter Benjamin's Politics of 'Bad Taste'". In Andrew Benjamin and Charles Rice (ed.).
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694:, debuting a new outfit each time, until reaching her final look: a bra and underwear with fishnets and platform heels. Other notable ensembles included
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music video. Her clothes, makeup, and accessories, created by high-end fashion designers, are integral to the narrative structure of her performances.
353:, as used by gay men, began to appear in print in America, France and the United Kingdom. By the mid-1970s, camp was defined by the college edition of
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4937:
Padva, Gilad and Talmon, Miri (2008). "Gotta Have An
Effeminate Heart: The Politics of Effeminacy and Sissyness in a Nostalgic Israeli TV Musical".
1063:, known for his viral internet music videos full of flamboyant dance and visuals, has come to be seen as a 21st-century incarnation of camp style.
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is recognized as a camp icon for her high camp aesthetics, performance style and kinship with the gay community during her time as a solo artist.
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as in a military encampment, where gay men would subtly advertize their sexuality in all-male company through a particular style and affectation.
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3065:""If You Don't Bring No Grits, Don't Come": Critiquing a Critique of Patrick Kelly, Golliwogs, And Camp as A Technique of Black Queer Expression"
1021:. This, her singing style and her sexuality made her a "camp icon" and won her a following in the gay community. Besides the prototypical female
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4579:"Australian director brings Berlin's complexity to the opera stage; Novel style wins acclaim and younger audiences for the Komische Oper"
3859:(1). Institute for Studies in American Music, Conservatory of Music, Brooklyn College of the City University of New York. Archived from
3630:"She's Reigned Pop Land since the 70s, She's the Queen of Camp, She Believes in Life after Love. She's Cher, and She's Still Fantastic"
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2589:'My "campish undertakings" are not meeting with the success they deserve. Whatever I do seems to get me into hot water somewhere;...':
1322:. Kosky's use of camp is also effectively employed to satirize the pretensions, manners, and cultural vacuity of Australia's suburban
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2904:""I'm Very Rich, Bitch!": The Melodramatic Money Shot and the Excess of Racialized Gendered Affect in the Real Housewives Docusoaps"
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of LGBTQ+ people from the mainstream to maintain its edge. Poet and scholar Chris
Philpot, like Cooperman, nevertheless argues that
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by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement.
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Padva, Gilad (2005). "Radical Sissies and Stereotyped Fairies in Laurie Lynd's The Fairy Who Didn't Want To Be A Fairy Anymore".
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has also been used to describe drag that is more subtle or ironic, as opposed to drag that is more parodic and obvious (and thus
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485:. Scholar Cynthia Morrill has argued that the conception of "camp-as-masquerade" ignores the specifically queer sensibility of
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has depended heavily on camp imagery and camp understandings of gender and sex". Madonna has also been named "Queen of Camp".
827:, where he comments: "You can't camp about something you don't take seriously. You're not making fun of it; you're making fun
4228:
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Jules-Rosette, Bennetta. "Spectacular Dress: Africanisms in the Fashions and Performances of Josephine Baker, 1925–1975". In
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argues it is a specific "gay sensibility" which has often been "misused to signify the trivial, superficial and 'queer'".
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874:, say that it is outdated and that "her celebration of its ecstatic marginality downplays its implicit subversiveness".
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as "banality, mediocrity, artifice, ostentation ... so extreme as to amuse or have a perversely sophisticated appeal".
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is still sometimes used in the UK to describe a gay man who is perceived as outwardly garish or eccentric, such as
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Allatson, Paul (2007). "'Antes cursi que sencilla': Eurovision Song Contests and the Kitsch-Drive to Euro-Unity".
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referred to his "campish undertakings" in a letter produced in evidence at his examination before a magistrate at
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is also seen as an example of the aesthetic, with film critic Esther Leslie describing the camp in the film thus:
306:, described as an "etymologically obscure" use of the word, as "ostentatious, exaggerated, affected, theatrical;
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4005:
Patricia Juliana Smith (1999) "'You Don't Have to Say You Love Me': The Camp Masquerades of Dusty Springfield",
2015:
Babuscio (1993, 20), Feil (2005, 478), Morrill (1994, 110), Shugart and Waggoner (2008, 33), and Van Leer (1995)
296:, London, on suspicion of illegal homosexual acts; the letter does not make clear what these were. In 1909, the
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Padva, Gilad (2008). "Educating The Simpsons: Teaching Queer Representations in Contemporary Visual Media".
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Se camper solidement dans son fauteuil. Se camper Ă la meilleure place. Il se campa devant son adversaire.
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1436:— which included "the whole emotional basis of the Ballet, for example, and of course of Baroque art".
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have all been described as camp, often because of the opulence and winking humour of their personas.
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of it. You're expressing what's basically serious to you in terms of fun and artifice and elegance."
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and dedicated a whole collection to her. He used mismatched buttons when creating his own take on a
317:, the term was used as a general description of the aesthetic choices and behavior of working-class
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2662:, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 91–104 (95),
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Camper son personnage sur la scène. Camper une figure dans un tableau, des caractères dans un roman
2165:, Cambridge Companions to Literature, Cambridge: Cambridge University Press, pp. 91–104 (96),
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for the mainstream. Both terms may relate to an object or work that carries aesthetic value, but
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has been credited with introducing high fashion and camp to hip hop. In pop and rock, musicians
397:'. Two key components of the "radical spectacle of camp" were originally feminine performances:
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3163:"The 2019 Met Gala's theme is 'camp' — here's what you should expect to see on the red carpet"
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795:(1894), based on Wilde, uses "camp coding" in his "effusive and inverted" use of language.
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turned to one of rage and produced the event that solidified the lesbian and gay movement.
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In its subversiveness and irony, camp can also suggest the possibility of overturning the
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such as theatre, cinema, TV and music. In reaction to its popularisation, critics such as
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a common perspective on aesthetics, not solely identified with gay men. Women (especially
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gown with a 25-foot train and went through a series of four "reveals," paying homage to
115:(i.e., accidental versus intentional camp). While author and academic Moe Meyer defines
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soldiers about to depart for the front, found in Kabul photo studios. The book, titled
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3217:"Lady Gaga perfectly captured 'camp' at the Met Gala by paying homage to drag culture"
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Padva, Gilad (2000). "Priscilla Fights Back: The Politicization of Camp Subculture".
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3419:"Dandyism, Visuality and the 'Camp Gem': Collections of Jewels in Huysmans and Wilde"
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have also been called camp because of their flamboyance and playful use of artifice.
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queer people, so long as it evolves with them. Curator Andrew Bolton, after his show
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4080:"Geri Horner talks Spice Girls, solo regrets and her kinship with the gay community"
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Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures
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Icons of R&B and Soul: An Encyclopedia of the Artists Who Revolutionized Rhythm
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3271:"Lady Gaga Just Had 4 Outfit Changes on the Met Gala Red Carpet and We're Deceased"
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4111:"Geri Horner threatened with assassination on stage by Admiral Duncan nail bomber"
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2207:. London Oxford New York New Delhi Sydney: Bloomsbury Methuen Drama. p. 179.
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and objects are chosen as such because they are camp, including musicians such as
574:—a reclaimed symbol for his label—featuring big gold earrings and bright red lips.
107:(i.e., camp arising from serious versus unserious matters), or alternatively into
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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The scene where Anthony Blanche arrives late to Sebastian Flyte's lunch party in
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Annie J. Randall, Associate Professor of Musicology Bucknell University (2008).
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glbtq – An Encyclopedia of Gay, Lesbian, Bisexual, Transgender and Queer Culture
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4656:"glbtq >> arts >> Drag Shows: Drag Queens and Female Impersonators"
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Philpot, Chris (2017). "Diva Worship in a Queer Poetic of Waste in D. Gilson's
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4051:"Psy Unveils His New 'Gentleman' Video and Dance at Extravagant Seoul Concert"
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Oxford: Oxford University Press, 2023. https://doi.org/10.1093/OED/1024137863.
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of the 1950s. However, critics of Sontag's description, such as art historian
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3188:"At the Met Gala, Dapper Dan Stands By Gucci and Stands Up to Cancel Culture"
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Vol. 2. pp. 19–38, 477–492, Maurice Charney Ed., Praeger, Westport, CN
4628:"1, section 1: Bad Romance: Pop and Camp in Light of Evolutionary Confusion"
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suit. By the time he died in 1990, he had dressed noted queer icons such as
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to 16th century British theatre, where it referred to men dressed as women (
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Babuscio, J., 1999. The cinema of camp (aka camp and the gay sensibility).
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3378:"Dancing Federation Steps: A (queer) lesbian reading of Strictly Ballroom"
2943:"Between a Frock and a Hard Place: Camp Aesthetics and Children's Culture"
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1828:"Between a Frock and a Hard Place: Camp Aesthetics and Children's Culture"
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notes that, despite these qualities, it is also subversive and political.
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Making light: Haydn, musical camp, and the long shadow of German idealism
3244:"See How Lady Gaga Pulled Off the Greatest Met Gala Entrance of All Time"
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began making a series of short, no-budget camp films. Their feature film
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Mission Impossible: The perfectionist rock and soul of Dusty Springfield
3137:"Rediscovering Patrick Kelly, the designer who made blackface his brand"
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is a sensibility as well as a mode of performance. A person may consume
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emphasized its key elements as embracing frivolity, excess and artifice.
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Morrill, Cynthia (1994) "Revamping the Gay Sensibility: Queer Camp and
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1306:. In the first act ("The Song of Phaeton"), for instance, the goddess
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sensibility upon the world and unite one's peers in that sensibility.
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2983:. Media, culture, and the arts. Lanham: Lexington Books. p. 66.
2699:"The Comic Nation: Little Britain and the Politics of Representation"
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2605:"Art Matters podcast: an introduction to the camp aesthetic | Art UK"
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Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture
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Incongruous entertainment: Camp, cultural value, and the MGM musical
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En parlant d'un acteur, d'un artiste: Figurer avec force et relief.
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which he associated with cross-dressing and drag performances — and
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Reappraising Durkheim for the study and teaching of religion today
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British TV Comedies: Cultural Concepts, Contexts and Controversies
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Musicologist Philip Brett has highlighted campness in the work of
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and became a constant presence on American prime-time television.
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451:), trans people, and people of colour have described new forms of
361:
36:
4513:"COURTNEY FATHOM SELL: SO YOU WANNA BE AN UNDERGROUND FILMMAKER?"
4416:
Signs of Life in the USA: Readings on Popular Culture for Writers
2824:
Morrill, Cynthia. "Revamping the Gay Sensibility: Queer Camp and
1260:
is renowned for his use of camp in interpreting the works of the
5632:
5606:
3417:
Mills, Victoria (2010), Calè, Luisa; Di Bello, Patrizia (eds.),
1289:
1284:. His 2006 eight-hour production for the Sydney Theatre Company
1084:, a contemporary exemplar of camp, uses music and dance to make
973:
956:
781:
is often seen as a precursor to camp, especially as embodied in
278:
theorized it may have emerged from the primary sense of the word
5011:
4905:, foreword by George Melly. London: Plexus Publishing Limited.
4852:
Making Camp: Rhetorics of Transgression in U.S. Popular Culture
1598:
Lille MĂ©tropole Museum of Modern, Contemporary and Outsider Art
1171:
published a collection of "last portrait" photographs of young
1113:
still forms a strong element in UK culture, and many so-called
650:—whose luxurious fashion has been credited with camping up the
5601:
3818:"Dusty Springfield (British singer) – Encyclopædia Britannica"
2697:
Lindner, Oliver (2016), Kamm, JĂĽrgen; Neumann, Birgit (eds.),
2654:
Leslie, Esther (2022), Storey, Mark; Shapiro, Stephen (eds.),
2446:
Fam: Placer avec fermeté, avec insolence ou selon ses aises.]
2331:. A Paragon book (Reprint ed.). New York: Paragon books.
2157:
Leslie, Esther (2022), Storey, Mark; Shapiro, Stephen (eds.),
1060:
5007:
4478:"'Strangers with Candy': After-school special, Sedaris style"
4448:"'Strangers with Candy': After-school special, Sedaris style"
2084:"Translating Camp Talk: Gay Identities and Cultural Transfer"
1863:
An Archaeology of Posing: Essays on Camp, Drag, and Sexuality
1109:" has been said to glory in "nostalgia, camp, and pastiche".
808:, has been described by writer George Melly as an example of
4502:
filmmakermagazine.com/27295-courtney-fathom-sells-hi-8-hi...
3947:
Dusty! : Queen of the Post Mods: Queen of the Post Mods
819:
The first post-World War II use of the word in print may be
266:
place the "soundest starting point" for the modern sense of
3880:
3878:
3382:
Intersectional Perspectives: Identity, Culture, and Society
3322:
Kapczynski, Jennifer M.; Richardson, Michael David (2012).
2067:
Camp: Queer aesthetics and the performing subject: A reader
1976:
Camp: Queer Aesthetics and the Performing Subject: A Reader
1428:, and examines Christopher Isherwood's distinction between
1382:
is rooted in a specifically queer sensibility, informed by
1233:(2013) features many elements recognized in camp pictures.
4303:. Durham London: Duke University Press. pp. 164–165.
4223:, Numen book series, vol. 92, Brill, pp. 38–39,
4026:"Exploring Psy's Digital Dandy Appeal In 'Gangnam Style' "
2593:(London), 30 May 1870, p. 13, 'The Men in Women's Clothes'
2329:
Gay Talk: a (sometimes outrageous) dictionary of gay slang
1378:
are often used interchangeably, though they are distinct.
1140:
and has also argued for a camp reading of French composer
698:
wearing a gown that looked like a chandelier, designed by
481:, where it has been portrayed as a form of performance or
2981:
Sontag and the camp aesthetic: advancing new perspectives
4889:
Camp! The Story of the Attitude that Conquered the World
4866:
The Queening of America: Gay Culture in Straight Society
4785:
Babuscio, Jack (1993) "Camp and the Gay Sensibility" in
3535:. London Melbourne New York: Quartet Books. p. 18.
2355:, Second Edition. Oxford: Oxford University Press, 1989.
1248:
drive", with almost cartoonish novelty acts performing.
4267:"Rock it, man — what Elton John teaches us about style"
718:
Famous representatives of camp films are, for example,
4850:
Helene A. Shugart and Catherine Egley Waggoner (2008)
3297:"Photos from Moschino's Most Memorable Met Gala Looks"
2481:; To impose one's character assertively into a scene;
413:, while also retaining its meaning as "queer parody".
379:
In America, the concept of camp was also described by
88:
may also be perceived as being dated, offensive or in
5818:
The Work of Art in the Age of Mechanical Reproduction
2941:
Kerry Malla (January 2005). Roderick McGillis (ed.).
1978:, Edinburgh: Edinburgh University Press, p. 53,
1826:
Kerry Malla (January 2005). Roderick McGillis (ed.).
4632:
Redefining Kitsch and Camp in Literature and Culture
4358:"2000, Thomas Dworzak, 1st prize, Spot News stories"
3761:
Chapter 12, Camp, Androgyny, and 1990: Strike a Pose
3039:"Patrick Kelly's Radical Cheek (washingtonpost.com)"
2908:
Camera Obscura: Feminism, Culture, and Media Studies
2232:"John Waters: King of Camp and Auteur of Cult Trash"
1648:
Saving and Preserving Arts and Cultural Environments
1005:
developed an image supported by her peroxide blonde
274:, as the late 17th and early 18th centuries. Writer
173:, but where high art incorporates beauty and value,
5870:
5719:
5492:
5199:
5111:
5045:
4247:An English example of how the life has gone out of
3661:"Cher is Love magazine's latest cover 'girl' at 69"
3425:, London: Palgrave Macmillan UK, pp. 147–166,
2705:, London: Palgrave Macmillan UK, pp. 326–340,
1821:
1819:
1817:
1815:
1179:, attests to a campy aesthetic, quite close to the
1152:with a sense of "musical resignation and longing".
1096:has also been described as camp, with outlets like
177:often strives to be lively, audacious and dynamic.
4759:
4733:
4707:
4265:
3242:
2979:". In Drushel, Bruce E.; Peters, Brian M. (eds.).
988:is also considered camp and according to educator
62:Camp art is distinct from but often confused with
4917:Camp: Queer Aesthetics and the Performing Subject
4789:, David Bergman Ed., U of Massachusetts, Amherst
4605:Walter Benjamin and the Architecture of Modernity
2263:Fantabulosa: a dictionary of Polari and gay slang
2544:. London Stockholm: Footnote Press. p. 15.
2052:Dansky, Steven F. "On the persistence of camp."
1463:, making it a far more "radical spectacle" than
1402:refers specifically to the work itself, whereas
342:From the mid-1940s, numerous representations of
4165:. In Martin Iddon; Melanie L. Marshall (eds.).
1394:is rooted in the rise of mass-produced art and
622:and camp figures, including a bronze statue of
1356:, which often uses drag and other features of
904:'s autobiography as "the definition of camp".
523:can still be a viable "survival strategy" for
5023:
4762:No Respect: Intellectuals and Popular Culture
4736:No Respect: Intellectuals and Popular Culture
4710:No Respect: Intellectuals and Popular Culture
4634:. Cambridge Scholars Publishing. p. 11.
4151:London: Bloomsbury Academic, 2013. pp.204-16.
3492:
3490:
2493:
2491:
2226:
2224:
2028:. Cambridge Scholars Publishing. p. 11.
1917:. Cambridge Scholars Publishing. p. 26.
858:, and Japanese science fiction films such as
8:
5748:The Literary Mind and the Carving of Dragons
4413:Maasik, Sonia; Solomon, Jack Fisher (2011).
4149:African Dress: Fashion, Agency, Performance.
3909:
3907:
2637:Mother Camp: Female Impersonators in America
2632:Mother Camp: Female Impersonators in America
2448:Il me parlait, le chapeau campé sur la tête.
955:Camp costuming worn by American pop singers
133:, which expresses a gay male identity. This
19:"Campy" redirects here. For other uses, see
4919:. Ann Arbor: University of Michigan Press.
3886:Dusty Springfield: in the middle of nowhere
3849:"Dusty Springfield and the Motown Invasion"
3758:Drushe, Bruce E.; Peters, Brian M. (2017).
1102:describing her as another "Queen of Camp".
980:in collaboration with the costume designer
785:and his work. The character of Amarinth in
237:, which borrowed the term from the Italian
197:, as well as its frivolity, may serve as a
5030:
5016:
5008:
2660:The Cambridge Companion to American Horror
2163:The Cambridge Companion to American Horror
1256:The Australian theatre and opera director
758:Australian writer/director Baz Luhrmann's
84:may be sophisticated, but subjects deemed
4977:. New York: Farrar, Straus & Giroux.
4973:Sontag, Susan (1964). "Notes on Camp" in
4801:Comedy: A Geographic and Historical Guide
3560:. London; New York: Quartet. p. 20.
3393:
3080:
2782:. Duke University Press, 2005. p.11, 274.
2127:"glbtq >> literature >> Camp"
1794:"glbtq >> literature >> Camp"
310:or homosexual" behavior. In the UK's pre-
4326:"Thomas Dworzak's Taliban Glamour Shots"
3981:
3979:
3376:Gluyas, Sophia Davidson (1 March 2014).
3009:Cooperman, Jeannette (30 January 2020).
1155:Musicologist Raymond Knapp has compared
992:, her "whole career up to and including
511:and Jeanette Cooperman have argued that
119:as a form of "queer parody", journalist
4975:Against Interpretation and Other Essays
4192:"Katy Perry Is Still the Queen of Camp"
3004:
3002:
3000:
2970:
2968:
2842:Clements, Mikaella (25 November 2016).
2501:Against Interpretation and Other Essays
1680:
1314:, and the musical arrangements feature
1148:, noting its combination of a Balinese
638:, and celebrations of Black and Latinx
221:, writer Bruce Rodgers traces the term
4138:. Indiana University Press, 2021. p. x
3828:from the original on 28 September 2013
3798:
3788:
3585:. New York: Delilah Books. p. 9.
3358:
3348:
3135:Segran, Elizabeth (13 February 2019).
3104:
3102:
3100:
3033:
3031:
2866:
2864:
2820:
2818:
2816:
2799:. New York: Delilah Books. p. 5.
2790:
2788:
2774:
2772:
2535:
2533:
2408:from the original on 14 September 2016
2365:
2363:
2361:
2295:
2293:
2291:
2198:
2196:
2121:
2119:
2117:
2077:
2075:
2054:The Gay & Lesbian Review Worldwide
2011:
2009:
1936:
1934:
1410:intentionally or unintentionally, but
1364:Distinguishing between kitsch and camp
1326:, which is suggestive of the style of
654:genre—designed seven camp outfits for
570:. His grave is marked with a stylized
493:lens (i.e., solely in relation to the
4787:Camp Grounds: Style and Homosexuality
4626:Anna Malinowska (26 September 2014).
4338:from the original on 27 November 2014
4280:from the original on 10 December 2022
4190:Allaire, Christian (2 January 2022).
3671:from the original on 18 November 2018
3211:
3209:
2372:"The Unspeakable Linguistics of Camp"
2255:
2253:
2152:
2150:
2148:
2048:
2046:
2044:
1965:
1963:
1788:
1786:
1784:
1782:
812:'s "alchemical ability" to project a
489:by interrogating queerness through a
7:
4799:Feil, Ken (2005) "Queer Comedy", in
3964:from the original on 16 January 2017
3888:, Middlesex University Press. p. 13.
3701:from the original on 4 November 2017
3063:Barnes, Sequoia (20 December 2017).
2439:Dictionnaire de l'Académie française
1885:
1883:
1881:
1879:
1857:
1855:
1853:
1743:
1741:
1739:
1712:
1710:
1475:a strategy which confronts un-queer
1310:takes the form of a highly stylized
768:(1992), has been described as camp.
233:may have derived from the gay slang
3512:from the original on 1 October 2019
2947:Canadian Review of American Studies
1970:Sontag, Susan (15 February 2022) ,
1832:Canadian Review of American Studies
503:has become prevalent in mainstream
4903:CAMP, The Lie That Tells the Truth
4593:– via Gale Academic OneFile.
4484:from the original on 6 August 2017
4458:from the original on 6 August 2017
4163:"I'll bring You Down, Down, Down'"
4061:from the original on 17 April 2013
3583:Camp: the lie that tells the truth
3460:Lowder, J. Bryan (15 April 2013).
3111:"Who Are the Black Icons of Camp?"
2797:Camp: the lie that tells the truth
1941:Carrier, David (2 February 1995).
1417:Sontag also distinguishes between
1146:Concerto for Two Pianos in D minor
894:Camp: The Lie That Tells The Truth
16:Ostentatious style and sensibility
14:
4868:, Routledge, London and New York
4831:, Routledge, London and New York
4523:from the original on 27 June 2015
4394:from the original on 4 March 2016
4364:. 13 January 2014. Archived from
4264:Armstrong, Robert (23 May 2019).
4136:Josephine Baker's Cinematic Prism
2473:To perform with forcefulness and
2465:To assume a defiant, insolent or
2266:. London: Continuum. p. 18.
2082:Harvey, Keith (31 January 1998).
1796:. 8 February 2012. Archived from
459:(including subcategories such as
302:gave the first print citation of
193:even in suffering. The humour of
5966:
4960:The Politics and Poetics of Camp
4953:Journal of Communication Inquiry
4829:The Politics and Poetics of Camp
4683:"A fool's guide to drag 'types'"
4237:from the original on 2 June 2013
4109:Kelly, Emma (11 December 2020).
4086:. 5 January 2017. Archived from
4049:Rauhala, Emily (13 April 2013),
2902:Dominguez, Alessa (1 May 2015).
2830:The Politics and Poetics of Camp
2603:Gipson, Ferren (23 April 2019).
2518:from the original on 2 June 2013
2129:. 8 October 2011. Archived from
1891:The Politics and Poetics of Camp
1544:
1530:
1516:
1502:
945:
936:
927:
618:. The show featured tributes to
333:in the English comedy skit show
43:is historically associated with
4766:. New York: Routledge. p.
4740:. New York: Routledge. p.
4714:. New York: Routledge. p.
4577:Smale, Alison (22 April 2015).
4161:Stan Hawkins (3 January 2014).
4009:pp. 105–126, Routledge, London
3691:"Cher-ishing the Queen of Camp"
3659:White, Belinda (24 July 2015).
3109:Newman, Scarlett (3 May 2019).
2634:, University of Chicago Press.
1749:"What does it mean to be camp?"
1215:genre. Inspired by the work of
1205:(1999–2000), starring comedian
4854:, U of Alabama P., Tuscaloosa
3847:Annie J. Randall (Fall 2005).
3462:"Can Camp Be Taken Seriously?"
3325:A New History of German Cinema
2100:10.1080/13556509.1998.10799024
1105:The British tradition of the "
356:Webster's New World Dictionary
189:and ironic, finding beauty or
1:
4915:Cleto, Fabio, editor (1999).
4845:" (In Meyer pp. 110–129)
4681:Wren, Daniel (25 July 2014).
4658:. 4 June 2011. Archived from
4324:Traff, Thea (29 March 2014).
4169:. Routledge. pp. 17–18.
3989:, Greenwood Publishing Group
2749:Susan Sontag (14 June 2019).
1643:The Rocky Horror Picture Show
5878:Aestheticization of politics
4630:. In Justyna Stępień (ed.).
4583:International New York Times
4544:Culture, Theory and Critique
3612:, Harper-Collins Publishers
3610:The Kenneth Williams Diaries
2498:Susan Sontag (2 July 2009).
1576:David Bowie's art collection
1334:, Kosky employs a chorus of
972:American singer and actress
153:, and has appeared in film,
4958:Meyer, Moe, editor (1993).
3950:. Oxford University Press.
2873:"A Performative Presidency"
2656:"Schlock, Kitsch, and Camp"
2504:. Penguin Modern Classics.
2402:Online Etymology Dictionary
2302:"Queer Musical Orientalism"
2159:"Schlock, Kitsch, and Camp"
1070:Dancer, singer and actress
477:has also been a subject of
6045:
4901:Core, Philip (1984/1994).
4891:. London: Footnote Press.
2308:. University of California
2024:Harry Eiss (11 May 2016).
1911:Harry Eiss (11 May 2016).
1774:Oxford English Dictionary.
1724:. HarperCollins Publishers
1209:, was a camp spoof of the
1181:gay movement in California
1088:on pop culture, as in the
877:In Mark Booth's 1983 book
533:Metropolitan Museum of Art
420:, cultural anthropologist
51:. Camp aesthetics disrupt
18:
6014:Gay working-class culture
5946:
4813:Levine, Martin P. (1998)
4556:10.1080/14735780701293540
4039:(retrieved 21 April 2013)
3785:– via Google Books.
3747:– via Google Books.
3723:Madonna: Express Yourself
3720:Gnojewski, Carol (2007).
3161:Yang, Lucy (7 May 2019).
3082:10.1515/culture-2017-0062
2668:10.1017/9781009071550.008
2442:, ninth edition (1992). "
2353:Oxford English Dictionary
2171:10.1017/9781009071550.008
1984:10.1515/9781474465809-006
1447:According to sociologist
762:, in particular the film
706:appearing as a life-size
299:Oxford English Dictionary
96:may also be divided into
4817:, New York UP, New York
4419:. Bedford/St. Martin's.
3328:. Boydell & Brewer.
2920:10.1215/02705346-2885486
2832:. Routledge, 2005. p.94.
2711:10.1057/9781137552952_22
2370:Luu, Chi (6 June 2018).
2056:20, no. 2 (2013): 15-19.
1571:Collection de l'art brut
1001:In public and on stage,
825:The World in the Evening
386:The World in the Evening
252:Les Fourberies de Scapin
241:or from the French term
5898:Evolutionary aesthetics
5848:The Aesthetic Dimension
4864:Van Leer, David (1995)
4827:Meyer, Moe, Ed. (1994)
4607:. re.press. pp. 39–58.
4299:Knapp, Raymond (2018).
4134:Francis, Terri Simone.
4031:22 January 2014 at the
3897:Charles Taylor (1997).
3556:Booth, Mark W. (1983).
3431:10.1057/9780230297395_8
3011:"Is Camp Still "Camp"?"
2327:Rodgers, Bruce (1979).
1772:“Camp, Adj., Sense 3.”
1693:www.merriam-webster.com
1668:Vernacular architecture
1238:Eurovision Song Contest
1212:ABC Afterschool Special
1107:Last Night of the Proms
887:camp fads and fancies —
852:, Tchaikovsky's ballet
834:In the American writer
682:(he wore the seventh).
542:in contemporary culture
213:Origins and development
6029:Concepts in aesthetics
5828:Avant-Garde and Kitsch
5778:Lectures on Aesthetics
4939:Feminist Media Studies
4452:Orange County Register
3921:. 2005. Archived from
3506:faculty.georgetown.edu
3043:www.washingtonpost.com
2871:Lim, Eng-Beng (2015).
2828:." In Moe Meyer (ed).
2755:. Picador. p. 4.
2630:Esther Newton (1978):
2570:www.worldwidewords.org
1718:"Definition of 'camp'"
1603:Lowbrow (art movement)
1493:
1471:has described camp as:
1074:has been described as
756:
658:, worn at the gala by
596:Camp: Notes on Fashion
587:
584:Camp: Notes on Fashion
581:Clothing designs from
529:Camp: Notes on Fashion
376:
21:Campy (disambiguation)
5973:Philosophy portal
4932:Journal of LGBT Youth
3884:Laurense Cole (2008)
3581:Core, Philip (1984).
3069:Open Cultural Studies
2795:Core, Philip (1984).
1473:
821:Christopher Isherwood
752:
580:
505:popular entertainment
495:symbol of the phallus
479:psychoanalytic theory
383:in 1954 in his novel
381:Christopher Isherwood
365:
5918:Philosophy of design
5798:In Praise of Shadows
5788:The Critic as Artist
4887:Baker, Paul (2023).
4390:. perlentaucher.de.
3915:"Springfield, Dusty"
3531:Booth, Mark (1983).
2844:"Notes on dyke camp"
2540:Baker, Paul (2023).
2260:Baker, Paul (2004).
1689:"Definition of CAMP"
1202:Strangers with Candy
1059:South Korean rapper
907:In 1993, journalist
896:, writer and artist
805:Brideshead Revisited
710:, also by Moschino.
465:high-femme dyke camp
167:low forms of culture
69:The American writer
5928:Philosophy of music
5903:Mathematical beauty
4368:on 29 November 2014
4090:on 20 February 2021
3665:The Daily Telegraph
3303:. 13 September 2021
2432:14 May 2011 at the
2205:Popular performance
1230:Satan, Hold My Hand
911:published comedian
792:The Green Carnation
760:Red Curtain Trilogy
744:. The 1972 musical
568:Isabella Rossellini
469:queer of color camp
372:The Gang's All Here
369:in the trailer for
137:is associated with
5999:Fashion aesthetics
5923:Philosophy of film
5913:Patterns in nature
5883:Applied aesthetics
5858:Why Beauty Matters
5644:Life imitating art
5505:Art for art's sake
4517:Filmmaker Magazine
2877:American Quarterly
1889:Moe Meyer (2011):
1861:Moe Meyer (2010):
1800:on 8 February 2012
1722:Collins Dictionary
1330:. For example, in
848:, the drawings of
731:Rosa von Praunheim
644:Harlem Renaissance
628:Belvedere Antinous
616:Alessandro Michele
588:
393:in her 1964 essay
377:
55:understandings of
5981:
5980:
5933:Psychology of art
5808:Art as Experience
4874:978-0-415-90336-3
4860:978-0-8173-5652-1
4837:978-0-415-08248-8
4809:978-0-313-32715-5
4795:978-0-87023-878-9
4641:978-1-4438-6779-5
4362:World Press Photo
4310:978-0-8223-7240-0
4176:978-1-134-07987-2
4035:(3 October 2012)
4015:978-0-415-92169-5
4007:The Queer Sixties
3995:978-0-313-34044-4
3985:Bob Gulla (2007)
3901:, Boston Phoenix.
3816:Peter Silverton.
3775:978-1-4985-3777-3
3737:978-0-7660-2442-7
3728:Enslow Publishing
3618:978-0-00-255023-9
3592:978-0-933328-83-9
3567:978-0-7043-2353-7
3542:978-0-7043-2353-7
3502:"Notes On "Camp""
3440:978-0-230-29739-5
3395:10.18573/ipics.66
2990:978-1-4985-3777-3
2806:978-0-933328-83-9
2762:978-1-250-62134-4
2720:978-1-137-55295-2
2677:978-1-316-51300-2
2551:978-1-80444-032-2
2511:978-0-14-119006-8
2396:Harper, Douglas.
2338:978-0-399-50392-4
2273:978-0-8264-7343-1
2214:978-1-4742-4734-4
2180:978-1-316-51300-2
2133:on 8 October 2011
2035:978-1-4438-9429-6
1993:978-1-4744-6580-9
1972:"Notes on 'Camp'"
1924:978-1-4438-9429-6
1899:978-0-415-51489-7
1871:978-0-9814924-5-2
1865:, Macater Press,
1510:Philosophy portal
1328:Dame Edna Everage
1086:social commentary
1019:Catherine Deneuve
1003:Dusty Springfield
892:In his 1984 book
765:Strictly Ballroom
285:By 1870, British
217:In his 1972 book
6036:
6009:LGBT terminology
5994:1900s neologisms
5971:
5970:
5969:
5863:
5853:
5843:
5833:
5823:
5813:
5803:
5793:
5783:
5773:
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4296:
4290:
4289:
4287:
4285:
4269:
4261:
4255:
4254:
4249:lieux de memoire
4244:
4242:
4213:
4207:
4206:
4204:
4202:
4187:
4181:
4180:
4158:
4152:
4145:
4139:
4132:
4126:
4125:
4123:
4121:
4106:
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4099:
4097:
4095:
4076:
4070:
4069:
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4066:
4046:
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4023:
4017:
4003:
3997:
3983:
3974:
3973:
3971:
3969:
3941:
3935:
3934:
3932:
3930:
3911:
3902:
3895:
3889:
3882:
3873:
3872:
3870:
3868:
3844:
3838:
3837:
3835:
3833:
3813:
3807:
3806:
3800:
3796:
3794:
3786:
3784:
3782:
3755:
3749:
3748:
3746:
3744:
3717:
3711:
3710:
3708:
3706:
3687:
3681:
3680:
3678:
3676:
3656:
3650:
3649:
3647:
3645:
3636:. Archived from
3626:
3620:
3603:
3597:
3596:
3578:
3572:
3571:
3553:
3547:
3546:
3528:
3522:
3521:
3519:
3517:
3494:
3485:
3484:
3482:
3480:
3457:
3451:
3450:
3449:
3447:
3414:
3408:
3407:
3397:
3373:
3367:
3366:
3360:
3356:
3354:
3346:
3344:
3342:
3319:
3313:
3312:
3310:
3308:
3293:
3287:
3286:
3284:
3282:
3267:
3261:
3260:
3258:
3256:
3246:
3239:
3233:
3232:
3230:
3228:
3213:
3204:
3203:
3201:
3199:
3184:
3178:
3177:
3175:
3173:
3158:
3152:
3151:
3149:
3147:
3132:
3126:
3125:
3123:
3121:
3106:
3095:
3094:
3084:
3060:
3054:
3053:
3051:
3049:
3035:
3026:
3025:
3023:
3021:
3006:
2995:
2994:
2972:
2963:
2962:
2960:
2958:
2938:
2932:
2931:
2899:
2893:
2892:
2868:
2859:
2858:
2856:
2854:
2839:
2833:
2822:
2811:
2810:
2792:
2783:
2776:
2767:
2766:
2746:
2740:
2737:
2731:
2730:
2729:
2727:
2694:
2688:
2687:
2686:
2684:
2651:
2645:
2628:
2622:
2621:
2619:
2617:
2600:
2594:
2587:
2581:
2580:
2578:
2576:
2562:
2556:
2555:
2537:
2528:
2527:
2525:
2523:
2495:
2486:
2424:
2418:
2417:
2415:
2413:
2393:
2387:
2386:
2384:
2382:
2367:
2356:
2349:
2343:
2342:
2324:
2318:
2317:
2315:
2313:
2297:
2286:
2285:
2257:
2248:
2247:
2245:
2243:
2228:
2219:
2218:
2200:
2191:
2190:
2189:
2187:
2154:
2143:
2142:
2140:
2138:
2123:
2112:
2111:
2079:
2070:
2063:
2057:
2050:
2039:
2022:
2016:
2013:
2004:
2003:
2002:
2000:
1967:
1958:
1957:
1955:
1953:
1938:
1929:
1928:
1908:
1902:
1887:
1874:
1859:
1848:
1847:
1845:
1843:
1823:
1810:
1809:
1807:
1805:
1790:
1777:
1770:
1764:
1763:
1761:
1759:
1745:
1734:
1733:
1731:
1729:
1714:
1705:
1704:
1702:
1700:
1685:
1554:
1549:
1548:
1547:
1540:
1535:
1534:
1533:
1526:
1521:
1520:
1512:
1507:
1506:
1505:
1312:Marlene Dietrich
1236:Since 2000, the
1219:and his brother
1199:television show
1138:Benjamin Britten
1032:Rappers such as
949:
940:
931:
913:Kenneth Williams
850:Aubrey Beardsley
598:, co-chaired by
531:at the New York
416:In her study of
395:'Notes on "Camp"
199:coping mechanism
6044:
6043:
6039:
6038:
6037:
6035:
6034:
6033:
6019:Cultural trends
5984:
5983:
5982:
5977:
5967:
5965:
5942:
5866:
5861:
5851:
5841:
5838:Critical Essays
5831:
5821:
5811:
5801:
5791:
5781:
5771:
5761:
5751:
5741:
5731:
5715:
5488:
5402:Ortega y Gasset
5195:
5107:
5041:
5036:
4998:Notes on "Camp"
4993:
4988:
4955:24(2), 216–243.
4883:
4881:Further reading
4878:
4781:
4776:
4775:
4754:
4753:
4749:
4728:
4727:
4723:
4702:
4701:
4697:
4687:
4685:
4680:
4679:
4675:
4665:
4663:
4654:
4653:
4649:
4642:
4625:
4624:
4620:
4614:
4602:
4598:
4588:
4586:
4576:
4575:
4571:
4541:
4540:
4536:
4526:
4524:
4511:
4510:
4506:
4501:
4497:
4487:
4485:
4480:. 6 July 2006.
4476:
4475:
4471:
4461:
4459:
4454:. 6 July 2006.
4446:
4445:
4441:
4431:
4429:
4427:
4412:
4411:
4407:
4397:
4395:
4386:
4385:
4381:
4371:
4369:
4356:
4355:
4351:
4341:
4339:
4323:
4322:
4318:
4311:
4298:
4297:
4293:
4283:
4281:
4273:Financial Times
4263:
4262:
4258:
4240:
4238:
4231:
4216:
4214:
4210:
4200:
4198:
4189:
4188:
4184:
4177:
4160:
4159:
4155:
4146:
4142:
4133:
4129:
4119:
4117:
4108:
4107:
4103:
4093:
4091:
4078:
4077:
4073:
4064:
4062:
4048:
4047:
4043:
4033:Wayback Machine
4024:
4020:
4004:
4000:
3984:
3977:
3967:
3965:
3958:
3943:
3942:
3938:
3928:
3926:
3925:on 15 July 2012
3913:
3912:
3905:
3896:
3892:
3883:
3876:
3866:
3864:
3863:on 25 June 2012
3846:
3845:
3841:
3831:
3829:
3815:
3814:
3810:
3797:
3787:
3780:
3778:
3776:
3768:. p. 216.
3766:Lexington Books
3757:
3756:
3752:
3742:
3740:
3738:
3730:. p. 114.
3719:
3718:
3714:
3704:
3702:
3689:
3688:
3684:
3674:
3672:
3658:
3657:
3653:
3643:
3641:
3628:
3627:
3623:
3604:
3600:
3593:
3580:
3579:
3575:
3568:
3555:
3554:
3550:
3543:
3530:
3529:
3525:
3515:
3513:
3496:
3495:
3488:
3478:
3476:
3459:
3458:
3454:
3445:
3443:
3441:
3416:
3415:
3411:
3375:
3374:
3370:
3357:
3347:
3340:
3338:
3336:
3321:
3320:
3316:
3306:
3304:
3295:
3294:
3290:
3280:
3278:
3275:Harper's BAZAAR
3269:
3268:
3264:
3254:
3252:
3241:
3240:
3236:
3226:
3224:
3215:
3214:
3207:
3197:
3195:
3186:
3185:
3181:
3171:
3169:
3160:
3159:
3155:
3145:
3143:
3134:
3133:
3129:
3119:
3117:
3108:
3107:
3098:
3062:
3061:
3057:
3047:
3045:
3037:
3036:
3029:
3019:
3017:
3008:
3007:
2998:
2991:
2974:
2973:
2966:
2956:
2954:
2940:
2939:
2935:
2901:
2900:
2896:
2870:
2869:
2862:
2852:
2850:
2841:
2840:
2836:
2823:
2814:
2807:
2794:
2793:
2786:
2778:Cohan, Steven.
2777:
2770:
2763:
2752:Notes on "Camp"
2748:
2747:
2743:
2738:
2734:
2725:
2723:
2721:
2696:
2695:
2691:
2682:
2680:
2678:
2653:
2652:
2648:
2629:
2625:
2615:
2613:
2602:
2601:
2597:
2588:
2584:
2574:
2572:
2564:
2563:
2559:
2552:
2539:
2538:
2531:
2521:
2519:
2512:
2497:
2496:
2489:
2434:Wayback Machine
2425:
2421:
2411:
2409:
2395:
2394:
2390:
2380:
2378:
2369:
2368:
2359:
2350:
2346:
2339:
2326:
2325:
2321:
2311:
2309:
2300:Brett, Philip.
2299:
2298:
2289:
2274:
2259:
2258:
2251:
2241:
2239:
2230:
2229:
2222:
2215:
2202:
2201:
2194:
2185:
2183:
2181:
2156:
2155:
2146:
2136:
2134:
2125:
2124:
2115:
2081:
2080:
2073:
2064:
2060:
2051:
2042:
2036:
2023:
2019:
2014:
2007:
1998:
1996:
1994:
1969:
1968:
1961:
1951:
1949:
1943:"CRITICAL CAMP"
1940:
1939:
1932:
1925:
1910:
1909:
1905:
1888:
1877:
1860:
1851:
1841:
1839:
1825:
1824:
1813:
1803:
1801:
1792:
1791:
1780:
1771:
1767:
1757:
1755:
1747:
1746:
1737:
1727:
1725:
1716:
1715:
1708:
1698:
1696:
1695:. 1 August 2024
1687:
1686:
1682:
1677:
1672:
1638:Psychedelic art
1550:
1545:
1543:
1536:
1531:
1529:
1522:
1515:
1508:
1503:
1501:
1498:
1467:. Musicologist
1396:popular culture
1366:
1348:In the UK, the
1342:Australian Idol
1254:
1193:
1185:Peter Greenaway
1166:
1142:Francis Poulenc
1072:Josephine Baker
1015:Brigitte Bardot
970:
969:
968:
967:
952:
951:
950:
942:
941:
933:
932:
921:
841:Notes on "Camp"
774:
736:The Bed Sausage
716:
704:Kacey Musgraves
688:Brandon Maxwell
630:, portraits of
604:Serena Williams
556:Josephine Baker
549:
544:
491:heteronormative
389:, and later by
276:Anthony Burgess
215:
207:marginalization
113:deliberate camp
47:and especially
24:
17:
12:
11:
5:
6042:
6040:
6032:
6031:
6026:
6021:
6016:
6011:
6006:
6004:Gay effeminacy
6001:
5996:
5986:
5985:
5979:
5978:
5976:
5975:
5963:
5958:
5953:
5947:
5944:
5943:
5941:
5940:
5935:
5930:
5925:
5920:
5915:
5910:
5908:Neuroesthetics
5905:
5900:
5895:
5890:
5888:Arts criticism
5885:
5880:
5874:
5872:
5868:
5867:
5865:
5864:
5854:
5844:
5834:
5824:
5814:
5804:
5794:
5784:
5774:
5764:
5758:On the Sublime
5754:
5744:
5734:
5723:
5721:
5717:
5716:
5714:
5713:
5708:
5703:
5698:
5693:
5688:
5683:
5678:
5671:
5666:
5661:
5656:
5651:
5646:
5641:
5636:
5629:
5624:
5622:Interpretation
5619:
5614:
5609:
5604:
5599:
5594:
5589:
5584:
5579:
5574:
5569:
5564:
5559:
5554:
5549:
5544:
5539:
5538:
5537:
5532:
5522:
5517:
5515:Artistic merit
5512:
5507:
5502:
5496:
5494:
5490:
5489:
5487:
5486:
5479:
5474:
5469:
5464:
5459:
5454:
5449:
5444:
5439:
5434:
5429:
5424:
5419:
5414:
5409:
5404:
5399:
5394:
5389:
5384:
5379:
5374:
5369:
5364:
5359:
5354:
5349:
5344:
5339:
5334:
5329:
5324:
5319:
5314:
5309:
5304:
5299:
5294:
5289:
5284:
5279:
5274:
5269:
5264:
5259:
5254:
5249:
5244:
5239:
5234:
5229:
5224:
5219:
5214:
5209:
5203:
5201:
5197:
5196:
5194:
5193:
5186:
5181:
5176:
5171:
5166:
5164:Psychoanalysis
5161:
5156:
5151:
5146:
5141:
5136:
5131:
5126:
5121:
5115:
5113:
5109:
5108:
5106:
5105:
5100:
5095:
5090:
5085:
5080:
5075:
5070:
5065:
5060:
5055:
5049:
5047:
5043:
5042:
5037:
5035:
5034:
5027:
5020:
5012:
5006:
5005:
4992:
4991:External links
4989:
4987:
4986:
4971:
4956:
4949:
4946:Cinema Journal
4942:
4935:
4928:
4913:
4899:
4897:978-1804440339
4884:
4882:
4879:
4877:
4876:
4862:
4848:
4847:
4846:
4825:
4811:
4797:
4782:
4780:
4777:
4774:
4773:
4747:
4721:
4695:
4673:
4662:on 4 June 2011
4647:
4640:
4618:
4612:
4596:
4569:
4534:
4504:
4495:
4469:
4439:
4425:
4405:
4379:
4349:
4331:The New Yorker
4316:
4309:
4291:
4256:
4229:
4208:
4182:
4175:
4153:
4140:
4127:
4101:
4071:
4041:
4018:
3998:
3975:
3956:
3936:
3903:
3890:
3874:
3839:
3822:Britannica.com
3808:
3774:
3750:
3736:
3712:
3682:
3651:
3640:on 29 May 2016
3621:
3606:Russell Davies
3598:
3591:
3573:
3566:
3548:
3541:
3523:
3486:
3452:
3439:
3409:
3368:
3334:
3314:
3288:
3262:
3234:
3205:
3179:
3153:
3127:
3096:
3075:(1): 678–689.
3055:
3027:
2996:
2989:
2964:
2933:
2914:(1): 155–183.
2894:
2883:(2): 301–307.
2860:
2834:
2812:
2805:
2784:
2768:
2761:
2741:
2732:
2719:
2689:
2676:
2646:
2640:in libraries (
2623:
2595:
2582:
2557:
2550:
2529:
2510:
2487:
2467:devil-may-care
2450:Surtout pron.
2427:Entry "camper"
2419:
2388:
2357:
2344:
2337:
2319:
2287:
2272:
2249:
2238:. 12 June 2019
2220:
2213:
2192:
2179:
2144:
2113:
2094:(2): 295–320.
2088:The Translator
2071:
2058:
2040:
2034:
2017:
2005:
1992:
1959:
1930:
1923:
1903:
1875:
1849:
1811:
1778:
1765:
1735:
1706:
1679:
1678:
1676:
1673:
1671:
1670:
1665:
1660:
1655:
1650:
1645:
1640:
1635:
1630:
1625:
1623:Outsider music
1620:
1615:
1613:Neurodiversity
1610:
1605:
1600:
1595:
1590:
1585:
1573:
1568:
1566:Asemic writing
1563:
1557:
1556:
1555:
1541:
1538:Fashion portal
1527:
1524:Society portal
1513:
1497:
1494:
1384:queer identity
1365:
1362:
1253:
1250:
1197:Comedy Central
1192:
1189:
1169:Thomas Dworzak
1165:
1162:
1065:Geri Halliwell
954:
953:
944:
943:
935:
934:
926:
925:
924:
923:
922:
920:
917:
909:Russell Davies
867:The Mysterians
838:'s 1964 essay
823:'s 1954 novel
787:Robert Hichens
773:
770:
725:Pink Flamingos
715:
712:
664:Omari Hardwick
548:
545:
543:
537:
411:Carmen Miranda
367:Carmen Miranda
336:Little Britain
290:Frederick Park
214:
211:
76:Art historian
45:LGBTQ+ culture
15:
13:
10:
9:
6:
4:
3:
2:
6041:
6030:
6027:
6025:
6024:Postmodernism
6022:
6020:
6017:
6015:
6012:
6010:
6007:
6005:
6002:
6000:
5997:
5995:
5992:
5991:
5989:
5974:
5964:
5962:
5959:
5957:
5954:
5952:
5949:
5948:
5945:
5939:
5938:Theory of art
5936:
5934:
5931:
5929:
5926:
5924:
5921:
5919:
5916:
5914:
5911:
5909:
5906:
5904:
5901:
5899:
5896:
5894:
5891:
5889:
5886:
5884:
5881:
5879:
5876:
5875:
5873:
5869:
5860:
5859:
5855:
5850:
5849:
5845:
5840:
5839:
5835:
5829:
5825:
5819:
5815:
5810:
5809:
5805:
5800:
5799:
5795:
5789:
5785:
5780:
5779:
5775:
5770:
5769:
5765:
5760:
5759:
5755:
5750:
5749:
5745:
5740:
5739:
5735:
5730:
5729:
5728:Hippias Major
5725:
5724:
5722:
5718:
5712:
5709:
5707:
5704:
5702:
5699:
5697:
5694:
5692:
5689:
5687:
5684:
5682:
5679:
5677:
5676:
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5608:
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5593:
5590:
5588:
5587:Entertainment
5585:
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5510:Art manifesto
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5500:Appropriation
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5392:Merleau-Ponty
5390:
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5208:
5207:Abhinavagupta
5205:
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5198:
5192:
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5187:
5185:
5182:
5180:
5177:
5175:
5172:
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5159:Postmodernism
5157:
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5137:
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5000:
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4994:
4990:
4984:
4983:0-312-28086-6
4980:
4976:
4972:
4969:
4968:0-415-08248-X
4965:
4962:. Routledge.
4961:
4957:
4954:
4950:
4948:45(1), 66–78.
4947:
4943:
4940:
4936:
4933:
4929:
4926:
4925:0-472-06722-2
4922:
4918:
4914:
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4911:0-85965-044-8
4908:
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4823:0-8147-4694-2
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4037:Rolling Stone
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3957:9780199716302
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3335:9781571135957
3331:
3327:
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3298:
3292:
3289:
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3251:. 10 May 2019
3250:
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3015:Common Reader
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2399:
2398:"camp (adj.)"
2392:
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2041:
2037:
2031:
2027:
2021:
2018:
2012:
2010:
2006:
1995:
1989:
1985:
1981:
1977:
1973:
1966:
1964:
1960:
1948:
1944:
1937:
1935:
1931:
1926:
1920:
1916:
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1907:
1904:
1900:
1896:
1893:, Routledge,
1892:
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1659:
1656:
1654:
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1644:
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1639:
1636:
1634:
1633:Postmodernism
1631:
1629:
1626:
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1619:
1616:
1614:
1611:
1609:
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1604:
1601:
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1495:
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1490:
1489:Stonewall Bar
1486:
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1472:
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1466:
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1454:
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1397:
1393:
1389:
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1377:
1376:
1371:
1363:
1361:
1359:
1355:
1352:tradition of
1351:
1346:
1344:
1343:
1337:
1333:
1332:The Lost Echo
1329:
1325:
1321:
1317:
1313:
1309:
1305:
1304:
1299:
1295:
1294:Metamorphoses
1291:
1288:was based on
1287:
1286:The Lost Echo
1283:
1279:
1275:
1271:
1267:
1263:
1262:Western canon
1259:
1251:
1249:
1247:
1243:
1239:
1234:
1232:
1231:
1226:
1222:
1218:
1217:George Kuchar
1214:
1213:
1208:
1204:
1203:
1198:
1190:
1188:
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1174:
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1147:
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1139:
1134:
1132:
1128:
1124:
1123:Kylie Minogue
1120:
1116:
1112:
1108:
1103:
1101:
1100:
1095:
1091:
1087:
1083:
1079:
1077:
1073:
1068:
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1057:
1055:
1051:
1047:
1043:
1039:
1035:
1030:
1028:
1024:
1020:
1016:
1012:
1011:evening gowns
1008:
1004:
999:
997:
996:
991:
987:
983:
979:
978:variety shows
975:
966:
962:
958:
948:
939:
930:
918:
916:
914:
910:
905:
903:
899:
895:
890:
888:
884:
880:
875:
873:
872:David Carrier
869:
868:
863:
862:
857:
856:
851:
847:
846:Tiffany lamps
843:
842:
837:
832:
830:
826:
822:
817:
815:
811:
807:
806:
801:
796:
794:
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779:
771:
769:
767:
766:
761:
755:
751:
749:
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743:
739:
737:
732:
728:
726:
721:
713:
711:
709:
705:
701:
697:
693:
689:
683:
681:
677:
676:Ashley Graham
673:
669:
665:
661:
657:
653:
649:
645:
641:
637:
633:
629:
625:
621:
617:
613:
609:
605:
601:
597:
594:'s theme was
593:
586:
585:
579:
575:
573:
569:
565:
561:
557:
553:
552:Patrick Kelly
546:
541:
538:
536:
534:
530:
526:
522:
518:
515:requires the
514:
510:
509:Jack Babuscio
506:
502:
498:
496:
492:
488:
484:
480:
476:
472:
470:
466:
462:
458:
454:
450:
446:
442:
438:
437:postmodernism
433:
431:
427:
423:
422:Esther Newton
419:
414:
412:
408:
404:
400:
396:
392:
388:
387:
382:
374:
373:
368:
364:
360:
358:
357:
352:
349:
345:
340:
338:
337:
332:
331:Daffyd Thomas
328:
324:
320:
316:
313:
309:
305:
301:
300:
295:
291:
288:
283:
281:
277:
273:
269:
265:
262:and linguist
261:
256:
254:
253:
249:'s 1671 play
248:
244:
240:
236:
232:
228:
224:
220:
212:
210:
208:
204:
201:to deal with
200:
196:
192:
188:
184:
180:
176:
172:
168:
164:
160:
156:
152:
148:
147:theatricality
144:
143:juxtaposition
140:
136:
132:
128:
124:
122:
121:Jack Babuscio
118:
114:
110:
106:
103:
99:
95:
91:
87:
83:
79:
78:David Carrier
75:
72:
68:
65:
60:
58:
54:
50:
46:
42:
38:
34:
30:
26:
22:
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5846:
5836:
5806:
5796:
5776:
5766:
5756:
5746:
5736:
5726:
5673:
5649:Magnificence
5631:
5541:
5481:
5447:Schopenhauer
5282:Coomaraswamy
5200:Philosophers
5188:
5119:Aestheticism
5003:Susan Sontag
4996:
4974:
4959:
4952:
4945:
4941:8(1), 69–84.
4938:
4934:5(3), 57–73.
4931:
4916:
4902:
4888:
4865:
4851:
4842:
4828:
4814:
4800:
4786:
4761:
4756:Ross, Andrew
4750:
4735:
4730:Ross, Andrew
4724:
4709:
4704:Ross, Andrew
4698:
4686:. Retrieved
4676:
4664:. Retrieved
4660:the original
4650:
4631:
4621:
4604:
4599:
4587:. Retrieved
4582:
4572:
4550:(1): 87–98.
4547:
4543:
4537:
4525:. Retrieved
4516:
4507:
4498:
4486:. Retrieved
4472:
4460:. Retrieved
4451:
4442:
4430:. Retrieved
4415:
4408:
4396:. Retrieved
4382:
4370:. Retrieved
4366:the original
4352:
4340:. Retrieved
4329:
4319:
4300:
4294:
4282:. Retrieved
4271:
4259:
4248:
4246:
4239:, retrieved
4219:
4211:
4199:. Retrieved
4195:
4185:
4166:
4156:
4148:
4143:
4135:
4130:
4118:. Retrieved
4114:
4104:
4092:. Retrieved
4088:the original
4083:
4074:
4063:, retrieved
4054:
4044:
4036:
4021:
4006:
4001:
3986:
3966:. Retrieved
3946:
3939:
3927:. Retrieved
3923:the original
3918:
3898:
3893:
3885:
3865:. Retrieved
3861:the original
3856:
3852:
3842:
3830:. Retrieved
3821:
3811:
3779:. Retrieved
3760:
3753:
3741:. Retrieved
3722:
3715:
3703:. Retrieved
3697:. New York.
3694:
3685:
3673:. Retrieved
3664:
3654:
3642:. Retrieved
3638:the original
3633:
3624:
3609:
3601:
3582:
3576:
3557:
3551:
3532:
3526:
3514:. Retrieved
3505:
3498:Susan Sontag
3477:. Retrieved
3465:
3455:
3444:, retrieved
3422:
3412:
3385:
3381:
3371:
3339:. Retrieved
3324:
3317:
3305:. Retrieved
3300:
3291:
3279:. Retrieved
3277:. 6 May 2019
3274:
3265:
3253:. Retrieved
3248:
3237:
3225:. Retrieved
3223:. 7 May 2019
3220:
3196:. Retrieved
3194:. 6 May 2019
3191:
3182:
3170:. Retrieved
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3141:Fast Company
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2131:the original
2091:
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2066:
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1835:
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1798:the original
1773:
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1752:
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1721:
1697:. Retrieved
1692:
1683:
1658:Unilalianism
1618:Outsider art
1593:Horror vacui
1579:
1552:LGBTQ portal
1485:Judy Garland
1474:
1469:Philip Brett
1464:
1458:
1452:
1446:
1441:
1437:
1433:
1429:
1425:
1422:
1418:
1416:
1411:
1407:
1403:
1399:
1391:
1379:
1373:
1369:
1367:
1357:
1347:
1340:
1331:
1324:middle class
1301:
1293:
1285:
1264:, including
1258:Barrie Kosky
1255:
1235:
1228:
1210:
1200:
1194:
1176:
1167:
1157:musical camp
1156:
1154:
1145:
1135:
1110:
1104:
1097:
1080:
1075:
1069:
1058:
1054:Jimi Hendrix
1031:
1000:
993:
971:
906:
902:Jean Cocteau
893:
891:
886:
882:
878:
876:
865:
860:
853:
839:
836:Susan Sontag
833:
828:
824:
818:
809:
803:
800:Evelyn Waugh
797:
790:
776:
775:
763:
757:
753:
745:
733:
722:
717:
692:drag culture
684:
680:Karlie Kloss
640:ball culture
612:Harry Styles
600:Anna Wintour
589:
582:
550:
539:
528:
525:marginalized
520:
512:
500:
499:
486:
482:
474:
473:
468:
464:
460:
456:
452:
444:
441:queer theory
435:The rise of
434:
429:
425:
424:argued that
415:
391:Susan Sontag
384:
378:
370:
354:
350:
347:
343:
341:
334:
329:' character
322:
303:
297:
287:crossdresser
284:
279:
271:
267:
260:Susan Sontag
257:
250:
242:
238:
230:
222:
218:
216:
209:in society.
194:
191:black comedy
181:can also be
178:
174:
170:
134:
130:
126:
125:
116:
112:
108:
104:
101:
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71:Susan Sontag
66:
61:
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28:
27:
25:
5742:(c. 335 BC)
5732:(c. 390 BC)
5711:Work of art
5664:Picturesque
5520:Avant-garde
5477:Winckelmann
5352:Kierkegaard
5277:Collingwood
5247:Baudrillard
5174:Romanticism
5144:Historicism
5078:Mathematics
4398:27 November
4372:15 November
4342:15 November
4241:21 November
3799:|work=
3359:|work=
2848:The Outline
2522:6 September
2376:JSTOR Daily
1753:www.bbc.com
1561:Avant-garde
1449:Andrew Ross
1336:high school
1320:Cole Porter
1316:Noël Coward
1303:The Bacchae
1266:Shakespeare
1225:ASS Studios
1221:Mike Kuchar
1207:Amy Sedaris
1164:Photography
1038:Nicki Minaj
1009:hairstyle,
990:Carol Queen
898:Philip Core
783:Oscar Wilde
742:cult status
720:John Waters
668:Regina Hall
636:Oscar Wilde
624:the Vatican
564:Grace Jones
407:faux queens
344:camp speech
321:. The term
315:gay culture
203:intolerance
187:sentimental
139:incongruity
5988:Categories
5681:Recreation
5659:Perception
5552:Creativity
5252:Baumgarten
5242:Baudelaire
5124:Classicism
5039:Aesthetics
4230:9004123393
4120:10 January
4094:10 January
3853:Newsletter
3695:Daily News
3516:10 October
3221:British GQ
3115:Teen Vogue
2957:10 October
2616:14 October
2483:to upstage
2479:to overact
2469:attitude.
1842:10 October
1675:References
1653:Surrealism
1481:homophobia
1461:status quo
1430:low camp —
1423:deliberate
1390:, whereas
1368:The words
1350:music hall
1242:Eurovision
1191:Television
1119:Elton John
1094:Katy Perry
1046:Dapper Dan
1023:drag queen
982:Bob Mackie
965:Katy Perry
900:describes
772:Literature
696:Katy Perry
672:Bevy Smith
648:Dapper Dan
517:alienation
483:masquerade
455:, such as
409:) such as
327:Matt Lucas
312:liberation
308:effeminate
294:Bow Street
272:flamboyant
270:, meaning
264:Paul Baker
135:camp style
5686:Reverence
5592:Eroticism
5562:Depiction
5535:Masculine
5437:Santayana
5397:Nietzsche
5342:Hutcheson
5332:Heidegger
5317:Greenberg
5272:Coleridge
5237:Balthasar
5222:Aristotle
5184:Theosophy
5179:Symbolism
5154:Modernism
5139:Formalism
4843:dyke noir
4815:Gay Macho
4564:146449408
4252:pastiche.
4215:Compare:
4201:3 January
3968:17 August
3929:17 August
3867:17 August
3832:17 August
3801:ignored (
3791:cite book
3479:10 August
3474:1091-2339
3446:10 August
3404:2042-387X
3388:(1): 24.
3361:ignored (
3351:cite book
3307:25 August
3301:E! Online
3281:25 August
3255:25 August
3227:25 August
3198:10 August
3172:25 August
3146:10 August
3120:10 August
3091:2451-3474
3048:10 August
3020:10 August
2928:0270-5346
2889:1080-6490
2826:dyke noir
2644:catalog).
2591:The Times
2575:10 August
2463:Familiar:
2412:21 August
2236:Film Daze
2108:1355-6509
2026:The Joker
1952:10 August
1914:The Joker
1663:Vaporwave
1588:Glam rock
1438:High camp
1434:high camp
1354:pantomime
1298:Euripides
1115:gay icons
1082:Lady Gaga
855:Swan Lake
660:21 Savage
632:Louis XIV
608:Lady Gaga
590:The 2019
457:dyke camp
443:has made
243:se camper
159:pantomime
131:camp talk
90:bad taste
53:modernist
39:element.
33:aesthetic
5961:Category
5893:Axiology
5762:(c. 500)
5752:(c. 100)
5627:Judgment
5582:Emotions
5577:Elegance
5557:Cuteness
5530:Feminine
5493:Concepts
5462:Tanizaki
5442:Schiller
5427:Richards
5417:Rancière
5387:Maritain
5322:Hanslick
5262:Benjamin
5134:Feminism
5103:Theology
5083:Medieval
5073:Japanese
5068:Internet
4758:(1989).
4732:(1989).
4706:(1989).
4688:9 August
4666:9 August
4589:9 August
4527:23 March
4521:Archived
4488:6 August
4482:Archived
4456:Archived
4432:9 August
4392:Archived
4336:Archived
4278:Archived
4235:archived
4084:Attitude
4065:21 April
4059:archived
4029:Archived
3962:Archived
3826:Archived
3781:31 March
3743:31 March
3705:21 April
3699:Archived
3675:21 April
3669:Archived
3644:21 April
3510:Archived
2977:Brit Lit
2953:(1): 1–3
2853:9 August
2726:9 August
2683:9 August
2642:WorldCat
2516:Archived
2471:Theatre:
2430:Archived
2406:Archived
2381:9 August
2351:"camp".
2312:9 August
2282:55587437
2186:9 August
2137:9 August
1999:9 August
1947:Artforum
1838:(1): 1–3
1804:9 August
1758:9 August
1728:9 August
1699:9 August
1496:See also
1477:ontology
1442:low camp
1034:Lil' Kim
778:Dandyism
700:Moschino
642:and the
592:Met Gala
572:golliwog
449:lesbians
239:campare,
219:Gay Talk
57:high art
5956:Outline
5871:Related
5738:Poetics
5706:Tragedy
5696:Sublime
5669:Quality
5654:Mimesis
5612:Harmony
5597:Fashion
5572:Ecstasy
5567:Disgust
5483:more...
5452:Scruton
5377:Lyotard
5312:Goodman
5292:Deleuze
5227:Aquinas
5217:Alberti
5190:more...
5169:Realism
5149:Marxism
5129:Fascism
5112:Schools
5098:Science
5053:Ancient
4779:Sources
4284:12 July
3608:(1993)
3341:5 March
3167:Insider
2242:5 March
1628:Pop art
1608:Neo-pop
1581:Outside
1388:culture
1274:Molière
1252:Theatre
1177:Taliban
1173:Taliban
1150:gamelan
1090:"Judas"
1042:Cam’ron
1007:beehive
986:Madonna
961:Madonna
747:Cabaret
738:, 1971)
727:, 1972)
652:hip-hop
547:Fashion
319:gay men
258:Writer
247:Moliere
169:may be
161:. Both
155:cabaret
49:gay men
5862:(2009)
5852:(1977)
5842:(1946)
5832:(1939)
5822:(1935)
5812:(1934)
5802:(1933)
5792:(1891)
5782:(1835)
5772:(1757)
5639:Kitsch
5617:Humour
5547:Comedy
5525:Beauty
5467:Vasari
5457:Tagore
5432:Ruskin
5372:Lukács
5362:Langer
5307:Goethe
5232:Balázs
5212:Adorno
5093:Nature
5058:Africa
4981:
4966:
4923:
4909:
4895:
4872:
4858:
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4793:
4638:
4562:
4462:19 May
4423:
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2610:Art UK
2566:"Camp"
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1465:kitsch
1408:kitsch
1400:kitsch
1392:kitsch
1375:kitsch
1278:Seneca
1270:Wagner
1246:kitsch
1187:film.
1129:, and
1050:Prince
963:, and
885:, and
708:Barbie
702:; and
614:, and
560:Chanel
467:) and
461:cubana
375:(1943)
235:Polari
183:tragic
157:, and
151:humour
149:, and
64:kitsch
37:ironic
31:is an
5951:Index
5720:Works
5701:Taste
5691:Style
5472:Wilde
5412:Plato
5407:Pater
5367:Lipps
5327:Hegel
5297:Dewey
5287:Danto
5267:Burke
5088:Music
5063:India
5046:Areas
4560:S2CID
4196:Vogue
4115:Metro
3466:Slate
3249:Vogue
2542:Camp!
1419:naĂŻve
1282:Kafka
1183:or a
1099:Vogue
1076:camp.
919:Music
861:Rodan
814:queer
656:Gucci
620:queer
399:swish
109:naive
5675:Rasa
5633:Kama
5607:Gaze
5542:Camp
5422:Rand
5357:Klee
5347:Kant
5337:Hume
5257:Bell
4979:ISBN
4964:ISBN
4921:ISBN
4907:ISBN
4893:ISBN
4870:ISBN
4856:ISBN
4833:ISBN
4819:ISBN
4805:ISBN
4791:ISBN
4690:2024
4668:2024
4636:ISBN
4609:ISBN
4591:2024
4585:: NA
4529:2015
4490:2017
4464:2019
4434:2017
4421:ISBN
4400:2015
4374:2014
4344:2014
4305:ISBN
4286:2021
4243:2010
4225:ISBN
4203:2022
4171:ISBN
4122:2021
4096:2021
4067:2013
4055:Time
4011:ISBN
3991:ISBN
3970:2013
3952:ISBN
3931:2013
3869:2013
3834:2013
3803:help
3783:2022
3770:ISBN
3745:2022
3732:ISBN
3707:2016
3677:2016
3646:2016
3614:ISBN
3587:ISBN
3562:ISBN
3558:Camp
3537:ISBN
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3518:2019
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3470:ISSN
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3435:ISBN
3400:ISSN
3363:help
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3330:ISBN
3309:2022
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3257:2022
3229:2022
3200:2024
3192:ELLE
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3148:2024
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3087:ISSN
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3022:2024
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2885:ISSN
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2757:ISBN
2728:2024
2715:ISBN
2685:2024
2672:ISBN
2618:2022
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2546:ISBN
2524:2011
2506:ISBN
2461:." (
2414:2016
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2333:ISBN
2314:2024
2306:ECHO
2278:OCLC
2268:ISBN
2244:2022
2209:ISBN
2188:2024
2175:ISBN
2139:2024
2104:ISSN
2030:ISBN
2001:2024
1988:ISBN
1954:2024
1919:ISBN
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1844:2019
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1760:2024
1730:2024
1701:2024
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1426:camp
1421:and
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1318:and
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1296:and
1290:Ovid
1280:and
1195:The
1131:Mika
1127:Lulu
1111:Camp
1052:and
1040:and
1027:Mods
1017:and
974:Cher
957:Cher
883:camp
879:Camp
864:and
810:camp
729:and
714:Film
678:and
634:and
566:and
540:Camp
521:camp
513:camp
501:Camp
487:camp
475:Camp
463:and
453:camp
445:camp
439:and
430:camp
426:camp
418:drag
403:drag
401:and
351:talk
348:camp
323:camp
304:camp
268:camp
231:Camp
227:drag
223:camp
205:and
195:camp
179:Camp
175:camp
171:camp
165:and
163:high
127:Camp
117:camp
111:and
105:camp
100:and
98:high
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86:camp
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41:Camp
29:Camp
5602:Fun
5382:Man
5302:Fry
5001:by
4768:146
4742:145
4716:136
4552:doi
3427:doi
3390:doi
3077:doi
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2707:doi
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