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Father, Son, Holy Ghost (album)

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426:, producing the album in collaboration with the band themselves. Although an immaculately recorded finished product, with one critic noting that "the album sounds 'old' simply because it sounds so incredibly good," it was a troublesome and labored effort to record, with Boehm noting, "It wasn't an easy record to make. Nobody knew their parts." The Golden Gate studio was noted to be a "cavernnous basement" setting that was devoid of most of the traditional facilities of modern recording studios. White recalled the set-up as being unothodox and challenging: "I remember I walked in the space and the live room was nothing more than just a concrete basement of this office building. There was something about this room that wasn't a tuned recording studio live room." At one stage, when the band found the outside noise and flushing toilets from the above levels of the building too intrusive, they rigged a vocal booth out of 1045:, writing, "All too often, artists follow up a breakout debut with a difficult sophomore outing, and Girls fall prey to the syndrome, overcompensating for average songs with dazzling instrumentation." Lymangrover concluded: "The good news is that this album proves they are top-level purveyors of pop. The bad is that the eccentricity that once flowed freely feels forced." In another mixed review, Dusted Review's Jennifer Kelly called the album "inconsistent," writing "The good songs — 'Honey Bunny,' 'Alex,' 'Die,' 'My Ma' and, especially, 'Vomit' — are clustered near the front. The bad ones, chief among them 'Saying I Love You,' wrap trivial sentiments in precocious pop arrangements and conjure 435:
To me, I think maybe something happened that he feels uncomfortable talking about, but really, I'll never know." White felt that from the very start of the recording sessions he could foresee the end of Girls as a band; his relationship with Owens only a fraction of what it was at the time of the first album. "The basic idea was that the band was built around camaraderie and friendship, for me at least. At some point the band felt like, as stupid as it sounds, "a band of brothers." It felt like more than a band. So, when it became a band, it became less interesting and just a failure of our relationship. That was the whole band, him and I, so the failure of one meant the failure of both."
536:) we kind of realized what the band is. There's certain things I have reservations about... like maybe it's overkill or too obvious. Even the backup vocalists. Like on "Honey Bunny" they're kind of over the top. But to me, it has this almost musical theater vibe on the end when they all come in." White went on to credit the unexpected sectioned arrangements of songs like "Honey Bunny" and "Die" to Owens; "Chris will tend to throw in parts like that. To me it always feels like there's almost a tape edit – this drastic change. Like the song was built in a non-linear fashion. There's not really a fear in making it sound kind of awkward or patched together. To me, that's kind of exciting. 512:". "Die" was the result of a riff that Owens and White had been jamming with for a long time, something that finally resulted in a song that Owens has said is essentially "just us pretending to be rock n' rollers for a little bit." "Vomit" verges on epic, progressive rock, utilising a gospel choir that creates a wall of sound not dissimilar to early seventies records from bands such as Pink Floyd, with one critic describing it as "the kind of wailing gospel-like vocals that signified "authenticity" when the Stones and Floyd ruled the world." 557:
she was there." He clarified how it represented the excessive things that love can make people do: "You can be very aware of how crazy you're being sometimes, and be very aware of how you're not able to help yourself." "Saying I Love You" was about rebutting the same girlfriend, who wanted him back a year after they had broken up; "It's about having the will power to say 'no.' Because we spent two years of bringing each other down." "Jamie Marie", the album's closing track, was written about a girlfriend that Owens had left behind in
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knowing that she would hear it, and acknowledging that she was good to me She's always thinking that I think she's a bad mom. When I played that for her, it was a very emotional moment. Because I don't begrudge her at all. It's just one of those situations, you know. It wasn't her fault." For "My Ma", the song was "like confessing to my mom" for Owens, an extension of "Honey Bunny" and "talking about needing her in my life still."
943: 881: 843: 805: 800: 743: 532:" you want to cry. But even when Randy Newman sings it and his voice is obviously bad, you still say to yourself that it's a fucking knockout song. It was a challenge for me to sing (some of my) songs but, at the end of the day, it's like, 'Oh fucking well.' You just do it." On the album's intricate and significantly enhanced production, White commented; "During ( 938: 933: 928: 923: 876: 871: 866: 861: 838: 833: 828: 823: 795: 790: 785: 738: 733: 728: 723: 568:"Just a Song", Owens's personal favorite song on the record, was written about the group of friends and the lifestyle that he was a part of when he first moved to San Francisco. "There was something beautiful about our little scene that we had when we were all in the gutter together. And now Sandy Kim, who used to take all of our photos, is in 1029:, San Francisco's Girls just might be the band best making use of the current situation. Their music pilfers from the past without shame but also manages to sound like no one else." Richardson continued: "This lyrical simplicity shouldn't obscure the fact that these are sharply constructed songs that take unusual turns." 402:, Girls sought out drummer Darren Weiss, keyboardist Dan Eisenberg and guitarist John Anderson, all of whom became touring members for the group except Anderson, who quit just before the tour commenced. The band also utilized a trio of gospel singers for the first time, a group of pros who had worked with 595:
pages of numerous independent record stores across the United States. The record stores that participated in the event received limited edition vinyls. The album's first single, "Vomit," was released on July 20, 2011 as an MP3 download, and was accompanied by a music video three weeks later on August
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In a rare interview in the aftermath of Girls' breakup, White revealed that his relationship with Owens during the recording process was difficult, with the two barely on speaking terms. "While we were making the album – he's my best friend – but we weren't talking, and I still don't really know why.
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website on February 27, 2012. The video featured an elderly woman who represented Owens' mother, and followed her as she "reflected on her craft as an actress, showing that she can still conjure emotion on command." It was unsure as to whether the woman was Owens' real-life mother or just an actress
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ranked the album #13 on its list of the best 50 albums of 2011, after being accidentally left off the magazine's original list. The same website also ranked the track "Honey Bunny" #11 on its list of the 50 Best Songs of 2011, calling it "the most memorable track featuring a hazily upbeat chorus."
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aphorism "As a dog returns to his vomit, so a fool repeats his folly". On the song's subject matter, Owens said: "When I'm writing, 'I'm running around looking for you baby,' I literally would be running around, sometimes at night, going to certain bars I know my girlfriend was going to, seeing if
296:. The album's sound and composition style was noted to be part of a trend of modern indie revivalism artists who reach back decades into the past for inspiration, with songs such as "Honey Bunny", "Love Like a River" and lead single "Vomit" in particular being heavily influenced by music from the 548:
in focusing on both successful and failed relationships, two songs in particular "Honey Bunny" and "My Ma" were written about Owen's relationship with his mother. Owens has been known to usually avoid writing about his upbringing or his past in general. Owens said of "Honey Bunny: "I recorded it
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Of the slower, more folk and classical inspired numbers on the album, Owens said of "Just a Song" that it was an example of "staying true to your songs, not letting the time that's passed since they've been written alter the way they sound at the end of the day." "Just a Song" features classical
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had finished. He referred to this as the "final straw", and as one of the primary reasons for why he would go on to break up the band in 2012. He also expressed how he would have liked to have toured all together with everyone that featured on the recording, but that "the keyboard player wanted
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EP in 2010, as a way of "giving thanks to their listeners" who had supported them from the beginning. The EP featured progressive tracks such as "Carolina", and several critics noted how the group's sound was evolving dramatically to a style that would come to define many of the tracks on
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as two such examples. The album consisted of a vast array of influences and sounds from these eras, spanning from genres such as surf rock to folk, heavy metal and progressive rock. Examples of bands from these eras that influenced the album's overall sound include
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website. The performance was notable for being the first time that Girls were accompanied by a trio of female backing singers on stage, as well as an organ player; both of which would join the group for their subsequent tour around the world to support the album.
414:, which was solely a collaboration between Owens and his friend Chet "JR" White, with Owens playing most of the instruments and White handling most of the production duties. It was predominantly recorded in San Francisco's Golden Gate Studios and Los Angeles' 430:
stacks that were lying around the studio, belonging to Boehm – an excessive gear collector. According to White, "He had an amp collection that was bordering on a real gear addiction. You could fill a 20×20 room to the top. It was an insane amount of stuff."
388:) came out and I saw the credit, I was surprised, it was listed as this dude (Boehm) that I hired to be our engineer. I get the feeling he (Owens) resented my contribution, or that he wanted to assure he was seen as the mastermind behind it all." 1151:
something like $ 2000 a week, which we cannot afford, and the drummer we were hoping for, but he has his own band." Darren Weiss would end up touring with the group, but they had to seek out a new keyboard player and guitarist.
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streamed it in its entirety on their website on September 6, 2011. In an event dubbed "Girls Across America" in September, the band streamed their performance inside a Nashville record store on the websites, blogs and
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Owens has said that he had to be convinced to go on tour to support the album, as he was considering breaking the band up after guitarist John Anderson – one of Owen's best friends – quit just as the recording for
252:. Three singles were released from the album; "Vomit", "Honey Bunny" and "My Ma", the latter of which was released exclusively on vinyl with a limited 1000 copies in print. The album peaked at #37 on the 344:
Girls came to prominence in independent music circles with the release of their first single "Hellhole Ratrace" in 2008, and then came to the attention of critics with the release of their debut album
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The album's third single was "My Ma", a song about Owens' relationship with his mother that was considered 'one of the standout tracks from the album'. A music video for the song premiered on the
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s sometimes hard-to-swallow, wallowing self-pity, Holy Ghost is streaked with a buoyant, some might call it spiritual, sense of self-consciousness, while maintaining the endearing timidity."
496:. The album's opening track "Honey Bunny" is an example of a song influenced heavily by surf rock in particular, with critics noting its similarities to certain sixties staples such as " 552:
Of the relationship inspired songs on the album, both "Vomit" and "Saying I Love You" were written about separating from the same girlfriend. The title for "Vomit" was inspired by the
2266: 375:, Owens said the album's title was chosen to reflect the music's spiritual quality and explained that it was referred to as "Record 3" on the album cover to reflect the importance of 572:. And Aaron Brown is making music videos for tons of bands. Everybody's doing what they want to do, but that whole family, that little thing that's very important to me, is gone." 606:, who noted that "Girls have quickly become experts at these types of cresting epics, and "Vomit" falls in line with previous clock-busters "Hellhole Ratrace" and "Carolina". 524:" song. He went on to note the similarities between himself and Newman when it comes to conveying his own songs; "(Newman) writes these amazing songs that people cover – when 1489: 3187: 1623: 248:
in the United States, September 12, 2011 on Fantasytrashcan/Turnstile in Europe, September 7, 2011 in Japan on Fantasytrashcan/Turnstile and September 14 in Mexico on
459:, a larger occurring trend of artists reaching back to past decades for musical inspiration in structure, composition and tonality of sound. This was noted by critic 471:
clarifying upon his view that "In the age of the limitless archive, the relationship between new artists and their influences are changing," referencing Girls and
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as a phenomenon that several modern indie bands have become a part of. Reynolds argued that "pop culture has become obsessed with recycling from history," with
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declared "In that regard, this album not only surpasses its predecessor but raises the bar for any band, indie or otherwise, mining the past for inspiration."
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portraying her. "My Ma" was released on a 7" vinyl single, limited to 1000 copies, on March 22, 2012. On the day of the single's release the band performed on
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as the band's second record, despite not being a full-length album. According to Owens, it was "simply a nod (to the EP), which was a big statement".
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began on September 3, 2011 in Los Angeles and ended on October 9, 2011 in San Francisco. The second leg of the tour began on January 28, 2012 at the
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guitar picking and flutes played on a mellotron, a distinctive style of sound that Owens would come to heavily explore on his first solo outing,
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elaborated with lavish production, gospel choirs and a more varied instrumentation that resulted in a sound that spanned various genres such as
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is bracingly immediate, a collection of songs that don't have to grow on you—songs that are fully realized and lovable at first blush."
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on September 13, and played "Honey Bunny" as well as "My Ma", the latter of which was released as an exclusive online video on the
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website on September 20, 2011. To promote the single and the album, the band made their first network television appearance on
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We talk with music critic and Retromania author Simon Reynolds in the first installment of our new recurring books feature
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on August 23, 2011 . A music video for "Honey Bunny", which featured Owens' girlfriend and was inspired by the video for
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was praised as one of the best records of the year, with critics lauding the emotional nuance and honesty of frontman
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The second single chosen for release was "Honey Bunny", it directly preceded the album's release, first appearing on
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Some reviewers praised Girls for sounding original despite being heavily influenced by music from previous decades.
520:, a concept album that he released in January 2013. Owens called the album's sombre closing track "Jamie Marie", a " 3119: 2995: 2792: 2545: 2473: 1863: 1650: 249: 2657: 2640: 2582: 2932: 2869: 2229: 1826: 1167: 1046: 2613: 2113: 1684: 584:' website in early July 2011, and the album itself was later announced on July 7, 2011. To promote the record 2416: 2027: 994:
was better than the band's debut album, writing "And so for a whole lot more reasons – some old, some new –
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8. The distinctive video featured lead singer Owens driving through an array of city streets in a 1966
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ranked the album #5 on its list, with Stuart Berman writing: " even more so than its predecessor,
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s Mark Richardson gave the album a Best New Music designation, writing "Since the retirement of
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outdoes its forebears in, for the second straight time, about every way imaginable. In place of
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was noted by several critics as being heavily influenced by a "bygone era" of music from the
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was released to generally positive reviews from critics. On the review aggregate site
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Whilst a majority of the lyrical themes on the record followed in the footsteps of
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The album was recognized as one of The 100 Best Albums of the Decade So Far by
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The album was recognized as one of The 100 Best Albums of the Decade So Far by
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Brunner, Rob; Anderson, Kyle; Wood, Mikael; Wete, Brad (September 16, 2011).
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in August 2014, and one of The 200 Best Albums of the 2010s in October 2019.
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As of 2012 the album has sold 48,000 copies in United States according to
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placed the album at number 30 on its list of "Top 50 albums of 2011."
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s ramshackle scrappiness for the classic-rock-radio sophistication of
2679:. Dusted Reviews. September 13, 2011. Retrieved September 14, 2011. 1883: 1881: 1968:. Positive Destruction. July 7, 2011. Retrieved February 10, 2013. 1133: 1126:
at number 82 on their list of "The 200 Best Albums of the 2010s".
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This article is about the Girls album. For the Embryo album, see
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Beat Construction: Girls' Sophomore LP, Father, Son, Holy Ghost
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The Story Behind the Loveliest Rock Album of the Year (So Far)
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Girls set to release Father, Son, Holy Ghost on Sept. 12, 2011
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ranked the album #41 on its list of the top 50 albums of 2011
890: 2103:. The Fader. September 12, 2011. Retrieved February 10, 2013. 384:"As far as I'm concerned, I produced every record. But when ( 393: — Chet 'JR' White reflecting on the production credits 2689:
Florence + The Machine named Q's album of 2011 – listen now
971:, the album has a score of 79 out of 100. Zachary Houle of 1162:
in Brisbane, Australia and ended on April 20, 2012 at the
2614:"Girls, 'Father, Son, Holy Ghost' (True Panther/Matador)" 2362:. Stereogum. September 14, 2011. Retrieved March 1, 2012. 2070: 2068: 2066: 2005: 2003: 2980: 2373:
Team Coco Exclusive: GIRLS' "My Ma" Music Video Premiere
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GIRLS ACROSS AMERICA – THE FIRST EVER NATIONWIDE INSTORE
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The album's cover was first revealed in a web widget on
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Girls – Father, Son, Holy Ghost: exclusive album stream
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A significant departure from the band's previous work,
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has appeared on several publications' year-end lists.
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Forget the cults and drugs, Girls just wanna have fun
2923:. norwegiancharts.com. Retrieved September 30, 2011. 1976: 1974: 1822: 1820: 1802: 1800: 1798: 1796: 1794: 1792: 1790: 1630:. Turnstile. July 7, 2011. Retrieved August 8, 2011. 1035:'s Jason Lymangrover, on the other hand, criticized 3129: 3109: 3091: 3066: 2666:. September 13, 2011. Retrieved September 14, 2011. 2647:. September 12, 2011. Retrieved September 13, 2011. 2204:. September 13, 2011. Retrieved September 16, 2011. 1814:. September 20, 2011. Retrieved September 29, 2011. 1378: 1370: 1345: 1337: 1192: 1184: 465:
Retromania: Pop Culture's Addiction to Its Own Past
179: 137: 121: 109: 93: 81: 73: 65: 57: 44: 30: 2935:. Theofficialcharts.com. Retrieved October 3, 2011 2702:. November 29, 2011. Retrieved November 30, 2011. 2550:"Album Review: Girls – 'Father, Son, Holy Ghost'" 2350:September 20, 2011. Retrieved September 22, 2011. 2254:. September 6, 2011. Retrieved September 6, 2011. 1842:. December 15, 2011. Retrieved December 17, 2011. 1784:. September 9, 2011. Retrieved September 9, 2011. 1680: 1678: 1676: 1435:Chet "JR" White – bass guitar, guitar, percussion 2771:. November 29, 2011. Retrieved December 5, 2011. 2406:. February 27, 2012. Retrieved February 4, 2013. 2017:. December 5, 2012. Retrieved December 14, 2012. 1850: 1848: 259:and received critical acclaim upon its release. 2921:Girls (US) – Record 3 – Father, Son, Holy Ghost 2916: 2914: 2719:. December 5, 2011. Retrieved December 6, 2011. 2677:Dusted Reviews: Girls – Father, Son, Holy Ghost 2041:. August 29, 2011. Retrieved September 6, 2011. 1663: 1661: 1659: 1567: 1565: 1563: 382: 2886:Father, Son, Holy Ghost (Amazon MP3 Exclusive) 2277:. September 13, 2011. Retrieved March 1, 2012. 2060:. January 9, 2013. Retrieved February 4, 2013. 1707:"Reviews for Father, Son, Holy Ghost by Girls" 920: 720: 2996: 2870:Father, Son, Holy Ghost (Bonus Track Version) 2641:Album Review: Girls – Father, Son, Holy Ghost 2331:. August 23, 2011. Retrieved August 24, 2011. 2236:. July 7, 2011. Retrieved September 13, 2011. 2220:. July 5, 2011. Retrieved September 13, 2011. 2120:. August 1, 2011. Retrieved February 4, 2013. 1923:. November 18, 2010. Retrieved July 30, 2011. 1685:Father, Son, Holy Ghost – Charts & Awards 8: 3188:Albums produced by Chet "JR" White 2946:"Girls Singer Christopher Owens Leaves Band" 2860:. January 17, 2012. Retrieved March 1, 2012. 2078:. americansongwriter.com. September 19, 2011 1949:. December 2, 2010. Retrieved July 30, 2011. 1770: 1768: 1766: 1701: 1699: 1697: 1414:Dan Eisenberg – organ, piano, electric piano 858: 820: 782: 2389:February 27, 2012. Retrieved March 1, 2012. 2314:. August 8, 2011. Retrieved August 8, 2011. 2161: 2159: 2157: 1737: 1735: 1733: 1731: 1729: 1727: 3003: 2989: 2981: 2933:UK Independent Albums Chart 24th Sept 2011 2417:"Father, Son, Holy Ghost by Girls reviews" 2342:T Exclusive Video | 'Honey Bunny' by Girls 2296:. July 20, 2011. Retrieved August 8, 2011. 1474: 662: 36: 27: 2847:. July 11, 2011. Retrieved March 1, 2012. 2474:"Girls: Father, Son, Holy Ghost – review" 2128: 2126: 1611:. July 7, 2011. Retrieved August 8, 2011. 1411:John Anderson – guitar, background vocals 1402:Adapted from the AllMusic album credits. 655:, playing album cut "Love Like a River". 18:Father Son And Holy Ghosts (Embryo album) 1417:Christopher Owens – artwork, composing, 1364: 1331: 1181: 1178:All songs written by Christopher Owens. 1164:Coachella Valley Music and Arts Festival 565:, when he first moved to San Francisco. 236:is the second and final studio album by 1742:Richardson, Mark (September 12, 2011). 1573:"EXCLUSIVE: Girls Talk September Album" 1559: 1317: 1082:named it the best album of 2011, while 990:'s Möhammad Choudhery also thought the 418:, with Doug Boehm, who had worked with 1598:GIRLS: Father, Son, Holy Ghost 9.13.11 1170:during the March portion of this leg. 982:writing, "Unlike past Girls' outings, 2763:The Missing Album From Paste's Top 50 2230:Girls Father, Son, Holy Ghost Details 2133:Martins, Chris (September 13, 2011). 1318: 1138:Girls' frontman Christopher Owens at 701: 668: 7: 2500:Murphy, Lauren (September 9, 2011). 1454:Chris Claypoole – assistant engineer 2781:Josh, Jackson (November 30, 2011). 2729:Josh, Jackson (November 29, 2011). 2325:Song Premiere: Girls, 'Honey Bunny' 2052:A Time to Go Solo, at Least Onstage 922: 722: 2528:"Girls: Father, Son, Holy Ghost". 1889:"The 200 Best Albums of the 2010s" 1463:Camren Lister – assistant engineer 1457:Tisha Fredrick – background vocals 1445:Vearline Board – background vocals 975:thought the album was superior to 14: 2902:Father, Son, Holy Ghost – Credits 2713:Stereogum's Top 50 Albums Of 2011 2581:Dolan, Jon (September 28, 2011). 2168:"Father, Son, Holy Ghost – Girls" 1466:Drew Zajicek – assistant engineer 1387:"Martina Martinez (instrumental)" 1140:Coachella Music and Arts Festival 860: 822: 784: 244:, released September 13, 2011 on 2135:"Girls: Father, Son, Holy Ghost" 1744:"Girls: Father, Son, Holy Ghost" 1432:Darren Weiss – drums, percussion 941: 936: 931: 926: 921: 879: 874: 869: 864: 859: 841: 836: 831: 826: 821: 803: 798: 793: 788: 783: 741: 736: 731: 726: 721: 530:I Think It's Going to Rain Today 2908:. Retrieved September 4, 2011. 2815:"MOJO's Top 50 Albums Of 2011" 2658:Girls: Father, Son, Holy Ghost 1776:Girls: Father, Son, Holy Ghost 1371: 1338: 1185: 1166:. The band was accompanied by 1039:for being more indulgent than 25:2011 studio album by Girls 1: 3183:Albums produced by Doug Boehm 2892:. Retrieved December 8, 2011. 2011:Interviews: Christopher Owens 2876:. Retrieved August 15, 2011. 2731:"The 50 Best Albums of 2011" 1917:Girls: Broken Dreams Club EP 1691:. Retrieved November 7, 2011 1653:. Retrieved August 31, 2011. 1539: 1528: 1514: 1504: 1493: 1160:St Jerome's Laneway Festival 631:Late Night with Jimmy Fallon 77:San Francisco, United States 2783:"The 50 Best Songs of 2011" 1964:September 13, 2011, at the 286:. Unlike the group's debut 3204: 3178:True Panther Sounds albums 1939:December 21, 2016, at the 1934:Girls – Broken Dreams Club 15: 3018: 2694:December 1, 2011, at the 2583:"Father, Son, Holy Ghost" 2534:(215): 104. October 2011. 2033:October 24, 2012, at the 1827:The Top 50 Albums of 2011 1626:October 14, 2011, at the 1383: 1375: 1350: 1342: 1307: 1296: 1285: 1274: 1263: 1252: 1241: 1230: 1219: 1208: 1197: 1189: 1118:in August 2014. In 2019, 709: 706: 676: 673: 500:" by The Beach Boys and " 225: 208:Released: August 23, 2011 190: 175: 145: 35: 2858:Girls Announce U.S. Tour 2841:Girls Announce Fall Tour 2443:"Albums: Sept. 23, 2011" 2288:New Girls Track: "Vomit" 2269:October 8, 2011, at the 2214:Girls Unveil … Something 1959:Girls announce new album 1651:Arts & Crafts México 1645:October 9, 2011, at the 1603:October 9, 2011, at the 1460:Girls – mixing, producer 1168:Unknown Mortal Orchestra 1103:is a capital-A Album." 340:Background and recording 250:Arts & Crafts México 217:Released: March 22, 2012 185:Father, Son, Holy Ghost 3082:Father, Son, Holy Ghost 2970:Father, Son, Holy Ghost 1156:Father, Son, Holy Ghost 1154:The tour in support of 1148:Father, Son, Holy Ghost 1124:Father, Son, Holy Ghost 1101:Father, Son, Holy Ghost 1074:Father, Son, Holy Ghost 1037:Father, Son, Holy Ghost 996:Father, Son, Holy Ghost 992:Father, Son, Holy Ghost 984:Father, Son, Holy Ghost 965:Father, Son, Holy Ghost 534:Father, Son, Holy Ghost 449:Father, Son, Holy Ghost 400:Father, Son, Holy Ghost 386:Father, Son, Holy Ghost 369:. In an interview with 367:Father, Son, Holy Ghost 306:Father, Son, Holy Ghost 264:Father, Son, Holy Ghost 233:Father, Son, Holy Ghost 199:Released: July 20, 2011 161:Father, Son, Holy Ghost 31:Father, Son, Holy Ghost 2612:(September 13, 2011). 2548:(September 14, 2011). 2400:Video: Girls – "My Ma" 2378:March 1, 2012, at the 2360:Girls Hit Jimmy Fallon 1832:March 4, 2016, at the 1142: 390: 2639:Choudhery, Möhammad. 2472:(September 8, 2011). 2306:Girls – "Vomit" Video 2099:McCloskey, Caroline. 1668:Girls – "My Ma" Video 1137: 1130:Tour and performances 398:For the recording of 2839:Fitzmaurice, Larry. 2645:Consequence of Sound 2448:Entertainment Weekly 2404:Consequence of Sound 2166:Lymangrover, Jason. 1806:Kornhaber, Spencer. 988:Consequence of Sound 765:Entertainment Weekly 664:Professional ratings 611:All Songs Considered 3168:Girls (band) albums 3147:True Panther Sounds 1609:True Panther Sounds 1367: 1334: 1300:"Love Like a River" 1234:"Saying I Love You" 665: 582:True Panther Sounds 246:True Panther Sounds 116:True Panther Sounds 3100:Broken Dreams Club 2977:(list of releases) 2821:. December 2, 2011 2795:on August 16, 2016 2656:Deusner, Stephen. 2398:Roffman, Michael. 2347:The New York Times 2112:Richardson, Mark. 2057:The New York Times 1536:Independent Albums 1451:– mixing, producer 1366:Amazon Bonus track 1365: 1333:iTunes Bonus track 1332: 1143: 663: 659:Critical reception 624:The New York Times 377:Broken Dreams Club 361:Broken Dreams Club 152:Broken Dreams Club 3155: 3154: 3024:Christopher Owens 2711:Stereogum Staff. 2675:Kelly, Jennifer. 2562:on March 18, 2016 2340:Branch, Kathryn. 2198:Interviews: Girls 1897:. October 8, 2019 1548:Nielsen SoundScan 1544: 1543: 1394: 1393: 1361: 1360: 1328: 1327: 962: 961: 416:The Sound Factory 356:Christopher Owens 229: 228: 171: 170: 61:September 7, 2011 3195: 3130:Related articles 3005: 2998: 2991: 2982: 2956: 2955: 2942: 2936: 2930: 2924: 2918: 2909: 2899: 2893: 2883: 2877: 2867: 2861: 2856:Battan, Carrie. 2854: 2848: 2837: 2831: 2830: 2828: 2826: 2811: 2805: 2804: 2802: 2800: 2791:. Archived from 2778: 2772: 2759: 2753: 2752: 2750: 2748: 2743:on April 5, 2016 2739:. Archived from 2726: 2720: 2709: 2703: 2686: 2680: 2673: 2667: 2654: 2648: 2637: 2631: 2630: 2628: 2626: 2606: 2600: 2599: 2597: 2595: 2578: 2572: 2571: 2569: 2567: 2558:. Archived from 2542: 2536: 2535: 2525: 2519: 2518: 2516: 2514: 2497: 2491: 2490: 2488: 2486: 2466: 2460: 2459: 2457: 2455: 2438: 2432: 2431: 2429: 2427: 2413: 2407: 2396: 2390: 2369: 2363: 2357: 2351: 2338: 2332: 2321: 2315: 2303: 2297: 2284: 2278: 2261: 2255: 2243: 2237: 2227: 2221: 2211: 2205: 2194: 2183: 2182: 2180: 2178: 2163: 2152: 2151: 2149: 2147: 2130: 2121: 2110: 2104: 2097: 2088: 2087: 2085: 2083: 2072: 2061: 2048: 2042: 2024: 2018: 2007: 1998: 1997: 1995: 1993: 1988:. March 19, 2013 1978: 1969: 1956: 1950: 1946:Drowned in Sound 1930: 1924: 1913: 1907: 1906: 1904: 1902: 1885: 1876: 1875: 1873: 1871: 1866:on March 4, 2016 1862:. Archived from 1852: 1843: 1824: 1815: 1804: 1785: 1774:Houle, Zachary. 1772: 1761: 1760: 1758: 1756: 1739: 1722: 1721: 1719: 1717: 1703: 1692: 1682: 1671: 1665: 1654: 1637: 1631: 1618: 1612: 1595: 1589: 1588: 1586: 1584: 1569: 1475: 1419:classical guitar 1373: 1368: 1340: 1335: 1321: 1187: 1182: 1024: 1004: 946: 945: 944: 940: 939: 935: 934: 930: 929: 925: 924: 884: 883: 882: 878: 877: 873: 872: 868: 867: 863: 862: 846: 845: 844: 840: 839: 835: 834: 830: 829: 825: 824: 808: 807: 806: 802: 801: 797: 796: 792: 791: 787: 786: 746: 745: 744: 740: 739: 735: 734: 730: 729: 725: 724: 669:Aggregate scores 666: 554:Book of Proverbs 394: 314: 284:progressive rock 218: 215: 209: 206: 200: 197: 147: 146: 105: 104: 100: 40: 28: 3203: 3202: 3198: 3197: 3196: 3194: 3193: 3192: 3158: 3157: 3156: 3151: 3142:Children of God 3125: 3105: 3087: 3062: 3053:Matthew Kallman 3031:Chet "JR" White 3014: 3009: 2965: 2960: 2959: 2944: 2943: 2939: 2931: 2927: 2919: 2912: 2900: 2896: 2884: 2880: 2868: 2864: 2855: 2851: 2845:Pitchfork Media 2838: 2834: 2824: 2822: 2813: 2812: 2808: 2798: 2796: 2780: 2779: 2775: 2761:Jackson, Josh. 2760: 2756: 2746: 2744: 2728: 2727: 2723: 2710: 2706: 2696:Wayback Machine 2687: 2683: 2674: 2670: 2655: 2651: 2638: 2634: 2624: 2622: 2608: 2607: 2603: 2593: 2591: 2580: 2579: 2575: 2565: 2563: 2544: 2543: 2539: 2527: 2526: 2522: 2512: 2510: 2507:The Irish Times 2499: 2498: 2494: 2484: 2482: 2468: 2467: 2463: 2453: 2451: 2440: 2439: 2435: 2425: 2423: 2421:AnyDecentMusic? 2415: 2414: 2410: 2397: 2393: 2380:Wayback Machine 2371:Simpson, Josh. 2370: 2366: 2358: 2354: 2339: 2335: 2322: 2318: 2304: 2300: 2285: 2281: 2275:Matador Records 2271:Wayback Machine 2262: 2258: 2244: 2240: 2228: 2224: 2212: 2208: 2202:Pitchfork Media 2195: 2186: 2176: 2174: 2165: 2164: 2155: 2145: 2143: 2132: 2131: 2124: 2118:Pitchfork Media 2111: 2107: 2098: 2091: 2081: 2079: 2074: 2073: 2064: 2050:Ryzik, Melena. 2049: 2045: 2039:The Irish Times 2035:Wayback Machine 2025: 2021: 2015:Pitchfork Media 2008: 2001: 1991: 1989: 1980: 1979: 1972: 1966:Wayback Machine 1957: 1953: 1941:Wayback Machine 1931: 1927: 1921:Pitchfork Media 1914: 1910: 1900: 1898: 1887: 1886: 1879: 1869: 1867: 1854: 1853: 1846: 1834:Wayback Machine 1825: 1818: 1805: 1788: 1773: 1764: 1754: 1752: 1741: 1740: 1725: 1715: 1713: 1705: 1704: 1695: 1683: 1674: 1666: 1657: 1647:Wayback Machine 1638: 1634: 1628:Wayback Machine 1619: 1615: 1605:Wayback Machine 1596: 1592: 1582: 1580: 1571: 1570: 1561: 1556: 1482: 1473: 1400: 1395: 1362: 1329: 1319: 1176: 1132: 1071: 1049:mainstays like 1027:LCD Soundsystem 1022: 1014:Stephen Deusner 1002: 942: 937: 932: 927: 880: 875: 870: 865: 842: 837: 832: 827: 815:The Irish Times 804: 799: 794: 789: 742: 737: 732: 727: 683:AnyDecentMusic? 661: 621:, premiered on 578: 542: 473:LCD Soundsystem 446: 441: 404:Whitney Houston 396: 392: 342: 312: 221: 216: 213: 212: 207: 204: 203: 198: 195: 194: 164: 155: 128:Chet "JR" White 102: 98: 97: 53: 26: 21: 12: 11: 5: 3201: 3199: 3191: 3190: 3185: 3180: 3175: 3170: 3160: 3159: 3153: 3152: 3150: 3149: 3144: 3139: 3133: 3131: 3127: 3126: 3124: 3123: 3115: 3113: 3107: 3106: 3104: 3103: 3095: 3093: 3089: 3088: 3086: 3085: 3078: 3070: 3068: 3064: 3063: 3061: 3060: 3059:Garett Goddard 3057: 3054: 3050: 3049: 3044: 3039: 3034: 3027: 3019: 3016: 3015: 3010: 3008: 3007: 3000: 2993: 2985: 2979: 2978: 2964: 2963:External links 2961: 2958: 2957: 2937: 2925: 2910: 2894: 2878: 2862: 2849: 2832: 2806: 2773: 2754: 2721: 2704: 2681: 2668: 2649: 2632: 2610:Aaron, Charles 2601: 2573: 2546:Beaumont, Mark 2537: 2520: 2492: 2461: 2433: 2408: 2391: 2364: 2352: 2333: 2323:Hilton, Robin 2316: 2298: 2286:Breihan, Tom. 2279: 2256: 2238: 2222: 2206: 2196:Dombal, Ryan. 2184: 2153: 2122: 2105: 2089: 2062: 2043: 2026:Carroll, Jim. 2019: 2009:Dombal, Ryan. 1999: 1970: 1951: 1925: 1915:Bevan, David. 1908: 1877: 1844: 1816: 1786: 1762: 1723: 1693: 1672: 1655: 1632: 1613: 1590: 1579:. July 7, 2011 1558: 1557: 1555: 1552: 1542: 1541: 1538: 1531: 1530: 1527: 1517: 1516: 1513: 1511:UK Indie Chart 1507: 1506: 1503: 1496: 1495: 1492: 1485: 1484: 1479: 1472: 1469: 1468: 1467: 1464: 1461: 1458: 1455: 1452: 1446: 1437: 1436: 1433: 1430: 1415: 1412: 1399: 1396: 1392: 1391: 1388: 1385: 1381: 1380: 1377: 1374: 1363: 1359: 1358: 1355: 1352: 1348: 1347: 1344: 1341: 1330: 1326: 1325: 1322: 1316: 1315: 1312: 1309: 1305: 1304: 1301: 1298: 1294: 1293: 1290: 1287: 1283: 1282: 1279: 1276: 1272: 1271: 1268: 1265: 1261: 1260: 1257: 1254: 1250: 1249: 1246: 1243: 1239: 1238: 1235: 1232: 1228: 1227: 1224: 1221: 1217: 1216: 1213: 1210: 1206: 1205: 1202: 1199: 1195: 1194: 1191: 1188: 1180: 1175: 1172: 1131: 1128: 1070: 1067: 960: 959: 956: 948: 947: 918: 910: 909: 906: 898: 897: 894: 886: 885: 856: 848: 847: 818: 810: 809: 780: 772: 771: 768: 760: 759: 756: 748: 747: 718: 712: 711: 708: 704: 703: 699: 698: 695: 689: 688: 685: 679: 678: 675: 671: 670: 660: 657: 619:"Life in L.A." 577: 574: 541: 538: 490:The Beach Boys 482:Elvis Costello 461:Simon Reynolds 445: 442: 440: 437: 381: 341: 338: 323:and early-70s 227: 226: 223: 222: 220: 219: 210: 201: 191: 188: 187: 177: 176: 173: 172: 169: 168: 166: 157: 143: 142: 135: 134: 125: 119: 118: 113: 107: 106: 95: 91: 90: 85: 79: 78: 75: 71: 70: 67: 63: 62: 59: 55: 54: 49: 42: 41: 33: 32: 24: 13: 10: 9: 6: 4: 3: 2: 3200: 3189: 3186: 3184: 3181: 3179: 3176: 3174: 3171: 3169: 3166: 3165: 3163: 3148: 3145: 3143: 3140: 3138: 3135: 3134: 3132: 3128: 3121: 3120:Lust for Life 3117: 3116: 3114: 3112: 3108: 3102: 3101: 3097: 3096: 3094: 3090: 3084: 3083: 3079: 3077: 3076: 3072: 3071: 3069: 3067:Studio albums 3065: 3058: 3055: 3052: 3051: 3048: 3047:John Anderson 3045: 3043: 3042:Dan Eisenberg 3040: 3038: 3035: 3033: 3032: 3028: 3026: 3025: 3021: 3020: 3017: 3013: 3006: 3001: 2999: 2994: 2992: 2987: 2986: 2983: 2976: 2972: 2971: 2967: 2966: 2962: 2953: 2952: 2947: 2941: 2938: 2934: 2929: 2926: 2922: 2917: 2915: 2911: 2907: 2903: 2898: 2895: 2891: 2887: 2882: 2879: 2875: 2871: 2866: 2863: 2859: 2853: 2850: 2846: 2842: 2836: 2833: 2820: 2816: 2810: 2807: 2794: 2790: 2789: 2784: 2777: 2774: 2770: 2769: 2764: 2758: 2755: 2742: 2738: 2737: 2732: 2725: 2722: 2718: 2714: 2708: 2705: 2701: 2697: 2693: 2690: 2685: 2682: 2678: 2672: 2669: 2665: 2664: 2659: 2653: 2650: 2646: 2642: 2636: 2633: 2625:September 13, 2621: 2620: 2615: 2611: 2605: 2602: 2594:September 28, 2590: 2589: 2588:Rolling Stone 2584: 2577: 2574: 2561: 2557: 2556: 2551: 2547: 2541: 2538: 2533: 2532: 2524: 2521: 2509: 2508: 2503: 2496: 2493: 2481: 2480: 2475: 2471: 2465: 2462: 2450: 2449: 2444: 2437: 2434: 2422: 2418: 2412: 2409: 2405: 2401: 2395: 2392: 2388: 2386: 2381: 2377: 2374: 2368: 2365: 2361: 2356: 2353: 2349: 2348: 2343: 2337: 2334: 2330: 2326: 2320: 2317: 2313: 2312: 2307: 2302: 2299: 2295: 2294: 2289: 2283: 2280: 2276: 2272: 2268: 2265: 2260: 2257: 2253: 2252: 2247: 2242: 2239: 2235: 2231: 2226: 2223: 2219: 2215: 2210: 2207: 2203: 2199: 2193: 2191: 2189: 2185: 2177:September 14, 2173: 2169: 2162: 2160: 2158: 2154: 2146:September 13, 2142: 2141: 2140:The A.V. Club 2136: 2129: 2127: 2123: 2119: 2115: 2109: 2106: 2102: 2096: 2094: 2090: 2077: 2071: 2069: 2067: 2063: 2059: 2058: 2053: 2047: 2044: 2040: 2036: 2032: 2029: 2023: 2020: 2016: 2012: 2006: 2004: 2000: 1987: 1983: 1977: 1975: 1971: 1967: 1963: 1960: 1955: 1952: 1948: 1947: 1942: 1938: 1935: 1929: 1926: 1922: 1918: 1912: 1909: 1896: 1895: 1890: 1884: 1882: 1878: 1865: 1861: 1857: 1851: 1849: 1845: 1841: 1840: 1835: 1831: 1828: 1823: 1821: 1817: 1813: 1809: 1803: 1801: 1799: 1797: 1795: 1793: 1791: 1787: 1783: 1782: 1777: 1771: 1769: 1767: 1763: 1755:September 12, 1751: 1750: 1745: 1738: 1736: 1734: 1732: 1730: 1728: 1724: 1716:September 14, 1712: 1708: 1702: 1700: 1698: 1694: 1690: 1686: 1681: 1679: 1677: 1673: 1669: 1664: 1662: 1660: 1656: 1652: 1648: 1644: 1641: 1636: 1633: 1629: 1625: 1622: 1617: 1614: 1610: 1606: 1602: 1599: 1594: 1591: 1578: 1574: 1568: 1566: 1564: 1560: 1553: 1551: 1549: 1537: 1533: 1532: 1526: 1524: 1519: 1518: 1512: 1509: 1508: 1502: 1498: 1497: 1491: 1487: 1486: 1480: 1478:Chart (2011) 1477: 1476: 1470: 1465: 1462: 1459: 1456: 1453: 1450: 1447: 1444: 1443: 1442: 1441: 1434: 1431: 1429:, lead vocals 1428: 1425:, harmonica, 1424: 1423:rhythm guitar 1420: 1416: 1413: 1410: 1409: 1408: 1407: 1403: 1397: 1389: 1386: 1382: 1369: 1356: 1353: 1349: 1336: 1323: 1320:Total length: 1313: 1311:"Jamie Marie" 1310: 1306: 1302: 1299: 1295: 1291: 1289:"Forgiveness" 1288: 1284: 1280: 1277: 1273: 1269: 1267:"Just a Song" 1266: 1262: 1258: 1255: 1251: 1247: 1244: 1240: 1236: 1233: 1229: 1225: 1222: 1218: 1214: 1211: 1207: 1203: 1201:"Honey Bunny" 1200: 1196: 1183: 1179: 1174:Track listing 1173: 1171: 1169: 1165: 1161: 1157: 1152: 1149: 1141: 1136: 1129: 1127: 1125: 1121: 1117: 1116: 1110: 1108: 1107: 1102: 1098: 1097: 1091: 1087: 1086: 1081: 1080: 1075: 1068: 1066: 1064: 1063:Rupert Holmes 1060: 1056: 1052: 1048: 1044: 1043: 1038: 1034: 1030: 1028: 1021: 1020: 1015: 1011: 1006: 1001: 997: 993: 989: 985: 981: 979: 974: 970: 966: 957: 955: 954: 950: 949: 919: 917: 916: 915:Rolling Stone 912: 911: 907: 905: 904: 900: 899: 895: 893: 892: 888: 887: 857: 855: 854: 850: 849: 819: 817: 816: 812: 811: 781: 779: 778: 774: 773: 769: 767: 766: 762: 761: 757: 755: 754: 753:The A.V. Club 750: 749: 719: 717: 714: 713: 705: 702:Review scores 700: 696: 694: 691: 690: 686: 684: 681: 680: 672: 667: 658: 656: 654: 653: 647: 646: 640: 637: 633: 632: 627: 625: 620: 616: 612: 607: 605: 604: 599: 594: 589: 588: 583: 575: 573: 571: 566: 564: 560: 555: 550: 547: 539: 537: 535: 531: 527: 523: 519: 513: 511: 507: 506:Fleetwood Mac 503: 499: 498:Fun, Fun, Fun 495: 491: 487: 483: 479: 474: 470: 466: 462: 458: 454: 450: 443: 438: 436: 432: 429: 425: 424:Elliott Smith 421: 417: 413: 409: 405: 401: 395: 389: 387: 380: 378: 374: 373: 368: 363: 362: 357: 353: 349: 348: 339: 337: 335: 334: 328: 326: 322: 318: 317:Billy Preston 311: 307: 303: 299: 295: 291: 290: 285: 281: 277: 273: 269: 265: 260: 258: 256: 251: 247: 243: 239: 238:San Francisco 235: 234: 224: 211: 205:"Honey Bunny" 202: 193: 192: 189: 186: 182: 178: 174: 167: 163: 162: 158: 154: 153: 149: 148: 144: 140: 136: 133: 129: 126: 124: 120: 117: 114: 112: 108: 96: 92: 89: 86: 84: 80: 76: 72: 68: 64: 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 3098: 3081: 3080: 3073: 3046: 3041: 3037:Darren Weiss 3036: 3029: 3022: 2968: 2949: 2940: 2928: 2897: 2881: 2874:iTunes Store 2865: 2852: 2835: 2825:December 16, 2823:. 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Index

Father Son And Holy Ghosts (Embryo album)

Studio album
Girls
Genre
Indie rock
Label
True Panther Sounds
Producer
Chet "JR" White
Doug Boehm
Girls
Broken Dreams Club
Singles
San Francisco
Girls
True Panther Sounds
Arts & Crafts México
Billboard 200
surf rock
folk
soul
hard rock
progressive rock
Album
Doug Boehm
1960s
1970s
Billy Preston
Beatles

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