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Farewell, My Queen

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330:, and serve as bait so that the latter can safely flee to Switzerland. This Sidonie does, despite a prior warning from one of the Queen's ladies in waiting. Sidonie is stripped naked and then redressed in a green gown. The coach carrying Sidonie is also occupied by the real Duchess and her husband, dressed as her servants. They treat her with disdain during the journey but she plays her role convincingly enough to enable the party to safely cross the border. As the film ends, she remarks that she has no connections other than her position as reader to the Queen, and soon she will be a nobody. 546: 318:
reaches the Court, most aristocrats and servants desert the Palace and abandon the Royal Family, fearing that the government is falling. But Sidonie, a true believer in the monarchy, refuses to flee. She feels secure under the protection of the Royal Family. She does not know these are the last three
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magazine wrote, "Benoit Jacquot's venom-tipped account of palatial intrigue and royal oblivion scrupulously maintains a servant's-eye view but winds up holding the viewer at an unrewarding distance. Cast names should lend the picture some Euro arthouse traction, though Stateside biz won't far exceed
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describes Jacquot's film as a "tense, absorbing, pleasurably original look at three days in the life and lies of a doomed monarch..." She suggests that Jacquot adopted his addition of the lesbian relationship from virulent political pamphlets of the time attacking the Queen.
643:, Geoffrey Macnab said that the director "doesn't have any grand political statements to make. He is not trying to make a sweeping melodrama either. His approach is more like that of an anthropologist, studying a tribe in its death throes. The result is quietly fascinating." 634:, the film has its own charm, a matter-of-fact treatment of lesbianism and 'magnifique' costumes and settings guaranteed to please Upper East Side patrons, all of which suggests a wide art-house release for this lavish French-Spanish coprod." 1545: 664:
that of Jacquot's recent work." While Chang criticized the characterization and depiction of Seydoux's character Sidonie Laborde, he praised Kruger's projection of "regal desperation" as well as Ledoyen's performance as the duchess.
526:. Recognizing that many audience members had preconceptions of Marie Antoinette, Kruger approached the role by "trying not to judge her... We have the same origins, the same age. I could relate to her as a woman." While the actress 688: 623:
a "visual joy, even while its tale of a lower class girl at court infatuated with the Queen of France labors to say something relevant. Though director Benoit Jacquot opts for the grand European style of
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He also added to the plot the same-sex relationship between the Queen and duchess of Polignac; he thought it might be possible, given women's strong relationships with each other in that time period.
613:'s Anne Thompson believed it was "an intimate and sexy period spectacle that takes us backstage at Versailles and into territory Sofia Coppola was not willing to go." Deborah Young of 983: 569: 1009: 1550: 1109: 678: 1505: 1243: 573: 1495: 953: 565: 1470: 1520: 561: 553: 284: 167: 1530: 1475: 1450: 1500: 1490: 1455: 886: 949: 1465: 1525: 979: 1480: 1401: 928: 763: 534:
character in the novel, Jacquot cast her as Laborde because "she brought this carnal dimension. She has incontrovertible sex appeal."
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opened in theaters in France on 21 March 2012, and was released on a limited basis to American theaters on 13 July 2012.
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for her book in 2002. After reading Chantal's feminist novel, Jacquot wanted to create a film from this perspective.
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in February 2012 and has subsequently been screened at other festivals. It was released on 21 March 2012 in France.
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a mere twenty miles away. The routines are seen through the eyes of the young Sidonie Laborde, who serves Queen
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in power seen through the eyes of Sidonie Laborde, a young servant who reads aloud to the queen. The film stars
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still live their routines, relatively unconcerned by the increasing turmoil in
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rather than a modernist rereading à la Sofia Coppola's post-punk vision
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Films whose cinematographer won the Best Cinematography César Award
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List of lesbian, gay, bisexual or transgender-related films of 2012
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in 2002. It gives a fictional account of the last days of
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Goodman, Dena; Kaiser, Thomas E. (23 October 2013).
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Several reviewers compared the film to 574:L'Alliance Française French Film Festival 566:San Francisco International Film Festival 319:days she will spend by the Queen's side. 764:"Farewell, My Queen: Berlin Film Review" 700: 562:62nd Berlin International Film Festival 554:62nd Berlin International Film Festival 285:62nd Berlin International Film Festival 1551:Films shot at the Palace of Versailles 324:Yolande Martine Gabrielle de Polastron 1108:Macnab, Geoffrey (15 February 2012). 7: 929:Berlin International Film Festival 791:"Tous les lauréats du Prix Femina" 762:Young, Deborah (9 February 2012). 14: 1168:Chang, Justin (9 February 2012). 847:Szalai, Georg (9 February 2012). 351:Marie-Antoinette, Queen of France 1506:Films directed by Benoît Jacquot 1496:Cultural depictions of Louis XVI 821:Thompson, Anne (19 April 2012). 1471:French biographical drama films 530:is younger than the age of the 1521:2010s LGBT-related drama films 572:(27 April) and as part of the 501:and based on a script by him, 396:Jeanne-Louise-Henriette Campan 1: 1531:Films scored by Bruno Coulais 1476:French historical drama films 1451:2012 biographical drama films 433:as Monsieur de la Tour du Pin 1501:Films based on French novels 1491:Films about Marie Antoinette 1456:2010s historical drama films 1158:. 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Index


Benoît Jacquot
Benoît Jacquot
Chantal Thomas
Diane Kruger
Léa Seydoux
Virginie Ledoyen
Noémie Lvovsky
Romain Winding
Bruno Coulais
Ad Vitam Distribution
Berlin
French
drama film
Benoît Jacquot
Chantal Thomas
Prix Femina
Marie Antoinette
Diane Kruger
Léa Seydoux
Virginie Ledoyen
62nd Berlin International Film Festival
French Revolution
Palace of Versailles
Paris
Marie Antoinette
storming of the Bastille
Yolande Martine Gabrielle de Polastron
Duchess of Polignac
Léa Seydoux

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