42:
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renamed its year-end poll from
Records of the Year to Releases of the Year, Reynolds has cast several votes for songs rather than album-length releases. Reynold's full voting ballots and year-end commentaries for a variety of magazines, going back to the late 1980s, can be found at Reynolds's
483:, a critical investigation into what he perceives as the current situation of chronic retrogression in pop music, with a focus on the effects of the internet and digital culture on music consumption and musical creativity.
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In addition to writing books, Reynolds has continued freelancing for magazines, giving lectures, writing liner notes, and appearing in music documentaries. He resides in
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in the UK, a collection of his writing themed around the relationship between white bohemian rock and black street music. In 2008, an updated edition of
293:, as well as the unadventurous style and approach of most music criticism. Pieces from this late Eighties era would form the remixed collection
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was published, with new chapters on the decade of dance music following the appearance of the first edition. In 2009, a companion volume to
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Review of JAY-Z, Vol. 3... Life and Times of S.Carter / DMX, And Then There Was X / JUVENILE, Tha G-Code /THE LOX, We Are The
Streets
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217:. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended
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and its relationship to various musical developments and movements. In the 2000s, in tandem with fellow critic and blogger
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continuum" along with its surrounding culture such as pirate radio. Much of this writing was later published in
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and popular art preoccupied with the disjointed temporality and "lost futures" of contemporary culture.
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writer, splitting his time between London and New York. In the early 1990s, he became involved in
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Shock and Awe: Glam Rock and Its Legacy, from the
Seventies to the Twenty-First Century
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colleagues set themselves in opposition to what they characterized as the conservative
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414:, a critical analysis of gender in rock. In 1998 Reynolds became a senior editor at
359:. The book was published that same year in America in abridged form, with the title
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585:. In discussing the relationship between class and music, Reynolds coined the term
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in relation to music and culture. Early in his career, Reynolds often made use of
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in his analysis of music, deriving particular influence from thinkers such as
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Reynolds has voted in a number of year-end critics' polls, most often for
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In Pazz & Jop, Reynolds allocated equal points to both albums. In
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In Pazz & Jop, Reynolds allocated equal points to both albums. In
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on the development of what he would later conceptualise as the "
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Bring The Noise: 20 Years of
Writing About Hip Rock and Hip-Hop
462:
Bring the Noise: 20 Years of
Writing about Hip Rock and Hip Hop
378:
and then in a more developed form in a May 1994 thinkpiece for
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The
Guardian - Hauntology: A not-so-new critical manifestation
147:
and published a number of books on music and popular culture.
2461:. No. 431. London. January 2020. p. 34 – via
2434:. No. 419. London. January 2019. p. 37 – via
2407:. No. 407. London. January 2018. p. 37 – via
2353:. No. 383. London. January 2016. p. 37 – via
2326:. No. 371. London. January 2015. p. 37 – via
2299:. No. 359. London. January 2014. p. 35 – via
2272:. No. 347. London. January 2013. p. 35 – via
2245:. No. 323. London. January 2011. p. 49 – via
2218:. No. 311. London. January 2010. p. 49 – via
2161:. No. 299. London. January 2009. p. 37 – via
2134:. No. 287. London. January 2008. p. 49 – via
2107:. No. 275. London. January 2007. p. 49 – via
2080:. No. 263. London. January 2006. p. 51 – via
2053:. No. 251. London. January 2005. p. 49 – via
2026:. No. 239. London. January 2004. p. 49 – via
1999:. No. 227. London. January 2003. p. 55 – via
1972:. No. 215. London. January 2002. p. 49 – via
1945:. No. 203. London. January 2001. p. 43 – via
1473:
k-punk: The
Collected and Unpublished Writings of Mark Fisher
1301:
Generation
Ecstasy: Into the World of Techno and Rave Culture
361:
Generation
Ecstasy: Into the World of Techno and Rave Culture
1809:
Perfect Sound
Forever: Simon Reynolds interview on post-punk
1280:
Energy Flash: A Journey Through Rave Music and Dance Culture
420:
magazine in the US. In 1999, he returned to freelance work.
336:
Energy Flash: a Journey Through Rave Music and Dance Culture
1799:, May 2000 (online copy at Reynolds "Bring The Noise" blog)
245:, where his writing was marked by enthusiasm for a wave of
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in collaboration with Dia Center for the Arts (1999).
521:
with music journalism. He has written extensively on
366:
During this time, he also theorized the concept of "
1491:
Futuromania: Electronic Dreams from Moroder to Migos
1260:
The Sex Revolts: Gender, Rebellion and Rock 'N' Roll
412:
The Sex Revolts: Gender, Rebellion and Rock 'n' Roll
1435:
Retromania: Pop Culture's Addiction to Its Own Past
481:
Retromania: Pop Culture's Addiction to Its Own Past
476:, containing interview transcripts and new essays.
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2483:(1998). Compiled by Simon Reynolds. Not on Label .
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1821:High society - Irvine Welsh's film 'Trainspotting'
1521:Stars Don't Stand Still in the Sky: Music and Myth
2497:(November 17, 2006). Compiled by Simon Reynolds.
1710:Inventory: 17 Essential Books About Popular Music
1399:Totally Wired: Post-Punk Interviews and Overviews
325:scene, particularly that of the UK, and became a
253:artists that emerged in the mid-1980s (including
474:Totally Wired: Postpunk Interviews and Overviews
427:was published, with new material on the rise of
2494:Rip It Up and Start Again (Post Punk 1978-1984)
2380:. No. 395. London. p. 35 – via
995:, which does not allow tie votes, he voted for
1475:. Edited, with a foreword, by Darren Ambrose.
398:magazine. In late 1994, Reynolds moved to the
143:in the mid-1980s. He subsequently worked as a
1625:Rip It Up and Start Again: Postpunk 1978–1984
1577:
1575:
1573:
1571:
1339:Rip It Up and Start Again: Postpunk 1978–1984
453:Rip It Up and Start Again: Postpunk 1978–1984
8:
2524:– biography and list of articles by Reynolds
1767:"From Bowie to Gaga: How Glam Rock Lives On"
1525:Edited by Karen Kelly and Evelyn McDonnell.
1007:Tie: Rangers / Ariel Pink's Haunted Graffiti
2188:"Pazz & Jop Statistics: Simon Reynolds"
1591:
1589:
1516:"Ecstasy is a Science: Techno-romanticism."
2238:"2010 Rewind: Records of the Year Top Ten"
2211:"2009 Rewind: Records of the Year Top Ten"
2181:
2179:
2177:
2175:
2154:"2008 Rewind: Records of the Year Top Ten"
2127:"2007 Rewind: Records of the Year Top Ten"
1582:ReadySteadyBook - Simon Reynolds Interview
757:Reynolds's blog (collecting writings from
236:along with Hilary Little and Chris Scott.
40:
29:
494:Reynolds's eighth book, a history of the
2570:English expatriates in the United States
2560:California Institute of the Arts faculty
1900:, 1995 - End of Year Comments and Votes"
1877:, 1995 - End of Year Comments and Votes"
658:
273:). During this period, Reynolds and his
2600:People from the East Village, Manhattan
1607:Worth Their Wait | Features | Pitchfork
1567:
500:Shock and Awe: Glam Rock and Its Legacy
431:to worldwide popularity and the EDM or
392:, published in the March 1994 issue of
239:In 1986, Reynolds joined the staff of
2100:"Rewind 2006: 50 Records of the Year"
2073:"2005 Rewind: 50 Records of the Year"
2046:"2004 Rewind: 50 Records of the Year"
2019:"2003 Rewind: 50 Records of the Year"
1992:"Rewind 2002: 50 Records of the Year"
1965:"2001 Rewind: 50 Records of the Year"
1938:"Rewind 2000: 50 Records of the Year"
423:In 2013, a second expanded update of
7:
1917:Reynolds, Simon (16 December 2008).
1894:Reynolds, Simon (14 December 2008).
1871:Reynolds, Simon (14 December 2008).
1848:Reynolds, Simon (14 December 2008).
309:In 1990, Reynolds left the staff of
2550:Alumni of Brasenose College, Oxford
581:to describe attitudes prevalent in
137:and author who began his career at
133:(born 19 June 1963) is an English
25:
1655:Blissed Out: The Raptures of Rock
1596:Rock's Backpages - Simon Reynolds
1241:Blissed Out: The Raptures of Rock
502:, was published in October 2016.
460:era. In 2007, Reynolds published
295:Blissed Out: The Raptures of Rock
27:English music critic (born 1963)
1742:Shock and Awe by Simon Reynolds
1678:Reynolds, Simon (March 1994).
569:. He has on occasion used the
517:Reynolds' writing has blended
1:
2454:"2018 Rewind: The Electorate"
2427:"2018 Rewind: The Electorate"
2400:"Rewind 2017: The Electorate"
2373:"Rewind 2016: The Electorate"
2346:"2015 Rewind: The Electorate"
2319:"2014 Rewind: The Electorate"
2292:"2013 Rewind: The Electorate"
2265:"2012 Rewind: The Electorate"
1754:M3 - Simon Reynolds Interview
1057:Ariel Pink's Haunted Graffiti
880:Ariel Pink's Haunted Graffiti
370:", using the term first in a
232:colleagues Paul Oldfield and
733:Reynolds's blog (ballot for
709:Reynolds's blog (ballot for
689:Reynolds's blog (ballot for
479:In 2011, Reynolds published
228:with his friends and future
150:Reynolds has contributed to
2620:The Wire (magazine) writers
1919:"Faves and Unfaves of 1999"
450:In 2005, Reynolds released
351:and later rave genres like
2636:
1609:Retrieved 30 October 2016.
1298:Hardcover ed. (abridged).
1263:, with Joy Press. London:
406:. In 1995, with his wife,
2580:English music journalists
1556:Rip It Up and Start Again
1527:New York University Press
670:
667:
664:
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470:Rip It Up and Start Again
440:Rip It Up and Start Again
339:(1998), a history of the
219:Brasenose College, Oxford
115:
87:Brasenose College, Oxford
39:
2615:The Village Voice people
1653:Reynolds, Simon (1990).
924:Black Moth Super Rainbow
822:Original Pirate Material
2595:People from Berkhamsted
2585:Journalists from London
2468:(subscription required)
2441:(subscription required)
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2006:(subscription required)
1979:(subscription required)
1952:(subscription required)
1320:Softcover ed.: London:
621:Year-end critics' polls
605:, Reynolds made use of
589:, defined as the upper-
410:, Reynolds co-authored
213:in 1963 and grew up in
970:Micachu and the Shapes
908:White Bread Black Beer
435:explosion in America.
433:Electronic Dance Music
323:electronic dance music
2575:English music critics
2555:British male bloggers
2518:- Reynolds' main blog
1723:"Record Recollection"
1230:Selected publications
297:, published in 1990.
209:Reynolds was born in
2610:Rolling Stone people
2590:Melody Maker writers
656:Faves/Unfaves blog.
620:
247:neo-psychedelic rock
78:Music critic, author
1136:Fuck Up Some Commas
1044:The English Riviera
960:and Pazz & Jop
651:. Since 2011, when
579:false consciousness
575:commodity fetishism
456:, a history of the
382:and in a review of
374:1993 feature about
259:My Bloody Valentine
1657:. Serpent's Tail.
1542:Music compilations
1510:Book contributions
1285:Palgrave Macmillan
1283:. United Kingdom:
752:Stop Your Nonsense
519:cultural criticism
165:The New York Times
2522:Rock's Back Pages
2186:McDonald, Glenn.
1680:"Bark Psychosis:
1639:978-0-571-21570-6
1459:Faber & Faber
1441:Faber & Faber
1403:Faber & Faber
1385:Faber & Faber
1344:Faber & Faber
1227:
1226:
1217:Mark of the Mould
759:The Village Voice
641:The Village Voice
490:(2016) to present
171:The Village Voice
128:
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16:(Redirected from
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2565:English bloggers
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1418:Soft Skull Press
974:Dirty Projectors
844:Boy in da Corner
659:
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551:Georges Bataille
321:culture and the
135:music journalist
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46:Reynolds in 2011
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1744:. 18 July 2016.
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1708:The A.V. Club,
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1630:Faber and Faber
1620:Reynolds, Simon
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1078:Sage the Gemini
1049:Pazz & Jop
1025:, he voted for
952:Vampire Weekend
946:Vampire Weekend
902:Scritti Politti
746:Position Normal
644:
631:
623:
615:strain of music
607:Jacques Derrida
559:Michel Foucault
539:critical theory
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472:was published,
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201:Early life and
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2463:Exact Editions
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2436:Exact Editions
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2409:Exact Editions
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2382:Exact Editions
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2355:Exact Editions
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2328:Exact Editions
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2301:Exact Editions
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2274:Exact Editions
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2001:Exact Editions
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1974:Exact Editions
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1947:Exact Editions
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1765:Berman, Judy.
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1728:Oxonian Review
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1503:978-8833890920
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1485:978-1912248285
1477:Repeater Books
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1467:978-0571301713
1452:
1449:978-0571232086
1431:
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1411:978-0571235490
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1393:978-0571232079
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1293:978-0330454209
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1265:Serpent's Tail
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1058:
1055:
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1047:
1040:
1035:
1031:
1030:
1027:Suburban Tours
1019:
1011:Suburban Tours
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989:
976:
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739:
738:
731:
724:
719:
715:
714:
707:
704:
699:
695:
694:
687:
685:Quality Street
682:
680:World of Twist
677:
673:
672:
669:
666:
663:
649:Pazz & Jop
622:
619:
613:to describe a
609:'s concept of
567:Félix Guattari
563:Gilles Deleuze
555:Julia Kristeva
547:Roland Barthes
514:
513:Critical style
511:
491:
485:
447:
437:
384:Bark Psychosis
306:
301:Freelance and
299:
271:the Young Gods
267:Throwing Muses
206:
199:
197:
194:
131:Simon Reynolds
126:
125:
113:
112:
108:
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37:
36:
34:Simon Reynolds
33:
26:
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14:
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2:
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2545:Living people
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2020:
2013:
2010:
2002:
1998:
1993:
1986:
1983:
1975:
1971:
1966:
1959:
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1833:
1830:
1827:, Summer 1996
1826:
1822:
1816:
1813:
1810:
1805:
1802:
1798:
1795:
1789:
1786:
1774:
1773:
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1758:
1755:
1750:
1747:
1743:
1737:
1734:
1731:, 2 June 2011
1730:
1729:
1724:
1721:Adam Harper,
1718:
1715:
1712:
1711:
1704:
1701:
1689:
1685:
1683:
1674:
1671:
1666:
1664:1-85242-199-1
1660:
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1649:
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1635:
1631:
1627:
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1524:
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1514:
1513:
1512:
1511:
1504:
1500:
1497:(Nov. 2020).
1496:
1492:
1489:
1486:
1482:
1479:(Nov. 2018).
1478:
1474:
1471:
1468:
1464:
1461:(Oct. 2016).
1460:
1456:
1453:
1450:
1446:
1443:(Jun. 2011).
1442:
1438:
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1415:
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1382:
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1364:
1360:
1356:
1355:
1353:
1349:
1346:(Apr. 2005).
1345:
1341:
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1336:
1331:
1327:
1323:
1319:
1316:
1312:
1308:
1307:Little, Brown
1304:
1302:
1297:
1296:
1294:
1290:
1286:
1282:
1281:
1277:
1274:
1270:
1267:(Jan. 1995).
1266:
1262:
1261:
1257:
1254:
1250:
1247:(Aug. 1990).
1246:
1242:
1239:
1238:
1234:
1229:
1223:
1220:
1218:
1215:
1213:Baron Mordant
1212:
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1089:
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1073:
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1064:
1063:
1062:Mature Themes
1059:
1056:
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1046:
1045:
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1036:
1033:
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930:Dandelion Gum
927:
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905:
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865:
861:
859:Dizzee Rascal
858:
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854:
851:
848:
846:
845:
841:
839:
838:Dizzee Rascal
836:
833:
832:
829:
826:
824:
823:
819:
817:
814:
811:
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807:
804:
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637:
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629:
618:
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592:
591:working class
588:
587:liminal class
584:
583:hip hop music
580:
576:
572:
568:
564:
560:
556:
552:
548:
544:
540:
536:
532:
528:
524:
520:
512:
510:
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503:
501:
497:
489:
488:Shock and Awe
486:
484:
482:
477:
475:
471:
467:
463:
459:
455:
454:
445:
441:
438:
436:
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337:
332:
328:
324:
320:
316:
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304:
300:
298:
296:
292:
288:
284:
281:of the era's
280:
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268:
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260:
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161:
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159:Rolling Stone
155:
154:
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136:
132:
123:
114:
109:
106:
103:
99:
95:
91:
88:
85:
81:
77:
73:
69:
64:(age 61)
54:
50:
43:
38:
31:
19:
2605:Rock critics
2527:
2514:
2493:
2488:
2480:Energy Flash
2479:
2474:
2458:
2447:
2431:
2420:
2404:
2393:
2377:
2366:
2350:
2339:
2323:
2312:
2296:
2285:
2269:
2258:
2242:
2231:
2215:
2204:
2192:. Retrieved
2158:
2147:
2131:
2120:
2104:
2093:
2077:
2066:
2050:
2039:
2023:
2012:
1996:
1985:
1969:
1958:
1942:
1931:
1912:
1897:
1889:
1874:
1866:
1851:
1843:
1832:
1815:
1804:
1788:
1776:. Retrieved
1770:
1760:
1749:
1741:
1736:
1726:
1717:
1709:
1703:
1691:. Retrieved
1681:
1673:
1654:
1648:
1623:
1619:
1614:
1602:
1555:
1549:Energy Flash
1548:
1520:
1509:
1508:
1490:
1472:
1454:
1434:
1420:(Sep 2010).
1405:(Feb 2009).
1398:
1387:(May 2007).
1378:
1361:(Feb 2006).
1337:
1300:
1278:
1259:
1240:
1221:
1216:
1203:
1196:
1181:
1170:Travis Scott
1159:
1155:Rook to TN34
1154:
1141:
1119:
1093:
1067:
1060:
1042:
1026:
1022:
1016:Before Today
1014:
1010:
996:
992:
984:
978:
957:
950:
935:
928:
913:
906:
891:
884:
869:
862:
849:
842:
827:
820:
805:
800:We Love Life
798:
783:
778:
762:
758:
750:
734:
726:
710:
690:
684:
652:
639:
626:
624:
599:drug culture
595:middle-class
586:
573:concepts of
516:
504:
499:
493:
487:
480:
478:
473:
469:
466:Energy Flash
465:
461:
451:
449:
443:
439:
425:Energy Flash
424:
422:
415:
411:
400:East Village
393:
387:
372:Melody Maker
371:
365:
360:
353:jungle music
334:
311:Melody Maker
310:
308:
303:Energy Flash
302:
294:
275:Melody Maker
274:
263:Public Enemy
242:Melody Maker
240:
238:
234:David Stubbs
230:Melody Maker
229:
225:
208:
202:
192:and others.
187:
181:
177:The Guardian
175:
169:
163:
157:
151:
149:
140:Melody Maker
138:
130:
129:
96:1986–present
62:19 June 1963
2540:1963 births
2190:. Furia.com
1495:Minimum fax
1108:Schoolboy Q
816:The Streets
706:"Aftermath"
603:Mark Fisher
507:Los Angeles
442:(2005) and
215:Berkhamsted
203:Blissed Out
2534:Categories
2194:4 December
1778:22 October
1628:. London:
1535:0814747264
1457:. London:
1426:1593762860
1416:U.S. ed.:
1401:. London:
1371:Full text.
1367:0143036726
1357:U.S. ed.:
1352:0571215696
1342:. London:
1330:0415923735
1315:0316741116
1273:1852422548
1253:1852421991
1243:. London:
1198:Culture II
1176:Goosebumps
1106:featuring
1080:featuring
986:Bitte Orca
728:Maxinquaye
611:hauntology
593:and lower-
543:philosophy
444:Retromania
283:indie rock
222:University
145:freelancer
75:Occupation
58:1963-06-19
18:Retromania
2515:Blissblog
1322:Routledge
1088:Gas Pedal
1038:Metronomy
997:Jewellery
980:Jewellery
886:Worn Copy
535:sexuality
496:glam rock
458:post-punk
408:Joy Press
404:Manhattan
368:post-rock
341:breakbeat
315:freelance
291:pop music
255:A.R. Kane
196:Biography
189:Pitchfork
120:.blogspot
105:Joy Press
70:, England
2499:V2 Music
2459:The Wire
2432:The Wire
2405:The Wire
2378:The Wire
2351:The Wire
2324:The Wire
2297:The Wire
2270:The Wire
2243:The Wire
2216:The Wire
2159:The Wire
2132:The Wire
2105:The Wire
2078:The Wire
2051:The Wire
2024:The Wire
1997:The Wire
1970:The Wire
1943:The Wire
1898:The Wire
1875:The Wire
1852:The Wire
1825:Artforum
1622:(2006).
1439:London:
1383:London:
1324:(1999).
1309:(1998).
1305:Boston:
1287:(2008).
1222:The Wire
1204:The Wire
1182:The Wire
1160:The Wire
1151:eMMplekz
1142:The Wire
1120:The Wire
1094:The Wire
1068:The Wire
1023:The Wire
993:The Wire
958:The Wire
936:The Wire
914:The Wire
892:The Wire
870:The Wire
864:Showtime
850:The Wire
828:The Wire
806:The Wire
784:The Wire
735:The Wire
711:The Wire
691:The Wire
668:Release
653:The Wire
638:and for
628:The Wire
386:' album
380:The Wire
331:hardcore
279:humanism
183:The Wire
118:blissout
1923:Blogger
1904:Blogger
1881:Blogger
1858:Blogger
1854:, 1991"
1563:Sources
1359:Penguin
1104:Tinashe
671:Source
665:Artist
571:Marxist
429:dubstep
376:Insides
251:hip hop
226:Monitor
111:Website
1693:8 July
1661:
1636:
1558:(2006)
1552:(1998)
1533:
1501:
1483:
1465:
1447:
1424:
1409:
1391:
1365:
1350:
1328:
1313:
1291:
1271:
1251:
1130:Future
1082:Iamsu!
1029:only.
999:only.
774:Isolée
722:Tricky
702:Tricky
636:Rewind
561:, and
533:, and
523:gender
446:(2011)
357:gabber
349:techno
327:writer
305:(1998)
289:, and
211:London
205:(1990)
101:Spouse
93:Period
68:London
1797:Uncut
1235:Books
1192:Migos
968:Tie:
763:Uncut
662:Year
645:'
632:'
527:class
498:era,
345:house
2196:2018
1780:2016
1695:2008
1688:Mojo
1659:ISBN
1634:ISBN
1531:ISBN
1518:In:
1499:ISBN
1481:ISBN
1463:ISBN
1445:ISBN
1422:ISBN
1407:ISBN
1389:ISBN
1363:ISBN
1348:ISBN
1326:ISBN
1311:ISBN
1289:ISBN
1269:ISBN
1249:ISBN
1210:2019
1188:2018
1166:2017
1148:2016
1126:2015
1114:2 On
1100:2014
1074:2013
1054:2012
1034:2011
1004:2010
965:2009
942:2008
920:2007
898:2006
876:2005
856:2004
834:2003
812:2002
794:Pulp
790:2001
779:Rest
770:2000
761:and
742:1999
718:1995
698:1994
676:1991
577:and
565:and
541:and
531:race
417:Spin
395:Mojo
355:and
319:rave
287:soul
269:and
249:and
153:Spin
122:.com
52:Born
1682:Hex
402:in
389:Hex
2536::
2457:.
2430:.
2403:.
2376:.
2349:.
2322:.
2295:.
2268:.
2241:.
2214:.
2174:^
2157:.
2130:.
2103:.
2076:.
2049:.
2022:.
1995:.
1968:.
1941:.
1921:.
1902:.
1879:.
1856:.
1823:.
1769:.
1725:,
1686:.
1632:.
1588:^
1570:^
1493:.
1413:.
1369:.
1354:.
1295:.
1013:/
983:/
972:/
765:)
737:)
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693:)
647:s
634:s
557:,
553:,
549:,
529:,
525:,
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347:,
343:,
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174:,
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2501:.
2465:.
2438:.
2411:.
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2357:.
2330:.
2303:.
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2198:.
2165:.
2138:.
2111:.
2084:.
2057:.
2030:.
2003:.
1976:.
1949:.
1925:.
1906:.
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1883:.
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1860:.
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1782:.
1697:.
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1667:.
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1275:.
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1178:"
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1138:"
1134:"
1116:"
1112:"
1090:"
1086:"
56:(
20:)
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