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taking place in the Empire to westernize all government functions and institutions, including those relating to state-sponsored musical education. The
Imperial orchestra split in two: the Fasl-i-Atik, playing classical fasil, and Fasl-ı Cedid, playing a more modern (Western) style with Western
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The Fasl-ı Cedid was established by
Santuri Hilmi Bey, a well-regarded musician in the Ottoman Imperial Court, with the endorsement of
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163:"SAMSUN DEVLET KLÂSİK TÜRK MÜZİĞİ KOROSU 1991 ve 2019 YILLARI REPERTUVARLARININ MAKAM, FORM VE USÛL BAKIMINDAN İNCELENMESİ"
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194:"Gelenekten Modern Zamanlara Geçerken Müzika-İ Hümâyûn'un Köprü Rolü ve Osmanlı Toplumundan Müzik Manzaraları"
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closer to the melodic structures, keys and chords as defined by a western understanding of scale, i.e.
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operating within the organization of the
Ottoman Imperial Orchestra, specializing in performances of
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Melancholic
Modalities: Affect, Islam, and Turkish Classical Musicians
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This article on a
Turkish band or other musical ensemble is a
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Erol, Ayhan (2019). "Arabesk". In
Sturman, Janet (ed.).
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20:(The New Fasıl) was a musical ensemble of
109:generally accompanied these instruments.
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167:Yegah Musikoloji Dergisi
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173:(1): 46–80.
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71:violoncellos
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18:Fasl-ı Cedid
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142:oyun havası
313:Categories
148:References
130:saz semâ'î
87:castanets
83:trombones
63:mandolins
49:Structure
138:köçekçe
134:canzone
79:guitars
67:violins
42:reforms
32:History
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126:peşrev
114:makams
103:kanuns
61:, and
59:flutes
122:minor
118:major
107:zills
75:lutes
26:Fasıl
270:stub
206:ISBN
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